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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 36 107 it is the complementary color RGB 207 219 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 36 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 36 107 shade: RGB 53 36 102, RGB 70 54 121, RGB 87 72 140, RGB 104 90 159 and RGB 121 108 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 36 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 36 107 shade: RGB 48 36 107, RGB 31 18 88, RGB 14 0 69, RGB 0 0 50 and RGB 0 0 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 36 107 shade: RGB 47 35 107, RGB 67 35 107, RGB 86 35 107, RGB 105 35 107 and RGB 107 35 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 36 107 shade: RGB 47 35 107 and RGB 35 35 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 36 107 shade matches the following richer shades: RGB 47 35 107, RGB 40 24 118, RGB 32 12 130 and RGB 24 1 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 36 107 shade: RGB 47 35 107, RGB 55 47 95, RGB 63 58 83, RGB 70 70 72 and RGB 78 81 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 36 107 shade: RGB 35 61 107, RGB 35 42 107, RGB 47 35 107, RGB 66 35 107 and RGB 85 35 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 36 107 shade: RGB 20 15 45, RGB 33 25 76, RGB 47 35 107, RGB 61 46 138 and RGB 75 56 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 36 107 shade: RGB 48 36 107, RGB 107 35 80 and RGB 52 107 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 36 107 shade: RGB 48 36 107, RGB 107 47 35 and RGB 35 107 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 36 107 shade: RGB 48 36 107, RGB 107 35 80, RGB 95 107 35 and RGB 35 107 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 36 107 shade: RGB 48 36 107, RGB 107 35 59, RGB 95 107 35 and RGB 35 107 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 66 / 0 / 58

HEX #30246B

RGB 48 36 107

HSL 250.14, 0.5%, 0.28%

LAB 19.85, 26.41, -39.72

 

Complementary color

CMYK 5 / 0 / 32 / 14

HEX #CFDB94

RGB 207 219 148

HSL 70.14, 0.5%, 0.72%

LAB 85.03, -15.29, 33.63

 

CMYK 48 / 65 / 0 / 60

HEX #352466

RGB 53 36 102

HSL 255.45, 0.48%, 0.27%

LAB 19.96, 25.87, -36.26

 

CMYK 42 / 55 / 0 / 53

HEX #463679

RGB 70 54 121

HSL 254.33, 0.38%, 0.34%

LAB 27.63, 24.44, -36.01

 

CMYK 38 / 49 / 0 / 45

HEX #57488C

RGB 87 72 140

HSL 253.24, 0.32%, 0.42%

LAB 35.11, 23.22, -35.77

 

CMYK 35 / 43 / 0 / 38

HEX #685A9F

RGB 104 90 159

HSL 252.17, 0.28%, 0.49%

LAB 42.4, 22.18, -35.58

 

CMYK 32 / 39 / 0 / 30

HEX #796CB2

RGB 121 108 178

HSL 251.14, 0.31%, 0.56%

LAB 49.5, 21.29, -35.46

 

CMYK 55 / 66 / 0 / 58

HEX #30246B

RGB 48 36 107

HSL 250.14, 0.5%, 0.28%

LAB 19.85, 26.41, -39.72

 

CMYK 65 / 80 / 0 / 65

HEX #1F1258

RGB 31 18 88

HSL 251.14, 0.66%, 0.21%

LAB 12.15, 28.22, -39.78

 

CMYK 80 / 100 / 0 / 73

HEX #0E0045

RGB 14 0 69

HSL 252.17, 1%, 0.14%

LAB 4.72, 28.86, -38.93

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 56 / 67 / 0 / 58

HEX #2F236B

RGB 47 35 107

HSL 250, 0.51%, 0.28%

LAB 19.51, 26.85, -40.28

 

CMYK 37 / 67 / 0 / 58

HEX #43236B

RGB 67 35 107

HSL 266.67, 0.51%, 0.28%

LAB 21.79, 31.33, -36.47

 

CMYK 20 / 67 / 0 / 58

HEX #56236B

RGB 86 35 107

HSL 282.5, 0.51%, 0.28%

LAB 24.46, 36.12, -32.04

 

CMYK 2 / 67 / 0 / 58

HEX #69236B

RGB 105 35 107

HSL 298.33, 0.51%, 0.28%

LAB 27.48, 41.15, -27.04

 

CMYK 0 / 67 / 17 / 58

HEX #6B2359

RGB 107 35 89

HSL 315, 0.51%, 0.28%

LAB 26.87, 38.51, -16.25

 

CMYK 56 / 67 / 0 / 58

HEX #2F236B

RGB 47 35 107

HSL 250, 0.51%, 0.28%

LAB 19.51, 26.85, -40.28

 

CMYK 67 / 67 / 0 / 58

HEX #23236B

RGB 35 35 107

HSL 240, 0.51%, 0.28%

LAB 18.46, 24.64, -42.03

 

CMYK 56 / 67 / 0 / 58

HEX #2F236B

RGB 47 35 107

HSL 250, 0.51%, 0.28%

LAB 19.51, 26.85, -40.28

 

CMYK 66 / 80 / 0 / 54

HEX #281876

RGB 40 24 118

HSL 250.21, 0.66%, 0.28%

LAB 17.52, 36.03, -50.68

 

CMYK 75 / 91 / 0 / 49

HEX #200C82

RGB 32 12 130

HSL 250.17, 0.83%, 0.28%

LAB 16.41, 44.54, -60.2

 

CMYK 83 / 99 / 0 / 45

HEX #18018D

RGB 24 1 141

HSL 249.86, 0.99%, 0.28%

LAB 16.2, 50.96, -67.5

 

CMYK 56 / 67 / 0 / 58

HEX #2F236B

RGB 47 35 107

HSL 250, 0.51%, 0.28%

LAB 19.51, 26.85, -40.28

 

CMYK 42 / 51 / 0 / 63

HEX #372F5F

RGB 55 47 95

HSL 250, 0.34%, 0.28%

LAB 22.55, 16.79, -27.49

 

CMYK 24 / 30 / 0 / 67

HEX #3F3A53

RGB 63 58 83

HSL 252, 0.18%, 0.28%

LAB 25.88, 8.35, -14.33

 

CMYK 3 / 3 / 0 / 72

HEX #464648

RGB 70 70 72

HSL 240, 0.01%, 0.28%

LAB 29.79, 0.45, -1.2

 

CMYK 4 / 0 / 26 / 68

HEX #4E513C

RGB 78 81 60

HSL 68.57, 0.15%, 0.28%

LAB 33.63, -5.33, 11.98

 

CMYK 67 / 43 / 0 / 58

HEX #233D6B

RGB 35 61 107

HSL 218.33, 0.51%, 0.28%

LAB 26.03, 6.38, -29.82

 

CMYK 67 / 61 / 0 / 58

HEX #232A6B

RGB 35 42 107

HSL 234.17, 0.51%, 0.28%

LAB 20.34, 19.78, -38.96

 

CMYK 56 / 67 / 0 / 58

HEX #2F236B

RGB 47 35 107

HSL 250, 0.51%, 0.28%

LAB 19.51, 26.85, -40.28

 

CMYK 38 / 67 / 0 / 58

HEX #42236B

RGB 66 35 107

HSL 265.83, 0.51%, 0.28%

LAB 21.66, 31.09, -36.68

 

CMYK 21 / 67 / 0 / 58

HEX #55236B

RGB 85 35 107

HSL 281.67, 0.51%, 0.28%

LAB 24.31, 35.86, -32.29

 

CMYK 56 / 67 / 0 / 82

HEX #140F2D

RGB 20 15 45

HSL 250, 0.5%, 0.12%

LAB 6.14, 11.62, -19.16

 

CMYK 57 / 67 / 0 / 70

HEX #21194C

RGB 33 25 76

HSL 249.41, 0.5%, 0.2%

LAB 12.86, 19.78, -30.41

 

CMYK 56 / 67 / 0 / 58

HEX #2F236B

RGB 47 35 107

HSL 250, 0.51%, 0.28%

LAB 19.51, 26.85, -40.28

 

CMYK 56 / 67 / 0 / 46

HEX #3D2E8A

RGB 61 46 138

HSL 249.78, 0.5%, 0.36%

LAB 26.1, 32.88, -49.18

 

CMYK 55 / 67 / 0 / 34

HEX #4B38A8

RGB 75 56 168

HSL 250.18, 0.5%, 0.44%

LAB 32.15, 38.92, -57.58

 

CMYK 55 / 66 / 0 / 58

HEX #30246B

RGB 48 36 107

HSL 250.14, 0.5%, 0.28%

LAB 19.85, 26.41, -39.72

 

CMYK 0 / 67 / 25 / 58

HEX #6B2350

RGB 107 35 80

HSL 322.5, 0.51%, 0.28%

LAB 26.47, 37.09, -10.92

 

CMYK 51 / 0 / 67 / 58

HEX #346B23

RGB 52 107 35

HSL 105.83, 0.51%, 0.28%

LAB 40.19, -32.85, 33.8

 

CMYK 55 / 66 / 0 / 58

HEX #30246B

RGB 48 36 107

HSL 250.14, 0.5%, 0.28%

LAB 19.85, 26.41, -39.72

 

CMYK 0 / 56 / 67 / 58

HEX #6B2F23

RGB 107 47 35

HSL 10, 0.51%, 0.28%

LAB 27.52, 25.76, 20.39

 

CMYK 67 / 0 / 56 / 58

HEX #236B2F

RGB 35 107 47

HSL 130, 0.51%, 0.28%

LAB 39.71, -36.05, 26.97

 

CMYK 55 / 66 / 0 / 58

HEX #30246B

RGB 48 36 107

HSL 250.14, 0.5%, 0.28%

LAB 19.85, 26.41, -39.72

 

CMYK 0 / 67 / 25 / 58

HEX #6B2350

RGB 107 35 80

HSL 322.5, 0.51%, 0.28%

LAB 26.47, 37.09, -10.92

 

CMYK 11 / 0 / 67 / 58

HEX #5F6B23

RGB 95 107 35

HSL 70, 0.51%, 0.28%

LAB 42.87, -15.51, 37.48

 

CMYK 67 / 0 / 43 / 58

HEX #236B3D

RGB 35 107 61

HSL 141.67, 0.51%, 0.28%

LAB 39.93, -33.59, 19.4

 

CMYK 55 / 66 / 0 / 58

HEX #30246B

RGB 48 36 107

HSL 250.14, 0.5%, 0.28%

LAB 19.85, 26.41, -39.72

 

CMYK 0 / 67 / 45 / 58

HEX #6B233B

RGB 107 35 59

HSL 340, 0.51%, 0.28%

LAB 25.69, 34.3, 2.02

 

CMYK 11 / 0 / 67 / 58

HEX #5F6B23

RGB 95 107 35

HSL 70, 0.51%, 0.28%

LAB 42.87, -15.51, 37.48

 

CMYK 67 / 0 / 22 / 58

HEX #236B53

RGB 35 107 83

HSL 160, 0.51%, 0.28%

LAB 40.41, -28.55, 7

 

Description

Color code: RGB 48 36 107 | qconv.com Color code: RGB 48 36 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 36 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 36 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 66 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 66% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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