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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 255 203 it is the complementary color RGB 207 0 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 255 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 255 203 shade: RGB 53 255 198, RGB 70 255 217, RGB 87 255 236, RGB 104 255 255 and RGB 121 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 255 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 255 203 shade: RGB 48 255 203, RGB 31 237 184, RGB 14 219 165, RGB 0 201 146 and RGB 0 183 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 255 203 shade: RGB 45 255 202, RGB 45 255 146, RGB 45 255 89, RGB 58 255 45 and RGB 114 255 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 255 203 shade: RGB 45 255 202, RGB 45 251 255, RGB 45 194 255, RGB 45 138 255 and RGB 45 81 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 255 203 shade matches the following richer shades: RGB 45 255 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 255 203 shade: RGB 45 255 202, RGB 62 238 194, RGB 79 221 185, RGB 96 204 177 and RGB 113 187 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 255 203 shade: RGB 45 255 87, RGB 45 255 143, RGB 45 255 199, RGB 45 255 255 and RGB 45 199 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 255 203 shade: RGB 0 218 163, RGB 4 255 192, RGB 45 255 202, RGB 87 255 212 and RGB 128 255 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 255 203 shade: RGB 48 255 203, RGB 45 59 255 and RGB 255 115 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 255 203 shade: RGB 48 255 203, RGB 199 45 255 and RGB 255 199 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 255 203 shade: RGB 48 255 203, RGB 45 59 255, RGB 255 45 101 and RGB 255 241 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 255 203 shade: RGB 48 255 203, RGB 94 45 255, RGB 255 45 101 and RGB 206 255 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 20 / 0

HEX #30FFCB

RGB 48 255 203

HSL 164.93, 1%, 0.59%

LAB 90.07, -59.71, 11.31

 

Complementary color

CMYK 0 / 100 / 75 / 19

HEX #CF0034

RGB 207 0 52

HSL 344.93, 1%, 0.41%

LAB 43.53, 69.45, 33.65

 

CMYK 79 / 0 / 22 / 0

HEX #35FFC6

RGB 53 255 198

HSL 163.07, 1%, 0.6%

LAB 90.02, -60.43, 13.82

 

CMYK 73 / 0 / 15 / 0

HEX #46FFD9

RGB 70 255 217

HSL 167.68, 1%, 0.64%

LAB 90.7, -54.13, 5.02

 

CMYK 66 / 0 / 7 / 0

HEX #57FFEC

RGB 87 255 236

HSL 173.21, 1%, 0.67%

LAB 91.51, -47.16, -3.61

 

CMYK 59 / 0 / 0 / 0

HEX #68FFFF

RGB 104 255 255

HSL 180, 1%, 0.7%

LAB 92.43, -39.62, -12.03

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 81 / 0 / 20 / 0

HEX #30FFCB

RGB 48 255 203

HSL 164.93, 1%, 0.59%

LAB 90.07, -59.71, 11.31

 

CMYK 87 / 0 / 22 / 7

HEX #1FEDB8

RGB 31 237 184

HSL 164.56, 0.85%, 0.53%

LAB 84.13, -58.47, 12.71

 

CMYK 94 / 0 / 25 / 14

HEX #0EDBA5

RGB 14 219 165

HSL 164.2, 0.88%, 0.46%

LAB 78.15, -56.9, 14.23

 

CMYK 100 / 0 / 27 / 21

HEX #00C992

RGB 0 201 146

HSL 163.58, 1%, 0.39%

LAB 72.13, -54.97, 15.88

 

CMYK 100 / 0 / 31 / 28

HEX #00B77F

RGB 0 183 127

HSL 161.64, 1%, 0.36%

LAB 66.06, -52.56, 17.69

 

CMYK 82 / 0 / 21 / 0

HEX #2DFFCA

RGB 45 255 202

HSL 164.86, 1%, 0.59%

LAB 90.02, -60.18, 11.74

 

CMYK 82 / 0 / 43 / 0

HEX #2DFF92

RGB 45 255 146

HSL 148.86, 1%, 0.59%

LAB 88.99, -71.63, 38.64

 

CMYK 82 / 0 / 65 / 0

HEX #2DFF59

RGB 45 255 89

HSL 132.57, 1%, 0.59%

LAB 88.35, -79.38, 63.51

 

CMYK 77 / 0 / 82 / 0

HEX #3AFF2D

RGB 58 255 45

HSL 116.29, 1%, 0.59%

LAB 88.26, -81.13, 77.64

 

CMYK 55 / 0 / 82 / 0

HEX #72FF2D

RGB 114 255 45

HSL 100.29, 1%, 0.59%

LAB 89.53, -70.51, 79.25

 

CMYK 82 / 0 / 21 / 0

HEX #2DFFCA

RGB 45 255 202

HSL 164.86, 1%, 0.59%

LAB 90.02, -60.18, 11.74

 

CMYK 82 / 2 / 0 / 0

HEX #2DFBFF

RGB 45 251 255

HSL 181.14, 1%, 0.59%

LAB 90.22, -44.66, -15.46

 

CMYK 82 / 24 / 0 / 0

HEX #2DC2FF

RGB 45 194 255

HSL 197.43, 1%, 0.59%

LAB 73.78, -17.27, -40.6

 

CMYK 82 / 46 / 0 / 0

HEX #2D8AFF

RGB 45 138 255

HSL 213.43, 1%, 0.59%

LAB 57.99, 14.62, -65.61

 

CMYK 82 / 68 / 0 / 0

HEX #2D51FF

RGB 45 81 255

HSL 229.71, 1%, 0.59%

LAB 43.75, 49.82, -88.82

 

CMYK 82 / 0 / 21 / 0

HEX #2DFFCA

RGB 45 255 202

HSL 164.86, 1%, 0.59%

LAB 90.02, -60.18, 11.74

 

CMYK 82 / 0 / 21 / 0

HEX #2DFFCA

RGB 45 255 202

HSL 164.86, 1%, 0.59%

LAB 90.02, -60.18, 11.74

 

CMYK 74 / 0 / 18 / 7

HEX #3EEEC2

RGB 62 238 194

HSL 165, 0.84%, 0.59%

LAB 85.03, -53.74, 8.81

 

CMYK 64 / 0 / 16 / 13

HEX #4FDDB9

RGB 79 221 185

HSL 164.79, 0.68%, 0.59%

LAB 80.11, -46.45, 6.54

 

CMYK 53 / 0 / 13 / 20

HEX #60CCB1

RGB 96 204 177

HSL 165, 0.51%, 0.59%

LAB 75.36, -37.62, 4.02

 

CMYK 40 / 0 / 10 / 27

HEX #71BBA8

RGB 113 187 168

HSL 164.59, 0.35%, 0.59%

LAB 70.79, -27.53, 2.38

 

CMYK 82 / 0 / 66 / 0

HEX #2DFF57

RGB 45 255 87

HSL 132, 1%, 0.59%

LAB 88.34, -79.57, 64.28

 

CMYK 82 / 0 / 44 / 0

HEX #2DFF8F

RGB 45 255 143

HSL 148, 1%, 0.59%

LAB 88.95, -72.14, 40.04

 

CMYK 82 / 0 / 22 / 0

HEX #2DFFC7

RGB 45 255 199

HSL 164, 1%, 0.59%

LAB 89.95, -60.88, 13.2

 

CMYK 82 / 0 / 0 / 0

HEX #2DFFFF

RGB 45 255 255

HSL 180, 1%, 0.59%

LAB 91.37, -46.41, -13.73

 

CMYK 82 / 22 / 0 / 0

HEX #2DC7FF

RGB 45 199 255

HSL 196, 1%, 0.59%

LAB 75.22, -19.88, -38.36

 

CMYK 100 / 0 / 25 / 15

HEX #00DAA3

RGB 0 218 163

HSL 164.86, 1%, 0.43%

LAB 77.75, -57.41, 14.71

 

CMYK 98 / 0 / 25 / 0

HEX #04FFC0

RGB 4 255 192

HSL 164.94, 1%, 0.51%

LAB 89.56, -64.36, 16.2

 

CMYK 82 / 0 / 21 / 0

HEX #2DFFCA

RGB 45 255 202

HSL 164.86, 1%, 0.59%

LAB 90.02, -60.18, 11.74

 

CMYK 66 / 0 / 17 / 0

HEX #57FFD4

RGB 87 255 212

HSL 164.64, 1%, 0.67%

LAB 90.92, -53.03, 7.96

 

CMYK 50 / 0 / 13 / 0

HEX #80FFDF

RGB 128 255 223

HSL 164.88, 1%, 0.75%

LAB 92.33, -42.87, 4.46

 

CMYK 81 / 0 / 20 / 0

HEX #30FFCB

RGB 48 255 203

HSL 164.93, 1%, 0.59%

LAB 90.07, -59.71, 11.31

 

CMYK 82 / 77 / 0 / 0

HEX #2D3BFF

RGB 45 59 255

HSL 236, 1%, 0.59%

LAB 39.42, 61.92, -95.97

 

CMYK 0 / 55 / 82 / 0

HEX #FF732D

RGB 255 115 45

HSL 20, 1%, 0.59%

LAB 64.73, 49.76, 61.16

 

CMYK 81 / 0 / 20 / 0

HEX #30FFCB

RGB 48 255 203

HSL 164.93, 1%, 0.59%

LAB 90.07, -59.71, 11.31

 

CMYK 22 / 82 / 0 / 0

HEX #C72DFF

RGB 199 45 255

HSL 284, 1%, 0.59%

LAB 53.21, 84.15, -72.76

 

CMYK 0 / 22 / 82 / 0

HEX #FFC72D

RGB 255 199 45

HSL 44, 1%, 0.59%

LAB 83.07, 6.92, 77.01

 

CMYK 81 / 0 / 20 / 0

HEX #30FFCB

RGB 48 255 203

HSL 164.93, 1%, 0.59%

LAB 90.07, -59.71, 11.31

 

CMYK 82 / 77 / 0 / 0

HEX #2D3BFF

RGB 45 59 255

HSL 236, 1%, 0.59%

LAB 39.42, 61.92, -95.97

 

CMYK 0 / 82 / 60 / 0

HEX #FF2D65

RGB 255 45 101

HSL 344, 1%, 0.59%

LAB 56.16, 77.28, 22.03

 

CMYK 0 / 5 / 82 / 0

HEX #FFF12D

RGB 255 241 45

HSL 56, 1%, 0.59%

LAB 93.61, -14.2, 85.89

 

CMYK 81 / 0 / 20 / 0

HEX #30FFCB

RGB 48 255 203

HSL 164.93, 1%, 0.59%

LAB 90.07, -59.71, 11.31

 

CMYK 63 / 82 / 0 / 0

HEX #5E2DFF

RGB 94 45 255

HSL 254, 1%, 0.59%

LAB 40.37, 71.3, -94.31

 

CMYK 0 / 82 / 60 / 0

HEX #FF2D65

RGB 255 45 101

HSL 344, 1%, 0.59%

LAB 56.16, 77.28, 22.03

 

CMYK 19 / 0 / 82 / 0

HEX #CEFF2D

RGB 206 255 45

HSL 74, 1%, 0.59%

LAB 93.81, -40.42, 84.66

 

Description

Color code: RGB 48 255 203 | qconv.com Color code: RGB 48 255 203 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 255 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 255 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 20 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 20% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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