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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 245 85 it is the complementary color RGB 207 10 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 245 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 245 85 shade: RGB 53 245 80, RGB 70 255 99, RGB 87 255 118, RGB 104 255 137 and RGB 121 255 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 245 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 245 85 shade: RGB 48 245 85, RGB 31 227 66, RGB 14 209 47, RGB 0 191 28 and RGB 0 173 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 245 85 shade: RGB 45 245 83, RGB 61 245 45, RGB 115 245 45, RGB 169 245 45 and RGB 223 245 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 245 85 shade: RGB 45 245 83, RGB 45 245 136, RGB 45 245 190, RGB 45 245 244 and RGB 45 191 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 245 85 shade matches the following richer shades: RGB 45 245 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 245 85 shade: RGB 45 245 83, RGB 63 227 94, RGB 81 209 105, RGB 98 191 116 and RGB 116 174 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 245 85 shade: RGB 115 245 45, RGB 62 245 45, RGB 45 245 82, RGB 45 245 135 and RGB 45 245 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 245 85 shade: RGB 9 198 44, RGB 11 238 53, RGB 45 245 83, RGB 84 246 115 and RGB 124 248 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 245 85 shade: RGB 48 245 85, RGB 45 168 245 and RGB 245 45 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 245 85 shade: RGB 48 245 85, RGB 82 45 245 and RGB 245 82 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 245 85 shade: RGB 48 245 85, RGB 45 168 245, RGB 245 45 208 and RGB 245 122 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 245 85 shade: RGB 48 245 85, RGB 45 108 245, RGB 245 45 208 and RGB 245 181 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 65 / 4

HEX #30F555

RGB 48 245 85

HSL 131.27, 0.91%, 0.57%

LAB 85.3, -76.5, 61.77

 

Complementary color

CMYK 0 / 95 / 18 / 19

HEX #CF0AAA

RGB 207 10 170

HSL 311.27, 0.91%, 0.43%

LAB 47.48, 78.16, -33.14

 

CMYK 78 / 0 / 67 / 4

HEX #35F550

RGB 53 245 80

HSL 128.44, 0.91%, 0.58%

LAB 85.32, -76.42, 63.77

 

CMYK 73 / 0 / 61 / 0

HEX #46FF63

RGB 70 255 99

HSL 129.41, 1%, 0.64%

LAB 88.79, -75.32, 60.03

 

CMYK 66 / 0 / 54 / 0

HEX #57FF76

RGB 87 255 118

HSL 131.07, 1%, 0.67%

LAB 89.32, -70.27, 52.44

 

CMYK 59 / 0 / 46 / 0

HEX #68FF89

RGB 104 255 137

HSL 133.11, 1%, 0.7%

LAB 89.98, -64.31, 44.48

 

CMYK 53 / 0 / 39 / 0

HEX #79FF9C

RGB 121 255 156

HSL 135.67, 1%, 0.74%

LAB 90.77, -57.56, 36.35

 

CMYK 80 / 0 / 65 / 4

HEX #30F555

RGB 48 245 85

HSL 131.27, 0.91%, 0.57%

LAB 85.3, -76.5, 61.77

 

CMYK 86 / 0 / 71 / 11

HEX #1FE342

RGB 31 227 66

HSL 130.71, 0.78%, 0.51%

LAB 79.4, -74.53, 62.67

 

CMYK 93 / 0 / 78 / 18

HEX #0ED12F

RGB 14 209 47

HSL 130.15, 0.87%, 0.44%

LAB 73.48, -71.9, 63.12

 

CMYK 100 / 0 / 85 / 25

HEX #00BF1C

RGB 0 191 28

HSL 128.8, 1%, 0.37%

LAB 67.54, -68.53, 62.73

 

CMYK 100 / 0 / 95 / 32

HEX #00AD09

RGB 0 173 9

HSL 123.12, 1%, 0.34%

LAB 61.57, -64.21, 61

 

CMYK 82 / 0 / 66 / 4

HEX #2DF553

RGB 45 245 83

HSL 131.4, 0.91%, 0.57%

LAB 85.24, -77.01, 62.49

 

CMYK 75 / 0 / 82 / 4

HEX #3DF52D

RGB 61 245 45

HSL 115.2, 0.91%, 0.57%

LAB 85.24, -77.84, 74.91

 

CMYK 53 / 0 / 82 / 4

HEX #73F52D

RGB 115 245 45

HSL 99, 0.91%, 0.57%

LAB 86.57, -66.82, 76.61

 

CMYK 31 / 0 / 82 / 4

HEX #A9F52D

RGB 169 245 45

HSL 82.8, 0.91%, 0.57%

LAB 88.89, -49.86, 79.55

 

CMYK 9 / 0 / 82 / 4

HEX #DFF52D

RGB 223 245 45

HSL 66.6, 0.91%, 0.57%

LAB 92.21, -29.2, 83.74

 

CMYK 82 / 0 / 66 / 4

HEX #2DF553

RGB 45 245 83

HSL 131.4, 0.91%, 0.57%

LAB 85.24, -77.01, 62.49

 

CMYK 82 / 0 / 44 / 4

HEX #2DF588

RGB 45 245 136

HSL 147.3, 0.91%, 0.57%

LAB 85.83, -69.99, 39.43

 

CMYK 82 / 0 / 22 / 4

HEX #2DF5BE

RGB 45 245 190

HSL 163.5, 0.91%, 0.57%

LAB 86.79, -59.14, 13.37

 

CMYK 82 / 0 / 0 / 4

HEX #2DF5F4

RGB 45 245 244

HSL 179.7, 0.91%, 0.57%

LAB 88.16, -45.16, -12.81

 

CMYK 82 / 22 / 0 / 4

HEX #2DBFF5

RGB 45 191 245

HSL 196.2, 0.91%, 0.57%

LAB 72.5, -19.07, -37.2

 

CMYK 82 / 0 / 66 / 4

HEX #2DF553

RGB 45 245 83

HSL 131.4, 0.91%, 0.57%

LAB 85.24, -77.01, 62.49

 

CMYK 82 / 0 / 66 / 4

HEX #2DF553

RGB 45 245 83

HSL 131.4, 0.91%, 0.57%

LAB 85.24, -77.01, 62.49

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 61 / 0 / 50 / 18

HEX #51D169

RGB 81 209 105

HSL 131.25, 0.58%, 0.57%

LAB 75.06, -56.88, 41.1

 

CMYK 49 / 0 / 39 / 25

HEX #62BF74

RGB 98 191 116

HSL 131.61, 0.42%, 0.57%

LAB 70.26, -43.85, 29.53

 

CMYK 33 / 0 / 27 / 32

HEX #74AE7F

RGB 116 174 127

HSL 131.38, 0.26%, 0.57%

LAB 66.15, -28.82, 18.27

 

CMYK 53 / 0 / 82 / 4

HEX #73F52D

RGB 115 245 45

HSL 99, 0.91%, 0.57%

LAB 86.57, -66.82, 76.61

 

CMYK 75 / 0 / 82 / 4

HEX #3EF52D

RGB 62 245 45

HSL 114.9, 0.91%, 0.57%

LAB 85.26, -77.7, 74.93

 

CMYK 82 / 0 / 67 / 4

HEX #2DF552

RGB 45 245 82

HSL 131.1, 0.91%, 0.57%

LAB 85.24, -77.11, 62.87

 

CMYK 82 / 0 / 45 / 4

HEX #2DF587

RGB 45 245 135

HSL 147, 0.91%, 0.57%

LAB 85.81, -70.15, 39.9

 

CMYK 82 / 0 / 23 / 4

HEX #2DF5BC

RGB 45 245 188

HSL 162.9, 0.91%, 0.57%

LAB 86.75, -59.6, 14.34

 

CMYK 95 / 0 / 78 / 22

HEX #09C62C

RGB 9 198 44

HSL 131.11, 0.91%, 0.41%

LAB 69.91, -69.2, 60.59

 

CMYK 95 / 0 / 78 / 7

HEX #0BEE35

RGB 11 238 53

HSL 131.1, 0.91%, 0.49%

LAB 82.63, -79.67, 70.13

 

CMYK 82 / 0 / 66 / 4

HEX #2DF553

RGB 45 245 83

HSL 131.4, 0.91%, 0.57%

LAB 85.24, -77.01, 62.49

 

CMYK 66 / 0 / 53 / 4

HEX #54F673

RGB 84 246 115

HSL 131.48, 0.9%, 0.65%

LAB 86.52, -68.13, 50.41

 

CMYK 50 / 0 / 41 / 3

HEX #7CF893

RGB 124 248 147

HSL 131.13, 0.9%, 0.73%

LAB 88.7, -55.49, 38.1

 

CMYK 80 / 0 / 65 / 4

HEX #30F555

RGB 48 245 85

HSL 131.27, 0.91%, 0.57%

LAB 85.3, -76.5, 61.77

 

CMYK 82 / 31 / 0 / 4

HEX #2DA8F5

RGB 45 168 245

HSL 203.1, 0.91%, 0.57%

LAB 65.87, -6.63, -47.59

 

CMYK 0 / 82 / 64 / 4

HEX #F52D58

RGB 245 45 88

HSL 347.1, 0.91%, 0.57%

LAB 54.02, 73.99, 26.6

 

CMYK 80 / 0 / 65 / 4

HEX #30F555

RGB 48 245 85

HSL 131.27, 0.91%, 0.57%

LAB 85.3, -76.5, 61.77

 

CMYK 67 / 82 / 0 / 4

HEX #522DF5

RGB 82 45 245

HSL 251.1, 0.91%, 0.57%

LAB 38.31, 67.69, -92.14

 

CMYK 0 / 67 / 82 / 4

HEX #F5522D

RGB 245 82 45

HSL 11.1, 0.91%, 0.57%

LAB 57.69, 60.61, 54.2

 

CMYK 80 / 0 / 65 / 4

HEX #30F555

RGB 48 245 85

HSL 131.27, 0.91%, 0.57%

LAB 85.3, -76.5, 61.77

 

CMYK 82 / 31 / 0 / 4

HEX #2DA8F5

RGB 45 168 245

HSL 203.1, 0.91%, 0.57%

LAB 65.87, -6.63, -47.59

 

CMYK 0 / 82 / 15 / 4

HEX #F52DD0

RGB 245 45 208

HSL 311.1, 0.91%, 0.57%

LAB 57.89, 85.09, -38.4

 

CMYK 0 / 50 / 82 / 4

HEX #F57A2D

RGB 245 122 45

HSL 23.1, 0.91%, 0.57%

LAB 64.58, 42.63, 60.46

 

CMYK 80 / 0 / 65 / 4

HEX #30F555

RGB 48 245 85

HSL 131.27, 0.91%, 0.57%

LAB 85.3, -76.5, 61.77

 

CMYK 82 / 56 / 0 / 4

HEX #2D6CF5

RGB 45 108 245

HSL 221.1, 0.91%, 0.57%

LAB 49.34, 29.59, -74.07

 

CMYK 0 / 82 / 15 / 4

HEX #F52DD0

RGB 245 45 208

HSL 311.1, 0.91%, 0.57%

LAB 57.89, 85.09, -38.4

 

CMYK 0 / 26 / 82 / 4

HEX #F5B52D

RGB 245 181 45

HSL 40.8, 0.91%, 0.57%

LAB 77.67, 12.04, 71.97

 

Description

Color code: RGB 48 245 85 | qconv.com Color code: RGB 48 245 85 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 245 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 245 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 65 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 65% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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