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Color name
RGB 48 238 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 238 29 it is the complementary color RGB 207 17 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 238 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 238 29 shade: RGB 53 238 24, RGB 70 255 43, RGB 87 255 62, RGB 104 255 81 and RGB 121 255 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 238 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 238 29 shade: RGB 48 238 29, RGB 31 220 10, RGB 14 202 0, RGB 0 184 0 and RGB 0 166 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 238 29 shade: RGB 46 237 27, RGB 103 237 27, RGB 160 237 27, RGB 216 237 27 and RGB 237 202 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 238 29 shade: RGB 46 237 27, RGB 27 237 64, RGB 27 237 121, RGB 27 237 178 and RGB 27 237 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 238 29 shade matches the following richer shades: RGB 46 237 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 238 29 shade: RGB 46 237 27, RGB 62 218 47, RGB 78 198 66, RGB 95 178 86 and RGB 111 158 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 238 29 shade: RGB 160 237 27, RGB 104 237 27, RGB 48 237 27, RGB 27 237 62 and RGB 27 237 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 238 29 shade: RGB 27 169 12, RGB 33 208 15, RGB 46 237 27, RGB 81 240 65 and RGB 116 243 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 238 29 shade: RGB 48 238 29, RGB 27 216 237 and RGB 237 27 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 238 29 shade: RGB 48 238 29, RGB 27 48 237 and RGB 237 27 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 238 29 shade: RGB 48 238 29, RGB 27 216 237, RGB 216 27 237 and RGB 237 48 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 238 29 shade: RGB 48 238 29, RGB 27 153 237, RGB 216 27 237 and RGB 237 111 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 88 / 7

HEX #30EE1D

RGB 48 238 29

HSL 114.55, 0.86%, 0.52%

LAB 82.84, -78.15, 76.11

 

Complementary color

CMYK 8 / 92 / 0 / 11

HEX #CF11E2

RGB 207 17 226

HSL 294.55, 0.86%, 0.48%

LAB 50.87, 85.39, -60.2

 

CMYK 78 / 0 / 90 / 7

HEX #35EE18

RGB 53 238 24

HSL 111.87, 0.86%, 0.51%

LAB 82.9, -77.7, 77.01

 

CMYK 73 / 0 / 83 / 0

HEX #46FF2B

RGB 70 255 43

HSL 112.36, 1%, 0.58%

LAB 88.45, -79.54, 78.34

 

CMYK 66 / 0 / 76 / 0

HEX #57FF3E

RGB 87 255 62

HSL 112.23, 1%, 0.62%

LAB 88.87, -75.6, 73.79

 

CMYK 59 / 0 / 68 / 0

HEX #68FF51

RGB 104 255 81

HSL 112.07, 1%, 0.66%

LAB 89.42, -70.7, 68.05

 

CMYK 53 / 0 / 61 / 0

HEX #79FF64

RGB 121 255 100

HSL 111.87, 1%, 0.7%

LAB 90.09, -64.89, 61.44

 

CMYK 80 / 0 / 88 / 7

HEX #30EE1D

RGB 48 238 29

HSL 114.55, 0.86%, 0.52%

LAB 82.84, -78.15, 76.11

 

CMYK 86 / 0 / 95 / 14

HEX #1FDC0A

RGB 31 220 10

HSL 114, 0.91%, 0.45%

LAB 76.98, -75.32, 73.69

 

CMYK 93 / 0 / 100 / 21

HEX #0ECA00

RGB 14 202 0

HSL 115.84, 1%, 0.4%

LAB 71.1, -71.72, 69.87

 

CMYK 100 / 0 / 100 / 28

HEX #00B800

RGB 0 184 0

HSL 120, 1%, 0.36%

LAB 65.18, -67.45, 65.1

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 81 / 0 / 89 / 7

HEX #2EED1B

RGB 46 237 27

HSL 114.57, 0.85%, 0.52%

LAB 82.5, -78.16, 76.15

 

CMYK 57 / 0 / 89 / 7

HEX #67ED1B

RGB 103 237 27

HSL 98.29, 0.85%, 0.52%

LAB 83.72, -67.82, 77.67

 

CMYK 32 / 0 / 89 / 7

HEX #A0ED1B

RGB 160 237 27

HSL 82, 0.85%, 0.52%

LAB 86.07, -50.31, 80.58

 

CMYK 9 / 0 / 89 / 7

HEX #D8ED1B

RGB 216 237 27

HSL 66, 0.85%, 0.52%

LAB 89.51, -28.74, 84.81

 

CMYK 0 / 15 / 89 / 7

HEX #EDCA1B

RGB 237 202 27

HSL 50, 0.85%, 0.52%

LAB 82.01, -2.7, 79.62

 

CMYK 81 / 0 / 89 / 7

HEX #2EED1B

RGB 46 237 27

HSL 114.57, 0.85%, 0.52%

LAB 82.5, -78.16, 76.15

 

CMYK 89 / 0 / 73 / 7

HEX #1BED40

RGB 27 237 64

HSL 130.57, 0.85%, 0.52%

LAB 82.47, -77.84, 66.51

 

CMYK 89 / 0 / 49 / 7

HEX #1BED79

RGB 27 237 121

HSL 146.86, 0.85%, 0.52%

LAB 83.01, -71.18, 43.09

 

CMYK 89 / 0 / 25 / 7

HEX #1BEDB2

RGB 27 237 178

HSL 163.14, 0.85%, 0.52%

LAB 83.97, -60.1, 15.61

 

CMYK 89 / 0 / 1 / 7

HEX #1BEDEB

RGB 27 237 235

HSL 179.43, 0.85%, 0.52%

LAB 85.4, -45.28, -12.22

 

CMYK 81 / 0 / 89 / 7

HEX #2EED1B

RGB 46 237 27

HSL 114.57, 0.85%, 0.52%

LAB 82.5, -78.16, 76.15

 

CMYK 81 / 0 / 89 / 7

HEX #2EED1B

RGB 46 237 27

HSL 114.57, 0.85%, 0.52%

LAB 82.5, -78.16, 76.15

 

CMYK 72 / 0 / 78 / 15

HEX #3EDA2F

RGB 62 218 47

HSL 114.74, 0.7%, 0.52%

LAB 76.9, -69.46, 66.6

 

CMYK 61 / 0 / 67 / 22

HEX #4EC642

RGB 78 198 66

HSL 114.55, 0.54%, 0.52%

LAB 71.15, -58.21, 54.21

 

CMYK 47 / 0 / 52 / 30

HEX #5FB256

RGB 95 178 86

HSL 114.13, 0.37%, 0.52%

LAB 65.71, -43.71, 39.04

 

CMYK 30 / 0 / 33 / 38

HEX #6F9E6A

RGB 111 158 106

HSL 114.23, 0.21%, 0.52%

LAB 60.67, -26.37, 22.26

 

CMYK 32 / 0 / 89 / 7

HEX #A0ED1B

RGB 160 237 27

HSL 82, 0.85%, 0.52%

LAB 86.07, -50.31, 80.58

 

CMYK 56 / 0 / 89 / 7

HEX #68ED1B

RGB 104 237 27

HSL 98, 0.85%, 0.52%

LAB 83.75, -67.56, 77.71

 

CMYK 80 / 0 / 89 / 7

HEX #30ED1B

RGB 48 237 27

HSL 114, 0.85%, 0.52%

LAB 82.53, -77.94, 76.18

 

CMYK 89 / 0 / 74 / 7

HEX #1BED3E

RGB 27 237 62

HSL 130, 0.85%, 0.52%

LAB 82.46, -77.99, 67.17

 

CMYK 89 / 0 / 50 / 7

HEX #1BED76

RGB 27 237 118

HSL 146, 0.85%, 0.52%

LAB 82.97, -71.64, 44.47

 

CMYK 84 / 0 / 93 / 34

HEX #1BA90C

RGB 27 169 12

HSL 114.27, 0.87%, 0.35%

LAB 60.46, -61.14, 59.73

 

CMYK 84 / 0 / 93 / 18

HEX #21D00F

RGB 33 208 15

HSL 114.4, 0.87%, 0.44%

LAB 73.2, -71.69, 70.02

 

CMYK 81 / 0 / 89 / 7

HEX #2EED1B

RGB 46 237 27

HSL 114.57, 0.85%, 0.52%

LAB 82.5, -78.16, 76.15

 

CMYK 66 / 0 / 73 / 6

HEX #51F041

RGB 81 240 65

HSL 114.51, 0.85%, 0.6%

LAB 84.2, -71.79, 68.17

 

CMYK 52 / 0 / 57 / 5

HEX #74F368

RGB 116 243 104

HSL 114.82, 0.85%, 0.68%

LAB 86.41, -61.34, 55.46

 

CMYK 80 / 0 / 88 / 7

HEX #30EE1D

RGB 48 238 29

HSL 114.55, 0.86%, 0.52%

LAB 82.84, -78.15, 76.11

 

CMYK 89 / 9 / 0 / 7

HEX #1BD8ED

RGB 27 216 237

HSL 186, 0.85%, 0.52%

LAB 79.31, -35.19, -22.47

 

CMYK 0 / 89 / 44 / 7

HEX #ED1B84

RGB 237 27 132

HSL 330, 0.85%, 0.52%

LAB 52.35, 78.47, -2.46

 

CMYK 80 / 0 / 88 / 7

HEX #30EE1D

RGB 48 238 29

HSL 114.55, 0.86%, 0.52%

LAB 82.84, -78.15, 76.11

 

CMYK 89 / 80 / 0 / 7

HEX #1B30ED

RGB 27 48 237

HSL 234, 0.85%, 0.52%

LAB 34.93, 61.07, -93.32

 

CMYK 0 / 89 / 80 / 7

HEX #ED1B30

RGB 237 27 48

HSL 354, 0.85%, 0.52%

LAB 50.69, 73.81, 45.45

 

CMYK 80 / 0 / 88 / 7

HEX #30EE1D

RGB 48 238 29

HSL 114.55, 0.86%, 0.52%

LAB 82.84, -78.15, 76.11

 

CMYK 89 / 9 / 0 / 7

HEX #1BD8ED

RGB 27 216 237

HSL 186, 0.85%, 0.52%

LAB 79.31, -35.19, -22.47

 

CMYK 9 / 89 / 0 / 7

HEX #D81BED

RGB 216 27 237

HSL 294, 0.85%, 0.52%

LAB 53.49, 87.26, -62.12

 

CMYK 0 / 80 / 89 / 7

HEX #ED301B

RGB 237 48 27

HSL 6, 0.85%, 0.52%

LAB 52.06, 69, 56.75

 

CMYK 80 / 0 / 88 / 7

HEX #30EE1D

RGB 48 238 29

HSL 114.55, 0.86%, 0.52%

LAB 82.84, -78.15, 76.11

 

CMYK 89 / 35 / 0 / 7

HEX #1B99ED

RGB 27 153 237

HSL 204, 0.85%, 0.52%

LAB 60.9, -2.24, -51.08

 

CMYK 9 / 89 / 0 / 7

HEX #D81BED

RGB 216 27 237

HSL 294, 0.85%, 0.52%

LAB 53.49, 87.26, -62.12

 

CMYK 0 / 53 / 89 / 7

HEX #ED6F1B

RGB 237 111 27

HSL 24, 0.85%, 0.52%

LAB 61.18, 44.53, 63.56

 

Description

Color code: RGB 48 238 29 | qconv.com Color code: RGB 48 238 29 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 238 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 238 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 88 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 88% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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