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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 237 186 it is the complementary color RGB 207 18 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 237 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 237 186 shade: RGB 53 237 181, RGB 70 255 200, RGB 87 255 219, RGB 104 255 238 and RGB 121 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 237 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 237 186 shade: RGB 48 237 186, RGB 31 219 167, RGB 14 201 148, RGB 0 183 129 and RGB 0 165 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 237 186 shade: RGB 48 237 186, RGB 48 237 135, RGB 48 237 84, RGB 63 237 48 and RGB 114 237 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 237 186 shade: RGB 48 237 186, RGB 48 237 237, RGB 48 186 237, RGB 48 135 237 and RGB 48 84 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 237 186 shade matches the following richer shades: RGB 48 237 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 237 186 shade: RGB 48 237 186, RGB 66 218 177, RGB 84 200 169, RGB 103 182 161 and RGB 121 164 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 237 186 shade: RGB 48 237 83, RGB 48 237 133, RGB 48 237 183, RGB 48 237 233 and RGB 48 189 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 237 186 shade: RGB 16 186 140, RGB 19 224 169, RGB 48 237 186, RGB 86 240 198 and RGB 124 243 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 237 186 shade: RGB 48 237 186, RGB 48 64 237 and RGB 237 108 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 237 186 shade: RGB 48 237 186, RGB 183 48 237 and RGB 237 183 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 237 186 shade: RGB 48 237 186, RGB 48 64 237, RGB 237 48 101 and RGB 237 221 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 237 186 shade: RGB 48 237 186, RGB 89 48 237, RGB 237 48 101 and RGB 196 237 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

Complementary color

CMYK 0 / 91 / 67 / 19

HEX #CF1245

RGB 207 18 69

HSL 343.81, 0.84%, 0.44%

LAB 44.42, 68.36, 24.3

 

CMYK 78 / 0 / 24 / 7

HEX #35EDB5

RGB 53 237 181

HSL 161.74, 0.84%, 0.57%

LAB 84.31, -57.38, 14.55

 

CMYK 73 / 0 / 22 / 0

HEX #46FFC8

RGB 70 255 200

HSL 162.16, 1%, 0.64%

LAB 90.32, -58.14, 13.25

 

CMYK 66 / 0 / 14 / 0

HEX #57FFDB

RGB 87 255 219

HSL 167.14, 1%, 0.67%

LAB 91.08, -51.37, 4.58

 

CMYK 59 / 0 / 7 / 0

HEX #68FFEE

RGB 104 255 238

HSL 173.25, 1%, 0.7%

LAB 91.97, -43.98, -3.91

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 86 / 0 / 24 / 14

HEX #1FDBA7

RGB 31 219 167

HSL 163.4, 0.75%, 0.49%

LAB 78.31, -55.55, 13.41

 

CMYK 93 / 0 / 26 / 21

HEX #0EC994

RGB 14 201 148

HSL 162.99, 0.87%, 0.42%

LAB 72.23, -54.02, 14.97

 

CMYK 100 / 0 / 30 / 28

HEX #00B781

RGB 0 183 129

HSL 162.3, 1%, 0.36%

LAB 66.1, -52.1, 16.66

 

CMYK 100 / 0 / 33 / 35

HEX #00A56E

RGB 0 165 110

HSL 160, 1%, 0.32%

LAB 59.92, -49.63, 18.54

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 80 / 0 / 43 / 7

HEX #30ED87

RGB 48 237 135

HSL 147.62, 0.84%, 0.56%

LAB 83.41, -67.16, 36.82

 

CMYK 80 / 0 / 65 / 7

HEX #30ED54

RGB 48 237 84

HSL 131.43, 0.84%, 0.56%

LAB 82.83, -74.19, 59.46

 

CMYK 73 / 0 / 80 / 7

HEX #3FED30

RGB 63 237 48

HSL 115.24, 0.84%, 0.56%

LAB 82.83, -75.03, 71.91

 

CMYK 52 / 0 / 80 / 7

HEX #72ED30

RGB 114 237 48

HSL 99.05, 0.84%, 0.56%

LAB 84.15, -64.14, 73.62

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 80 / 0 / 0 / 7

HEX #30EDED

RGB 48 237 237

HSL 180, 0.84%, 0.56%

LAB 85.66, -43.4, -12.87

 

CMYK 80 / 22 / 0 / 7

HEX #30BAED

RGB 48 186 237

HSL 196.19, 0.84%, 0.56%

LAB 70.77, -18.87, -35.55

 

CMYK 80 / 43 / 0 / 7

HEX #3087ED

RGB 48 135 237

HSL 212.38, 0.84%, 0.56%

LAB 56.16, 10.05, -58.61

 

CMYK 80 / 65 / 0 / 7

HEX #3054ED

RGB 48 84 237

HSL 228.57, 0.84%, 0.56%

LAB 42.89, 41.95, -80.14

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 70 / 0 / 19 / 15

HEX #42DAB1

RGB 66 218 177

HSL 163.82, 0.67%, 0.56%

LAB 78.74, -49.11, 8.78

 

CMYK 58 / 0 / 16 / 22

HEX #54C8A9

RGB 84 200 169

HSL 163.97, 0.51%, 0.56%

LAB 73.58, -40.22, 5.74

 

CMYK 43 / 0 / 12 / 29

HEX #67B6A1

RGB 103 182 161

HSL 164.05, 0.35%, 0.56%

LAB 68.69, -29.38, 3.12

 

CMYK 26 / 0 / 7 / 36

HEX #79A498

RGB 121 164 152

HSL 163.26, 0.19%, 0.56%

LAB 64.07, -17.13, 1.51

 

CMYK 80 / 0 / 65 / 7

HEX #30ED53

RGB 48 237 83

HSL 131.11, 0.84%, 0.56%

LAB 82.82, -74.29, 59.86

 

CMYK 80 / 0 / 44 / 7

HEX #30ED85

RGB 48 237 133

HSL 146.98, 0.84%, 0.56%

LAB 83.38, -67.5, 37.77

 

CMYK 80 / 0 / 23 / 7

HEX #30EDB7

RGB 48 237 183

HSL 162.86, 0.84%, 0.56%

LAB 84.29, -57.41, 13.47

 

CMYK 80 / 0 / 2 / 7

HEX #30EDE9

RGB 48 237 233

HSL 178.73, 0.84%, 0.56%

LAB 85.54, -44.53, -10.94

 

CMYK 80 / 20 / 0 / 7

HEX #30BDED

RGB 48 189 237

HSL 195.24, 0.84%, 0.56%

LAB 71.65, -20.43, -34.2

 

CMYK 91 / 0 / 25 / 27

HEX #10BA8C

RGB 16 186 140

HSL 163.76, 0.84%, 0.4%

LAB 67.37, -50.01, 12.46

 

CMYK 92 / 0 / 25 / 12

HEX #13E0A9

RGB 19 224 169

HSL 163.9, 0.84%, 0.48%

LAB 79.79, -57.66, 14.43

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 64 / 0 / 18 / 6

HEX #56F0C6

RGB 86 240 198

HSL 163.64, 0.84%, 0.64%

LAB 86.19, -50.24, 8.45

 

CMYK 49 / 0 / 13 / 5

HEX #7CF3D3

RGB 124 243 211

HSL 163.87, 0.83%, 0.72%

LAB 88.49, -41.13, 5.12

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 80 / 73 / 0 / 7

HEX #3040ED

RGB 48 64 237

HSL 234.92, 0.84%, 0.56%

LAB 38.57, 53.71, -87.26

 

CMYK 0 / 54 / 80 / 7

HEX #ED6C30

RGB 237 108 48

HSL 19.05, 0.84%, 0.56%

LAB 60.73, 46.5, 55.22

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 23 / 80 / 0 / 7

HEX #B730ED

RGB 183 48 237

HSL 282.86, 0.84%, 0.56%

LAB 49.85, 77.48, -68.25

 

CMYK 0 / 23 / 80 / 7

HEX #EDB730

RGB 237 183 48

HSL 42.86, 0.84%, 0.56%

LAB 77.33, 7.67, 70.42

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 80 / 73 / 0 / 7

HEX #3040ED

RGB 48 64 237

HSL 234.92, 0.84%, 0.56%

LAB 38.57, 53.71, -87.26

 

CMYK 0 / 80 / 57 / 7

HEX #ED3065

RGB 237 48 101

HSL 343.17, 0.84%, 0.56%

LAB 53.01, 71.94, 17.19

 

CMYK 0 / 7 / 80 / 7

HEX #EDDD30

RGB 237 221 48

HSL 54.92, 0.84%, 0.56%

LAB 86.96, -11.78, 78.88

 

CMYK 80 / 0 / 22 / 7

HEX #30EDBA

RGB 48 237 186

HSL 163.81, 0.84%, 0.56%

LAB 84.35, -56.71, 12

 

CMYK 62 / 80 / 0 / 7

HEX #5930ED

RGB 89 48 237

HSL 253.02, 0.84%, 0.56%

LAB 38.47, 64.9, -87.34

 

CMYK 0 / 80 / 57 / 7

HEX #ED3065

RGB 237 48 101

HSL 343.17, 0.84%, 0.56%

LAB 53.01, 71.94, 17.19

 

CMYK 17 / 0 / 80 / 7

HEX #C4ED30

RGB 196 237 48

HSL 73.02, 0.84%, 0.56%

LAB 88.22, -36.17, 78.81

 

Description

Color code: RGB 48 237 186 | qconv.com Color code: RGB 48 237 186 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 237 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 237 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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