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Color name
RGB 48 217 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 217 78 it is the complementary color RGB 207 38 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 217 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 217 78 shade: RGB 53 217 73, RGB 70 235 92, RGB 87 253 111, RGB 104 255 130 and RGB 121 255 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 217 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 217 78 shade: RGB 48 217 78, RGB 31 199 59, RGB 14 181 40, RGB 0 163 21 and RGB 0 145 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 217 78 shade: RGB 48 217 78, RGB 63 217 48, RGB 109 217 48, RGB 154 217 48 and RGB 200 217 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 217 78 shade: RGB 48 217 78, RGB 48 217 123, RGB 48 217 169, RGB 48 217 214 and RGB 48 173 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 217 78 shade matches the following richer shades: RGB 48 217 78 and RGB 28 236 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 217 78 shade: RGB 48 217 78, RGB 67 197 90, RGB 87 177 103, RGB 107 157 116 and RGB 127 137 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 217 78 shade: RGB 110 217 48, RGB 65 217 48, RGB 48 217 76, RGB 48 217 121 and RGB 48 217 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 217 78 shade: RGB 28 154 50, RGB 34 189 62, RGB 48 217 78, RGB 83 223 107 and RGB 117 229 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 217 78 shade: RGB 48 217 78, RGB 48 155 217 and RGB 217 48 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 217 78 shade: RGB 48 217 78, RGB 76 48 217 and RGB 217 76 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 217 78 shade: RGB 48 217 78, RGB 48 155 217, RGB 217 48 188 and RGB 217 110 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 217 78 shade: RGB 48 217 78, RGB 48 104 217, RGB 217 48 188 and RGB 217 160 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

Complementary color

CMYK 0 / 82 / 14 / 19

HEX #CF26B1

RGB 207 38 177

HSL 310.65, 0.69%, 0.48%

LAB 49.28, 74.79, -34.43

 

CMYK 76 / 0 / 66 / 15

HEX #35D949

RGB 53 217 73

HSL 127.32, 0.68%, 0.53%

LAB 76.6, -68.49, 57.11

 

CMYK 70 / 0 / 61 / 8

HEX #46EB5C

RGB 70 235 92

HSL 128, 0.8%, 0.6%

LAB 82.64, -69.67, 56.02

 

CMYK 66 / 0 / 56 / 1

HEX #57FD6F

RGB 87 253 111

HSL 128.67, 0.98%, 0.67%

LAB 88.65, -70.47, 54.78

 

CMYK 59 / 0 / 49 / 0

HEX #68FF82

RGB 104 255 130

HSL 130.33, 1%, 0.7%

LAB 89.89, -65.31, 47.69

 

CMYK 53 / 0 / 42 / 0

HEX #79FF95

RGB 121 255 149

HSL 132.54, 1%, 0.74%

LAB 90.67, -58.67, 39.66

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 84 / 0 / 70 / 22

HEX #1FC73B

RGB 31 199 59

HSL 130, 0.73%, 0.45%

LAB 70.49, -66.86, 56

 

CMYK 92 / 0 / 78 / 29

HEX #0EB528

RGB 14 181 40

HSL 129.34, 0.86%, 0.38%

LAB 64.4, -64.35, 56.51

 

CMYK 100 / 0 / 87 / 36

HEX #00A315

RGB 0 163 21

HSL 127.73, 1%, 0.32%

LAB 58.27, -61, 56.06

 

CMYK 100 / 0 / 99 / 43

HEX #009102

RGB 0 145 2

HSL 120.83, 1%, 0.28%

LAB 52.12, -56.53, 54.27

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 71 / 0 / 78 / 15

HEX #3FD930

RGB 63 217 48

HSL 114.67, 0.69%, 0.52%

LAB 76.62, -68.92, 66.04

 

CMYK 50 / 0 / 78 / 15

HEX #6DD930

RGB 109 217 48

HSL 98.34, 0.69%, 0.52%

LAB 77.93, -58.29, 67.75

 

CMYK 29 / 0 / 78 / 15

HEX #9AD930

RGB 154 217 48

HSL 82.37, 0.69%, 0.52%

LAB 80.02, -43.36, 70.45

 

CMYK 8 / 0 / 78 / 15

HEX #C8D930

RGB 200 217 48

HSL 66.04, 0.69%, 0.52%

LAB 82.98, -25.25, 74.24

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 78 / 0 / 43 / 15

HEX #30D97B

RGB 48 217 123

HSL 146.63, 0.69%, 0.52%

LAB 77.09, -62.32, 34.61

 

CMYK 78 / 0 / 22 / 15

HEX #30D9A9

RGB 48 217 169

HSL 162.96, 0.69%, 0.52%

LAB 77.95, -52.83, 11.86

 

CMYK 78 / 0 / 1 / 15

HEX #30D9D6

RGB 48 217 214

HSL 178.93, 0.69%, 0.52%

LAB 79.1, -41.04, -10.47

 

CMYK 78 / 20 / 0 / 15

HEX #30ADD9

RGB 48 173 217

HSL 195.62, 0.69%, 0.52%

LAB 66.16, -18.73, -31.78

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 88 / 0 / 72 / 7

HEX #1CEC41

RGB 28 236 65

HSL 130.67, 0.85%, 0.52%

LAB 82.17, -77.41, 65.87

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 66 / 0 / 54 / 23

HEX #43C55A

RGB 67 197 90

HSL 130.62, 0.53%, 0.52%

LAB 70.78, -57.46, 43.03

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 32 / 0 / 26 / 38

HEX #6B9D74

RGB 107 157 116

HSL 130.8, 0.2%, 0.52%

LAB 60.34, -25.47, 16.24

 

CMYK 7 / 0 / 6 / 46

HEX #7F8981

RGB 127 137 129

HSL 132, 0.04%, 0.52%

LAB 56.08, -5.27, 3.03

 

CMYK 49 / 0 / 78 / 15

HEX #6ED930

RGB 110 217 48

HSL 97.99, 0.69%, 0.52%

LAB 77.97, -58, 67.8

 

CMYK 70 / 0 / 78 / 15

HEX #41D930

RGB 65 217 48

HSL 113.96, 0.69%, 0.52%

LAB 76.66, -68.58, 66.09

 

CMYK 78 / 0 / 65 / 15

HEX #30D94C

RGB 48 217 76

HSL 129.94, 0.69%, 0.52%

LAB 76.54, -68.85, 55.81

 

CMYK 78 / 0 / 44 / 15

HEX #30D979

RGB 48 217 121

HSL 145.92, 0.69%, 0.52%

LAB 77.06, -62.66, 35.58

 

CMYK 78 / 0 / 24 / 15

HEX #30D9A6

RGB 48 217 166

HSL 161.89, 0.69%, 0.52%

LAB 77.88, -53.53, 13.36

 

CMYK 82 / 0 / 68 / 40

HEX #1C9A32

RGB 28 154 50

HSL 130.48, 0.69%, 0.36%

LAB 55.67, -53.92, 43.81

 

CMYK 82 / 0 / 67 / 26

HEX #22BD3E

RGB 34 189 62

HSL 130.84, 0.7%, 0.44%

LAB 67.34, -63.19, 51.47

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 63 / 0 / 52 / 13

HEX #53DF6B

RGB 83 223 107

HSL 130.29, 0.69%, 0.6%

LAB 79.43, -61.3, 45.53

 

CMYK 49 / 0 / 40 / 10

HEX #75E589

RGB 117 229 137

HSL 130.71, 0.68%, 0.68%

LAB 82.71, -51.2, 35.23

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 78 / 29 / 0 / 15

HEX #309BD9

RGB 48 155 217

HSL 202.01, 0.69%, 0.52%

LAB 60.85, -8.93, -40.04

 

CMYK 0 / 78 / 60 / 15

HEX #D93057

RGB 217 48 87

HSL 346.15, 0.69%, 0.52%

LAB 48.95, 65.66, 19.54

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 65 / 78 / 0 / 15

HEX #4C30D9

RGB 76 48 217

HSL 249.94, 0.69%, 0.52%

LAB 35.32, 58.06, -81.15

 

CMYK 0 / 65 / 78 / 15

HEX #D94C30

RGB 217 76 48

HSL 9.94, 0.69%, 0.52%

LAB 51.99, 53.81, 45.55

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 78 / 29 / 0 / 15

HEX #309BD9

RGB 48 155 217

HSL 202.01, 0.69%, 0.52%

LAB 60.85, -8.93, -40.04

 

CMYK 0 / 78 / 13 / 15

HEX #D930BC

RGB 217 48 188

HSL 310.3, 0.69%, 0.52%

LAB 52.39, 75.95, -35.85

 

CMYK 0 / 49 / 78 / 15

HEX #D96E30

RGB 217 110 48

HSL 22.01, 0.69%, 0.52%

LAB 58.15, 37.84, 51.7

 

CMYK 78 / 0 / 64 / 15

HEX #30D94E

RGB 48 217 78

HSL 130.65, 0.69%, 0.52%

LAB 76.56, -68.64, 55

 

CMYK 78 / 52 / 0 / 15

HEX #3068D9

RGB 48 104 217

HSL 220.12, 0.69%, 0.52%

LAB 46.36, 21.97, -63.15

 

CMYK 0 / 78 / 13 / 15

HEX #D930BC

RGB 217 48 188

HSL 310.3, 0.69%, 0.52%

LAB 52.39, 75.95, -35.85

 

CMYK 0 / 26 / 78 / 15

HEX #D9A030

RGB 217 160 48

HSL 39.76, 0.69%, 0.52%

LAB 69.55, 11.26, 62.56

 

Description

Color code: RGB 48 217 78 | qconv.com Color code: RGB 48 217 78 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 217 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 217 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 64 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 64% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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