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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 212 63 it is the complementary color RGB 207 43 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 212 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 212 63 shade: RGB 53 212 58, RGB 70 230 77, RGB 87 248 96, RGB 104 255 115 and RGB 121 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 212 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 212 63 shade: RGB 48 212 63, RGB 31 194 44, RGB 14 176 25, RGB 0 158 6 and RGB 0 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 212 63 shade: RGB 47 212 62, RGB 76 212 47, RGB 121 212 47, RGB 165 212 47 and RGB 210 212 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 212 63 shade: RGB 47 212 62, RGB 47 212 107, RGB 47 212 151, RGB 47 212 196 and RGB 47 184 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 212 63 shade matches the following richer shades: RGB 47 212 62, RGB 27 232 46 and RGB 7 252 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 212 63 shade: RGB 47 212 62, RGB 67 192 79, RGB 88 172 95, RGB 108 151 112 and RGB 128 131 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 212 63 shade: RGB 121 212 47, RGB 77 212 47, RGB 47 212 61, RGB 47 212 105 and RGB 47 212 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 212 63 shade: RGB 30 147 40, RGB 37 181 50, RGB 47 212 62, RGB 81 219 94 and RGB 116 226 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 212 63 shade: RGB 48 212 63, RGB 47 165 212 and RGB 212 47 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 212 63 shade: RGB 48 212 63, RGB 61 47 212 and RGB 212 61 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 212 63 shade: RGB 48 212 63, RGB 47 165 212, RGB 212 47 198 and RGB 212 94 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 212 63 shade: RGB 48 212 63, RGB 47 116 212, RGB 212 47 198 and RGB 212 143 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 70 / 17

HEX #30D43F

RGB 48 212 63

HSL 125.49, 0.66%, 0.51%

LAB 74.87, -68.54, 59.14

 

Complementary color

CMYK 0 / 79 / 7 / 19

HEX #CF2BC0

RGB 207 43 192

HSL 305.49, 0.66%, 0.49%

LAB 50.45, 75.71, -41.35

 

CMYK 75 / 0 / 73 / 17

HEX #35D43A

RGB 53 212 58

HSL 121.89, 0.65%, 0.52%

LAB 74.92, -68.25, 61.03

 

CMYK 70 / 0 / 67 / 10

HEX #46E64D

RGB 70 230 77

HSL 122.63, 0.76%, 0.59%

LAB 80.98, -69.59, 60.35

 

CMYK 65 / 0 / 61 / 3

HEX #57F860

RGB 87 248 96

HSL 123.35, 0.92%, 0.66%

LAB 87, -70.49, 59.36

 

CMYK 59 / 0 / 55 / 0

HEX #68FF73

RGB 104 255 115

HSL 124.37, 1%, 0.7%

LAB 89.72, -67.26, 54.37

 

CMYK 53 / 0 / 47 / 0

HEX #79FF86

RGB 121 255 134

HSL 125.82, 1%, 0.74%

LAB 90.46, -60.86, 46.62

 

CMYK 77 / 0 / 70 / 17

HEX #30D43F

RGB 48 212 63

HSL 125.49, 0.66%, 0.51%

LAB 74.87, -68.54, 59.14

 

CMYK 84 / 0 / 77 / 24

HEX #1FC22C

RGB 31 194 44

HSL 124.79, 0.72%, 0.44%

LAB 68.79, -66.55, 59.56

 

CMYK 92 / 0 / 86 / 31

HEX #0EB019

RGB 14 176 25

HSL 124.07, 0.85%, 0.37%

LAB 62.69, -63.78, 59.11

 

CMYK 100 / 0 / 96 / 38

HEX #009E06

RGB 0 158 6

HSL 122.28, 1%, 0.31%

LAB 56.55, -60.1, 57.25

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 78 / 0 / 71 / 17

HEX #2FD43E

RGB 47 212 62

HSL 125.45, 0.66%, 0.51%

LAB 74.85, -68.75, 59.48

 

CMYK 64 / 0 / 78 / 17

HEX #4CD42F

RGB 76 212 47

HSL 109.45, 0.66%, 0.51%

LAB 75.34, -64.89, 65.23

 

CMYK 43 / 0 / 78 / 17

HEX #79D42F

RGB 121 212 47

HSL 93.09, 0.66%, 0.51%

LAB 76.89, -52.78, 67.25

 

CMYK 22 / 0 / 78 / 17

HEX #A5D42F

RGB 165 212 47

HSL 77.09, 0.66%, 0.51%

LAB 79.21, -37.02, 70.23

 

CMYK 1 / 0 / 78 / 17

HEX #D2D42F

RGB 210 212 47

HSL 60.73, 0.66%, 0.51%

LAB 82.38, -18.7, 74.28

 

CMYK 78 / 0 / 71 / 17

HEX #2FD43E

RGB 47 212 62

HSL 125.45, 0.66%, 0.51%

LAB 74.85, -68.75, 59.48

 

CMYK 78 / 0 / 50 / 17

HEX #2FD46B

RGB 47 212 107

HSL 141.82, 0.66%, 0.51%

LAB 75.3, -63.35, 40.27

 

CMYK 78 / 0 / 29 / 17

HEX #2FD497

RGB 47 212 151

HSL 157.82, 0.66%, 0.51%

LAB 76.02, -55.08, 18.7

 

CMYK 78 / 0 / 8 / 17

HEX #2FD4C4

RGB 47 212 196

HSL 174.18, 0.66%, 0.51%

LAB 77.09, -43.95, -3.81

 

CMYK 78 / 13 / 0 / 17

HEX #2FB8D4

RGB 47 184 212

HSL 190.18, 0.66%, 0.51%

LAB 69.21, -26.12, -24.33

 

CMYK 78 / 0 / 71 / 17

HEX #2FD43E

RGB 47 212 62

HSL 125.45, 0.66%, 0.51%

LAB 74.85, -68.75, 59.48

 

CMYK 88 / 0 / 80 / 9

HEX #1BE82E

RGB 27 232 46

HSL 125.56, 0.82%, 0.51%

LAB 80.82, -77.64, 70.41

 

CMYK 97 / 0 / 88 / 1

HEX #07FC1D

RGB 7 252 29

HSL 125.39, 0.98%, 0.51%

LAB 86.88, -84.64, 79.46

 

CMYK 78 / 0 / 71 / 17

HEX #2FD43E

RGB 47 212 62

HSL 125.45, 0.66%, 0.51%

LAB 74.85, -68.75, 59.48

 

CMYK 65 / 0 / 59 / 25

HEX #43C04F

RGB 67 192 79

HSL 125.76, 0.5%, 0.51%

LAB 69.08, -57.08, 46.17

 

CMYK 49 / 0 / 45 / 33

HEX #58AC5F

RGB 88 172 95

HSL 125, 0.34%, 0.51%

LAB 63.68, -41.92, 31.87

 

CMYK 28 / 0 / 26 / 41

HEX #6C9770

RGB 108 151 112

HSL 125.58, 0.17%, 0.51%

LAB 58.5, -22.86, 15.95

 

CMYK 2 / 0 / 2 / 49

HEX #808380

RGB 128 131 128

HSL 120, 0.01%, 0.51%

LAB 54.43, -1.71, 1.22

 

CMYK 43 / 0 / 78 / 17

HEX #79D42F

RGB 121 212 47

HSL 93.09, 0.66%, 0.51%

LAB 76.89, -52.78, 67.25

 

CMYK 64 / 0 / 78 / 17

HEX #4DD42F

RGB 77 212 47

HSL 109.09, 0.66%, 0.51%

LAB 75.37, -64.68, 65.26

 

CMYK 78 / 0 / 71 / 17

HEX #2FD43D

RGB 47 212 61

HSL 125.09, 0.66%, 0.51%

LAB 74.84, -68.84, 59.84

 

CMYK 78 / 0 / 50 / 17

HEX #2FD469

RGB 47 212 105

HSL 141.09, 0.66%, 0.51%

LAB 75.27, -63.65, 41.21

 

CMYK 78 / 0 / 30 / 17

HEX #2FD495

RGB 47 212 149

HSL 157.09, 0.66%, 0.51%

LAB 75.98, -55.52, 19.7

 

CMYK 80 / 0 / 73 / 42

HEX #1E9328

RGB 30 147 40

HSL 125.13, 0.66%, 0.35%

LAB 53.27, -52.35, 45.42

 

CMYK 80 / 0 / 72 / 29

HEX #25B532

RGB 37 181 50

HSL 125.42, 0.66%, 0.43%

LAB 64.7, -61.45, 53.41

 

CMYK 78 / 0 / 71 / 17

HEX #2FD43E

RGB 47 212 62

HSL 125.45, 0.66%, 0.51%

LAB 74.85, -68.75, 59.48

 

CMYK 63 / 0 / 57 / 14

HEX #51DB5E

RGB 81 219 94

HSL 125.65, 0.66%, 0.59%

LAB 78.01, -61.97, 49.84

 

CMYK 49 / 0 / 44 / 11

HEX #74E27E

RGB 116 226 126

HSL 125.45, 0.65%, 0.67%

LAB 81.63, -51.93, 39.3

 

CMYK 77 / 0 / 70 / 17

HEX #30D43F

RGB 48 212 63

HSL 125.49, 0.66%, 0.51%

LAB 74.87, -68.54, 59.14

 

CMYK 78 / 22 / 0 / 17

HEX #2FA5D4

RGB 47 165 212

HSL 197.09, 0.66%, 0.51%

LAB 63.56, -16.26, -33.03

 

CMYK 0 / 78 / 53 / 17

HEX #D42F63

RGB 212 47 99

HSL 341.09, 0.66%, 0.51%

LAB 48.17, 65.41, 10.99

 

CMYK 77 / 0 / 70 / 17

HEX #30D43F

RGB 48 212 63

HSL 125.49, 0.66%, 0.51%

LAB 74.87, -68.54, 59.14

 

CMYK 71 / 78 / 0 / 17

HEX #3D2FD4

RGB 61 47 212

HSL 245.09, 0.66%, 0.51%

LAB 33.52, 55.71, -81.29

 

CMYK 0 / 71 / 78 / 17

HEX #D43D2F

RGB 212 61 47

HSL 5.09, 0.66%, 0.51%

LAB 48.93, 58.01, 42.66

 

CMYK 77 / 0 / 70 / 17

HEX #30D43F

RGB 48 212 63

HSL 125.49, 0.66%, 0.51%

LAB 74.87, -68.54, 59.14

 

CMYK 78 / 22 / 0 / 17

HEX #2FA5D4

RGB 47 165 212

HSL 197.09, 0.66%, 0.51%

LAB 63.56, -16.26, -33.03

 

CMYK 0 / 78 / 7 / 17

HEX #D42FC6

RGB 212 47 198

HSL 305.09, 0.66%, 0.51%

LAB 51.96, 76.58, -42.39

 

CMYK 0 / 56 / 78 / 17

HEX #D45E2F

RGB 212 94 47

HSL 17.09, 0.66%, 0.51%

LAB 54.25, 43.84, 48.06

 

CMYK 77 / 0 / 70 / 17

HEX #30D43F

RGB 48 212 63

HSL 125.49, 0.66%, 0.51%

LAB 74.87, -68.54, 59.14

 

CMYK 78 / 45 / 0 / 17

HEX #2F74D4

RGB 47 116 212

HSL 214.91, 0.66%, 0.51%

LAB 49.31, 12.37, -55.55

 

CMYK 0 / 78 / 7 / 17

HEX #D42FC6

RGB 212 47 198

HSL 305.09, 0.66%, 0.51%

LAB 51.96, 76.58, -42.39

 

CMYK 0 / 33 / 78 / 17

HEX #D48F2F

RGB 212 143 47

HSL 34.91, 0.66%, 0.51%

LAB 64.84, 18.22, 58.33

 

Description

Color code: RGB 48 212 63 | qconv.com Color code: RGB 48 212 63 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 212 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 212 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 70 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 70% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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