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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 206 38 it is the complementary color RGB 207 49 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 206 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 206 38 shade: RGB 53 206 33, RGB 70 224 52, RGB 87 242 71, RGB 104 255 90 and RGB 121 255 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 206 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 206 38 shade: RGB 48 206 38, RGB 31 188 19, RGB 14 170 0, RGB 0 152 0 and RGB 0 134 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 206 38 shade: RGB 47 206 37, RGB 93 206 37, RGB 139 206 37, RGB 184 206 37 and RGB 206 183 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 206 38 shade: RGB 47 206 37, RGB 37 206 73, RGB 37 206 118, RGB 37 206 164 and RGB 37 203 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 206 38 shade matches the following richer shades: RGB 47 206 37 and RGB 30 226 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 206 38 shade: RGB 47 206 37, RGB 65 187 57, RGB 82 167 77, RGB 100 147 97 and RGB 117 127 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 206 38 shade: RGB 139 206 37, RGB 94 206 37, RGB 49 206 37, RGB 37 206 71 and RGB 37 206 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 206 38 shade: RGB 31 137 25, RGB 39 171 31, RGB 47 206 37, RGB 74 220 65 and RGB 108 226 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 206 38 shade: RGB 48 206 38, RGB 37 184 206 and RGB 206 37 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 206 38 shade: RGB 48 206 38, RGB 37 49 206 and RGB 206 37 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 206 38 shade: RGB 48 206 38, RGB 37 184 206, RGB 195 37 206 and RGB 206 60 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 206 38 shade: RGB 48 206 38, RGB 37 133 206, RGB 195 37 206 and RGB 206 111 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 82 / 19

HEX #30CE26

RGB 48 206 38

HSL 116.43, 0.69%, 0.48%

LAB 72.83, -68.46, 65.22

 

Complementary color

CMYK 5 / 77 / 0 / 15

HEX #CF31D9

RGB 207 49 217

HSL 296.43, 0.69%, 0.52%

LAB 52.37, 77.99, -52.68

 

CMYK 74 / 0 / 84 / 19

HEX #35CE21

RGB 53 206 33

HSL 113.06, 0.72%, 0.47%

LAB 72.9, -67.97, 66.57

 

CMYK 69 / 0 / 77 / 12

HEX #46E034

RGB 70 224 52

HSL 113.72, 0.74%, 0.54%

LAB 78.96, -69.64, 67.13

 

CMYK 64 / 0 / 71 / 5

HEX #57F247

RGB 87 242 71

HSL 114.39, 0.87%, 0.61%

LAB 84.99, -70.81, 66.94

 

CMYK 59 / 0 / 65 / 0

HEX #68FF5A

RGB 104 255 90

HSL 114.91, 1%, 0.68%

LAB 89.49, -69.92, 64.68

 

CMYK 53 / 0 / 57 / 0

HEX #79FF6D

RGB 121 255 109

HSL 115.07, 1%, 0.71%

LAB 90.18, -63.95, 57.69

 

CMYK 77 / 0 / 82 / 19

HEX #30CE26

RGB 48 206 38

HSL 116.43, 0.69%, 0.48%

LAB 72.83, -68.46, 65.22

 

CMYK 84 / 0 / 90 / 26

HEX #1FBC13

RGB 31 188 19

HSL 115.74, 0.82%, 0.41%

LAB 66.75, -66.06, 63.95

 

CMYK 92 / 0 / 100 / 33

HEX #0EAA00

RGB 14 170 0

HSL 115.06, 1%, 0.33%

LAB 60.64, -62.85, 61.49

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 77 / 0 / 82 / 19

HEX #2FCE25

RGB 47 206 37

HSL 116.45, 0.7%, 0.48%

LAB 72.81, -68.65, 65.46

 

CMYK 55 / 0 / 82 / 19

HEX #5DCE25

RGB 93 206 37

HSL 100.12, 0.7%, 0.48%

LAB 73.94, -59.3, 66.9

 

CMYK 33 / 0 / 82 / 19

HEX #8BCE25

RGB 139 206 37

HSL 83.79, 0.7%, 0.48%

LAB 75.92, -44.62, 69.43

 

CMYK 11 / 0 / 82 / 19

HEX #B8CE25

RGB 184 206 37

HSL 67.81, 0.7%, 0.48%

LAB 78.73, -26.97, 72.98

 

CMYK 0 / 11 / 82 / 19

HEX #CEB725

RGB 206 183 37

HSL 51.83, 0.7%, 0.48%

LAB 74.27, -6.08, 69.84

 

CMYK 77 / 0 / 82 / 19

HEX #2FCE25

RGB 47 206 37

HSL 116.45, 0.7%, 0.48%

LAB 72.81, -68.65, 65.46

 

CMYK 82 / 0 / 65 / 19

HEX #25CE49

RGB 37 206 73

HSL 132.78, 0.7%, 0.48%

LAB 72.9, -67.01, 53

 

CMYK 82 / 0 / 43 / 19

HEX #25CE76

RGB 37 206 118

HSL 148.76, 0.7%, 0.48%

LAB 73.44, -60.53, 32.38

 

CMYK 82 / 0 / 20 / 19

HEX #25CEA4

RGB 37 206 164

HSL 165.09, 0.7%, 0.48%

LAB 74.33, -50.68, 9.37

 

CMYK 82 / 1 / 0 / 19

HEX #25CBCE

RGB 37 203 206

HSL 181.07, 0.7%, 0.48%

LAB 74.55, -37.95, -12.99

 

CMYK 77 / 0 / 82 / 19

HEX #2FCE25

RGB 47 206 37

HSL 116.45, 0.7%, 0.48%

LAB 72.81, -68.65, 65.46

 

CMYK 87 / 0 / 92 / 11

HEX #1EE212

RGB 30 226 18

HSL 116.54, 0.85%, 0.48%

LAB 78.88, -76.88, 74.36

 

CMYK 77 / 0 / 82 / 19

HEX #2FCE25

RGB 47 206 37

HSL 116.45, 0.7%, 0.48%

LAB 72.81, -68.65, 65.46

 

CMYK 65 / 0 / 70 / 27

HEX #41BB39

RGB 65 187 57

HSL 116.31, 0.53%, 0.48%

LAB 67.25, -58.05, 53.55

 

CMYK 51 / 0 / 54 / 35

HEX #52A74D

RGB 82 167 77

HSL 116.67, 0.37%, 0.48%

LAB 61.63, -44.11, 38.42

 

CMYK 32 / 0 / 34 / 42

HEX #649361

RGB 100 147 97

HSL 116.4, 0.2%, 0.48%

LAB 56.53, -26.29, 21.55

 

CMYK 8 / 0 / 8 / 50

HEX #757F75

RGB 117 127 117

HSL 120, 0.04%, 0.48%

LAB 52.11, -5.74, 4.16

 

CMYK 33 / 0 / 82 / 19

HEX #8BCE25

RGB 139 206 37

HSL 83.79, 0.7%, 0.48%

LAB 75.92, -44.62, 69.43

 

CMYK 54 / 0 / 82 / 19

HEX #5ECE25

RGB 94 206 37

HSL 99.76, 0.7%, 0.48%

LAB 73.97, -59.03, 66.94

 

CMYK 76 / 0 / 82 / 19

HEX #31CE25

RGB 49 206 37

HSL 115.74, 0.7%, 0.48%

LAB 72.85, -68.37, 65.5

 

CMYK 82 / 0 / 66 / 19

HEX #25CE47

RGB 37 206 71

HSL 132.07, 0.7%, 0.48%

LAB 72.89, -67.22, 53.81

 

CMYK 82 / 0 / 44 / 19

HEX #25CE74

RGB 37 206 116

HSL 148.05, 0.7%, 0.48%

LAB 73.41, -60.88, 33.36

 

CMYK 77 / 0 / 82 / 46

HEX #1F8919

RGB 31 137 25

HSL 116.79, 0.69%, 0.32%

LAB 49.8, -50.08, 47.34

 

CMYK 77 / 0 / 82 / 33

HEX #27AB1F

RGB 39 171 31

HSL 116.57, 0.69%, 0.4%

LAB 61.36, -59.4, 56.45

 

CMYK 77 / 0 / 82 / 19

HEX #2FCE25

RGB 47 206 37

HSL 116.45, 0.7%, 0.48%

LAB 72.81, -68.65, 65.46

 

CMYK 66 / 0 / 70 / 14

HEX #4ADC41

RGB 74 220 65

HSL 116.52, 0.69%, 0.56%

LAB 77.89, -66.66, 61.69

 

CMYK 52 / 0 / 56 / 11

HEX #6CE264

RGB 108 226 100

HSL 116.19, 0.68%, 0.64%

LAB 81.02, -57.48, 50.86

 

CMYK 77 / 0 / 82 / 19

HEX #30CE26

RGB 48 206 38

HSL 116.43, 0.69%, 0.48%

LAB 72.83, -68.46, 65.22

 

CMYK 82 / 11 / 0 / 19

HEX #25B8CE

RGB 37 184 206

HSL 187.81, 0.7%, 0.48%

LAB 68.85, -28.94, -21.61

 

CMYK 0 / 82 / 44 / 19

HEX #CE2574

RGB 206 37 116

HSL 331.95, 0.7%, 0.48%

LAB 46.59, 67.87, -1.88

 

CMYK 77 / 0 / 82 / 19

HEX #30CE26

RGB 48 206 38

HSL 116.43, 0.69%, 0.48%

LAB 72.83, -68.46, 65.22

 

CMYK 82 / 76 / 0 / 19

HEX #2531CE

RGB 37 49 206

HSL 235.74, 0.7%, 0.48%

LAB 31.91, 51.11, -80.51

 

CMYK 0 / 82 / 76 / 19

HEX #CE2531

RGB 206 37 49

HSL 355.74, 0.7%, 0.48%

LAB 45.17, 63.66, 37.2

 

CMYK 77 / 0 / 82 / 19

HEX #30CE26

RGB 48 206 38

HSL 116.43, 0.69%, 0.48%

LAB 72.83, -68.46, 65.22

 

CMYK 82 / 11 / 0 / 19

HEX #25B8CE

RGB 37 184 206

HSL 187.81, 0.7%, 0.48%

LAB 68.85, -28.94, -21.61

 

CMYK 5 / 82 / 0 / 19

HEX #C325CE

RGB 195 37 206

HSL 296.09, 0.7%, 0.48%

LAB 48.74, 76.96, -52.3

 

CMYK 0 / 71 / 82 / 19

HEX #CE3C25

RGB 206 60 37

HSL 8.17, 0.7%, 0.48%

LAB 47.61, 56.14, 46.15

 

CMYK 77 / 0 / 82 / 19

HEX #30CE26

RGB 48 206 38

HSL 116.43, 0.69%, 0.48%

LAB 72.83, -68.46, 65.22

 

CMYK 82 / 35 / 0 / 19

HEX #2585CE

RGB 37 133 206

HSL 205.92, 0.7%, 0.48%

LAB 53.63, -1.28, -45.28

 

CMYK 5 / 82 / 0 / 19

HEX #C325CE

RGB 195 37 206

HSL 296.09, 0.7%, 0.48%

LAB 48.74, 76.96, -52.3

 

CMYK 0 / 46 / 82 / 19

HEX #CE6F25

RGB 206 111 37

HSL 26.27, 0.7%, 0.48%

LAB 56.71, 32.52, 54.49

 

Description

Color code: RGB 48 206 38 | qconv.com Color code: RGB 48 206 38 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 206 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 206 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 82 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 82% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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