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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 199 211 it is the complementary color RGB 207 56 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 199 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 199 211 shade: RGB 53 199 206, RGB 70 217 225, RGB 87 235 244, RGB 104 253 255 and RGB 121 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 199 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 199 211 shade: RGB 48 199 211, RGB 31 181 192, RGB 14 163 173, RGB 0 145 154 and RGB 0 127 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 199 211 shade: RGB 48 199 211, RGB 48 155 211, RGB 48 111 211, RGB 48 67 211 and RGB 73 48 211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 199 211 shade: RGB 48 199 211, RGB 48 155 211, RGB 48 111 211, RGB 48 67 211 and RGB 48 48 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 199 211 shade matches the following richer shades: RGB 48 199 211, RGB 28 216 231 and RGB 8 233 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 199 211 shade: RGB 48 199 211, RGB 69 182 191, RGB 89 164 170, RGB 109 147 150 and RGB 129 130 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 199 211 shade: RGB 48 211 135, RGB 48 211 178, RGB 48 200 211, RGB 48 157 211 and RGB 48 113 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 199 211 shade: RGB 31 138 146, RGB 38 170 180, RGB 48 199 211, RGB 82 208 218 and RGB 116 217 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 199 211 shade: RGB 48 199 211, RGB 92 48 211 and RGB 211 157 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 199 211 shade: RGB 48 199 211, RGB 211 48 200 and RGB 200 211 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 199 211 shade: RGB 48 199 211, RGB 92 48 211, RGB 211 59 48 and RGB 167 211 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 199 211 shade: RGB 48 199 211, RGB 140 48 211, RGB 211 59 48 and RGB 119 211 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

Complementary color

CMYK 0 / 73 / 79 / 19

HEX #CF382C

RGB 207 56 44

HSL 4.42, 0.65%, 0.49%

LAB 47.33, 58.11, 42.33

 

CMYK 74 / 3 / 0 / 19

HEX #35C7CE

RGB 53 199 206

HSL 182.75, 0.61%, 0.51%

LAB 73.58, -34.6, -14.41

 

CMYK 69 / 4 / 0 / 12

HEX #46D9E1

RGB 70 217 225

HSL 183.1, 0.72%, 0.58%

LAB 79.82, -35.45, -15.23

 

CMYK 64 / 4 / 0 / 4

HEX #57EBF4

RGB 87 235 244

HSL 183.44, 0.88%, 0.65%

LAB 85.99, -36.09, -15.98

 

CMYK 59 / 1 / 0 / 0

HEX #68FDFF

RGB 104 253 255

HSL 180.79, 1%, 0.7%

LAB 91.87, -38.71, -12.87

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 84 / 6 / 0 / 25

HEX #1FB5C0

RGB 31 181 192

HSL 184.1, 0.72%, 0.44%

LAB 67.39, -32.35, -16.13

 

CMYK 92 / 6 / 0 / 32

HEX #0EA3AD

RGB 14 163 173

HSL 183.77, 0.85%, 0.37%

LAB 61.05, -30.7, -15.12

 

CMYK 100 / 6 / 0 / 40

HEX #00919A

RGB 0 145 154

HSL 183.51, 1%, 0.3%

LAB 54.64, -28.65, -14.01

 

CMYK 100 / 6 / 0 / 47

HEX #007F87

RGB 0 127 135

HSL 183.56, 1%, 0.26%

LAB 48.17, -26.02, -12.74

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 77 / 27 / 0 / 17

HEX #309BD3

RGB 48 155 211

HSL 200.61, 0.65%, 0.51%

LAB 60.58, -11.03, -37.12

 

CMYK 77 / 47 / 0 / 17

HEX #306FD3

RGB 48 111 211

HSL 216.81, 0.65%, 0.51%

LAB 47.88, 15.26, -57.28

 

CMYK 77 / 68 / 0 / 17

HEX #3043D3

RGB 48 67 211

HSL 233.01, 0.65%, 0.51%

LAB 36.64, 43.2, -75.58

 

CMYK 65 / 77 / 0 / 17

HEX #4930D3

RGB 73 48 211

HSL 249.2, 0.65%, 0.51%

LAB 34.46, 56.02, -79.12

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 77 / 27 / 0 / 17

HEX #309BD3

RGB 48 155 211

HSL 200.61, 0.65%, 0.51%

LAB 60.58, -11.03, -37.12

 

CMYK 77 / 47 / 0 / 17

HEX #306FD3

RGB 48 111 211

HSL 216.81, 0.65%, 0.51%

LAB 47.88, 15.26, -57.28

 

CMYK 77 / 68 / 0 / 17

HEX #3043D3

RGB 48 67 211

HSL 233.01, 0.65%, 0.51%

LAB 36.64, 43.2, -75.58

 

CMYK 77 / 77 / 0 / 17

HEX #3030D3

RGB 48 48 211

HSL 240, 0.65%, 0.51%

LAB 32.8, 53.92, -81.92

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 88 / 6 / 0 / 9

HEX #1CD8E7

RGB 28 216 231

HSL 184.43, 0.81%, 0.51%

LAB 79.12, -36.98, -19.56

 

CMYK 97 / 7 / 0 / 2

HEX #08E9FB

RGB 8 233 251

HSL 184.44, 0.97%, 0.51%

LAB 84.64, -39.36, -21.81

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 64 / 5 / 0 / 25

HEX #45B6BF

RGB 69 182 191

HSL 184.43, 0.49%, 0.51%

LAB 68.37, -28.69, -14.01

 

CMYK 48 / 4 / 0 / 33

HEX #59A4AA

RGB 89 164 170

HSL 184.44, 0.32%, 0.51%

LAB 62.99, -21.62, -10.34

 

CMYK 27 / 2 / 0 / 41

HEX #6D9396

RGB 109 147 150

HSL 184.39, 0.16%, 0.51%

LAB 58.34, -12.3, -5.85

 

CMYK 1 / 0 / 0 / 49

HEX #818282

RGB 129 130 130

HSL 180, 0%, 0.51%

LAB 54.29, -0.37, -0.14

 

CMYK 77 / 0 / 36 / 17

HEX #30D387

RGB 48 211 135

HSL 152.02, 0.65%, 0.51%

LAB 75.43, -57.93, 26.28

 

CMYK 77 / 0 / 16 / 17

HEX #30D3B2

RGB 48 211 178

HSL 167.85, 0.65%, 0.51%

LAB 76.33, -48.17, 4.75

 

CMYK 77 / 5 / 0 / 17

HEX #30C8D3

RGB 48 200 211

HSL 184.05, 0.65%, 0.51%

LAB 73.96, -34.11, -16.57

 

CMYK 77 / 26 / 0 / 17

HEX #309DD3

RGB 48 157 211

HSL 199.88, 0.65%, 0.51%

LAB 61.17, -12.14, -36.2

 

CMYK 77 / 46 / 0 / 17

HEX #3071D3

RGB 48 113 211

HSL 216.07, 0.65%, 0.51%

LAB 48.44, 14, -56.38

 

CMYK 79 / 5 / 0 / 43

HEX #1F8A92

RGB 31 138 146

HSL 184.17, 0.65%, 0.35%

LAB 52.45, -25.78, -12.67

 

CMYK 79 / 6 / 0 / 29

HEX #26AAB4

RGB 38 170 180

HSL 184.23, 0.65%, 0.43%

LAB 63.72, -30.19, -14.99

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 62 / 5 / 0 / 15

HEX #52D0DA

RGB 82 208 218

HSL 184.41, 0.65%, 0.59%

LAB 77.26, -31.43, -15.3

 

CMYK 48 / 4 / 0 / 12

HEX #74D9E1

RGB 116 217 225

HSL 184.4, 0.64%, 0.67%

LAB 81.17, -27.39, -13.07

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 56 / 77 / 0 / 17

HEX #5C30D3

RGB 92 48 211

HSL 256.2, 0.65%, 0.51%

LAB 36.16, 58.14, -76.26

 

CMYK 0 / 26 / 77 / 17

HEX #D39D30

RGB 211 157 48

HSL 40.12, 0.65%, 0.51%

LAB 68.15, 10.27, 61.02

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 0 / 77 / 5 / 17

HEX #D330C8

RGB 211 48 200

HSL 304.05, 0.65%, 0.51%

LAB 51.99, 76.41, -43.5

 

CMYK 5 / 0 / 77 / 17

HEX #C8D330

RGB 200 211 48

HSL 64.05, 0.65%, 0.51%

LAB 81.34, -22.36, 72.77

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 56 / 77 / 0 / 17

HEX #5C30D3

RGB 92 48 211

HSL 256.2, 0.65%, 0.51%

LAB 36.16, 58.14, -76.26

 

CMYK 0 / 72 / 77 / 17

HEX #D33B30

RGB 211 59 48

HSL 4.05, 0.65%, 0.51%

LAB 48.5, 58.45, 41.61

 

CMYK 21 / 0 / 77 / 17

HEX #A7D330

RGB 167 211 48

HSL 76.2, 0.65%, 0.51%

LAB 79.05, -35.75, 69.84

 

CMYK 77 / 6 / 0 / 17

HEX #30C7D3

RGB 48 199 211

HSL 184.42, 0.65%, 0.51%

LAB 73.66, -33.63, -17.02

 

CMYK 34 / 77 / 0 / 17

HEX #8C30D3

RGB 140 48 211

HSL 273.87, 0.65%, 0.51%

LAB 41.83, 65.12, -66.75

 

CMYK 0 / 72 / 77 / 17

HEX #D33B30

RGB 211 59 48

HSL 4.05, 0.65%, 0.51%

LAB 48.5, 58.45, 41.61

 

CMYK 44 / 0 / 77 / 17

HEX #77D330

RGB 119 211 48

HSL 93.87, 0.65%, 0.51%

LAB 76.51, -52.98, 66.55

 

Description

Color code: RGB 48 199 211 | qconv.com Color code: RGB 48 199 211 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 199 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 199 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 6 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 6% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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