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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 166 183 it is the complementary color RGB 207 89 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 166 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 166 183 shade: RGB 53 166 178, RGB 70 184 197, RGB 87 202 216, RGB 104 220 235 and RGB 121 238 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 166 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 166 183 shade: RGB 48 166 183, RGB 31 148 164, RGB 14 130 145, RGB 0 112 126 and RGB 0 94 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 166 183 shade: RGB 48 164 181, RGB 48 128 181, RGB 48 92 181, RGB 48 56 181 and RGB 75 48 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 166 183 shade: RGB 48 164 181, RGB 48 128 181, RGB 48 92 181, RGB 48 56 181 and RGB 48 48 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 166 183 shade matches the following richer shades: RGB 48 164 181, RGB 29 178 199 and RGB 11 192 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 166 183 shade: RGB 48 164 181, RGB 66 150 162, RGB 85 136 144, RGB 103 122 125 and RGB 122 108 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 166 183 shade: RGB 48 181 125, RGB 48 181 161, RGB 48 165 181, RGB 48 130 181 and RGB 48 94 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 166 183 shade: RGB 30 105 116, RGB 39 134 148, RGB 48 164 181, RGB 65 187 204 and RGB 98 198 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 166 183 shade: RGB 48 166 183, RGB 90 48 181 and RGB 181 143 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 166 183 shade: RGB 48 166 183, RGB 181 48 165 and RGB 165 181 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 166 183 shade: RGB 48 166 183, RGB 90 48 181, RGB 181 63 48 and RGB 139 181 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 166 183 shade: RGB 48 166 183, RGB 130 48 181, RGB 181 63 48 and RGB 99 181 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 9 / 0 / 28

HEX #30A6B7

RGB 48 166 183

HSL 187.56, 0.58%, 0.45%

LAB 62.78, -26.17, -18.08

 

Complementary color

CMYK 0 / 57 / 65 / 19

HEX #CF5948

RGB 207 89 72

HSL 7.56, 0.58%, 0.55%

LAB 52.82, 45.6, 32.99

 

CMYK 70 / 7 / 0 / 30

HEX #35A6B2

RGB 53 166 178

HSL 185.76, 0.54%, 0.45%

LAB 62.71, -27.07, -15.36

 

CMYK 64 / 7 / 0 / 23

HEX #46B8C5

RGB 70 184 197

HSL 186.14, 0.52%, 0.52%

LAB 69.19, -27.75, -16.08

 

CMYK 60 / 6 / 0 / 15

HEX #57CAD8

RGB 87 202 216

HSL 186.51, 0.62%, 0.59%

LAB 75.59, -28.25, -16.72

 

CMYK 56 / 6 / 0 / 8

HEX #68DCEB

RGB 104 220 235

HSL 186.87, 0.77%, 0.66%

LAB 81.91, -28.61, -17.32

 

CMYK 52 / 6 / 0 / 0

HEX #79EEFE

RGB 121 238 254

HSL 187.22, 0.99%, 0.74%

LAB 88.15, -28.87, -17.88

 

CMYK 74 / 9 / 0 / 28

HEX #30A6B7

RGB 48 166 183

HSL 187.56, 0.58%, 0.45%

LAB 62.78, -26.17, -18.08

 

CMYK 81 / 10 / 0 / 36

HEX #1F94A4

RGB 31 148 164

HSL 187.22, 0.68%, 0.38%

LAB 56.24, -25.01, -17.29

 

CMYK 90 / 10 / 0 / 43

HEX #0E8291

RGB 14 130 145

HSL 186.87, 0.82%, 0.31%

LAB 49.62, -23.43, -16.4

 

CMYK 100 / 11 / 0 / 51

HEX #00707E

RGB 0 112 126

HSL 186.67, 1%, 0.25%

LAB 42.91, -21.37, -15.37

 

CMYK 100 / 12 / 0 / 58

HEX #005E6B

RGB 0 94 107

HSL 187.29, 1%, 0.21%

LAB 36.11, -18.53, -14.15

RGB 0 94 107

CMYK 73 / 9 / 0 / 29

HEX #30A4B5

RGB 48 164 181

HSL 187.67, 0.58%, 0.45%

LAB 62.1, -25.79, -17.99

 

CMYK 73 / 29 / 0 / 29

HEX #3080B5

RGB 48 128 181

HSL 203.91, 0.58%, 0.45%

LAB 51.16, -6.22, -34.88

 

CMYK 73 / 49 / 0 / 29

HEX #305CB5

RGB 48 92 181

HSL 220.15, 0.58%, 0.45%

LAB 40.6, 16.16, -51.66

 

CMYK 73 / 69 / 0 / 29

HEX #3038B5

RGB 48 56 181

HSL 236.39, 0.58%, 0.45%

LAB 31.33, 39.46, -66.76

 

CMYK 59 / 73 / 0 / 29

HEX #4B30B5

RGB 75 48 181

HSL 252.18, 0.58%, 0.45%

LAB 31.68, 47.37, -66.11

 

CMYK 73 / 9 / 0 / 29

HEX #30A4B5

RGB 48 164 181

HSL 187.67, 0.58%, 0.45%

LAB 62.1, -25.79, -17.99

 

CMYK 73 / 29 / 0 / 29

HEX #3080B5

RGB 48 128 181

HSL 203.91, 0.58%, 0.45%

LAB 51.16, -6.22, -34.88

 

CMYK 73 / 49 / 0 / 29

HEX #305CB5

RGB 48 92 181

HSL 220.15, 0.58%, 0.45%

LAB 40.6, 16.16, -51.66

 

CMYK 73 / 69 / 0 / 29

HEX #3038B5

RGB 48 56 181

HSL 236.39, 0.58%, 0.45%

LAB 31.33, 39.46, -66.76

 

CMYK 73 / 73 / 0 / 29

HEX #3030B5

RGB 48 48 181

HSL 240, 0.58%, 0.45%

LAB 29.61, 44.2, -69.59

 

CMYK 73 / 9 / 0 / 29

HEX #30A4B5

RGB 48 164 181

HSL 187.67, 0.58%, 0.45%

LAB 62.1, -25.79, -17.99

 

CMYK 85 / 11 / 0 / 22

HEX #1DB2C7

RGB 29 178 199

HSL 187.41, 0.75%, 0.45%

LAB 66.69, -28.82, -21.05

 

CMYK 95 / 12 / 0 / 15

HEX #0BC0DA

RGB 11 192 218

HSL 187.54, 0.9%, 0.45%

LAB 71.44, -30.37, -24.23

 

CMYK 73 / 9 / 0 / 29

HEX #30A4B5

RGB 48 164 181

HSL 187.67, 0.58%, 0.45%

LAB 62.1, -25.79, -17.99

 

CMYK 59 / 7 / 0 / 36

HEX #4296A2

RGB 66 150 162

HSL 187.5, 0.42%, 0.45%

LAB 57.64, -21.62, -13.96

 

CMYK 41 / 6 / 0 / 44

HEX #558890

RGB 85 136 144

HSL 188.14, 0.26%, 0.45%

LAB 53.55, -14.88, -9.68

 

CMYK 18 / 2 / 0 / 51

HEX #677A7D

RGB 103 122 125

HSL 188.18, 0.1%, 0.45%

LAB 49.84, -6.25, -3.98

 

CMYK 0 / 11 / 12 / 52

HEX #7A6C6B

RGB 122 108 107

HSL 4, 0.07%, 0.45%

LAB 46.87, 5.31, 2.56

 

CMYK 73 / 0 / 31 / 29

HEX #30B57D

RGB 48 181 125

HSL 154.74, 0.58%, 0.45%

LAB 65.87, -48.5, 18.59

 

CMYK 73 / 0 / 11 / 29

HEX #30B5A1

RGB 48 181 161

HSL 170.98, 0.58%, 0.45%

LAB 66.71, -39.71, 0.03

 

CMYK 73 / 9 / 0 / 29

HEX #30A5B5

RGB 48 165 181

HSL 187.22, 0.58%, 0.45%

LAB 62.4, -26.3, -17.53

 

CMYK 73 / 28 / 0 / 29

HEX #3082B5

RGB 48 130 181

HSL 203.01, 0.58%, 0.45%

LAB 51.76, -7.38, -33.94

 

CMYK 73 / 48 / 0 / 29

HEX #305EB5

RGB 48 94 181

HSL 219.25, 0.58%, 0.45%

LAB 41.17, 14.86, -50.75

 

CMYK 74 / 9 / 0 / 55

HEX #1E6974

RGB 30 105 116

HSL 187.67, 0.59%, 0.29%

LAB 40.64, -18.46, -12.74

 

CMYK 74 / 9 / 0 / 42

HEX #278694

RGB 39 134 148

HSL 187.71, 0.58%, 0.37%

LAB 51.4, -22.11, -15.4

 

CMYK 73 / 9 / 0 / 29

HEX #30A4B5

RGB 48 164 181

HSL 187.67, 0.58%, 0.45%

LAB 62.1, -25.79, -17.99

 

CMYK 68 / 8 / 0 / 20

HEX #41BBCC

RGB 65 187 204

HSL 187.34, 0.58%, 0.53%

LAB 70.19, -27.91, -18.42

 

CMYK 54 / 7 / 0 / 16

HEX #62C6D5

RGB 98 198 213

HSL 187.83, 0.58%, 0.61%

LAB 74.69, -25.04, -16.42

 

CMYK 74 / 9 / 0 / 28

HEX #30A6B7

RGB 48 166 183

HSL 187.56, 0.58%, 0.45%

LAB 62.78, -26.17, -18.08

 

CMYK 50 / 73 / 0 / 29

HEX #5A30B5

RGB 90 48 181

HSL 258.95, 0.58%, 0.45%

LAB 33.19, 49.6, -63.58

 

CMYK 0 / 21 / 73 / 29

HEX #B58F30

RGB 181 143 48

HSL 42.86, 0.58%, 0.45%

LAB 61.38, 4.66, 53.39

 

CMYK 74 / 9 / 0 / 28

HEX #30A6B7

RGB 48 166 183

HSL 187.56, 0.58%, 0.45%

LAB 62.78, -26.17, -18.08

 

CMYK 0 / 73 / 9 / 29

HEX #B530A5

RGB 181 48 165

HSL 307.22, 0.58%, 0.45%

LAB 45.16, 64.69, -34.13

 

CMYK 9 / 0 / 73 / 29

HEX #A5B530

RGB 165 181 48

HSL 67.22, 0.58%, 0.45%

LAB 70.36, -22.33, 61.63

 

CMYK 74 / 9 / 0 / 28

HEX #30A6B7

RGB 48 166 183

HSL 187.56, 0.58%, 0.45%

LAB 62.78, -26.17, -18.08

 

CMYK 50 / 73 / 0 / 29

HEX #5A30B5

RGB 90 48 181

HSL 258.95, 0.58%, 0.45%

LAB 33.19, 49.6, -63.58

 

CMYK 0 / 65 / 73 / 29

HEX #B53F30

RGB 181 63 48

HSL 6.77, 0.58%, 0.45%

LAB 43.64, 46.94, 34.76

 

CMYK 23 / 0 / 73 / 29

HEX #8BB530

RGB 139 181 48

HSL 78.95, 0.58%, 0.45%

LAB 68.57, -33.01, 59.29

 

CMYK 74 / 9 / 0 / 28

HEX #30A6B7

RGB 48 166 183

HSL 187.56, 0.58%, 0.45%

LAB 62.78, -26.17, -18.08

 

CMYK 28 / 73 / 0 / 29

HEX #8230B5

RGB 130 48 181

HSL 276.99, 0.58%, 0.45%

LAB 38.19, 56.72, -55.21

 

CMYK 0 / 65 / 73 / 29

HEX #B53F30

RGB 181 63 48

HSL 6.77, 0.58%, 0.45%

LAB 43.64, 46.94, 34.76

 

CMYK 45 / 0 / 73 / 29

HEX #63B530

RGB 99 181 48

HSL 96.99, 0.58%, 0.45%

LAB 66.45, -47.47, 56.49

 

Description

Color code: RGB 48 166 183 | qconv.com Color code: RGB 48 166 183 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 166 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 166 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 9 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 9% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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