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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 157 149 it is the complementary color RGB 207 98 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 157 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 157 149 shade: RGB 53 157 144, RGB 70 175 163, RGB 87 193 182, RGB 104 211 201 and RGB 121 229 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 157 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 157 149 shade: RGB 48 157 149, RGB 31 139 130, RGB 14 121 111, RGB 0 103 92 and RGB 0 85 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 157 149 shade: RGB 47 156 148, RGB 47 156 118, RGB 47 156 89, RGB 47 156 60 and RGB 64 156 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 157 149 shade: RGB 47 156 148, RGB 47 134 156, RGB 47 105 156, RGB 47 76 156 and RGB 47 47 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 157 149 shade matches the following richer shades: RGB 47 156 148, RGB 31 172 162 and RGB 14 189 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 157 149 shade: RGB 47 156 148, RGB 64 139 134, RGB 80 123 119, RGB 97 106 105 and RGB 113 90 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 157 149 shade: RGB 47 156 89, RGB 47 156 118, RGB 47 156 147, RGB 47 136 156 and RGB 47 107 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 157 149 shade: RGB 28 92 88, RGB 38 124 118, RGB 47 156 148, RGB 57 187 178 and RGB 84 202 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 157 149 shade: RGB 48 157 149, RGB 60 47 156 and RGB 156 103 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 157 149 shade: RGB 48 157 149, RGB 147 47 156 and RGB 156 147 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 157 149 shade: RGB 48 157 149, RGB 60 47 156, RGB 156 47 56 and RGB 143 156 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 157 149 shade: RGB 48 157 149, RGB 92 47 156, RGB 156 47 56 and RGB 111 156 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 5 / 38

HEX #309D95

RGB 48 157 149

HSL 175.6, 0.53%, 0.4%

LAB 58.89, -32, -4.73

 

Complementary color

CMYK 0 / 53 / 49 / 19

HEX #CF626A

RGB 207 98 106

HSL 355.6, 0.53%, 0.6%

LAB 55.11, 43.83, 16.29

 

CMYK 66 / 0 / 8 / 38

HEX #359D90

RGB 53 157 144

HSL 172.5, 0.5%, 0.41%

LAB 58.87, -32.63, -1.92

 

CMYK 60 / 0 / 7 / 31

HEX #46AFA3

RGB 70 175 163

HSL 173.14, 0.43%, 0.48%

LAB 65.44, -32.97, -2.87

 

CMYK 55 / 0 / 6 / 24

HEX #57C1B6

RGB 87 193 182

HSL 173.77, 0.46%, 0.55%

LAB 71.92, -33.17, -3.74

 

CMYK 51 / 0 / 5 / 17

HEX #68D3C9

RGB 104 211 201

HSL 174.39, 0.55%, 0.62%

LAB 78.31, -33.26, -4.53

 

CMYK 47 / 0 / 4 / 10

HEX #79E5DC

RGB 121 229 220

HSL 175, 0.68%, 0.69%

LAB 84.62, -33.29, -5.26

 

CMYK 69 / 0 / 5 / 38

HEX #309D95

RGB 48 157 149

HSL 175.6, 0.53%, 0.4%

LAB 58.89, -32, -4.73

 

CMYK 78 / 0 / 6 / 45

HEX #1F8B82

RGB 31 139 130

HSL 175, 0.64%, 0.33%

LAB 52.25, -31.22, -3.68

 

CMYK 88 / 0 / 8 / 53

HEX #0E796F

RGB 14 121 111

HSL 174.39, 0.79%, 0.26%

LAB 45.52, -30.01, -2.46

 

CMYK 100 / 0 / 11 / 60

HEX #00675C

RGB 0 103 92

HSL 173.59, 1%, 0.2%

LAB 38.68, -28.3, -1.05

 

CMYK 100 / 0 / 14 / 67

HEX #005549

RGB 0 85 73

HSL 171.53, 1%, 0.17%

LAB 31.76, -25.62, 0.66

 

CMYK 70 / 0 / 5 / 39

HEX #2F9C94

RGB 47 156 148

HSL 175.6, 0.54%, 0.4%

LAB 58.53, -31.96, -4.71

 

CMYK 70 / 0 / 24 / 39

HEX #2F9C76

RGB 47 156 118

HSL 159.08, 0.54%, 0.4%

LAB 57.74, -39.88, 11.15

 

CMYK 70 / 0 / 43 / 39

HEX #2F9C59

RGB 47 156 89

HSL 143.12, 0.54%, 0.4%

LAB 57.18, -46.03, 26.4

 

CMYK 70 / 0 / 62 / 39

HEX #2F9C3C

RGB 47 156 60

HSL 127.16, 0.54%, 0.4%

LAB 56.79, -50.47, 40.65

 

CMYK 59 / 0 / 70 / 39

HEX #409C2F

RGB 64 156 47

HSL 110.64, 0.54%, 0.4%

LAB 57.15, -48.02, 46.9

 

CMYK 70 / 0 / 5 / 39

HEX #2F9C94

RGB 47 156 148

HSL 175.6, 0.54%, 0.4%

LAB 58.53, -31.96, -4.71

 

CMYK 70 / 14 / 0 / 39

HEX #2F869C

RGB 47 134 156

HSL 192.11, 0.54%, 0.4%

LAB 51.9, -18.34, -19.28

 

CMYK 70 / 33 / 0 / 39

HEX #2F699C

RGB 47 105 156

HSL 208.07, 0.54%, 0.4%

LAB 42.93, -1.6, -33.21

 

CMYK 70 / 51 / 0 / 39

HEX #2F4C9C

RGB 47 76 156

HSL 224.04, 0.54%, 0.4%

LAB 34.34, 17.13, -46.89

 

CMYK 70 / 70 / 0 / 39

HEX #2F2F9C

RGB 47 47 156

HSL 240, 0.54%, 0.4%

LAB 26.84, 36.18, -59.1

 

CMYK 70 / 0 / 5 / 39

HEX #2F9C94

RGB 47 156 148

HSL 175.6, 0.54%, 0.4%

LAB 58.53, -31.96, -4.71

 

CMYK 82 / 0 / 6 / 33

HEX #1FACA2

RGB 31 172 162

HSL 175.74, 0.69%, 0.4%

LAB 63.68, -37.19, -5.01

 

CMYK 93 / 0 / 7 / 26

HEX #0EBDB0

RGB 14 189 176

HSL 175.54, 0.86%, 0.4%

LAB 69.2, -41.77, -4.62

 

CMYK 70 / 0 / 5 / 39

HEX #2F9C94

RGB 47 156 148

HSL 175.6, 0.54%, 0.4%

LAB 58.53, -31.96, -4.71

 

CMYK 54 / 0 / 4 / 45

HEX #408B86

RGB 64 139 134

HSL 176, 0.37%, 0.4%

LAB 53.25, -24.45, -4.42

 

CMYK 35 / 0 / 3 / 52

HEX #507B77

RGB 80 123 119

HSL 174.42, 0.21%, 0.4%

LAB 48.52, -15.79, -2.55

 

CMYK 8 / 0 / 1 / 58

HEX #616A69

RGB 97 106 105

HSL 173.33, 0.04%, 0.4%

LAB 44.05, -3.64, -0.62

 

CMYK 0 / 20 / 19 / 56

HEX #715A5B

RGB 113 90 91

HSL 357.39, 0.11%, 0.4%

LAB 40.54, 9.58, 2.99

 

CMYK 70 / 0 / 43 / 39

HEX #2F9C59

RGB 47 156 89

HSL 143.12, 0.54%, 0.4%

LAB 57.18, -46.03, 26.4

 

CMYK 70 / 0 / 24 / 39

HEX #2F9C76

RGB 47 156 118

HSL 159.08, 0.54%, 0.4%

LAB 57.74, -39.88, 11.15

 

CMYK 70 / 0 / 6 / 39

HEX #2F9C93

RGB 47 156 147

HSL 175.05, 0.54%, 0.4%

LAB 58.5, -32.25, -4.18

 

CMYK 70 / 13 / 0 / 39

HEX #2F889C

RGB 47 136 156

HSL 191.01, 0.54%, 0.4%

LAB 52.52, -19.41, -18.32

 

CMYK 70 / 31 / 0 / 39

HEX #2F6B9C

RGB 47 107 156

HSL 206.97, 0.54%, 0.4%

LAB 43.54, -2.82, -32.24

 

CMYK 70 / 0 / 4 / 64

HEX #1C5C58

RGB 28 92 88

HSL 176.25, 0.53%, 0.24%

LAB 35.21, -20.92, -3.63

 

CMYK 69 / 0 / 5 / 51

HEX #267C76

RGB 38 124 118

HSL 175.81, 0.53%, 0.32%

LAB 47.15, -26.51, -4.16

 

CMYK 70 / 0 / 5 / 39

HEX #2F9C94

RGB 47 156 148

HSL 175.6, 0.54%, 0.4%

LAB 58.53, -31.96, -4.71

 

CMYK 70 / 0 / 5 / 27

HEX #39BBB2

RGB 57 187 178

HSL 175.85, 0.53%, 0.48%

LAB 69.2, -36.57, -5.65

 

CMYK 58 / 0 / 4 / 21

HEX #54CAC1

RGB 84 202 193

HSL 175.42, 0.53%, 0.56%

LAB 74.81, -35.09, -5.46

 

CMYK 69 / 0 / 5 / 38

HEX #309D95

RGB 48 157 149

HSL 175.6, 0.53%, 0.4%

LAB 58.89, -32, -4.73

 

CMYK 62 / 70 / 0 / 39

HEX #3C2F9C

RGB 60 47 156

HSL 247.16, 0.54%, 0.4%

LAB 27.83, 37.97, -57.44

 

CMYK 0 / 34 / 70 / 39

HEX #9C672F

RGB 156 103 47

HSL 30.83, 0.54%, 0.4%

LAB 48.23, 15.89, 39.31

 

CMYK 69 / 0 / 5 / 38

HEX #309D95

RGB 48 157 149

HSL 175.6, 0.53%, 0.4%

LAB 58.89, -32, -4.73

 

CMYK 6 / 70 / 0 / 39

HEX #932F9C

RGB 147 47 156

HSL 295.05, 0.54%, 0.4%

LAB 38.96, 55.71, -38.9

 

CMYK 0 / 6 / 70 / 39

HEX #9C932F

RGB 156 147 47

HSL 55.05, 0.54%, 0.4%

LAB 60.02, -8.77, 51.63

 

CMYK 69 / 0 / 5 / 38

HEX #309D95

RGB 48 157 149

HSL 175.6, 0.53%, 0.4%

LAB 58.89, -32, -4.73

 

CMYK 62 / 70 / 0 / 39

HEX #3C2F9C

RGB 60 47 156

HSL 247.16, 0.54%, 0.4%

LAB 27.83, 37.97, -57.44

 

CMYK 0 / 70 / 64 / 39

HEX #9C2F38

RGB 156 47 56

HSL 355.05, 0.54%, 0.4%

LAB 36.72, 45.59, 20.54

 

CMYK 8 / 0 / 70 / 39

HEX #8F9C2F

RGB 143 156 47

HSL 67.16, 0.54%, 0.4%

LAB 61.5, -19.22, 52.76

 

CMYK 69 / 0 / 5 / 38

HEX #309D95

RGB 48 157 149

HSL 175.6, 0.53%, 0.4%

LAB 58.89, -32, -4.73

 

CMYK 41 / 70 / 0 / 39

HEX #5C2F9C

RGB 92 47 156

HSL 264.77, 0.54%, 0.4%

LAB 31.13, 43.64, -51.91

 

CMYK 0 / 70 / 64 / 39

HEX #9C2F38

RGB 156 47 56

HSL 355.05, 0.54%, 0.4%

LAB 36.72, 45.59, 20.54

 

CMYK 29 / 0 / 70 / 39

HEX #6F9C2F

RGB 111 156 47

HSL 84.77, 0.54%, 0.4%

LAB 59.31, -32.47, 49.83

 

Description

Color code: RGB 48 157 149 | qconv.com Color code: RGB 48 157 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 157 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 157 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 5 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 5% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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