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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 121 127 it is the complementary color RGB 207 134 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 121 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 121 127 shade: RGB 53 121 122, RGB 70 139 141, RGB 87 157 160, RGB 104 175 179 and RGB 121 193 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 121 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 121 127 shade: RGB 48 121 127, RGB 31 103 108, RGB 14 85 89, RGB 0 67 70 and RGB 0 49 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 121 127 shade: RGB 47 119 125, RGB 47 98 125, RGB 47 77 125, RGB 47 56 125 and RGB 59 47 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 121 127 shade: RGB 47 119 125, RGB 47 98 125, RGB 47 77 125, RGB 47 56 125 and RGB 47 47 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 121 127 shade matches the following richer shades: RGB 47 119 125, RGB 33 131 139, RGB 19 143 153 and RGB 5 155 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 121 127 shade: RGB 47 119 125, RGB 61 107 111, RGB 75 95 97, RGB 89 84 83 and RGB 103 72 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 121 127 shade: RGB 47 125 89, RGB 47 125 110, RGB 47 120 125, RGB 47 99 125 and RGB 47 78 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 121 127 shade: RGB 24 62 65, RGB 36 91 95, RGB 47 119 125, RGB 59 148 155 and RGB 70 176 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 121 127 shade: RGB 48 121 127, RGB 68 47 125 and RGB 125 99 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 121 127 shade: RGB 48 121 127, RGB 125 47 120 and RGB 120 125 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 121 127 shade: RGB 48 121 127, RGB 68 47 125, RGB 125 52 47 and RGB 104 125 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 121 127 shade: RGB 48 121 127, RGB 91 47 125, RGB 125 52 47 and RGB 81 125 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 5 / 0 / 50

HEX #30797F

RGB 48 121 127

HSL 184.56, 0.45%, 0.34%

LAB 46.76, -20.46, -10.05

 

Complementary color

CMYK 0 / 35 / 38 / 19

HEX #CF8680

RGB 207 134 128

HSL 4.56, 0.45%, 0.66%

LAB 63.24, 27.29, 14.87

 

CMYK 57 / 1 / 0 / 52

HEX #35797A

RGB 53 121 122

HSL 180.87, 0.39%, 0.34%

LAB 46.76, -20.95, -7.06

 

CMYK 50 / 1 / 0 / 45

HEX #468B8D

RGB 70 139 141

HSL 181.69, 0.34%, 0.41%

LAB 53.7, -21.12, -7.79

 

CMYK 46 / 2 / 0 / 37

HEX #579DA0

RGB 87 157 160

HSL 182.47, 0.3%, 0.48%

LAB 60.5, -21.19, -8.44

 

CMYK 42 / 2 / 0 / 30

HEX #68AFB3

RGB 104 175 179

HSL 183.2, 0.33%, 0.55%

LAB 67.17, -21.21, -9.05

 

CMYK 39 / 3 / 0 / 22

HEX #79C1C6

RGB 121 193 198

HSL 183.9, 0.4%, 0.63%

LAB 73.73, -21.19, -9.63

 

CMYK 62 / 5 / 0 / 50

HEX #30797F

RGB 48 121 127

HSL 184.56, 0.45%, 0.34%

LAB 46.76, -20.46, -10.05

 

CMYK 71 / 5 / 0 / 58

HEX #1F676C

RGB 31 103 108

HSL 183.9, 0.55%, 0.27%

LAB 39.71, -19.88, -9.27

 

CMYK 84 / 4 / 0 / 65

HEX #0E5559

RGB 14 85 89

HSL 183.2, 0.73%, 0.2%

LAB 32.51, -18.87, -8.34

 

CMYK 100 / 4 / 0 / 73

HEX #004346

RGB 0 67 70

HSL 182.57, 1%, 0.14%

LAB 25.13, -17.3, -7.22

 

CMYK 100 / 4 / 0 / 80

HEX #003133

RGB 0 49 51

HSL 182.35, 1%, 0.1%

LAB 17.63, -14.28, -5.69

 

CMYK 62 / 5 / 0 / 51

HEX #2F777D

RGB 47 119 125

HSL 184.62, 0.45%, 0.34%

LAB 46.01, -20.21, -9.99

 

CMYK 62 / 22 / 0 / 51

HEX #2F627D

RGB 47 98 125

HSL 200.77, 0.45%, 0.34%

LAB 39.28, -8.34, -20.26

 

CMYK 62 / 38 / 0 / 51

HEX #2F4D7D

RGB 47 77 125

HSL 216.92, 0.45%, 0.34%

LAB 32.68, 4.88, -30.56

 

CMYK 62 / 55 / 0 / 51

HEX #2F387D

RGB 47 56 125

HSL 233.08, 0.45%, 0.34%

LAB 26.49, 19.09, -40.47

 

CMYK 53 / 62 / 0 / 51

HEX #3B2F7D

RGB 59 47 125

HSL 249.23, 0.45%, 0.34%

LAB 25.09, 27.6, -42.69

 

CMYK 62 / 5 / 0 / 51

HEX #2F777D

RGB 47 119 125

HSL 184.62, 0.45%, 0.34%

LAB 46.01, -20.21, -9.99

 

CMYK 62 / 22 / 0 / 51

HEX #2F627D

RGB 47 98 125

HSL 200.77, 0.45%, 0.34%

LAB 39.28, -8.34, -20.26

 

CMYK 62 / 38 / 0 / 51

HEX #2F4D7D

RGB 47 77 125

HSL 216.92, 0.45%, 0.34%

LAB 32.68, 4.88, -30.56

 

CMYK 62 / 55 / 0 / 51

HEX #2F387D

RGB 47 56 125

HSL 233.08, 0.45%, 0.34%

LAB 26.49, 19.09, -40.47

 

CMYK 62 / 62 / 0 / 51

HEX #2F2F7D

RGB 47 47 125

HSL 240, 0.45%, 0.34%

LAB 24.06, 25.2, -44.41

 

CMYK 62 / 5 / 0 / 51

HEX #2F777D

RGB 47 119 125

HSL 184.62, 0.45%, 0.34%

LAB 46.01, -20.21, -9.99

 

CMYK 76 / 6 / 0 / 45

HEX #21838B

RGB 33 131 139

HSL 184.53, 0.62%, 0.34%

LAB 50, -24.23, -12.28

 

CMYK 88 / 7 / 0 / 40

HEX #138F99

RGB 19 143 153

HSL 184.48, 0.78%, 0.34%

LAB 54.12, -27.06, -14.22

 

CMYK 97 / 7 / 0 / 35

HEX #059BA7

RGB 5 155 167

HSL 184.44, 0.94%, 0.34%

LAB 58.29, -29.09, -15.92

 

CMYK 62 / 5 / 0 / 51

HEX #2F777D

RGB 47 119 125

HSL 184.62, 0.45%, 0.34%

LAB 46.01, -20.21, -9.99

 

CMYK 45 / 4 / 0 / 56

HEX #3D6B6F

RGB 61 107 111

HSL 184.8, 0.29%, 0.34%

LAB 42.24, -14.58, -7.18

 

CMYK 23 / 2 / 0 / 62

HEX #4B5F61

RGB 75 95 97

HSL 185.45, 0.13%, 0.34%

LAB 38.8, -7.04, -3.65

 

CMYK 0 / 6 / 7 / 65

HEX #595453

RGB 89 84 83

HSL 10, 0.03%, 0.34%

LAB 36.16, 1.83, 1.31

 

CMYK 0 / 30 / 33 / 60

HEX #674845

RGB 103 72 69

HSL 5.29, 0.2%, 0.34%

LAB 33.87, 12.8, 7.07

 

CMYK 62 / 0 / 29 / 51

HEX #2F7D59

RGB 47 125 89

HSL 152.31, 0.45%, 0.34%

LAB 46.97, -32.95, 12.69

 

CMYK 62 / 0 / 12 / 51

HEX #2F7D6E

RGB 47 125 110

HSL 168.46, 0.45%, 0.34%

LAB 47.49, -27.67, 1.1

 

CMYK 62 / 4 / 0 / 51

HEX #2F787D

RGB 47 120 125

HSL 183.85, 0.45%, 0.34%

LAB 46.34, -20.74, -9.5

 

CMYK 62 / 21 / 0 / 51

HEX #2F637D

RGB 47 99 125

HSL 200, 0.45%, 0.34%

LAB 39.6, -8.94, -19.76

 

CMYK 62 / 38 / 0 / 51

HEX #2F4E7D

RGB 47 78 125

HSL 216.15, 0.45%, 0.34%

LAB 32.99, 4.22, -30.08

 

CMYK 63 / 5 / 0 / 75

HEX #183E41

RGB 24 62 65

HSL 184.39, 0.46%, 0.17%

LAB 23.74, -12.35, -5.93

 

CMYK 62 / 4 / 0 / 63

HEX #245B5F

RGB 36 91 95

HSL 184.07, 0.45%, 0.26%

LAB 35.37, -16.58, -7.74

 

CMYK 62 / 5 / 0 / 51

HEX #2F777D

RGB 47 119 125

HSL 184.62, 0.45%, 0.34%

LAB 46.01, -20.21, -9.99

 

CMYK 62 / 5 / 0 / 39

HEX #3B949B

RGB 59 148 155

HSL 184.38, 0.45%, 0.42%

LAB 56.56, -23.99, -11.6

 

CMYK 62 / 5 / 0 / 27

HEX #46B0B9

RGB 70 176 185

HSL 184.7, 0.45%, 0.5%

LAB 66.41, -27.31, -13.65

 

CMYK 62 / 5 / 0 / 50

HEX #30797F

RGB 48 121 127

HSL 184.56, 0.45%, 0.34%

LAB 46.76, -20.46, -10.05

 

CMYK 46 / 62 / 0 / 51

HEX #442F7D

RGB 68 47 125

HSL 256.15, 0.45%, 0.34%

LAB 25.99, 29.61, -41.19

 

CMYK 0 / 21 / 62 / 51

HEX #7D632F

RGB 125 99 47

HSL 40, 0.45%, 0.34%

LAB 43.49, 4.01, 32.99

 

CMYK 62 / 5 / 0 / 50

HEX #30797F

RGB 48 121 127

HSL 184.56, 0.45%, 0.34%

LAB 46.76, -20.46, -10.05

 

CMYK 0 / 62 / 4 / 51

HEX #7D2F78

RGB 125 47 120

HSL 303.85, 0.45%, 0.34%

LAB 33.45, 43.55, -25.68

 

CMYK 4 / 0 / 62 / 51

HEX #787D2F

RGB 120 125 47

HSL 63.85, 0.45%, 0.34%

LAB 50.53, -13.05, 40.73

 

CMYK 62 / 5 / 0 / 50

HEX #30797F

RGB 48 121 127

HSL 184.56, 0.45%, 0.34%

LAB 46.76, -20.46, -10.05

 

CMYK 46 / 62 / 0 / 51

HEX #442F7D

RGB 68 47 125

HSL 256.15, 0.45%, 0.34%

LAB 25.99, 29.61, -41.19

 

CMYK 0 / 58 / 62 / 51

HEX #7D342F

RGB 125 52 47

HSL 3.85, 0.45%, 0.34%

LAB 31.86, 31.32, 18.87

 

CMYK 17 / 0 / 62 / 51

HEX #687D2F

RGB 104 125 47

HSL 76.15, 0.45%, 0.34%

LAB 49.27, -20.11, 38.99

 

CMYK 62 / 5 / 0 / 50

HEX #30797F

RGB 48 121 127

HSL 184.56, 0.45%, 0.34%

LAB 46.76, -20.46, -10.05

 

CMYK 27 / 62 / 0 / 51

HEX #5B2F7D

RGB 91 47 125

HSL 273.85, 0.45%, 0.34%

LAB 28.74, 35.32, -36.61

 

CMYK 0 / 58 / 62 / 51

HEX #7D342F

RGB 125 52 47

HSL 3.85, 0.45%, 0.34%

LAB 31.86, 31.32, 18.87

 

CMYK 35 / 0 / 62 / 51

HEX #517D2F

RGB 81 125 47

HSL 93.85, 0.45%, 0.34%

LAB 47.78, -29.49, 36.92

 

Description

Color code: RGB 48 121 127 | qconv.com Color code: RGB 48 121 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 121 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 121 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 5 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 5% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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