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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 109 107 it is the complementary color RGB 207 146 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 109 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 109 107 shade: RGB 53 109 102, RGB 70 127 121, RGB 87 145 140, RGB 104 163 159 and RGB 121 181 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 109 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 109 107 shade: RGB 48 109 107, RGB 31 91 88, RGB 14 73 69, RGB 0 55 50 and RGB 0 37 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 109 107 shade: RGB 48 109 107, RGB 48 109 91, RGB 48 109 74, RGB 48 109 57 and RGB 55 109 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 109 107 shade: RGB 48 109 107, RGB 48 95 109, RGB 48 78 109, RGB 48 62 109 and RGB 48 48 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 109 107 shade matches the following richer shades: RGB 48 109 107, RGB 35 122 119, RGB 22 135 131 and RGB 9 148 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 109 107 shade: RGB 48 109 107, RGB 61 97 95, RGB 73 84 83, RGB 86 71 72 and RGB 99 58 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 109 107 shade: RGB 48 109 74, RGB 48 109 91, RGB 48 109 107, RGB 48 95 109 and RGB 48 79 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 109 107 shade: RGB 23 52 51, RGB 35 81 79, RGB 48 109 107, RGB 60 138 136 and RGB 73 167 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 109 107 shade: RGB 48 109 107, RGB 58 48 109 and RGB 109 83 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 109 107 shade: RGB 48 109 107, RGB 107 48 109 and RGB 109 107 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 109 107 shade: RGB 48 109 107, RGB 58 48 109, RGB 109 48 50 and RGB 99 109 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 109 107 shade: RGB 48 109 107, RGB 76 48 109, RGB 109 48 50 and RGB 81 109 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

Complementary color

CMYK 0 / 29 / 29 / 19

HEX #CF9294

RGB 207 146 148

HSL 358.03, 0.39%, 0.69%

LAB 66.49, 23.32, 8.18

 

CMYK 51 / 0 / 6 / 57

HEX #356D66

RGB 53 109 102

HSL 172.5, 0.35%, 0.32%

LAB 42.24, -20.33, -1.77

 

CMYK 45 / 0 / 5 / 50

HEX #467F79

RGB 70 127 121

HSL 173.68, 0.29%, 0.39%

LAB 49.33, -20.28, -2.59

 

CMYK 40 / 0 / 3 / 43

HEX #57918C

RGB 87 145 140

HSL 174.83, 0.25%, 0.45%

LAB 56.26, -20.19, -3.33

 

CMYK 36 / 0 / 2 / 36

HEX #68A39F

RGB 104 163 159

HSL 175.93, 0.24%, 0.52%

LAB 63.04, -20.08, -4.02

 

CMYK 33 / 0 / 2 / 29

HEX #79B5B2

RGB 121 181 178

HSL 177, 0.29%, 0.59%

LAB 69.7, -19.96, -4.66

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 66 / 0 / 3 / 64

HEX #1F5B58

RGB 31 91 88

HSL 177, 0.49%, 0.24%

LAB 34.96, -19.82, -4

 

CMYK 81 / 0 / 5 / 71

HEX #0E4945

RGB 14 73 69

HSL 175.93, 0.68%, 0.17%

LAB 27.54, -19.17, -2.93

 

CMYK 100 / 0 / 9 / 78

HEX #003732

RGB 0 55 50

HSL 174.55, 1%, 0.11%

LAB 19.89, -18.03, -1.63

 

CMYK 100 / 0 / 16 / 85

HEX #00251F

RGB 0 37 31

HSL 170.27, 1%, 0.07%

LAB 12.1, -15.01, 0.27

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 56 / 0 / 17 / 57

HEX #306D5B

RGB 48 109 91

HSL 162.3, 0.39%, 0.31%

LAB 41.72, -24.54, 4.1

 

CMYK 56 / 0 / 32 / 57

HEX #306D4A

RGB 48 109 74

HSL 145.57, 0.39%, 0.31%

LAB 41.31, -28.61, 13.71

 

CMYK 56 / 0 / 48 / 57

HEX #306D39

RGB 48 109 57

HSL 128.85, 0.39%, 0.31%

LAB 40.99, -31.91, 23.15

 

CMYK 50 / 0 / 56 / 57

HEX #376D30

RGB 55 109 48

HSL 113.11, 0.39%, 0.31%

LAB 41.16, -31.17, 28.36

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 56 / 13 / 0 / 57

HEX #305F6D

RGB 48 95 109

HSL 193.77, 0.39%, 0.31%

LAB 37.69, -11.66, -12.87

 

CMYK 56 / 28 / 0 / 57

HEX #304E6D

RGB 48 78 109

HSL 210.49, 0.39%, 0.31%

LAB 32.22, -1.25, -21.3

 

CMYK 56 / 43 / 0 / 57

HEX #303E6D

RGB 48 62 109

HSL 226.23, 0.39%, 0.31%

LAB 27.24, 9.37, -29.13

 

CMYK 56 / 56 / 0 / 57

HEX #30306D

RGB 48 48 109

HSL 240, 0.39%, 0.31%

LAB 23.16, 19.02, -35.66

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 71 / 0 / 2 / 52

HEX #237A77

RGB 35 122 119

HSL 177.93, 0.55%, 0.31%

LAB 46.46, -25.68, -5.79

 

CMYK 84 / 0 / 3 / 47

HEX #168783

RGB 22 135 131

HSL 177.88, 0.72%, 0.31%

LAB 50.85, -29.92, -6.35

 

CMYK 94 / 0 / 3 / 42

HEX #09948F

RGB 9 148 143

HSL 177.84, 0.89%, 0.31%

LAB 55.3, -33.21, -6.69

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 37 / 0 / 2 / 62

HEX #3D615F

RGB 61 97 95

HSL 176.67, 0.23%, 0.31%

LAB 38.49, -13.38, -2.97

 

CMYK 13 / 0 / 1 / 67

HEX #495453

RGB 73 84 83

HSL 174.55, 0.07%, 0.31%

LAB 34.77, -4.55, -0.89

 

CMYK 0 / 17 / 16 / 66

HEX #564748

RGB 86 71 72

HSL 356, 0.1%, 0.31%

LAB 31.7, 6.55, 1.78

 

CMYK 0 / 41 / 39 / 61

HEX #633A3C

RGB 99 58 60

HSL 357.07, 0.26%, 0.31%

LAB 29.43, 18.42, 6.51

 

CMYK 56 / 0 / 32 / 57

HEX #306D4A

RGB 48 109 74

HSL 145.57, 0.39%, 0.31%

LAB 41.31, -28.61, 13.71

 

CMYK 56 / 0 / 17 / 57

HEX #306D5B

RGB 48 109 91

HSL 162.3, 0.39%, 0.31%

LAB 41.72, -24.54, 4.1

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 56 / 13 / 0 / 57

HEX #305F6D

RGB 48 95 109

HSL 193.77, 0.39%, 0.31%

LAB 37.69, -11.66, -12.87

 

CMYK 56 / 28 / 0 / 57

HEX #304F6D

RGB 48 79 109

HSL 209.51, 0.39%, 0.31%

LAB 32.53, -1.88, -20.8

 

CMYK 56 / 0 / 2 / 80

HEX #173433

RGB 23 52 51

HSL 177.93, 0.39%, 0.15%

LAB 19.55, -11.17, -2.74

 

CMYK 57 / 0 / 2 / 68

HEX #23514F

RGB 35 81 79

HSL 177.39, 0.4%, 0.23%

LAB 31.36, -16.22, -3.63

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 57 / 0 / 1 / 46

HEX #3C8A88

RGB 60 138 136

HSL 178.46, 0.39%, 0.39%

LAB 52.86, -24.24, -6.18

 

CMYK 56 / 0 / 2 / 35

HEX #49A7A4

RGB 73 167 164

HSL 178.09, 0.39%, 0.47%

LAB 63.12, -28.27, -6.85

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 47 / 56 / 0 / 57

HEX #3A306D

RGB 58 48 109

HSL 249.84, 0.39%, 0.31%

LAB 24.06, 21.46, -34.16

 

CMYK 0 / 24 / 56 / 57

HEX #6D5330

RGB 109 83 48

HSL 34.43, 0.39%, 0.31%

LAB 37.21, 6.17, 24.51

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 2 / 56 / 0 / 57

HEX #6B306D

RGB 107 48 109

HSL 298.03, 0.39%, 0.31%

LAB 30.26, 35.69, -23.92

 

CMYK 0 / 2 / 56 / 57

HEX #6D6B30

RGB 109 107 48

HSL 58.03, 0.39%, 0.31%

LAB 44.2, -7.99, 32.87

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 47 / 56 / 0 / 57

HEX #3A306D

RGB 58 48 109

HSL 249.84, 0.39%, 0.31%

LAB 24.06, 21.46, -34.16

 

CMYK 0 / 56 / 54 / 57

HEX #6D3032

RGB 109 48 50

HSL 358.03, 0.39%, 0.31%

LAB 28.37, 27.33, 11.84

 

CMYK 9 / 0 / 56 / 57

HEX #636D30

RGB 99 109 48

HSL 69.84, 0.39%, 0.31%

LAB 43.95, -13.66, 32.35

 

CMYK 56 / 0 / 2 / 57

HEX #306D6B

RGB 48 109 107

HSL 178.03, 0.39%, 0.31%

LAB 42.2, -20.1, -4.88

 

CMYK 30 / 56 / 0 / 57

HEX #4C306D

RGB 76 48 109

HSL 267.54, 0.39%, 0.31%

LAB 26.02, 26.41, -30.9

 

CMYK 0 / 56 / 54 / 57

HEX #6D3032

RGB 109 48 50

HSL 358.03, 0.39%, 0.31%

LAB 28.37, 27.33, 11.84

 

CMYK 26 / 0 / 56 / 57

HEX #516D30

RGB 81 109 48

HSL 87.54, 0.39%, 0.31%

LAB 42.61, -21.45, 30.45

 

Description

Color code: RGB 48 109 107 | qconv.com Color code: RGB 48 109 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 109 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 109 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 2 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 2% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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