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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 63 44 it is the complementary color RGB 207 192 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 63 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 63 44 shade: RGB 53 63 39, RGB 70 81 58, RGB 87 99 77, RGB 104 117 96 and RGB 121 135 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 63 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 63 44 shade: RGB 48 63 44, RGB 31 45 25, RGB 14 27 6 and RGB 0 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 63 44 shade: RGB 47 63 43, RGB 53 63 43, RGB 58 63 43, RGB 63 62 43 and RGB 63 57 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 63 44 shade: RGB 47 63 43, RGB 43 63 45, RGB 43 63 50, RGB 43 63 55 and RGB 43 63 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 63 44 shade matches the following richer shades: RGB 47 63 43, RGB 42 71 35, RGB 37 80 26, RGB 32 89 17 and RGB 27 97 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 63 44 shade: RGB 47 63 43, RGB 52 54 52, RGB 58 45 61, RGB 63 37 69 and RGB 68 28 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 63 44 shade: RGB 58 63 43, RGB 53 63 43, RGB 48 63 43, RGB 43 63 44 and RGB 43 63 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 63 44 shade: RGB 11 14 10, RGB 29 38 26, RGB 47 63 43, RGB 66 87 60 and RGB 84 111 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 63 44 shade: RGB 48 63 44, RGB 43 63 62 and RGB 63 43 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 63 44 shade: RGB 48 63 44, RGB 43 48 63 and RGB 63 43 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 63 44 shade: RGB 48 63 44, RGB 43 63 62, RGB 59 43 63 and RGB 63 43 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 63 44 shade: RGB 48 63 44, RGB 43 57 63, RGB 59 43 63 and RGB 63 49 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 30 / 75

HEX #303F2C

RGB 48 63 44

HSL 107.37, 0.18%, 0.21%

LAB 24.84, -10.48, 9.72

 

Complementary color

CMYK 2 / 9 / 0 / 17

HEX #CFC0D3

RGB 207 192 211

HSL 287.37, 0.18%, 0.79%

LAB 79.42, 8.7, -7.6

 

CMYK 16 / 0 / 38 / 75

HEX #353F27

RGB 53 63 39

HSL 85, 0.24%, 0.2%

LAB 25.13, -9.19, 13.4

 

CMYK 14 / 0 / 28 / 68

HEX #46513A

RGB 70 81 58

HSL 88.7, 0.17%, 0.27%

LAB 32.9, -9.17, 12.12

 

CMYK 12 / 0 / 22 / 61

HEX #57634D

RGB 87 99 77

HSL 92.73, 0.13%, 0.35%

LAB 40.39, -9.13, 10.99

 

CMYK 11 / 0 / 18 / 54

HEX #687560

RGB 104 117 96

HSL 97.14, 0.1%, 0.42%

LAB 47.64, -9.1, 9.98

 

CMYK 10 / 0 / 15 / 47

HEX #798773

RGB 121 135 115

HSL 102, 0.08%, 0.49%

LAB 54.69, -9.08, 9.04

 

CMYK 24 / 0 / 30 / 75

HEX #303F2C

RGB 48 63 44

HSL 107.37, 0.18%, 0.21%

LAB 24.84, -10.48, 9.72

 

CMYK 31 / 0 / 44 / 82

HEX #1F2D19

RGB 31 45 25

HSL 102, 0.29%, 0.14%

LAB 16.69, -10.69, 11.09

 

CMYK 48 / 0 / 78 / 89

HEX #0E1B06

RGB 14 27 6

HSL 97.14, 0.64%, 0.06%

LAB 8.04, -9.85, 9.4

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 25 / 0 / 32 / 75

HEX #2F3F2B

RGB 47 63 43

HSL 108, 0.19%, 0.21%

LAB 24.75, -11.11, 10.23

 

CMYK 16 / 0 / 32 / 75

HEX #353F2B

RGB 53 63 43

HSL 90, 0.19%, 0.21%

LAB 25.22, -8.49, 10.95

 

CMYK 8 / 0 / 32 / 75

HEX #3A3F2B

RGB 58 63 43

HSL 75, 0.19%, 0.21%

LAB 25.65, -6.21, 11.6

 

CMYK 0 / 2 / 32 / 75

HEX #3F3E2B

RGB 63 62 43

HSL 57, 0.19%, 0.21%

LAB 25.79, -3.25, 11.88

 

CMYK 0 / 10 / 32 / 75

HEX #3F392B

RGB 63 57 43

HSL 42, 0.19%, 0.21%

LAB 24.19, -0.04, 9.7

 

CMYK 25 / 0 / 32 / 75

HEX #2F3F2B

RGB 47 63 43

HSL 108, 0.19%, 0.21%

LAB 24.75, -11.11, 10.23

 

CMYK 32 / 0 / 29 / 75

HEX #2B3F2D

RGB 43 63 45

HSL 126, 0.19%, 0.21%

LAB 24.51, -12.35, 8.55

 

CMYK 32 / 0 / 21 / 75

HEX #2B3F32

RGB 43 63 50

HSL 141, 0.19%, 0.21%

LAB 24.64, -11.23, 5.45

 

CMYK 32 / 0 / 13 / 75

HEX #2B3F37

RGB 43 63 55

HSL 156, 0.19%, 0.21%

LAB 24.78, -10.01, 2.36

 

CMYK 32 / 0 / 5 / 75

HEX #2B3F3C

RGB 43 63 60

HSL 171, 0.19%, 0.21%

LAB 24.94, -8.7, -0.72

 

CMYK 25 / 0 / 32 / 75

HEX #2F3F2B

RGB 47 63 43

HSL 108, 0.19%, 0.21%

LAB 24.75, -11.11, 10.23

 

CMYK 41 / 0 / 51 / 72

HEX #2A4723

RGB 42 71 35

HSL 108.33, 0.34%, 0.21%

LAB 27.07, -19.14, 18.24

 

CMYK 54 / 0 / 68 / 69

HEX #25501A

RGB 37 80 26

HSL 107.78, 0.51%, 0.21%

LAB 29.92, -26.71, 26.64

 

CMYK 64 / 0 / 81 / 65

HEX #205911

RGB 32 89 17

HSL 107.5, 0.68%, 0.21%

LAB 32.9, -33.05, 33.83

 

CMYK 72 / 0 / 91 / 62

HEX #1B6109

RGB 27 97 9

HSL 107.73, 0.83%, 0.21%

LAB 35.6, -37.91, 38.92

 

CMYK 25 / 0 / 32 / 75

HEX #2F3F2B

RGB 47 63 43

HSL 108, 0.19%, 0.21%

LAB 24.75, -11.11, 10.23

 

CMYK 4 / 0 / 4 / 79

HEX #343634

RGB 52 54 52

HSL 120, 0.02%, 0.21%

LAB 22.36, -1.33, 0.95

 

CMYK 5 / 26 / 0 / 76

HEX #3A2D3D

RGB 58 45 61

HSL 288.75, 0.15%, 0.21%

LAB 20.49, 9.46, -7.88

 

CMYK 9 / 46 / 0 / 73

HEX #3F2545

RGB 63 37 69

HSL 288.75, 0.3%, 0.21%

LAB 19.26, 18.75, -15.19

 

CMYK 13 / 64 / 0 / 69

HEX #441C4E

RGB 68 28 78

HSL 288, 0.47%, 0.21%

LAB 18.41, 28.1, -22.63

 

CMYK 8 / 0 / 32 / 75

HEX #3A3F2B

RGB 58 63 43

HSL 75, 0.19%, 0.21%

LAB 25.65, -6.21, 11.6

 

CMYK 16 / 0 / 32 / 75

HEX #353F2B

RGB 53 63 43

HSL 90, 0.19%, 0.21%

LAB 25.22, -8.49, 10.95

 

CMYK 24 / 0 / 32 / 75

HEX #303F2B

RGB 48 63 43

HSL 105, 0.19%, 0.21%

LAB 24.82, -10.68, 10.34

 

CMYK 32 / 0 / 30 / 75

HEX #2B3F2C

RGB 43 63 44

HSL 123, 0.19%, 0.21%

LAB 24.48, -12.57, 9.17

 

CMYK 32 / 0 / 21 / 75

HEX #2B3F32

RGB 43 63 50

HSL 141, 0.19%, 0.21%

LAB 24.64, -11.23, 5.45

 

CMYK 21 / 0 / 29 / 95

HEX #0B0E0A

RGB 11 14 10

HSL 105, 0.17%, 0.05%

LAB 3.68, -1.52, 1.37

 

CMYK 24 / 0 / 32 / 85

HEX #1D261A

RGB 29 38 26

HSL 105, 0.19%, 0.13%

LAB 13.96, -6.95, 6.69

 

CMYK 25 / 0 / 32 / 75

HEX #2F3F2B

RGB 47 63 43

HSL 108, 0.19%, 0.21%

LAB 24.75, -11.11, 10.23

 

CMYK 24 / 0 / 31 / 66

HEX #42573C

RGB 66 87 60

HSL 106.67, 0.18%, 0.29%

LAB 34.6, -13.95, 13.15

 

CMYK 24 / 0 / 31 / 56

HEX #546F4D

RGB 84 111 77

HSL 107.65, 0.18%, 0.37%

LAB 43.93, -17.04, 15.82

 

CMYK 24 / 0 / 30 / 75

HEX #303F2C

RGB 48 63 44

HSL 107.37, 0.18%, 0.21%

LAB 24.84, -10.48, 9.72

 

CMYK 32 / 0 / 2 / 75

HEX #2B3F3E

RGB 43 63 62

HSL 177, 0.19%, 0.21%

LAB 25, -8.15, -1.95

 

CMYK 0 / 32 / 13 / 75

HEX #3F2B37

RGB 63 43 55

HSL 324, 0.19%, 0.21%

LAB 20.28, 11.57, -4.01

 

CMYK 24 / 0 / 30 / 75

HEX #303F2C

RGB 48 63 44

HSL 107.37, 0.18%, 0.21%

LAB 24.84, -10.48, 9.72

 

CMYK 32 / 24 / 0 / 75

HEX #2B303F

RGB 43 48 63

HSL 225, 0.19%, 0.21%

LAB 19.99, 2.01, -10.15

 

CMYK 0 / 32 / 24 / 75

HEX #3F2B30

RGB 63 43 48

HSL 345, 0.19%, 0.21%

LAB 20.04, 10.18, 0.45

 

CMYK 24 / 0 / 30 / 75

HEX #303F2C

RGB 48 63 44

HSL 107.37, 0.18%, 0.21%

LAB 24.84, -10.48, 9.72

 

CMYK 32 / 0 / 2 / 75

HEX #2B3F3E

RGB 43 63 62

HSL 177, 0.19%, 0.21%

LAB 25, -8.15, -1.95

 

CMYK 6 / 32 / 0 / 75

HEX #3B2B3F

RGB 59 43 63

HSL 288, 0.19%, 0.21%

LAB 20.11, 11.72, -9.82

 

CMYK 0 / 32 / 30 / 75

HEX #3F2B2C

RGB 63 43 44

HSL 357, 0.19%, 0.21%

LAB 19.91, 9.46, 3.03

 

CMYK 24 / 0 / 30 / 75

HEX #303F2C

RGB 48 63 44

HSL 107.37, 0.18%, 0.21%

LAB 24.84, -10.48, 9.72

 

CMYK 32 / 10 / 0 / 75

HEX #2B393F

RGB 43 57 63

HSL 198, 0.19%, 0.21%

LAB 22.99, -4.04, -5.6

 

CMYK 6 / 32 / 0 / 75

HEX #3B2B3F

RGB 59 43 63

HSL 288, 0.19%, 0.21%

LAB 20.11, 11.72, -9.82

 

CMYK 0 / 22 / 32 / 75

HEX #3F312B

RGB 63 49 43

HSL 18, 0.19%, 0.21%

LAB 21.68, 5.25, 6.23

 

Description

Color code: RGB 48 63 44 | qconv.com Color code: RGB 48 63 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 63 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 63 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 30 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 30% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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