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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 43 131 it is the complementary color RGB 207 212 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 43 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 43 131 shade: RGB 53 43 126, RGB 70 61 145, RGB 87 79 164, RGB 104 97 183 and RGB 121 115 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 43 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 43 131 shade: RGB 48 43 131, RGB 31 25 112, RGB 14 7 93, RGB 0 0 74 and RGB 0 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 43 131 shade: RGB 47 42 130, RGB 71 42 130, RGB 95 42 130, RGB 119 42 130 and RGB 130 42 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 43 131 shade: RGB 47 42 130 and RGB 42 42 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 43 131 shade matches the following richer shades: RGB 47 42 130, RGB 35 28 144, RGB 22 14 158 and RGB 10 0 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 43 131 shade: RGB 47 42 130, RGB 59 56 116, RGB 72 70 102, RGB 84 84 88 and RGB 97 98 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 43 131 shade: RGB 42 85 130, RGB 42 61 130, RGB 46 42 130, RGB 70 42 130 and RGB 94 42 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 43 131 shade: RGB 24 22 68, RGB 36 32 99, RGB 47 42 130, RGB 58 52 162 and RGB 70 63 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 43 131 shade: RGB 48 43 131, RGB 130 42 108 and RGB 73 130 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 43 131 shade: RGB 48 43 131, RGB 130 46 42 and RGB 42 130 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 43 131 shade: RGB 48 43 131, RGB 130 42 108, RGB 126 130 42 and RGB 42 130 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 43 131 shade: RGB 48 43 131, RGB 130 42 82, RGB 126 130 42 and RGB 42 130 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 67 / 0 / 49

HEX #302B83

RGB 48 43 131

HSL 243.41, 0.51%, 0.34%

LAB 23.65, 30.13, -48.84

 

Complementary color

CMYK 2 / 0 / 42 / 17

HEX #CFD47C

RGB 207 212 124

HSL 63.41, 0.51%, 0.66%

LAB 82.81, -14.59, 42.86

 

CMYK 58 / 66 / 0 / 51

HEX #352B7E

RGB 53 43 126

HSL 247.23, 0.49%, 0.33%

LAB 23.64, 29.29, -45.7

 

CMYK 52 / 58 / 0 / 43

HEX #463D91

RGB 70 61 145

HSL 246.43, 0.41%, 0.4%

LAB 31.08, 27.53, -45.39

 

CMYK 47 / 52 / 0 / 36

HEX #574FA4

RGB 87 79 164

HSL 245.65, 0.35%, 0.48%

LAB 38.37, 26.04, -45.06

 

CMYK 43 / 47 / 0 / 28

HEX #6861B7

RGB 104 97 183

HSL 244.88, 0.37%, 0.55%

LAB 45.51, 24.79, -44.77

 

CMYK 40 / 43 / 0 / 21

HEX #7973CA

RGB 121 115 202

HSL 244.14, 0.45%, 0.62%

LAB 52.5, 23.72, -44.54

 

CMYK 63 / 67 / 0 / 49

HEX #302B83

RGB 48 43 131

HSL 243.41, 0.51%, 0.34%

LAB 23.65, 30.13, -48.84

 

CMYK 72 / 78 / 0 / 56

HEX #1F1970

RGB 31 25 112

HSL 244.14, 0.64%, 0.27%

LAB 16.29, 32.36, -48.86

 

CMYK 85 / 92 / 0 / 64

HEX #0E075D

RGB 14 7 93

HSL 244.88, 0.86%, 0.2%

LAB 9.28, 34.21, -47.94

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 64 / 68 / 0 / 49

HEX #2F2A82

RGB 47 42 130

HSL 243.41, 0.51%, 0.34%

LAB 23.24, 30.26, -48.89

 

CMYK 45 / 68 / 0 / 49

HEX #472A82

RGB 71 42 130

HSL 259.77, 0.51%, 0.34%

LAB 25.59, 34.79, -44.97

 

CMYK 27 / 68 / 0 / 49

HEX #5F2A82

RGB 95 42 130

HSL 276.14, 0.51%, 0.34%

LAB 28.64, 40.23, -39.88

 

CMYK 8 / 68 / 0 / 49

HEX #772A82

RGB 119 42 130

HSL 292.5, 0.51%, 0.34%

LAB 32.23, 46.12, -33.93

 

CMYK 0 / 68 / 9 / 49

HEX #822A76

RGB 130 42 118

HSL 308.18, 0.51%, 0.34%

LAB 33.37, 46.8, -24.49

 

CMYK 64 / 68 / 0 / 49

HEX #2F2A82

RGB 47 42 130

HSL 243.41, 0.51%, 0.34%

LAB 23.24, 30.26, -48.89

 

CMYK 68 / 68 / 0 / 49

HEX #2A2A82

RGB 42 42 130

HSL 240, 0.51%, 0.34%

LAB 22.86, 29.48, -49.53

 

CMYK 64 / 68 / 0 / 49

HEX #2F2A82

RGB 47 42 130

HSL 243.41, 0.51%, 0.34%

LAB 23.24, 30.26, -48.89

 

CMYK 76 / 81 / 0 / 44

HEX #231C90

RGB 35 28 144

HSL 243.62, 0.67%, 0.34%

LAB 20.83, 41.89, -61.65

 

CMYK 86 / 91 / 0 / 38

HEX #160E9E

RGB 22 14 158

HSL 243.33, 0.84%, 0.34%

LAB 19.86, 51.58, -71.93

 

CMYK 94 / 100 / 0 / 32

HEX #0A00AD

RGB 10 0 173

HSL 243.47, 1%, 0.34%

LAB 20.37, 59.29, -80.21

 

CMYK 64 / 68 / 0 / 49

HEX #2F2A82

RGB 47 42 130

HSL 243.41, 0.51%, 0.34%

LAB 23.24, 30.26, -48.89

 

CMYK 49 / 52 / 0 / 55

HEX #3B3874

RGB 59 56 116

HSL 243, 0.35%, 0.34%

LAB 26.79, 18.66, -34.25

 

CMYK 29 / 31 / 0 / 60

HEX #484666

RGB 72 70 102

HSL 243.75, 0.19%, 0.34%

LAB 31.15, 8.9, -18.39

 

CMYK 5 / 5 / 0 / 65

HEX #545458

RGB 84 84 88

HSL 240, 0.02%, 0.34%

LAB 35.85, 0.88, -2.33

 

CMYK 1 / 0 / 24 / 62

HEX #61624A

RGB 97 98 74

HSL 62.5, 0.14%, 0.34%

LAB 40.85, -4.88, 13.57

 

CMYK 68 / 35 / 0 / 49

HEX #2A5582

RGB 42 85 130

HSL 210.68, 0.51%, 0.34%

LAB 35.2, 0.52, -29.69

 

CMYK 68 / 53 / 0 / 49

HEX #2A3D82

RGB 42 61 130

HSL 227.05, 0.51%, 0.34%

LAB 27.96, 16.59, -41.25

 

CMYK 65 / 68 / 0 / 49

HEX #2E2A82

RGB 46 42 130

HSL 242.73, 0.51%, 0.34%

LAB 23.16, 30.1, -49.02

 

CMYK 46 / 68 / 0 / 49

HEX #462A82

RGB 70 42 130

HSL 259.09, 0.51%, 0.34%

LAB 25.47, 34.58, -45.16

 

CMYK 28 / 68 / 0 / 49

HEX #5E2A82

RGB 94 42 130

HSL 275.45, 0.51%, 0.34%

LAB 28.5, 39.99, -40.11

 

CMYK 65 / 68 / 0 / 73

HEX #181644

RGB 24 22 68

HSL 242.61, 0.51%, 0.18%

LAB 10.45, 16.93, -28.81

 

CMYK 64 / 68 / 0 / 61

HEX #242063

RGB 36 32 99

HSL 243.58, 0.51%, 0.26%

LAB 17.03, 23.91, -39.11

 

CMYK 64 / 68 / 0 / 49

HEX #2F2A82

RGB 47 42 130

HSL 243.41, 0.51%, 0.34%

LAB 23.24, 30.26, -48.89

 

CMYK 64 / 68 / 0 / 36

HEX #3A34A2

RGB 58 52 162

HSL 243.27, 0.51%, 0.42%

LAB 29.32, 36.64, -58.64

 

CMYK 64 / 67 / 0 / 25

HEX #463FC0

RGB 70 63 192

HSL 243.26, 0.51%, 0.5%

LAB 35.33, 41.67, -66.64

 

CMYK 63 / 67 / 0 / 49

HEX #302B83

RGB 48 43 131

HSL 243.41, 0.51%, 0.34%

LAB 23.65, 30.13, -48.84

 

CMYK 0 / 68 / 17 / 49

HEX #822A6C

RGB 130 42 108

HSL 315, 0.51%, 0.34%

LAB 32.89, 45.18, -18.92

 

CMYK 44 / 0 / 68 / 49

HEX #49822A

RGB 73 130 42

HSL 98.86, 0.51%, 0.34%

LAB 48.94, -35.18, 40.4

 

CMYK 63 / 67 / 0 / 49

HEX #302B83

RGB 48 43 131

HSL 243.41, 0.51%, 0.34%

LAB 23.65, 30.13, -48.84

 

CMYK 0 / 65 / 68 / 49

HEX #822E2A

RGB 130 46 42

HSL 2.73, 0.51%, 0.34%

LAB 31.5, 35.93, 21.78

 

CMYK 68 / 0 / 65 / 49

HEX #2A822E

RGB 42 130 46

HSL 122.73, 0.51%, 0.34%

LAB 47.82, -43.62, 37

 

CMYK 63 / 67 / 0 / 49

HEX #302B83

RGB 48 43 131

HSL 243.41, 0.51%, 0.34%

LAB 23.65, 30.13, -48.84

 

CMYK 0 / 68 / 17 / 49

HEX #822A6C

RGB 130 42 108

HSL 315, 0.51%, 0.34%

LAB 32.89, 45.18, -18.92

 

CMYK 3 / 0 / 68 / 49

HEX #7E822A

RGB 126 130 42

HSL 62.73, 0.51%, 0.34%

LAB 52.47, -13.41, 45.2

 

CMYK 68 / 0 / 51 / 49

HEX #2A8240

RGB 42 130 64

HSL 135, 0.51%, 0.34%

LAB 48.04, -41.08, 28.15

 

CMYK 63 / 67 / 0 / 49

HEX #302B83

RGB 48 43 131

HSL 243.41, 0.51%, 0.34%

LAB 23.65, 30.13, -48.84

 

CMYK 0 / 68 / 37 / 49

HEX #822A52

RGB 130 42 82

HSL 332.73, 0.51%, 0.34%

LAB 31.83, 41.53, -3.76

 

CMYK 3 / 0 / 68 / 49

HEX #7E822A

RGB 126 130 42

HSL 62.73, 0.51%, 0.34%

LAB 52.47, -13.41, 45.2

 

CMYK 68 / 0 / 30 / 49

HEX #2A825B

RGB 42 130 91

HSL 153.41, 0.51%, 0.34%

LAB 48.53, -35.76, 13.66

 

Description

Color code: RGB 48 43 131 | qconv.com Color code: RGB 48 43 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 43 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 43 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 67 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 67% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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