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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 29 241 it is the complementary color RGB 209 226 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 29 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 29 241 shade: RGB 51 29 236, RGB 68 47 255, RGB 85 65 255, RGB 102 83 255 and RGB 119 101 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 29 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 29 241 shade: RGB 46 29 241, RGB 29 11 222, RGB 12 0 203, RGB 0 0 184 and RGB 0 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 29 241 shade: RGB 46 29 240, RGB 103 29 240, RGB 160 29 240, RGB 217 29 240 and RGB 240 29 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 29 241 shade: RGB 46 29 240 and RGB 29 29 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 29 241 shade matches the following richer shades: RGB 46 29 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 29 241 shade: RGB 46 29 240, RGB 62 49 221, RGB 79 68 201, RGB 95 87 182 and RGB 111 107 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 29 241 shade: RGB 29 128 240, RGB 29 71 240, RGB 43 29 240, RGB 99 29 240 and RGB 156 29 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 29 241 shade: RGB 24 11 176, RGB 29 13 215, RGB 46 29 240, RGB 82 68 243 and RGB 118 107 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 29 241 shade: RGB 46 29 241, RGB 240 29 184 and RGB 99 240 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 29 241 shade: RGB 46 29 241, RGB 240 43 29 and RGB 29 240 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 29 241 shade: RGB 46 29 241, RGB 240 29 184, RGB 226 240 29 and RGB 29 240 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 29 241 shade: RGB 46 29 241, RGB 240 29 121, RGB 226 240 29 and RGB 29 240 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 88 / 0 / 5

HEX #2E1DF1

RGB 46 29 241

HSL 244.81, 0.88%, 0.53%

LAB 33.58, 70.41, -97.8

 

Complementary color

CMYK 8 / 0 / 94 / 11

HEX #D1E20E

RGB 209 226 14

HSL 64.81, 0.88%, 0.47%

LAB 86, -26.63, 83.52

 

CMYK 78 / 88 / 0 / 7

HEX #331DEC

RGB 51 29 236

HSL 246.38, 0.84%, 0.52%

LAB 33.22, 69.26, -95.56

 

CMYK 73 / 82 / 0 / 0

HEX #442FFF

RGB 68 47 255

HSL 246.06, 1%, 0.59%

LAB 38.69, 68.67, -97.15

 

CMYK 67 / 75 / 0 / 0

HEX #5541FF

RGB 85 65 255

HSL 246.32, 1%, 0.63%

LAB 42.66, 61.8, -90.54

 

CMYK 60 / 67 / 0 / 0

HEX #6653FF

RGB 102 83 255

HSL 246.63, 1%, 0.66%

LAB 47.28, 54.4, -82.91

 

CMYK 53 / 60 / 0 / 0

HEX #7765FF

RGB 119 101 255

HSL 247.01, 1%, 0.7%

LAB 52.34, 47.03, -74.58

 

CMYK 81 / 88 / 0 / 5

HEX #2E1DF1

RGB 46 29 241

HSL 244.81, 0.88%, 0.53%

LAB 33.58, 70.41, -97.8

 

CMYK 87 / 95 / 0 / 13

HEX #1D0BDE

RGB 29 11 222

HSL 245.12, 0.91%, 0.46%

LAB 28.84, 69.61, -94.89

 

CMYK 94 / 100 / 0 / 20

HEX #0C00CB

RGB 12 0 203

HSL 243.55, 1%, 0.4%

LAB 24.92, 66.77, -90.42

 

CMYK 100 / 100 / 0 / 28

HEX #0000B8

RGB 0 0 184

HSL 240, 1%, 0.36%

LAB 21.8, 61.98, -84.41

 

CMYK 100 / 100 / 0 / 35

HEX #0000A5

RGB 0 0 165

HSL 240, 1%, 0.32%

LAB 18.87, 57.17, -77.87

 

CMYK 81 / 88 / 0 / 6

HEX #2E1DF0

RGB 46 29 240

HSL 244.83, 0.88%, 0.53%

LAB 33.46, 70.15, -97.44

 

CMYK 57 / 88 / 0 / 6

HEX #671DF0

RGB 103 29 240

HSL 261.04, 0.88%, 0.53%

LAB 37.94, 73.39, -89.87

 

CMYK 33 / 88 / 0 / 6

HEX #A01DF0

RGB 160 29 240

HSL 277.25, 0.88%, 0.53%

LAB 45.14, 79.38, -77.76

 

CMYK 10 / 88 / 0 / 6

HEX #D91DF0

RGB 217 29 240

HSL 293.46, 0.88%, 0.53%

LAB 53.94, 87.59, -63.06

 

CMYK 0 / 88 / 14 / 6

HEX #F01DCF

RGB 240 29 207

HSL 309.38, 0.88%, 0.53%

LAB 56, 86.84, -40.86

 

CMYK 81 / 88 / 0 / 6

HEX #2E1DF0

RGB 46 29 240

HSL 244.83, 0.88%, 0.53%

LAB 33.46, 70.15, -97.44

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 81 / 88 / 0 / 6

HEX #2E1DF0

RGB 46 29 240

HSL 244.83, 0.88%, 0.53%

LAB 33.46, 70.15, -97.44

 

CMYK 81 / 88 / 0 / 6

HEX #2E1DF0

RGB 46 29 240

HSL 244.83, 0.88%, 0.53%

LAB 33.46, 70.15, -97.44

 

CMYK 72 / 78 / 0 / 13

HEX #3E31DD

RGB 62 49 221

HSL 244.53, 0.72%, 0.53%

LAB 34.89, 57.52, -84.21

 

CMYK 61 / 66 / 0 / 21

HEX #4F44C9

RGB 79 68 201

HSL 244.96, 0.55%, 0.53%

LAB 37.87, 42.94, -67.71

 

CMYK 48 / 52 / 0 / 29

HEX #5F57B6

RGB 95 87 182

HSL 245.05, 0.39%, 0.53%

LAB 42.2, 28.48, -49.54

 

CMYK 32 / 34 / 0 / 36

HEX #6F6BA3

RGB 111 107 163

HSL 244.29, 0.23%, 0.53%

LAB 47.67, 14.91, -29.62

 

CMYK 88 / 47 / 0 / 6

HEX #1D80F0

RGB 29 128 240

HSL 211.85, 0.88%, 0.53%

LAB 54.02, 14.03, -63.74

 

CMYK 88 / 70 / 0 / 6

HEX #1D47F0

RGB 29 71 240

HSL 228.06, 0.88%, 0.53%

LAB 39.68, 49.71, -87.14

 

CMYK 82 / 88 / 0 / 6

HEX #2B1DF0

RGB 43 29 240

HSL 243.98, 0.88%, 0.53%

LAB 33.32, 70.05, -97.69

 

CMYK 59 / 88 / 0 / 6

HEX #631DF0

RGB 99 29 240

HSL 259.91, 0.88%, 0.53%

LAB 37.52, 73.07, -90.57

 

CMYK 35 / 88 / 0 / 6

HEX #9C1DF0

RGB 156 29 240

HSL 276.11, 0.88%, 0.53%

LAB 44.57, 78.88, -78.71

 

CMYK 86 / 94 / 0 / 31

HEX #180BB0

RGB 24 11 176

HSL 244.73, 0.88%, 0.37%

LAB 22.19, 57.51, -78.96

 

CMYK 87 / 94 / 0 / 16

HEX #1D0DD7

RGB 29 13 215

HSL 244.75, 0.89%, 0.45%

LAB 27.99, 67.43, -92.26

 

CMYK 81 / 88 / 0 / 6

HEX #2E1DF0

RGB 46 29 240

HSL 244.83, 0.88%, 0.53%

LAB 33.46, 70.15, -97.44

 

CMYK 66 / 72 / 0 / 5

HEX #5244F3

RGB 82 68 243

HSL 244.8, 0.88%, 0.61%

LAB 41.84, 56.38, -85.17

 

CMYK 52 / 56 / 0 / 4

HEX #766BF5

RGB 118 107 245

HSL 244.78, 0.87%, 0.69%

LAB 52.91, 40.41, -68.12

 

CMYK 81 / 88 / 0 / 5

HEX #2E1DF1

RGB 46 29 241

HSL 244.81, 0.88%, 0.53%

LAB 33.58, 70.41, -97.8

 

CMYK 0 / 88 / 23 / 6

HEX #F01DB8

RGB 240 29 184

HSL 315.92, 0.88%, 0.53%

LAB 54.93, 84.03, -29.27

 

CMYK 59 / 0 / 88 / 6

HEX #63F01D

RGB 99 240 29

HSL 100.09, 0.88%, 0.53%

LAB 84.52, -69.73, 77.96

 

CMYK 81 / 88 / 0 / 5

HEX #2E1DF1

RGB 46 29 241

HSL 244.81, 0.88%, 0.53%

LAB 33.58, 70.41, -97.8

 

CMYK 0 / 82 / 88 / 6

HEX #F02B1D

RGB 240 43 29

HSL 3.98, 0.88%, 0.53%

LAB 52.22, 71.09, 56.31

 

CMYK 88 / 0 / 82 / 6

HEX #1DF02B

RGB 29 240 43

HSL 123.98, 0.88%, 0.53%

LAB 83.31, -79.87, 73.49

 

CMYK 81 / 88 / 0 / 5

HEX #2E1DF1

RGB 46 29 241

HSL 244.81, 0.88%, 0.53%

LAB 33.58, 70.41, -97.8

 

CMYK 0 / 88 / 23 / 6

HEX #F01DB8

RGB 240 29 184

HSL 315.92, 0.88%, 0.53%

LAB 54.93, 84.03, -29.27

 

CMYK 6 / 0 / 88 / 6

HEX #E2F01D

RGB 226 240 29

HSL 63.98, 0.88%, 0.53%

LAB 91.04, -26.03, 86.02

 

CMYK 88 / 0 / 65 / 6

HEX #1DF055

RGB 29 240 85

HSL 135.92, 0.88%, 0.53%

LAB 83.57, -76.66, 59.82

 

CMYK 81 / 88 / 0 / 5

HEX #2E1DF1

RGB 46 29 241

HSL 244.81, 0.88%, 0.53%

LAB 33.58, 70.41, -97.8

 

CMYK 0 / 88 / 50 / 6

HEX #F01D79

RGB 240 29 121

HSL 333.84, 0.88%, 0.53%

LAB 52.71, 77.97, 4.78

 

CMYK 6 / 0 / 88 / 6

HEX #E2F01D

RGB 226 240 29

HSL 63.98, 0.88%, 0.53%

LAB 91.04, -26.03, 86.02

 

CMYK 88 / 0 / 38 / 6

HEX #1DF095

RGB 29 240 149

HSL 154.12, 0.88%, 0.53%

LAB 84.36, -67.18, 31.02

 

Description

Color code: RGB 46 29 241 | qconv.com Color code: RGB 46 29 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 29 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 29 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 88 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 88% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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