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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 225 31 it is the complementary color RGB 209 30 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 225 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 225 31 shade: RGB 51 225 26, RGB 68 243 45, RGB 85 255 64, RGB 102 255 83 and RGB 119 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 225 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 225 31 shade: RGB 46 225 31, RGB 29 207 12, RGB 12 189 0, RGB 0 171 0 and RGB 0 153 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 225 31 shade: RGB 45 224 30, RGB 97 224 30, RGB 150 224 30, RGB 202 224 30 and RGB 224 194 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 225 31 shade: RGB 45 224 30, RGB 30 224 67, RGB 30 224 120, RGB 30 224 172 and RGB 30 224 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 225 31 shade matches the following richer shades: RGB 45 224 30 and RGB 28 245 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 225 31 shade: RGB 45 224 30, RGB 63 203 51, RGB 80 183 71, RGB 97 162 92 and RGB 115 141 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 225 31 shade: RGB 150 224 30, RGB 98 224 30, RGB 46 224 30, RGB 30 224 66 and RGB 30 224 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 225 31 shade: RGB 30 151 20, RGB 38 188 25, RGB 45 224 30, RGB 79 229 66 and RGB 113 234 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 225 31 shade: RGB 46 225 31, RGB 30 201 224 and RGB 224 30 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 225 31 shade: RGB 46 225 31, RGB 30 46 224 and RGB 224 30 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 225 31 shade: RGB 46 225 31, RGB 30 201 224, RGB 208 30 224 and RGB 224 53 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 225 31 shade: RGB 46 225 31, RGB 30 143 224, RGB 208 30 224 and RGB 224 111 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 86 / 12

HEX #2EE11F

RGB 46 225 31

HSL 115.36, 0.76%, 0.5%

LAB 78.77, -74.62, 72.18

 

Complementary color

CMYK 7 / 87 / 0 / 12

HEX #D11EE0

RGB 209 30 224

HSL 295.36, 0.76%, 0.5%

LAB 51.68, 83.61, -57.73

 

CMYK 77 / 0 / 88 / 12

HEX #33E11A

RGB 51 225 26

HSL 112.46, 0.79%, 0.49%

LAB 78.83, -74.17, 73.2

 

CMYK 72 / 0 / 81 / 5

HEX #44F32D

RGB 68 243 45

HSL 113.03, 0.89%, 0.56%

LAB 84.75, -76.2, 74.5

 

CMYK 67 / 0 / 75 / 0

HEX #55FF40

RGB 85 255 64

HSL 113.4, 1%, 0.63%

LAB 88.84, -75.85, 73.13

 

CMYK 60 / 0 / 67 / 0

HEX #66FF53

RGB 102 255 83

HSL 113.37, 1%, 0.66%

LAB 89.38, -70.97, 67.25

 

CMYK 53 / 0 / 60 / 0

HEX #77FF66

RGB 119 255 102

HSL 113.33, 1%, 0.7%

LAB 90.05, -65.2, 60.52

 

CMYK 80 / 0 / 86 / 12

HEX #2EE11F

RGB 46 225 31

HSL 115.36, 0.76%, 0.5%

LAB 78.77, -74.62, 72.18

 

CMYK 86 / 0 / 94 / 19

HEX #1DCF0C

RGB 29 207 12

HSL 114.77, 0.89%, 0.43%

LAB 72.83, -71.85, 70.06

 

CMYK 94 / 0 / 100 / 26

HEX #0CBD00

RGB 12 189 0

HSL 116.19, 1%, 0.37%

LAB 66.88, -68.26, 66.48

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 80 / 0 / 87 / 12

HEX #2DE01E

RGB 45 224 30

HSL 115.36, 0.76%, 0.5%

LAB 78.44, -74.49, 72.08

 

CMYK 57 / 0 / 87 / 12

HEX #61E01E

RGB 97 224 30

HSL 99.28, 0.76%, 0.5%

LAB 79.58, -64.82, 73.52

 

CMYK 33 / 0 / 87 / 12

HEX #96E01E

RGB 150 224 30

HSL 82.89, 0.76%, 0.5%

LAB 81.78, -48.43, 76.27

 

CMYK 10 / 0 / 87 / 12

HEX #CAE01E

RGB 202 224 30

HSL 66.8, 0.76%, 0.5%

LAB 84.98, -28.29, 80.22

 

CMYK 0 / 13 / 87 / 12

HEX #E0C21E

RGB 224 194 30

HSL 50.72, 0.76%, 0.5%

LAB 78.77, -4.13, 75.94

 

CMYK 80 / 0 / 87 / 12

HEX #2DE01E

RGB 45 224 30

HSL 115.36, 0.76%, 0.5%

LAB 78.44, -74.49, 72.08

 

CMYK 87 / 0 / 70 / 12

HEX #1EE043

RGB 30 224 67

HSL 131.44, 0.76%, 0.5%

LAB 78.46, -73.64, 61.33

 

CMYK 87 / 0 / 46 / 12

HEX #1EE078

RGB 30 224 120

HSL 147.84, 0.76%, 0.5%

LAB 79.01, -66.9, 38.53

 

CMYK 87 / 0 / 23 / 12

HEX #1EE0AC

RGB 30 224 172

HSL 163.92, 0.76%, 0.5%

LAB 79.93, -56.37, 13.06

 

CMYK 87 / 0 / 0 / 12

HEX #1EE0E0

RGB 30 224 224

HSL 180, 0.76%, 0.5%

LAB 81.27, -42.59, -12.58

 

CMYK 80 / 0 / 87 / 12

HEX #2DE01E

RGB 45 224 30

HSL 115.36, 0.76%, 0.5%

LAB 78.44, -74.49, 72.08

 

CMYK 89 / 0 / 96 / 4

HEX #1CF509

RGB 28 245 9

HSL 115.17, 0.93%, 0.5%

LAB 84.78, -82.32, 80.14

 

CMYK 80 / 0 / 87 / 12

HEX #2DE01E

RGB 45 224 30

HSL 115.36, 0.76%, 0.5%

LAB 78.44, -74.49, 72.08

 

CMYK 69 / 0 / 75 / 20

HEX #3FCB33

RGB 63 203 51

HSL 115.26, 0.6%, 0.5%

LAB 72.23, -64.27, 60.82

 

CMYK 56 / 0 / 61 / 28

HEX #50B747

RGB 80 183 71

HSL 115.18, 0.44%, 0.5%

LAB 66.54, -51.7, 46.99

 

CMYK 40 / 0 / 43 / 36

HEX #61A25C

RGB 97 162 92

HSL 115.71, 0.28%, 0.5%

LAB 60.92, -35.23, 29.99

 

CMYK 18 / 0 / 20 / 45

HEX #738D71

RGB 115 141 113

HSL 115.71, 0.11%, 0.5%

LAB 55.97, -14.96, 11.94

 

CMYK 33 / 0 / 87 / 12

HEX #96E01E

RGB 150 224 30

HSL 82.89, 0.76%, 0.5%

LAB 81.78, -48.43, 76.27

 

CMYK 56 / 0 / 87 / 12

HEX #62E01E

RGB 98 224 30

HSL 98.97, 0.76%, 0.5%

LAB 79.61, -64.56, 73.56

 

CMYK 79 / 0 / 87 / 12

HEX #2EE01E

RGB 46 224 30

HSL 115.05, 0.76%, 0.5%

LAB 78.45, -74.37, 72.1

 

CMYK 87 / 0 / 71 / 12

HEX #1EE042

RGB 30 224 66

HSL 131.13, 0.76%, 0.5%

LAB 78.45, -73.73, 61.69

 

CMYK 87 / 0 / 48 / 12

HEX #1EE075

RGB 30 224 117

HSL 146.91, 0.76%, 0.5%

LAB 78.97, -67.4, 39.95

 

CMYK 80 / 0 / 87 / 41

HEX #1E9714

RGB 30 151 20

HSL 115.42, 0.77%, 0.34%

LAB 54.51, -55, 53.05

 

CMYK 80 / 0 / 87 / 26

HEX #26BC19

RGB 38 188 25

HSL 115.21, 0.77%, 0.42%

LAB 66.86, -65.02, 62.91

 

CMYK 80 / 0 / 87 / 12

HEX #2DE01E

RGB 45 224 30

HSL 115.36, 0.76%, 0.5%

LAB 78.44, -74.49, 72.08

 

CMYK 66 / 0 / 71 / 10

HEX #4FE542

RGB 79 229 66

HSL 115.21, 0.76%, 0.58%

LAB 80.79, -68.55, 64.35

 

CMYK 52 / 0 / 56 / 8

HEX #71EA67

RGB 113 234 103

HSL 115.42, 0.76%, 0.66%

LAB 83.62, -58.86, 52.61

 

CMYK 80 / 0 / 86 / 12

HEX #2EE11F

RGB 46 225 31

HSL 115.36, 0.76%, 0.5%

LAB 78.77, -74.62, 72.18

 

CMYK 87 / 10 / 0 / 12

HEX #1EC9E0

RGB 30 201 224

HSL 187.11, 0.76%, 0.5%

LAB 74.46, -31.97, -22.86

 

CMYK 0 / 87 / 45 / 12

HEX #E01E7C

RGB 224 30 124

HSL 330.93, 0.76%, 0.5%

LAB 49.78, 74.33, -1.69

 

CMYK 80 / 0 / 86 / 12

HEX #2EE11F

RGB 46 225 31

HSL 115.36, 0.76%, 0.5%

LAB 78.77, -74.62, 72.18

 

CMYK 87 / 79 / 0 / 12

HEX #1E2EE0

RGB 30 46 224

HSL 235.05, 0.76%, 0.5%

LAB 33.16, 58.1, -88.84

 

CMYK 0 / 87 / 79 / 12

HEX #E01E2E

RGB 224 30 46

HSL 355.05, 0.76%, 0.5%

LAB 48.23, 69.9, 43.21

 

CMYK 80 / 0 / 86 / 12

HEX #2EE11F

RGB 46 225 31

HSL 115.36, 0.76%, 0.5%

LAB 78.77, -74.62, 72.18

 

CMYK 87 / 10 / 0 / 12

HEX #1EC9E0

RGB 30 201 224

HSL 187.11, 0.76%, 0.5%

LAB 74.46, -31.97, -22.86

 

CMYK 7 / 87 / 0 / 12

HEX #D01EE0

RGB 208 30 224

HSL 295.05, 0.76%, 0.5%

LAB 51.52, 83.45, -58.01

 

CMYK 0 / 76 / 87 / 12

HEX #E0351E

RGB 224 53 30

HSL 7.11, 0.76%, 0.5%

LAB 50.08, 63.9, 52.88

 

CMYK 80 / 0 / 86 / 12

HEX #2EE11F

RGB 46 225 31

HSL 115.36, 0.76%, 0.5%

LAB 78.77, -74.62, 72.18

 

CMYK 87 / 36 / 0 / 12

HEX #1E8FE0

RGB 30 143 224

HSL 205.05, 0.76%, 0.5%

LAB 57.37, -1.04, -49.46

 

CMYK 7 / 87 / 0 / 12

HEX #D01EE0

RGB 208 30 224

HSL 295.05, 0.76%, 0.5%

LAB 51.52, 83.45, -58.01

 

CMYK 0 / 50 / 87 / 12

HEX #E06F1E

RGB 224 111 30

HSL 25.05, 0.76%, 0.5%

LAB 59.26, 39.56, 60.27

 

Description

Color code: RGB 46 225 31 | qconv.com Color code: RGB 46 225 31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 225 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 225 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 86 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 86% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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