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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 177 59 it is the complementary color RGB 209 78 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 177 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 177 59 shade: RGB 51 177 54, RGB 68 195 73, RGB 85 213 92, RGB 102 231 111 and RGB 119 249 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 177 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 177 59 shade: RGB 46 177 59, RGB 29 159 40, RGB 12 141 21, RGB 0 123 2 and RGB 0 105 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 177 59 shade: RGB 46 178 59, RGB 68 178 46, RGB 104 178 46, RGB 139 178 46 and RGB 175 178 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 177 59 shade: RGB 46 178 59, RGB 46 178 94, RGB 46 178 130, RGB 46 178 166 and RGB 46 154 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 177 59 shade matches the following richer shades: RGB 46 178 59, RGB 27 196 44 and RGB 9 214 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 177 59 shade: RGB 46 178 59, RGB 64 160 73, RGB 82 142 88, RGB 100 123 102 and RGB 118 105 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 177 59 shade: RGB 105 178 46, RGB 70 178 46, RGB 46 178 57, RGB 46 178 92 and RGB 46 178 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 177 59 shade: RGB 29 112 37, RGB 37 145 48, RGB 46 178 59, RGB 60 204 75 and RGB 93 213 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 177 59 shade: RGB 46 177 59, RGB 46 140 178 and RGB 178 46 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 177 59 shade: RGB 46 177 59, RGB 57 46 178 and RGB 178 57 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 177 59 shade: RGB 46 177 59, RGB 46 140 178, RGB 178 46 167 and RGB 178 83 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 177 59 shade: RGB 46 177 59, RGB 46 101 178, RGB 178 46 167 and RGB 178 123 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 67 / 31

HEX #2EB13B

RGB 46 177 59

HSL 125.95, 0.59%, 0.44%

LAB 63.62, -58.01, 48.73

 

Complementary color

CMYK 0 / 63 / 6 / 18

HEX #D14EC4

RGB 209 78 196

HSL 305.95, 0.59%, 0.56%

LAB 55.06, 65.19, -36.38

 

CMYK 71 / 0 / 69 / 31

HEX #33B136

RGB 51 177 54

HSL 121.43, 0.55%, 0.45%

LAB 63.68, -57.65, 50.88

 

CMYK 65 / 0 / 63 / 24

HEX #44C349

RGB 68 195 73

HSL 122.36, 0.51%, 0.52%

LAB 69.99, -58.63, 49.91

 

CMYK 60 / 0 / 57 / 16

HEX #55D55C

RGB 85 213 92

HSL 123.28, 0.6%, 0.58%

LAB 76.25, -59.2, 48.72

 

CMYK 56 / 0 / 52 / 9

HEX #66E76F

RGB 102 231 111

HSL 124.19, 0.73%, 0.65%

LAB 82.45, -59.5, 47.44

 

CMYK 52 / 0 / 48 / 2

HEX #77F982

RGB 119 249 130

HSL 125.08, 0.92%, 0.72%

LAB 88.58, -59.62, 46.16

 

CMYK 74 / 0 / 67 / 31

HEX #2EB13B

RGB 46 177 59

HSL 125.95, 0.59%, 0.44%

LAB 63.62, -58.01, 48.73

 

CMYK 82 / 0 / 75 / 38

HEX #1D9F28

RGB 29 159 40

HSL 125.08, 0.69%, 0.37%

LAB 57.28, -56.36, 49.51

 

CMYK 91 / 0 / 85 / 45

HEX #0C8D15

RGB 12 141 21

HSL 124.19, 0.84%, 0.3%

LAB 50.9, -53.81, 49.45

 

CMYK 100 / 0 / 98 / 52

HEX #007B02

RGB 0 123 2

HSL 120.98, 1%, 0.24%

LAB 44.48, -50.16, 48.05

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 74 / 0 / 67 / 30

HEX #2EB23B

RGB 46 178 59

HSL 125.91, 0.59%, 0.44%

LAB 63.95, -58.34, 49.08

 

CMYK 62 / 0 / 74 / 30

HEX #44B22E

RGB 68 178 46

HSL 110, 0.59%, 0.44%

LAB 64.38, -55.14, 54.76

 

CMYK 42 / 0 / 74 / 30

HEX #68B22E

RGB 104 178 46

HSL 93.64, 0.59%, 0.44%

LAB 65.73, -44.74, 56.56

 

CMYK 22 / 0 / 74 / 30

HEX #8BB22E

RGB 139 178 46

HSL 77.73, 0.59%, 0.44%

LAB 67.67, -31.72, 59.11

 

CMYK 2 / 0 / 74 / 30

HEX #AFB22E

RGB 175 178 46

HSL 61.36, 0.59%, 0.44%

LAB 70.28, -16.65, 62.52

 

CMYK 74 / 0 / 67 / 30

HEX #2EB23B

RGB 46 178 59

HSL 125.91, 0.59%, 0.44%

LAB 63.95, -58.34, 49.08

 

CMYK 74 / 0 / 47 / 30

HEX #2EB25E

RGB 46 178 94

HSL 141.82, 0.59%, 0.44%

LAB 64.35, -53.62, 32.99

 

CMYK 74 / 0 / 27 / 30

HEX #2EB282

RGB 46 178 130

HSL 158.18, 0.59%, 0.44%

LAB 64.99, -46.45, 14.64

 

CMYK 74 / 0 / 7 / 30

HEX #2EB2A6

RGB 46 178 166

HSL 174.55, 0.59%, 0.44%

LAB 65.88, -37.23, -3.95

 

CMYK 74 / 13 / 0 / 30

HEX #2E9AB2

RGB 46 154 178

HSL 190.91, 0.59%, 0.44%

LAB 58.89, -21.88, -21.19

 

CMYK 74 / 0 / 67 / 30

HEX #2EB23B

RGB 46 178 59

HSL 125.91, 0.59%, 0.44%

LAB 63.95, -58.34, 49.08

 

CMYK 86 / 0 / 78 / 23

HEX #1BC42C

RGB 27 196 44

HSL 126.04, 0.76%, 0.44%

LAB 69.39, -67.51, 60.13

 

CMYK 96 / 0 / 86 / 16

HEX #09D61E

RGB 9 214 30

HSL 126.15, 0.92%, 0.44%

LAB 74.98, -74.4, 68.92

 

CMYK 74 / 0 / 67 / 30

HEX #2EB23B

RGB 46 178 59

HSL 125.91, 0.59%, 0.44%

LAB 63.95, -58.34, 49.08

 

CMYK 60 / 0 / 54 / 37

HEX #40A049

RGB 64 160 73

HSL 125.63, 0.43%, 0.44%

LAB 58.71, -46.58, 36.74

 

CMYK 42 / 0 / 38 / 44

HEX #528E58

RGB 82 142 88

HSL 126, 0.27%, 0.44%

LAB 53.86, -31.44, 22.83

 

CMYK 19 / 0 / 17 / 52

HEX #647B66

RGB 100 123 102

HSL 125.22, 0.1%, 0.44%

LAB 49.29, -12.83, 8.74

 

CMYK 0 / 11 / 1 / 54

HEX #766975

RGB 118 105 117

HSL 304.62, 0.06%, 0.44%

LAB 45.96, 7.47, -4.82

 

CMYK 41 / 0 / 74 / 30

HEX #69B22E

RGB 105 178 46

HSL 93.18, 0.59%, 0.44%

LAB 65.78, -44.4, 56.62

 

CMYK 61 / 0 / 74 / 30

HEX #46B22E

RGB 70 178 46

HSL 109.09, 0.59%, 0.44%

LAB 64.44, -54.66, 54.84

 

CMYK 74 / 0 / 68 / 30

HEX #2EB239

RGB 46 178 57

HSL 125, 0.59%, 0.44%

LAB 63.93, -58.54, 49.9

 

CMYK 74 / 0 / 48 / 30

HEX #2EB25C

RGB 46 178 92

HSL 140.91, 0.59%, 0.44%

LAB 64.32, -53.95, 33.98

 

CMYK 74 / 0 / 29 / 30

HEX #2EB27F

RGB 46 178 127

HSL 156.82, 0.59%, 0.44%

LAB 64.93, -47.13, 16.2

 

CMYK 74 / 0 / 67 / 56

HEX #1D7025

RGB 29 112 37

HSL 125.78, 0.59%, 0.28%

LAB 41.19, -40.63, 33.74

 

CMYK 74 / 0 / 67 / 43

HEX #259130

RGB 37 145 48

HSL 126.11, 0.59%, 0.36%

LAB 52.79, -49.78, 41.58

 

CMYK 74 / 0 / 67 / 30

HEX #2EB23B

RGB 46 178 59

HSL 125.91, 0.59%, 0.44%

LAB 63.95, -58.34, 49.08

 

CMYK 71 / 0 / 63 / 20

HEX #3CCC4B

RGB 60 204 75

HSL 126.25, 0.59%, 0.52%

LAB 72.66, -62.99, 51.99

 

CMYK 56 / 0 / 51 / 16

HEX #5DD569

RGB 93 213 105

HSL 126, 0.59%, 0.6%

LAB 76.64, -55.66, 43.13

 

CMYK 74 / 0 / 67 / 31

HEX #2EB13B

RGB 46 177 59

HSL 125.95, 0.59%, 0.44%

LAB 63.62, -58.01, 48.73

 

CMYK 74 / 21 / 0 / 30

HEX #2E8CB2

RGB 46 140 178

HSL 197.27, 0.59%, 0.44%

LAB 54.61, -14.36, -27.78

 

CMYK 0 / 74 / 51 / 30

HEX #B22E57

RGB 178 46 87

HSL 341.36, 0.59%, 0.44%

LAB 41.39, 55.19, 7.98

 

CMYK 74 / 0 / 67 / 31

HEX #2EB13B

RGB 46 177 59

HSL 125.95, 0.59%, 0.44%

LAB 63.62, -58.01, 48.73

 

CMYK 68 / 74 / 0 / 30

HEX #392EB2

RGB 57 46 178

HSL 245, 0.59%, 0.44%

LAB 29.51, 45.27, -67.95

 

CMYK 0 / 68 / 74 / 30

HEX #B2392E

RGB 178 57 46

HSL 5, 0.59%, 0.44%

LAB 42.14, 48.37, 34.06

 

CMYK 74 / 0 / 67 / 31

HEX #2EB13B

RGB 46 177 59

HSL 125.95, 0.59%, 0.44%

LAB 63.62, -58.01, 48.73

 

CMYK 74 / 21 / 0 / 30

HEX #2E8CB2

RGB 46 140 178

HSL 197.27, 0.59%, 0.44%

LAB 54.61, -14.36, -27.78

 

CMYK 0 / 74 / 6 / 30

HEX #B22EA7

RGB 178 46 167

HSL 305, 0.59%, 0.44%

LAB 44.53, 64.96, -36.34

 

CMYK 0 / 53 / 74 / 30

HEX #B2532E

RGB 178 83 46

HSL 16.82, 0.59%, 0.44%

LAB 46.78, 36.16, 39.15

 

CMYK 74 / 0 / 67 / 31

HEX #2EB13B

RGB 46 177 59

HSL 125.95, 0.59%, 0.44%

LAB 63.62, -58.01, 48.73

 

CMYK 74 / 43 / 0 / 30

HEX #2E65B2

RGB 46 101 178

HSL 215, 0.59%, 0.44%

LAB 42.92, 8.94, -46.19

 

CMYK 0 / 74 / 6 / 30

HEX #B22EA7

RGB 178 46 167

HSL 305, 0.59%, 0.44%

LAB 44.53, 64.96, -36.34

 

CMYK 0 / 31 / 74 / 30

HEX #B27B2E

RGB 178 123 46

HSL 35, 0.59%, 0.44%

LAB 55.92, 14.33, 48.67

 

Description

Color code: RGB 46 177 59 | qconv.com Color code: RGB 46 177 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 177 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 177 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 67 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 67% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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