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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 153 236 it is the complementary color RGB 209 102 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 153 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 153 236 shade: RGB 51 153 231, RGB 68 171 250, RGB 85 189 255, RGB 102 207 255 and RGB 119 225 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 153 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 153 236 shade: RGB 46 153 236, RGB 29 135 217, RGB 12 117 198, RGB 0 99 179 and RGB 0 81 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 153 236 shade: RGB 45 152 235, RGB 45 100 235, RGB 45 49 235, RGB 91 45 235 and RGB 143 45 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 153 236 shade: RGB 45 152 235, RGB 45 100 235, RGB 45 49 235 and RGB 45 45 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 153 236 shade matches the following richer shades: RGB 45 152 235 and RGB 26 154 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 153 236 shade: RGB 45 152 235, RGB 63 149 216, RGB 82 147 198, RGB 100 145 179 and RGB 119 142 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 153 236 shade: RGB 45 235 216, RGB 45 203 235, RGB 45 152 235, RGB 45 102 235 and RGB 45 51 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 153 236 shade: RGB 16 109 181, RGB 20 132 218, RGB 45 152 235, RGB 82 170 238 and RGB 120 189 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 153 236 shade: RGB 46 153 236, RGB 165 45 235 and RGB 229 235 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 153 236 shade: RGB 46 153 236, RGB 235 45 152 and RGB 152 235 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 153 236 shade: RGB 46 153 236, RGB 165 45 235, RGB 235 127 45 and RGB 114 235 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 153 236 shade: RGB 46 153 236, RGB 222 45 235, RGB 235 127 45 and RGB 57 235 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 35 / 0 / 7

HEX #2E99EC

RGB 46 153 236

HSL 206.21, 0.83%, 0.55%

LAB 61.15, -1.21, -50.1

 

Complementary color

CMYK 0 / 51 / 91 / 18

HEX #D16613

RGB 209 102 19

HSL 26.21, 0.83%, 0.45%

LAB 55.18, 37.97, 59.54

 

CMYK 78 / 34 / 0 / 9

HEX #3399E7

RGB 51 153 231

HSL 206, 0.79%, 0.55%

LAB 61.01, -2.51, -47.56

 

CMYK 73 / 32 / 0 / 2

HEX #44ABFA

RGB 68 171 250

HSL 206.04, 0.95%, 0.62%

LAB 67.47, -4.14, -47.75

 

CMYK 67 / 26 / 0 / 0

HEX #55BDFF

RGB 85 189 255

HSL 203.29, 1%, 0.67%

LAB 73.25, -10.02, -41.36

 

CMYK 60 / 19 / 0 / 0

HEX #66CFFF

RGB 102 207 255

HSL 198.82, 1%, 0.7%

LAB 78.85, -16.73, -32.63

 

CMYK 53 / 12 / 0 / 0

HEX #77E1FF

RGB 119 225 255

HSL 193.24, 1%, 0.73%

LAB 84.48, -22.64, -23.96

 

CMYK 81 / 35 / 0 / 7

HEX #2E99EC

RGB 46 153 236

HSL 206.21, 0.83%, 0.55%

LAB 61.15, -1.21, -50.1

 

CMYK 87 / 38 / 0 / 15

HEX #1D87D9

RGB 29 135 217

HSL 206.17, 0.76%, 0.48%

LAB 54.66, 1.01, -49.85

 

CMYK 94 / 41 / 0 / 22

HEX #0C75C6

RGB 12 117 198

HSL 206.13, 0.89%, 0.41%

LAB 48.11, 3.76, -49.53

 

CMYK 100 / 45 / 0 / 30

HEX #0063B3

RGB 0 99 179

HSL 206.82, 1%, 0.35%

LAB 41.5, 7.1, -49.1

 

CMYK 100 / 49 / 0 / 37

HEX #0051A0

RGB 0 81 160

HSL 209.63, 1%, 0.31%

LAB 34.85, 11.12, -48.54

 

CMYK 81 / 35 / 0 / 8

HEX #2D98EB

RGB 45 152 235

HSL 206.21, 0.83%, 0.55%

LAB 60.79, -1.08, -50.12

 

CMYK 81 / 57 / 0 / 8

HEX #2D64EB

RGB 45 100 235

HSL 222.63, 0.83%, 0.55%

LAB 46.54, 30.94, -73.05

 

CMYK 81 / 79 / 0 / 8

HEX #2D31EB

RGB 45 49 235

HSL 238.74, 0.83%, 0.55%

LAB 35.5, 60.68, -91.2

 

CMYK 61 / 81 / 0 / 8

HEX #5B2DEB

RGB 91 45 235

HSL 254.53, 0.83%, 0.55%

LAB 38.02, 65.78, -86.94

 

CMYK 39 / 81 / 0 / 8

HEX #8F2DEB

RGB 143 45 235

HSL 270.95, 0.83%, 0.55%

LAB 43.82, 71.89, -77.19

 

CMYK 81 / 35 / 0 / 8

HEX #2D98EB

RGB 45 152 235

HSL 206.21, 0.83%, 0.55%

LAB 60.79, -1.08, -50.12

 

CMYK 81 / 57 / 0 / 8

HEX #2D64EB

RGB 45 100 235

HSL 222.63, 0.83%, 0.55%

LAB 46.54, 30.94, -73.05

 

CMYK 81 / 79 / 0 / 8

HEX #2D31EB

RGB 45 49 235

HSL 238.74, 0.83%, 0.55%

LAB 35.5, 60.68, -91.2

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 81 / 35 / 0 / 8

HEX #2D98EB

RGB 45 152 235

HSL 206.21, 0.83%, 0.55%

LAB 60.79, -1.08, -50.12

 

CMYK 90 / 39 / 0 / 0

HEX #1A9AFE

RGB 26 154 254

HSL 206.32, 0.99%, 0.55%

LAB 62.07, 3.43, -58.54

 

CMYK 81 / 35 / 0 / 8

HEX #2D98EB

RGB 45 152 235

HSL 206.21, 0.83%, 0.55%

LAB 60.79, -1.08, -50.12

 

CMYK 71 / 31 / 0 / 15

HEX #3F95D8

RGB 63 149 216

HSL 206.27, 0.66%, 0.55%

LAB 59.44, -4.01, -41.67

 

CMYK 59 / 26 / 0 / 22

HEX #5293C6

RGB 82 147 198

HSL 206.38, 0.5%, 0.55%

LAB 58.73, -5.62, -32.64

 

CMYK 44 / 19 / 0 / 30

HEX #6491B3

RGB 100 145 179

HSL 205.82, 0.34%, 0.55%

LAB 58.24, -6.1, -22.58

 

CMYK 26 / 12 / 0 / 37

HEX #778EA1

RGB 119 142 161

HSL 207.14, 0.18%, 0.55%

LAB 57.89, -3.71, -12.75

 

CMYK 81 / 0 / 8 / 8

HEX #2DEBD8

RGB 45 235 216

HSL 174, 0.83%, 0.55%

LAB 84.45, -48.58, -3.62

 

CMYK 81 / 14 / 0 / 8

HEX #2DCBEB

RGB 45 203 235

HSL 190.11, 0.83%, 0.55%

LAB 75.62, -28.4, -27.01

 

CMYK 81 / 35 / 0 / 8

HEX #2D98EB

RGB 45 152 235

HSL 206.21, 0.83%, 0.55%

LAB 60.79, -1.08, -50.12

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 81 / 78 / 0 / 8

HEX #2D33EB

RGB 45 51 235

HSL 238.11, 0.83%, 0.55%

LAB 35.84, 59.71, -90.65

 

CMYK 91 / 40 / 0 / 29

HEX #106DB5

RGB 16 109 181

HSL 206.18, 0.84%, 0.39%

LAB 44.78, 2.23, -45.01

 

CMYK 91 / 39 / 0 / 15

HEX #1484DA

RGB 20 132 218

HSL 206.06, 0.83%, 0.47%

LAB 53.72, 2.68, -51.91

 

CMYK 81 / 35 / 0 / 8

HEX #2D98EB

RGB 45 152 235

HSL 206.21, 0.83%, 0.55%

LAB 60.79, -1.08, -50.12

 

CMYK 66 / 29 / 0 / 7

HEX #52AAEE

RGB 82 170 238

HSL 206.15, 0.82%, 0.63%

LAB 67.06, -5.6, -41.82

 

CMYK 50 / 22 / 0 / 5

HEX #78BDF2

RGB 120 189 242

HSL 206.07, 0.82%, 0.71%

LAB 74.06, -7.45, -32.99

 

CMYK 81 / 35 / 0 / 7

HEX #2E99EC

RGB 46 153 236

HSL 206.21, 0.83%, 0.55%

LAB 61.15, -1.21, -50.1

 

CMYK 30 / 81 / 0 / 8

HEX #A52DEB

RGB 165 45 235

HSL 277.89, 0.83%, 0.55%

LAB 46.81, 75.11, -72.18

 

CMYK 3 / 0 / 81 / 8

HEX #E5EB2D

RGB 229 235 45

HSL 61.89, 0.83%, 0.55%

LAB 89.98, -22.04, 82

 

CMYK 81 / 35 / 0 / 7

HEX #2E99EC

RGB 46 153 236

HSL 206.21, 0.83%, 0.55%

LAB 61.15, -1.21, -50.1

 

CMYK 0 / 81 / 35 / 8

HEX #EB2D98

RGB 235 45 152

HSL 326.21, 0.83%, 0.55%

LAB 53.82, 76.43, -12.26

 

CMYK 35 / 0 / 81 / 8

HEX #98EB2D

RGB 152 235 45

HSL 86.21, 0.83%, 0.55%

LAB 85.14, -51.72, 75.89

 

CMYK 81 / 35 / 0 / 7

HEX #2E99EC

RGB 46 153 236

HSL 206.21, 0.83%, 0.55%

LAB 61.15, -1.21, -50.1

 

CMYK 30 / 81 / 0 / 8

HEX #A52DEB

RGB 165 45 235

HSL 277.89, 0.83%, 0.55%

LAB 46.81, 75.11, -72.18

 

CMYK 0 / 46 / 81 / 8

HEX #EB7F2D

RGB 235 127 45

HSL 25.89, 0.83%, 0.55%

LAB 64.19, 36.19, 59.58

 

CMYK 51 / 0 / 81 / 8

HEX #72EB2D

RGB 114 235 45

HSL 98.21, 0.83%, 0.55%

LAB 83.54, -63.57, 73.84

 

CMYK 81 / 35 / 0 / 7

HEX #2E99EC

RGB 46 153 236

HSL 206.21, 0.83%, 0.55%

LAB 61.15, -1.21, -50.1

 

CMYK 6 / 81 / 0 / 8

HEX #DE2DEB

RGB 222 45 235

HSL 295.89, 0.83%, 0.55%

LAB 55.49, 84.6, -57.73

 

CMYK 0 / 46 / 81 / 8

HEX #EB7F2D

RGB 235 127 45

HSL 25.89, 0.83%, 0.55%

LAB 64.19, 36.19, 59.58

 

CMYK 76 / 0 / 81 / 8

HEX #39EB2D

RGB 57 235 45

HSL 116.21, 0.83%, 0.55%

LAB 82.1, -75.47, 71.99

 

Description

Color code: RGB 46 153 236 | qconv.com Color code: RGB 46 153 236 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 153 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 153 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 35 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 35% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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