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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 146 99 it is the complementary color RGB 209 109 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 146 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 146 99 shade: RGB 51 146 94, RGB 68 164 113, RGB 85 182 132, RGB 102 200 151 and RGB 119 218 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 146 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 146 99 shade: RGB 46 146 99, RGB 29 128 80, RGB 12 110 61, RGB 0 92 42 and RGB 0 74 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 146 99 shade: RGB 46 147 99, RGB 46 147 72, RGB 47 147 46, RGB 74 147 46 and RGB 101 147 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 146 99 shade: RGB 46 147 99, RGB 46 147 127, RGB 46 140 147, RGB 46 113 147 and RGB 46 85 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 146 99 shade matches the following richer shades: RGB 46 147 99, RGB 30 162 100 and RGB 15 178 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 146 99 shade: RGB 46 147 99, RGB 62 131 98, RGB 77 115 98, RGB 93 100 97 and RGB 109 84 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 146 99 shade: RGB 48 147 46, RGB 46 147 71, RGB 46 147 98, RGB 46 147 125 and RGB 46 142 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 146 99 shade: RGB 26 84 57, RGB 36 115 78, RGB 46 147 99, RGB 56 178 121 and RGB 77 198 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 146 99 shade: RGB 46 146 99, RGB 46 75 147 and RGB 147 58 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 146 99 shade: RGB 46 146 99, RGB 98 46 147 and RGB 147 98 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 146 99 shade: RGB 46 146 99, RGB 46 75 147, RGB 147 46 95 and RGB 147 118 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 146 99 shade: RGB 46 146 99, RGB 48 46 147, RGB 147 46 95 and RGB 145 147 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 32 / 43

HEX #2E9263

RGB 46 146 99

HSL 151.8, 0.52%, 0.38%

LAB 54.07, -40.13, 16.74

 

Complementary color

CMYK 0 / 48 / 25 / 18

HEX #D16D9C

RGB 209 109 156

HSL 331.8, 0.52%, 0.62%

LAB 58.88, 44.84, -7.45

 

CMYK 65 / 0 / 36 / 43

HEX #33925E

RGB 51 146 94

HSL 147.16, 0.48%, 0.39%

LAB 54.1, -40.23, 19.61

 

CMYK 59 / 0 / 31 / 36

HEX #44A471

RGB 68 164 113

HSL 148.13, 0.41%, 0.45%

LAB 60.76, -40.35, 18.21

 

CMYK 53 / 0 / 27 / 29

HEX #55B684

RGB 85 182 132

HSL 149.07, 0.4%, 0.52%

LAB 67.32, -40.31, 16.95

 

CMYK 49 / 0 / 25 / 22

HEX #66C897

RGB 102 200 151

HSL 150, 0.47%, 0.59%

LAB 73.78, -40.18, 15.79

 

CMYK 45 / 0 / 22 / 15

HEX #77DAAA

RGB 119 218 170

HSL 150.91, 0.57%, 0.66%

LAB 80.16, -40, 14.73

 

CMYK 68 / 0 / 32 / 43

HEX #2E9263

RGB 46 146 99

HSL 151.8, 0.52%, 0.38%

LAB 54.07, -40.13, 16.74

 

CMYK 77 / 0 / 38 / 50

HEX #1D8050

RGB 29 128 80

HSL 150.91, 0.63%, 0.31%

LAB 47.34, -39.56, 18.31

 

CMYK 89 / 0 / 45 / 57

HEX #0C6E3D

RGB 12 110 61

HSL 150, 0.8%, 0.24%

LAB 40.52, -38.42, 20.09

 

CMYK 100 / 0 / 54 / 64

HEX #005C2A

RGB 0 92 42

HSL 147.39, 1%, 0.18%

LAB 33.61, -36.43, 22.08

 

CMYK 100 / 0 / 69 / 71

HEX #004A17

RGB 0 74 23

HSL 138.65, 1%, 0.15%

LAB 26.62, -32.98, 24.18

 

CMYK 69 / 0 / 33 / 42

HEX #2E9363

RGB 46 147 99

HSL 151.49, 0.52%, 0.38%

LAB 54.4, -40.55, 17.19

 

CMYK 69 / 0 / 51 / 42

HEX #2E9348

RGB 46 147 72

HSL 135.45, 0.52%, 0.38%

LAB 53.94, -45.64, 31.29

 

CMYK 68 / 0 / 69 / 42

HEX #2F932E

RGB 47 147 46

HSL 119.41, 0.52%, 0.38%

LAB 53.67, -48.8, 43.48

 

CMYK 50 / 0 / 69 / 42

HEX #4A932E

RGB 74 147 46

HSL 103.37, 0.52%, 0.38%

LAB 54.58, -41.72, 44.71

 

CMYK 31 / 0 / 69 / 42

HEX #65932E

RGB 101 147 46

HSL 87.33, 0.52%, 0.38%

LAB 55.92, -32.24, 46.54

 

CMYK 69 / 0 / 33 / 42

HEX #2E9363

RGB 46 147 99

HSL 151.49, 0.52%, 0.38%

LAB 54.4, -40.55, 17.19

 

CMYK 69 / 0 / 14 / 42

HEX #2E937F

RGB 46 147 127

HSL 168.12, 0.52%, 0.38%

LAB 55.05, -33.73, 2.19

 

CMYK 69 / 5 / 0 / 42

HEX #2E8C93

RGB 46 140 147

HSL 184.16, 0.52%, 0.38%

LAB 53.43, -24.52, -11.74

 

CMYK 69 / 23 / 0 / 42

HEX #2E7193

RGB 46 113 147

HSL 200.2, 0.52%, 0.38%

LAB 44.94, -9.77, -24.72

 

CMYK 69 / 42 / 0 / 42

HEX #2E5593

RGB 46 85 147

HSL 216.83, 0.52%, 0.38%

LAB 36.34, 7.6, -38.25

 

CMYK 69 / 0 / 33 / 42

HEX #2E9363

RGB 46 147 99

HSL 151.49, 0.52%, 0.38%

LAB 54.4, -40.55, 17.19

 

CMYK 81 / 0 / 38 / 36

HEX #1EA264

RGB 30 162 100

HSL 151.82, 0.69%, 0.38%

LAB 59.01, -48.65, 22.82

 

CMYK 92 / 0 / 43 / 30

HEX #0FB265

RGB 15 178 101

HSL 151.66, 0.84%, 0.38%

LAB 64.07, -55.52, 28.92

 

CMYK 69 / 0 / 33 / 42

HEX #2E9363

RGB 46 147 99

HSL 151.49, 0.52%, 0.38%

LAB 54.4, -40.55, 17.19

 

CMYK 53 / 0 / 25 / 49

HEX #3E8362

RGB 62 131 98

HSL 151.3, 0.36%, 0.38%

LAB 49.66, -30.08, 11.3

 

CMYK 33 / 0 / 15 / 55

HEX #4D7362

RGB 77 115 98

HSL 153.16, 0.2%, 0.38%

LAB 45.25, -17.46, 5.15

 

CMYK 7 / 0 / 3 / 61

HEX #5D6461

RGB 93 100 97

HSL 154.29, 0.04%, 0.38%

LAB 41.7, -3.35, 0.76

 

CMYK 0 / 23 / 12 / 57

HEX #6D5460

RGB 109 84 96

HSL 331.2, 0.13%, 0.38%

LAB 38.61, 12.52, -2.96

 

CMYK 67 / 0 / 69 / 42

HEX #30932E

RGB 48 147 46

HSL 118.81, 0.52%, 0.38%

LAB 53.7, -48.59, 43.51

 

CMYK 69 / 0 / 52 / 42

HEX #2E9347

RGB 46 147 71

HSL 134.85, 0.52%, 0.38%

LAB 53.92, -45.79, 31.79

 

CMYK 69 / 0 / 33 / 42

HEX #2E9362

RGB 46 147 98

HSL 150.89, 0.52%, 0.38%

LAB 54.38, -40.77, 17.72

 

CMYK 69 / 0 / 15 / 42

HEX #2E937D

RGB 46 147 125

HSL 166.93, 0.52%, 0.38%

LAB 55, -34.26, 3.26

 

CMYK 69 / 3 / 0 / 42

HEX #2E8E93

RGB 46 142 147

HSL 182.97, 0.52%, 0.38%

LAB 54.06, -25.54, -10.79

 

CMYK 69 / 0 / 32 / 67

HEX #1A5439

RGB 26 84 57

HSL 152.07, 0.53%, 0.22%

LAB 31.48, -26, 10.4

 

CMYK 69 / 0 / 32 / 55

HEX #24734E

RGB 36 115 78

HSL 151.9, 0.52%, 0.3%

LAB 43.04, -33.26, 13.66

 

CMYK 69 / 0 / 33 / 42

HEX #2E9363

RGB 46 147 99

HSL 151.49, 0.52%, 0.38%

LAB 54.4, -40.55, 17.19

 

CMYK 69 / 0 / 32 / 30

HEX #38B279

RGB 56 178 121

HSL 151.97, 0.52%, 0.46%

LAB 65.01, -46.91, 19.61

 

CMYK 61 / 0 / 29 / 22

HEX #4DC68D

RGB 77 198 141

HSL 151.74, 0.51%, 0.54%

LAB 72.15, -47.04, 18.75

 

CMYK 68 / 0 / 32 / 43

HEX #2E9263

RGB 46 146 99

HSL 151.8, 0.52%, 0.38%

LAB 54.07, -40.13, 16.74

 

CMYK 69 / 49 / 0 / 42

HEX #2E4B93

RGB 46 75 147

HSL 222.77, 0.52%, 0.38%

LAB 33.39, 14.23, -42.96

 

CMYK 0 / 61 / 69 / 42

HEX #933A2E

RGB 147 58 46

HSL 7.13, 0.52%, 0.38%

LAB 36.79, 36.75, 26.45

 

CMYK 68 / 0 / 32 / 43

HEX #2E9263

RGB 46 146 99

HSL 151.8, 0.52%, 0.38%

LAB 54.07, -40.13, 16.74

 

CMYK 33 / 69 / 0 / 42

HEX #622E93

RGB 98 46 147

HSL 270.89, 0.52%, 0.38%

LAB 31.01, 43.07, -46.57

 

CMYK 0 / 33 / 69 / 42

HEX #93622E

RGB 147 98 46

HSL 30.89, 0.52%, 0.38%

LAB 45.82, 14.66, 36.85

 

CMYK 68 / 0 / 32 / 43

HEX #2E9263

RGB 46 146 99

HSL 151.8, 0.52%, 0.38%

LAB 54.07, -40.13, 16.74

 

CMYK 69 / 49 / 0 / 42

HEX #2E4B93

RGB 46 75 147

HSL 222.77, 0.52%, 0.38%

LAB 33.39, 14.23, -42.96

 

CMYK 0 / 69 / 35 / 42

HEX #932E5F

RGB 147 46 95

HSL 330.89, 0.52%, 0.38%

LAB 35.95, 46.72, -5.69

 

CMYK 0 / 20 / 69 / 42

HEX #93762E

RGB 147 118 46

HSL 42.77, 0.52%, 0.38%

LAB 51.1, 3.14, 42.58

 

CMYK 68 / 0 / 32 / 43

HEX #2E9263

RGB 46 146 99

HSL 151.8, 0.52%, 0.38%

LAB 54.07, -40.13, 16.74

 

CMYK 67 / 69 / 0 / 42

HEX #302E93

RGB 48 46 147

HSL 241.19, 0.52%, 0.38%

LAB 25.83, 33.8, -55.24

 

CMYK 0 / 69 / 35 / 42

HEX #932E5F

RGB 147 46 95

HSL 330.89, 0.52%, 0.38%

LAB 35.95, 46.72, -5.69

 

CMYK 1 / 0 / 69 / 42

HEX #91932E

RGB 145 147 46

HSL 61.19, 0.52%, 0.38%

LAB 59.05, -13.72, 50.75

 

Description

Color code: RGB 46 146 99 | qconv.com Color code: RGB 46 146 99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 146 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 146 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 32 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 32% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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