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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 130 27 it is the complementary color RGB 209 125 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 130 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 130 27 shade: RGB 51 130 22, RGB 68 148 41, RGB 85 166 60, RGB 102 184 79 and RGB 119 202 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 130 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 130 27 shade: RGB 46 130 27, RGB 29 112 8, RGB 12 94 0, RGB 0 76 0 and RGB 0 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 130 27 shade: RGB 46 131 26, RGB 74 131 26, RGB 102 131 26, RGB 130 131 26 and RGB 131 103 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 130 27 shade: RGB 46 131 26, RGB 26 131 35, RGB 26 131 63, RGB 26 131 92 and RGB 26 131 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 130 27 shade matches the following richer shades: RGB 46 131 26, RGB 38 144 14 and RGB 29 156 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 130 27 shade: RGB 46 131 26, RGB 54 118 39, RGB 62 105 52, RGB 70 92 65 and RGB 78 80 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 130 27 shade: RGB 103 131 26, RGB 75 131 26, RGB 47 131 26, RGB 26 131 33 and RGB 26 131 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 130 27 shade: RGB 22 62 12, RGB 34 96 19, RGB 46 131 26, RGB 58 165 33 and RGB 70 199 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 130 27 shade: RGB 46 130 27, RGB 26 131 131 and RGB 131 26 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 130 27 shade: RGB 46 130 27, RGB 26 47 131 and RGB 131 26 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 130 27 shade: RGB 46 130 27, RGB 26 131 131, RGB 110 26 131 and RGB 131 26 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 130 27 shade: RGB 46 130 27, RGB 26 99 131, RGB 110 26 131 and RGB 131 58 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 79 / 49

HEX #2E821B

RGB 46 130 27

HSL 108.93, 0.66%, 0.31%

LAB 47.78, -44.47, 44.87

 

Complementary color

CMYK 8 / 45 / 0 / 11

HEX #D17DE4

RGB 209 125 228

HSL 288.93, 0.66%, 0.69%

LAB 64.82, 48.78, -39.16

 

CMYK 61 / 0 / 83 / 49

HEX #338216

RGB 51 130 22

HSL 103.89, 0.71%, 0.3%

LAB 47.91, -43.51, 46.68

 

CMYK 54 / 0 / 72 / 42

HEX #449429

RGB 68 148 41

HSL 104.86, 0.57%, 0.37%

LAB 54.63, -44.36, 46.74

 

CMYK 49 / 0 / 64 / 35

HEX #55A63C

RGB 85 166 60

HSL 105.85, 0.47%, 0.44%

LAB 61.25, -44.78, 46.01

 

CMYK 45 / 0 / 57 / 28

HEX #66B84F

RGB 102 184 79

HSL 106.86, 0.43%, 0.52%

LAB 67.78, -44.94, 44.96

 

CMYK 41 / 0 / 51 / 21

HEX #77CA62

RGB 119 202 98

HSL 107.88, 0.5%, 0.59%

LAB 74.22, -44.95, 43.78

 

CMYK 65 / 0 / 79 / 49

HEX #2E821B

RGB 46 130 27

HSL 108.93, 0.66%, 0.31%

LAB 47.78, -44.47, 44.87

 

CMYK 74 / 0 / 93 / 56

HEX #1D7008

RGB 29 112 8

HSL 107.88, 0.87%, 0.24%

LAB 41, -42.88, 43.93

 

CMYK 87 / 0 / 100 / 63

HEX #0C5E00

RGB 12 94 0

HSL 112.34, 1%, 0.18%

LAB 34.16, -40.06, 40.29

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 65 / 0 / 80 / 49

HEX #2E831A

RGB 46 131 26

HSL 108.57, 0.67%, 0.31%

LAB 48.12, -44.91, 45.54

 

CMYK 44 / 0 / 80 / 49

HEX #4A831A

RGB 74 131 26

HSL 92.57, 0.67%, 0.31%

LAB 49.21, -36.47, 46.96

 

CMYK 22 / 0 / 80 / 49

HEX #66831A

RGB 102 131 26

HSL 76.57, 0.67%, 0.31%

LAB 50.84, -25.43, 49.07

 

CMYK 1 / 0 / 80 / 49

HEX #82831A

RGB 130 131 26

HSL 60.57, 0.67%, 0.31%

LAB 53.01, -12.95, 51.84

 

CMYK 0 / 21 / 80 / 49

HEX #83671A

RGB 131 103 26

HSL 44, 0.67%, 0.31%

LAB 45.08, 3.25, 44.66

 

CMYK 65 / 0 / 80 / 49

HEX #2E831A

RGB 46 131 26

HSL 108.57, 0.67%, 0.31%

LAB 48.12, -44.91, 45.54

 

CMYK 80 / 0 / 73 / 49

HEX #1A8323

RGB 26 131 35

HSL 125.14, 0.67%, 0.31%

LAB 47.72, -48.06, 41.63

 

CMYK 80 / 0 / 52 / 49

HEX #1A833F

RGB 26 131 63

HSL 141.14, 0.67%, 0.31%

LAB 48.02, -44.41, 28.58

 

CMYK 80 / 0 / 30 / 49

HEX #1A835C

RGB 26 131 92

HSL 157.71, 0.67%, 0.31%

LAB 48.54, -38.48, 13.06

 

CMYK 80 / 0 / 8 / 49

HEX #1A8378

RGB 26 131 120

HSL 173.71, 0.67%, 0.31%

LAB 49.26, -30.94, -2.25

 

CMYK 65 / 0 / 80 / 49

HEX #2E831A

RGB 46 131 26

HSL 108.57, 0.67%, 0.31%

LAB 48.12, -44.91, 45.54

 

CMYK 74 / 0 / 90 / 44

HEX #26900E

RGB 38 144 14

HSL 108.92, 0.82%, 0.31%

LAB 52.28, -51.73, 52.48

 

CMYK 81 / 0 / 99 / 39

HEX #1D9C01

RGB 29 156 1

HSL 109.16, 0.99%, 0.31%

LAB 56.13, -57.3, 57.79

 

CMYK 65 / 0 / 80 / 49

HEX #2E831A

RGB 46 131 26

HSL 108.57, 0.67%, 0.31%

LAB 48.12, -44.91, 45.54

 

CMYK 54 / 0 / 67 / 54

HEX #367627

RGB 54 118 39

HSL 108.61, 0.5%, 0.31%

LAB 44.07, -36.51, 36.22

 

CMYK 41 / 0 / 50 / 59

HEX #3E6934

RGB 62 105 52

HSL 108.68, 0.34%, 0.31%

LAB 40.21, -26.31, 25.09

 

CMYK 24 / 0 / 29 / 64

HEX #465C41

RGB 70 92 65

HSL 108.89, 0.17%, 0.31%

LAB 36.63, -14.24, 12.9

 

CMYK 2 / 0 / 2 / 69

HEX #4E504E

RGB 78 80 78

HSL 120, 0.01%, 0.31%

LAB 33.79, -1.24, 0.89

 

CMYK 21 / 0 / 80 / 49

HEX #67831A

RGB 103 131 26

HSL 76, 0.67%, 0.31%

LAB 50.91, -25, 49.16

 

CMYK 43 / 0 / 80 / 49

HEX #4B831A

RGB 75 131 26

HSL 92, 0.67%, 0.31%

LAB 49.26, -36.12, 47.02

 

CMYK 64 / 0 / 80 / 49

HEX #2F831A

RGB 47 131 26

HSL 108, 0.67%, 0.31%

LAB 48.15, -44.66, 45.58

 

CMYK 80 / 0 / 75 / 49

HEX #1A8321

RGB 26 131 33

HSL 124, 0.67%, 0.31%

LAB 47.7, -48.24, 42.41

 

CMYK 80 / 0 / 53 / 49

HEX #1A833D

RGB 26 131 61

HSL 140, 0.67%, 0.31%

LAB 47.99, -44.74, 29.6

 

CMYK 65 / 0 / 81 / 76

HEX #163E0C

RGB 22 62 12

HSL 108, 0.68%, 0.15%

LAB 22.45, -25, 25.28

 

CMYK 65 / 0 / 80 / 62

HEX #226013

RGB 34 96 19

HSL 108.31, 0.67%, 0.23%

LAB 35.5, -35.15, 35.64

 

CMYK 65 / 0 / 80 / 49

HEX #2E831A

RGB 46 131 26

HSL 108.57, 0.67%, 0.31%

LAB 48.12, -44.91, 45.54

 

CMYK 65 / 0 / 80 / 35

HEX #3AA521

RGB 58 165 33

HSL 108.64, 0.67%, 0.39%

LAB 59.82, -53.77, 54.56

 

CMYK 65 / 0 / 80 / 22

HEX #46C728

RGB 70 199 40

HSL 108.68, 0.67%, 0.47%

LAB 71.08, -62.27, 63.2

 

CMYK 65 / 0 / 79 / 49

HEX #2E821B

RGB 46 130 27

HSL 108.93, 0.66%, 0.31%

LAB 47.78, -44.47, 44.87

 

CMYK 80 / 0 / 0 / 49

HEX #1A8383

RGB 26 131 131

HSL 180, 0.67%, 0.31%

LAB 49.61, -27.58, -8.2

 

CMYK 0 / 80 / 32 / 49

HEX #831A59

RGB 131 26 89

HSL 324, 0.67%, 0.31%

LAB 30.12, 48.73, -10.89

 

CMYK 65 / 0 / 79 / 49

HEX #2E821B

RGB 46 130 27

HSL 108.93, 0.66%, 0.31%

LAB 47.78, -44.47, 44.87

 

CMYK 80 / 64 / 0 / 49

HEX #1A2F83

RGB 26 47 131

HSL 228, 0.67%, 0.31%

LAB 23.31, 24.42, -49.46

 

CMYK 0 / 80 / 64 / 49

HEX #831A2F

RGB 131 26 47

HSL 348, 0.67%, 0.31%

LAB 28.82, 44.73, 15.16

 

CMYK 65 / 0 / 79 / 49

HEX #2E821B

RGB 46 130 27

HSL 108.93, 0.66%, 0.31%

LAB 47.78, -44.47, 44.87

 

CMYK 80 / 0 / 0 / 49

HEX #1A8383

RGB 26 131 131

HSL 180, 0.67%, 0.31%

LAB 49.61, -27.58, -8.2

 

CMYK 16 / 80 / 0 / 49

HEX #6E1A83

RGB 110 26 131

HSL 288, 0.67%, 0.31%

LAB 28.62, 50.56, -40.42

 

CMYK 0 / 80 / 80 / 49

HEX #831A1A

RGB 131 26 26

HSL 0, 0.67%, 0.31%

LAB 28.48, 43.65, 28.29

 

CMYK 65 / 0 / 79 / 49

HEX #2E821B

RGB 46 130 27

HSL 108.93, 0.66%, 0.31%

LAB 47.78, -44.47, 44.87

 

CMYK 80 / 24 / 0 / 49

HEX #1A6383

RGB 26 99 131

HSL 198.29, 0.67%, 0.31%

LAB 39.21, -10.21, -24.06

 

CMYK 16 / 80 / 0 / 49

HEX #6E1A83

RGB 110 26 131

HSL 288, 0.67%, 0.31%

LAB 28.62, 50.56, -40.42

 

CMYK 0 / 56 / 80 / 49

HEX #833A1A

RGB 131 58 26

HSL 18.29, 0.67%, 0.31%

LAB 33.83, 29.32, 33.82

 

Description

Color code: RGB 46 130 27 | qconv.com Color code: RGB 46 130 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 130 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 130 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 79 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 79% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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