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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 120 102 it is the complementary color RGB 209 135 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 120 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 120 102 shade: RGB 51 120 97, RGB 68 138 116, RGB 85 156 135, RGB 102 174 154 and RGB 119 192 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 120 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 120 102 shade: RGB 46 120 102, RGB 29 102 83, RGB 12 84 64, RGB 0 66 45 and RGB 0 48 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 120 102 shade: RGB 46 122 103, RGB 46 122 83, RGB 46 122 62, RGB 50 122 46 and RGB 70 122 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 120 102 shade: RGB 46 122 103, RGB 46 120 122, RGB 46 99 122, RGB 46 79 122 and RGB 46 58 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 120 102 shade matches the following richer shades: RGB 46 122 103, RGB 32 135 110, RGB 19 149 117 and RGB 5 162 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 120 102 shade: RGB 46 122 103, RGB 59 108 96, RGB 73 94 89, RGB 87 81 82 and RGB 100 67 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 120 102 shade: RGB 46 122 62, RGB 46 122 82, RGB 46 122 103, RGB 46 120 122 and RGB 46 100 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 120 102 shade: RGB 23 62 52, RGB 34 92 78, RGB 46 122 103, RGB 57 151 128 and RGB 68 181 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 120 102 shade: RGB 46 120 102, RGB 46 50 122 and RGB 122 72 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 120 102 shade: RGB 46 120 102, RGB 103 46 122 and RGB 122 103 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 120 102 shade: RGB 46 120 102, RGB 46 50 122, RGB 122 46 65 and RGB 122 118 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 120 102 shade: RGB 46 120 102, RGB 65 46 122, RGB 122 46 65 and RGB 103 122 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 15 / 53

HEX #2E7866

RGB 46 120 102

HSL 165.41, 0.45%, 0.33%

LAB 45.6, -27.58, 3.09

 

Complementary color

CMYK 0 / 35 / 27 / 18

HEX #D18799

RGB 209 135 153

HSL 345.41, 0.45%, 0.67%

LAB 64.31, 30.73, 2.25

 

CMYK 58 / 0 / 19 / 53

HEX #337861

RGB 51 120 97

HSL 160, 0.4%, 0.34%

LAB 45.63, -27.75, 6.13

 

CMYK 51 / 0 / 16 / 46

HEX #448A74

RGB 68 138 116

HSL 161.14, 0.34%, 0.4%

LAB 52.58, -27.69, 5.05

 

CMYK 46 / 0 / 13 / 39

HEX #559C87

RGB 85 156 135

HSL 162.25, 0.29%, 0.47%

LAB 59.4, -27.55, 4.08

 

CMYK 41 / 0 / 11 / 32

HEX #66AE9A

RGB 102 174 154

HSL 163.33, 0.31%, 0.54%

LAB 66.08, -27.37, 3.2

 

CMYK 38 / 0 / 10 / 25

HEX #77C0AD

RGB 119 192 173

HSL 164.38, 0.37%, 0.61%

LAB 72.65, -27.19, 2.39

 

CMYK 62 / 0 / 15 / 53

HEX #2E7866

RGB 46 120 102

HSL 165.41, 0.45%, 0.33%

LAB 45.6, -27.58, 3.09

 

CMYK 72 / 0 / 19 / 60

HEX #1D6653

RGB 29 102 83

HSL 164.38, 0.56%, 0.26%

LAB 38.53, -27.28, 4.3

 

CMYK 86 / 0 / 24 / 67

HEX #0C5440

RGB 12 84 64

HSL 163.33, 0.75%, 0.19%

LAB 31.32, -26.54, 5.75

 

CMYK 100 / 0 / 32 / 74

HEX #00422D

RGB 0 66 45

HSL 160.91, 1%, 0.13%

LAB 23.95, -25.08, 7.53

 

CMYK 100 / 0 / 46 / 81

HEX #00301A

RGB 0 48 26

HSL 152.5, 1%, 0.09%

LAB 16.45, -22.04, 9.83

 

CMYK 62 / 0 / 16 / 52

HEX #2E7A67

RGB 46 122 103

HSL 165, 0.45%, 0.33%

LAB 46.28, -28.29, 3.49

 

CMYK 62 / 0 / 32 / 52

HEX #2E7A53

RGB 46 122 83

HSL 149.21, 0.45%, 0.33%

LAB 45.8, -33.16, 14.57

 

CMYK 62 / 0 / 49 / 52

HEX #2E7A3E

RGB 46 122 62

HSL 132.63, 0.45%, 0.33%

LAB 45.42, -37.24, 25.97

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 43 / 0 / 62 / 52

HEX #467A2E

RGB 70 122 46

HSL 101.05, 0.45%, 0.33%

LAB 46.2, -32.24, 35.46

 

CMYK 62 / 0 / 16 / 52

HEX #2E7A67

RGB 46 122 103

HSL 165, 0.45%, 0.33%

LAB 46.28, -28.29, 3.49

 

CMYK 62 / 2 / 0 / 52

HEX #2E787A

RGB 46 120 122

HSL 181.58, 0.45%, 0.33%

LAB 46.2, -21.85, -7.92

 

CMYK 62 / 19 / 0 / 52

HEX #2E637A

RGB 46 99 122

HSL 198.16, 0.45%, 0.33%

LAB 39.43, -10.16, -18.2

 

CMYK 62 / 35 / 0 / 52

HEX #2E4F7A

RGB 46 79 122

HSL 213.95, 0.45%, 0.33%

LAB 33.09, 2.26, -28.07

 

CMYK 62 / 52 / 0 / 52

HEX #2E3A7A

RGB 46 58 122

HSL 230.53, 0.45%, 0.33%

LAB 26.77, 16.41, -38.13

 

CMYK 62 / 0 / 16 / 52

HEX #2E7A67

RGB 46 122 103

HSL 165, 0.45%, 0.33%

LAB 46.28, -28.29, 3.49

 

CMYK 76 / 0 / 19 / 47

HEX #20876E

RGB 32 135 110

HSL 165.44, 0.62%, 0.33%

LAB 50.41, -34.89, 5.27

 

CMYK 87 / 0 / 21 / 42

HEX #139575

RGB 19 149 117

HSL 165.23, 0.77%, 0.33%

LAB 54.99, -40.5, 7.76

 

CMYK 97 / 0 / 23 / 36

HEX #05A27C

RGB 5 162 124

HSL 165.48, 0.94%, 0.33%

LAB 59.28, -44.87, 9.87

 

CMYK 62 / 0 / 16 / 52

HEX #2E7A67

RGB 46 122 103

HSL 165, 0.45%, 0.33%

LAB 46.28, -28.29, 3.49

 

CMYK 45 / 0 / 11 / 58

HEX #3B6C60

RGB 59 108 96

HSL 165.31, 0.29%, 0.33%

LAB 42, -19.78, 1.54

 

CMYK 22 / 0 / 5 / 63

HEX #495E59

RGB 73 94 89

HSL 165.71, 0.13%, 0.33%

LAB 38.1, -9.12, 0.24

 

CMYK 0 / 7 / 6 / 66

HEX #575152

RGB 87 81 82

HSL 350, 0.04%, 0.33%

LAB 35.04, 2.66, 0.29

 

CMYK 0 / 33 / 25 / 61

HEX #64434B

RGB 100 67 75

HSL 345.45, 0.2%, 0.33%

LAB 32.33, 15.57, 0.97

 

CMYK 62 / 0 / 49 / 52

HEX #2E7A3E

RGB 46 122 62

HSL 132.63, 0.45%, 0.33%

LAB 45.42, -37.24, 25.97

 

CMYK 62 / 0 / 33 / 52

HEX #2E7A52

RGB 46 122 82

HSL 148.42, 0.45%, 0.33%

LAB 45.78, -33.38, 15.12

 

CMYK 62 / 0 / 16 / 52

HEX #2E7A67

RGB 46 122 103

HSL 165, 0.45%, 0.33%

LAB 46.28, -28.29, 3.49

 

CMYK 62 / 2 / 0 / 52

HEX #2E787A

RGB 46 120 122

HSL 181.58, 0.45%, 0.33%

LAB 46.2, -21.85, -7.92

 

CMYK 62 / 18 / 0 / 52

HEX #2E647A

RGB 46 100 122

HSL 197.37, 0.45%, 0.33%

LAB 39.75, -10.75, -17.7

 

CMYK 63 / 0 / 16 / 76

HEX #173E34

RGB 23 62 52

HSL 164.62, 0.46%, 0.17%

LAB 23.25, -16.72, 2.01

 

CMYK 63 / 0 / 15 / 64

HEX #225C4E

RGB 34 92 78

HSL 165.52, 0.46%, 0.25%

LAB 35.09, -22.68, 2.45

 

CMYK 62 / 0 / 16 / 52

HEX #2E7A67

RGB 46 122 103

HSL 165, 0.45%, 0.33%

LAB 46.28, -28.29, 3.49

 

CMYK 62 / 0 / 15 / 41

HEX #399780

RGB 57 151 128

HSL 165.32, 0.45%, 0.41%

LAB 56.65, -33.36, 3.96

 

CMYK 62 / 0 / 15 / 29

HEX #44B59A

RGB 68 181 154

HSL 165.66, 0.45%, 0.49%

LAB 66.98, -38.44, 4.35

 

CMYK 62 / 0 / 15 / 53

HEX #2E7866

RGB 46 120 102

HSL 165.41, 0.45%, 0.33%

LAB 45.6, -27.58, 3.09

 

CMYK 62 / 59 / 0 / 52

HEX #2E327A

RGB 46 50 122

HSL 236.84, 0.45%, 0.33%

LAB 24.54, 21.9, -41.74

 

CMYK 0 / 41 / 62 / 52

HEX #7A482E

RGB 122 72 46

HSL 20.53, 0.45%, 0.33%

LAB 35.93, 18.63, 24.49

 

CMYK 62 / 0 / 15 / 53

HEX #2E7866

RGB 46 120 102

HSL 165.41, 0.45%, 0.33%

LAB 45.6, -27.58, 3.09

 

CMYK 16 / 62 / 0 / 52

HEX #672E7A

RGB 103 46 122

HSL 285, 0.45%, 0.33%

LAB 30.02, 38.35, -32.59

 

CMYK 0 / 16 / 62 / 52

HEX #7A672E

RGB 122 103 46

HSL 45, 0.45%, 0.33%

LAB 44.28, 0.19, 34.34

 

CMYK 62 / 0 / 15 / 53

HEX #2E7866

RGB 46 120 102

HSL 165.41, 0.45%, 0.33%

LAB 45.6, -27.58, 3.09

 

CMYK 62 / 59 / 0 / 52

HEX #2E327A

RGB 46 50 122

HSL 236.84, 0.45%, 0.33%

LAB 24.54, 21.9, -41.74

 

CMYK 0 / 62 / 47 / 52

HEX #7A2E41

RGB 122 46 65

HSL 345, 0.45%, 0.33%

LAB 30.58, 34.95, 5.37

 

CMYK 0 / 3 / 62 / 52

HEX #7A762E

RGB 122 118 46

HSL 56.84, 0.45%, 0.33%

LAB 48.63, -8.37, 39.18

 

CMYK 62 / 0 / 15 / 53

HEX #2E7866

RGB 46 120 102

HSL 165.41, 0.45%, 0.33%

LAB 45.6, -27.58, 3.09

 

CMYK 47 / 62 / 0 / 52

HEX #412E7A

RGB 65 46 122

HSL 255, 0.45%, 0.33%

LAB 25.21, 28.62, -40.57

 

CMYK 0 / 62 / 47 / 52

HEX #7A2E41

RGB 122 46 65

HSL 345, 0.45%, 0.33%

LAB 30.58, 34.95, 5.37

 

CMYK 16 / 0 / 62 / 52

HEX #677A2E

RGB 103 122 46

HSL 75, 0.45%, 0.33%

LAB 48.26, -19.06, 38.33

 

Description

Color code: RGB 46 120 102 | qconv.com Color code: RGB 46 120 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 120 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 120 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 15 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 15% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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