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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 116 102 it is the complementary color RGB 209 139 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 116 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 116 102 shade: RGB 51 116 97, RGB 68 134 116, RGB 85 152 135, RGB 102 170 154 and RGB 119 188 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 116 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 116 102 shade: RGB 46 116 102, RGB 29 98 83, RGB 12 80 64, RGB 0 62 45 and RGB 0 44 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 116 102 shade: RGB 46 116 102, RGB 46 116 83, RGB 46 116 64, RGB 47 116 46 and RGB 66 116 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 116 102 shade: RGB 46 116 102, RGB 46 111 116, RGB 46 92 116, RGB 46 73 116 and RGB 46 55 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 116 102 shade matches the following richer shades: RGB 46 116 102, RGB 33 129 110, RGB 20 143 118 and RGB 6 156 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 116 102 shade: RGB 46 116 102, RGB 59 103 94, RGB 72 90 86, RGB 86 77 78 and RGB 99 63 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 116 102 shade: RGB 46 116 65, RGB 46 116 83, RGB 46 116 102, RGB 46 112 116 and RGB 46 93 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 116 102 shade: RGB 22 57 50, RGB 34 87 76, RGB 46 116 102, RGB 58 146 128 and RGB 70 175 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 116 102 shade: RGB 46 116 102, RGB 46 46 116 and RGB 116 74 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 116 102 shade: RGB 46 116 102, RGB 102 46 116 and RGB 116 102 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 116 102 shade: RGB 46 116 102, RGB 46 46 116, RGB 116 46 60 and RGB 116 116 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 116 102 shade: RGB 46 116 102, RGB 67 46 116, RGB 116 46 60 and RGB 95 116 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

Complementary color

CMYK 0 / 33 / 27 / 18

HEX #D18B99

RGB 209 139 153

HSL 348, 0.43%, 0.68%

LAB 65.22, 28.57, 3.57

 

CMYK 56 / 0 / 16 / 55

HEX #337461

RGB 51 116 97

HSL 162.46, 0.39%, 0.33%

LAB 44.32, -25.78, 4.24

 

CMYK 49 / 0 / 13 / 47

HEX #448674

RGB 68 134 116

HSL 163.64, 0.33%, 0.4%

LAB 51.31, -25.7, 3.22

 

CMYK 44 / 0 / 11 / 40

HEX #559887

RGB 85 152 135

HSL 164.78, 0.28%, 0.46%

LAB 58.17, -25.56, 2.31

 

CMYK 40 / 0 / 9 / 33

HEX #66AA9A

RGB 102 170 154

HSL 165.88, 0.29%, 0.53%

LAB 64.89, -25.39, 1.47

 

CMYK 37 / 0 / 8 / 26

HEX #77BCAD

RGB 119 188 173

HSL 166.96, 0.34%, 0.6%

LAB 71.49, -25.22, 0.7

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 70 / 0 / 15 / 62

HEX #1D6253

RGB 29 98 83

HSL 166.96, 0.54%, 0.25%

LAB 37.15, -25.32, 2.32

 

CMYK 85 / 0 / 20 / 69

HEX #0C5040

RGB 12 80 64

HSL 165.88, 0.74%, 0.18%

LAB 29.88, -24.61, 3.69

 

CMYK 100 / 0 / 27 / 76

HEX #003E2D

RGB 0 62 45

HSL 163.55, 1%, 0.12%

LAB 22.43, -23.21, 5.39

 

CMYK 100 / 0 / 41 / 83

HEX #002C1A

RGB 0 44 26

HSL 155.45, 1%, 0.09%

LAB 14.82, -20.2, 7.64

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 60 / 0 / 28 / 55

HEX #2E7453

RGB 46 116 83

HSL 151.71, 0.43%, 0.32%

LAB 43.79, -30.4, 11.8

 

CMYK 60 / 0 / 45 / 55

HEX #2E7440

RGB 46 116 64

HSL 135.43, 0.43%, 0.32%

LAB 43.42, -34.32, 22.3

 

CMYK 59 / 0 / 60 / 55

HEX #2F742E

RGB 47 116 46

HSL 119.14, 0.43%, 0.32%

LAB 43.2, -36.87, 31.75

 

CMYK 43 / 0 / 60 / 55

HEX #42742E

RGB 66 116 46

HSL 102.86, 0.43%, 0.32%

LAB 44.01, -30.9, 32.9

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 60 / 4 / 0 / 55

HEX #2E6F74

RGB 46 111 116

HSL 184.29, 0.43%, 0.32%

LAB 43.08, -18.9, -9.01

 

CMYK 60 / 21 / 0 / 55

HEX #2E5C74

RGB 46 92 116

HSL 200.57, 0.43%, 0.32%

LAB 36.92, -8.03, -18.38

 

CMYK 60 / 37 / 0 / 55

HEX #2E4974

RGB 46 73 116

HSL 216.86, 0.43%, 0.32%

LAB 30.89, 4.02, -27.78

 

CMYK 60 / 53 / 0 / 55

HEX #2E3774

RGB 46 55 116

HSL 232.29, 0.43%, 0.32%

LAB 25.49, 16.27, -36.4

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 74 / 0 / 15 / 49

HEX #21816E

RGB 33 129 110

HSL 168.13, 0.59%, 0.32%

LAB 48.45, -31.99, 2.45

 

CMYK 86 / 0 / 17 / 44

HEX #148F76

RGB 20 143 118

HSL 167.8, 0.75%, 0.32%

LAB 53.06, -37.57, 4.43

 

CMYK 96 / 0 / 19 / 39

HEX #069C7E

RGB 6 156 126

HSL 168, 0.93%, 0.32%

LAB 57.39, -41.81, 6.06

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 43 / 0 / 9 / 60

HEX #3B675E

RGB 59 103 94

HSL 167.73, 0.27%, 0.32%

LAB 40.31, -17.6, 0.3

 

CMYK 20 / 0 / 4 / 65

HEX #485A56

RGB 72 90 86

HSL 166.67, 0.11%, 0.32%

LAB 36.67, -7.84, 0.01

 

CMYK 0 / 10 / 9 / 66

HEX #564D4E

RGB 86 77 78

HSL 353.33, 0.06%, 0.32%

LAB 33.64, 3.94, 0.76

 

CMYK 0 / 36 / 29 / 61

HEX #633F46

RGB 99 63 70

HSL 348.33, 0.22%, 0.32%

LAB 31, 16.81, 2.25

 

CMYK 60 / 0 / 44 / 55

HEX #2E7441

RGB 46 116 65

HSL 136.29, 0.43%, 0.32%

LAB 43.44, -34.14, 21.76

 

CMYK 60 / 0 / 28 / 55

HEX #2E7453

RGB 46 116 83

HSL 151.71, 0.43%, 0.32%

LAB 43.79, -30.4, 11.8

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 60 / 3 / 0 / 55

HEX #2E7074

RGB 46 112 116

HSL 183.43, 0.43%, 0.32%

LAB 43.4, -19.44, -8.52

 

CMYK 60 / 20 / 0 / 55

HEX #2E5D74

RGB 46 93 116

HSL 199.71, 0.43%, 0.32%

LAB 37.24, -8.63, -17.88

 

CMYK 61 / 0 / 12 / 78

HEX #163932

RGB 22 57 50

HSL 168, 0.44%, 0.15%

LAB 21.31, -14.75, 0.52

 

CMYK 61 / 0 / 13 / 66

HEX #22574C

RGB 34 87 76

HSL 167.55, 0.44%, 0.24%

LAB 33.3, -20.63, 1.11

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 60 / 0 / 12 / 43

HEX #3A9280

RGB 58 146 128

HSL 167.73, 0.43%, 0.4%

LAB 55.09, -30.8, 1.71

 

CMYK 60 / 0 / 12 / 31

HEX #46AF9A

RGB 70 175 154

HSL 168, 0.43%, 0.48%

LAB 65.2, -35.33, 1.77

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 60 / 60 / 0 / 55

HEX #2E2E74

RGB 46 46 116

HSL 240, 0.43%, 0.32%

LAB 22.98, 22.46, -40.43

 

CMYK 0 / 36 / 60 / 55

HEX #744A2E

RGB 116 74 46

HSL 24, 0.43%, 0.32%

LAB 35.61, 14.71, 23.91

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 12 / 60 / 0 / 55

HEX #662E74

RGB 102 46 116

HSL 288, 0.43%, 0.32%

LAB 29.51, 36.75, -29.61

 

CMYK 0 / 12 / 60 / 55

HEX #74662E

RGB 116 102 46

HSL 48, 0.43%, 0.32%

LAB 43.38, -2.04, 33.14

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 60 / 60 / 0 / 55

HEX #2E2E74

RGB 46 46 116

HSL 240, 0.43%, 0.32%

LAB 22.98, 22.46, -40.43

 

CMYK 0 / 60 / 48 / 55

HEX #742E3C

RGB 116 46 60

HSL 348, 0.43%, 0.32%

LAB 29.4, 32.19, 6.85

 

CMYK 0 / 0 / 60 / 55

HEX #74742E

RGB 116 116 46

HSL 60, 0.43%, 0.32%

LAB 47.5, -10, 37.78

 

CMYK 60 / 0 / 12 / 55

HEX #2E7466

RGB 46 116 102

HSL 168, 0.43%, 0.32%

LAB 44.28, -25.59, 1.18

 

CMYK 42 / 60 / 0 / 55

HEX #432E74

RGB 67 46 116

HSL 258, 0.43%, 0.32%

LAB 24.98, 27.25, -37.12

 

CMYK 0 / 60 / 48 / 55

HEX #742E3C

RGB 116 46 60

HSL 348, 0.43%, 0.32%

LAB 29.4, 32.19, 6.85

 

CMYK 18 / 0 / 60 / 55

HEX #5F742E

RGB 95 116 46

HSL 78, 0.43%, 0.32%

LAB 45.8, -19.38, 35.41

 

Description

Color code: RGB 46 116 102 | qconv.com Color code: RGB 46 116 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 116 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 116 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 12 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 12% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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