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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 114 75 it is the complementary color RGB 209 141 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 114 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 114 75 shade: RGB 51 114 70, RGB 68 132 89, RGB 85 150 108, RGB 102 168 127 and RGB 119 186 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 114 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 114 75 shade: RGB 46 114 75, RGB 29 96 56, RGB 12 78 37, RGB 0 60 18 and RGB 0 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 114 75 shade: RGB 45 113 74, RGB 45 113 55, RGB 52 113 45, RGB 71 113 45 and RGB 89 113 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 114 75 shade: RGB 45 113 74, RGB 45 113 92, RGB 45 113 110, RGB 45 97 113 and RGB 45 78 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 114 75 shade matches the following richer shades: RGB 45 113 74, RGB 32 125 72, RGB 19 138 70 and RGB 6 151 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 114 75 shade: RGB 45 113 74, RGB 57 100 75, RGB 70 87 77, RGB 83 74 79 and RGB 96 61 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 114 75 shade: RGB 52 113 45, RGB 45 113 55, RGB 45 113 73, RGB 45 113 91 and RGB 45 113 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 114 75 shade: RGB 21 54 35, RGB 33 83 54, RGB 45 113 74, RGB 56 142 93 and RGB 68 172 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 114 75 shade: RGB 46 114 75, RGB 45 71 113 and RGB 113 46 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 114 75 shade: RGB 46 114 75, RGB 73 45 113 and RGB 113 73 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 114 75 shade: RGB 46 114 75, RGB 45 71 113, RGB 113 45 84 and RGB 113 86 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 114 75 shade: RGB 46 114 75, RGB 45 50 113, RGB 113 45 84 and RGB 113 107 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 34 / 55

HEX #2E724B

RGB 46 114 75

HSL 145.59, 0.43%, 0.31%

LAB 42.95, -31.25, 15.34

 

Complementary color

CMYK 0 / 33 / 14 / 18

HEX #D18DB4

RGB 209 141 180

HSL 325.59, 0.43%, 0.69%

LAB 66.44, 31.6, -9.85

 

CMYK 55 / 0 / 39 / 55

HEX #337246

RGB 51 114 70

HSL 138.1, 0.38%, 0.32%

LAB 43.03, -30.97, 18.4

 

CMYK 48 / 0 / 33 / 48

HEX #448459

RGB 68 132 89

HSL 139.69, 0.32%, 0.39%

LAB 50.04, -30.81, 17.03

 

CMYK 43 / 0 / 28 / 41

HEX #55966C

RGB 85 150 108

HSL 141.23, 0.28%, 0.46%

LAB 56.91, -30.57, 15.8

 

CMYK 39 / 0 / 24 / 34

HEX #66A87F

RGB 102 168 127

HSL 142.73, 0.28%, 0.53%

LAB 63.64, -30.3, 14.69

 

CMYK 36 / 0 / 22 / 27

HEX #77BA92

RGB 119 186 146

HSL 144.18, 0.33%, 0.6%

LAB 70.26, -30.03, 13.66

 

CMYK 60 / 0 / 34 / 55

HEX #2E724B

RGB 46 114 75

HSL 145.59, 0.43%, 0.31%

LAB 42.95, -31.25, 15.34

 

CMYK 70 / 0 / 42 / 62

HEX #1D6038

RGB 29 96 56

HSL 144.18, 0.54%, 0.25%

LAB 35.82, -31.09, 16.88

 

CMYK 85 / 0 / 53 / 69

HEX #0C4E25

RGB 12 78 37

HSL 142.73, 0.73%, 0.18%

LAB 28.54, -30.36, 18.66

 

CMYK 100 / 0 / 70 / 76

HEX #003C12

RGB 0 60 18

HSL 138, 1%, 0.12%

LAB 21.11, -28.58, 20.58

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 60 / 0 / 35 / 56

HEX #2D714A

RGB 45 113 74

HSL 145.59, 0.43%, 0.31%

LAB 42.56, -31.25, 15.39

 

CMYK 60 / 0 / 51 / 56

HEX #2D7137

RGB 45 113 55

HSL 128.82, 0.43%, 0.31%

LAB 42.22, -34.82, 25.78

 

CMYK 54 / 0 / 60 / 56

HEX #34712D

RGB 52 113 45

HSL 113.82, 0.43%, 0.31%

LAB 42.35, -34.29, 31.31

 

CMYK 37 / 0 / 60 / 56

HEX #47712D

RGB 71 113 45

HSL 97.06, 0.43%, 0.31%

LAB 43.27, -27.77, 32.61

 

CMYK 21 / 0 / 60 / 56

HEX #59712D

RGB 89 113 45

HSL 81.18, 0.43%, 0.31%

LAB 44.41, -20.48, 34.22

 

CMYK 60 / 0 / 35 / 56

HEX #2D714A

RGB 45 113 74

HSL 145.59, 0.43%, 0.31%

LAB 42.56, -31.25, 15.39

 

CMYK 60 / 0 / 19 / 56

HEX #2D715C

RGB 45 113 92

HSL 161.47, 0.43%, 0.31%

LAB 42.97, -26.99, 5.28

 

CMYK 60 / 0 / 3 / 56

HEX #2D716E

RGB 45 113 110

HSL 177.35, 0.43%, 0.31%

LAB 43.5, -21.99, -4.77

 

CMYK 60 / 14 / 0 / 56

HEX #2D6171

RGB 45 97 113

HSL 194.12, 0.43%, 0.31%

LAB 38.37, -12.21, -14.31

 

CMYK 60 / 31 / 0 / 56

HEX #2D4E71

RGB 45 78 113

HSL 210.88, 0.43%, 0.31%

LAB 32.26, -0.56, -23.76

 

CMYK 60 / 0 / 35 / 56

HEX #2D714A

RGB 45 113 74

HSL 145.59, 0.43%, 0.31%

LAB 42.56, -31.25, 15.39

 

CMYK 74 / 0 / 42 / 51

HEX #207D48

RGB 32 125 72

HSL 145.81, 0.59%, 0.31%

LAB 46.23, -39.52, 21.38

 

CMYK 86 / 0 / 49 / 46

HEX #138A46

RGB 19 138 70

HSL 145.71, 0.76%, 0.31%

LAB 50.4, -46.59, 27.81

 

CMYK 96 / 0 / 55 / 41

HEX #069744

RGB 6 151 68

HSL 145.66, 0.92%, 0.31%

LAB 54.65, -52.4, 34.08

 

CMYK 60 / 0 / 35 / 56

HEX #2D714A

RGB 45 113 74

HSL 145.59, 0.43%, 0.31%

LAB 42.56, -31.25, 15.39

 

CMYK 43 / 0 / 25 / 61

HEX #39644B

RGB 57 100 75

HSL 145.12, 0.27%, 0.31%

LAB 38.71, -21.23, 9.58

 

CMYK 20 / 0 / 11 / 66

HEX #46574D

RGB 70 87 77

HSL 144.71, 0.11%, 0.31%

LAB 35.31, -8.89, 3.64

 

CMYK 0 / 11 / 5 / 67

HEX #534A4F

RGB 83 74 79

HSL 326.67, 0.06%, 0.31%

LAB 32.48, 4.79, -1.6

 

CMYK 0 / 36 / 16 / 62

HEX #603D51

RGB 96 61 81

HSL 325.71, 0.22%, 0.31%

LAB 30.44, 18.73, -5.74

 

CMYK 54 / 0 / 60 / 56

HEX #34712D

RGB 52 113 45

HSL 113.82, 0.43%, 0.31%

LAB 42.35, -34.29, 31.31

 

CMYK 60 / 0 / 51 / 56

HEX #2D7137

RGB 45 113 55

HSL 128.82, 0.43%, 0.31%

LAB 42.22, -34.82, 25.78

 

CMYK 60 / 0 / 35 / 56

HEX #2D7149

RGB 45 113 73

HSL 144.71, 0.43%, 0.31%

LAB 42.54, -31.46, 15.95

 

CMYK 60 / 0 / 19 / 56

HEX #2D715B

RGB 45 113 91

HSL 160.59, 0.43%, 0.31%

LAB 42.95, -27.25, 5.85

 

CMYK 60 / 0 / 4 / 56

HEX #2D716D

RGB 45 113 109

HSL 176.47, 0.43%, 0.31%

LAB 43.47, -22.28, -4.22

 

CMYK 61 / 0 / 35 / 79

HEX #153623

RGB 21 54 35

HSL 145.45, 0.44%, 0.15%

LAB 19.72, -17.5, 8.36

 

CMYK 60 / 0 / 35 / 67

HEX #215336

RGB 33 83 54

HSL 145.2, 0.43%, 0.23%

LAB 31.29, -24.5, 12.05

 

CMYK 60 / 0 / 35 / 56

HEX #2D714A

RGB 45 113 74

HSL 145.59, 0.43%, 0.31%

LAB 42.56, -31.25, 15.39

 

CMYK 61 / 0 / 35 / 44

HEX #388E5D

RGB 56 142 93

HSL 145.81, 0.43%, 0.39%

LAB 52.92, -37.64, 18.6

 

CMYK 60 / 0 / 35 / 33

HEX #44AC70

RGB 68 172 112

HSL 145.38, 0.43%, 0.47%

LAB 63.26, -43.95, 22.16

 

CMYK 60 / 0 / 34 / 55

HEX #2E724B

RGB 46 114 75

HSL 145.59, 0.43%, 0.31%

LAB 42.95, -31.25, 15.34

 

CMYK 60 / 37 / 0 / 56

HEX #2D4771

RGB 45 71 113

HSL 217.06, 0.43%, 0.31%

LAB 30.05, 4.03, -27.22

 

CMYK 0 / 59 / 60 / 56

HEX #712E2D

RGB 113 46 45

HSL 0.88, 0.43%, 0.31%

LAB 28.52, 29.57, 15.44

 

CMYK 60 / 0 / 34 / 55

HEX #2E724B

RGB 46 114 75

HSL 145.59, 0.43%, 0.31%

LAB 42.95, -31.25, 15.34

 

CMYK 35 / 60 / 0 / 56

HEX #492D71

RGB 73 45 113

HSL 264.71, 0.43%, 0.31%

LAB 25.22, 28.55, -34.78

 

CMYK 0 / 35 / 60 / 56

HEX #71492D

RGB 113 73 45

HSL 24.71, 0.43%, 0.31%

LAB 34.93, 13.85, 23.58

 

CMYK 60 / 0 / 34 / 55

HEX #2E724B

RGB 46 114 75

HSL 145.59, 0.43%, 0.31%

LAB 42.95, -31.25, 15.34

 

CMYK 60 / 37 / 0 / 56

HEX #2D4771

RGB 45 71 113

HSL 217.06, 0.43%, 0.31%

LAB 30.05, 4.03, -27.22

 

CMYK 0 / 60 / 26 / 56

HEX #712D54

RGB 113 45 84

HSL 325.59, 0.43%, 0.31%

LAB 29.48, 34.76, -8.89

 

CMYK 0 / 24 / 60 / 56

HEX #71562D

RGB 113 86 45

HSL 36.18, 0.43%, 0.31%

LAB 38.47, 5.96, 27.87

 

CMYK 60 / 0 / 34 / 55

HEX #2E724B

RGB 46 114 75

HSL 145.59, 0.43%, 0.31%

LAB 42.95, -31.25, 15.34

 

CMYK 60 / 56 / 0 / 56

HEX #2D3271

RGB 45 50 113

HSL 235.59, 0.43%, 0.31%

LAB 23.77, 18.41, -37.24

 

CMYK 0 / 60 / 26 / 56

HEX #712D54

RGB 113 45 84

HSL 325.59, 0.43%, 0.31%

LAB 29.48, 34.76, -8.89

 

CMYK 0 / 5 / 60 / 56

HEX #716B2D

RGB 113 107 45

HSL 54.71, 0.43%, 0.31%

LAB 44.54, -6.4, 34.9

 

Description

Color code: RGB 46 114 75 | qconv.com Color code: RGB 46 114 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 114 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 114 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 34 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 34% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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