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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 72 120 it is the complementary color RGB 209 183 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 72 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 72 120 shade: RGB 51 72 115, RGB 68 90 134, RGB 85 108 153, RGB 102 126 172 and RGB 119 144 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 72 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 72 120 shade: RGB 46 72 120, RGB 29 54 101, RGB 12 36 82, RGB 0 18 63 and RGB 0 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 72 120 shade: RGB 46 72 122, RGB 46 52 122, RGB 60 46 122, RGB 80 46 122 and RGB 101 46 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 72 120 shade: RGB 46 72 122, RGB 46 52 122 and RGB 46 46 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 72 120 shade matches the following richer shades: RGB 46 72 122, RGB 32 68 135, RGB 19 64 149 and RGB 5 60 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 72 120 shade: RGB 46 72 122, RGB 59 76 108, RGB 73 80 94, RGB 87 85 81 and RGB 100 89 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 72 120 shade: RGB 46 114 122, RGB 46 94 122, RGB 46 74 122, RGB 46 53 122 and RGB 58 46 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 72 120 shade: RGB 23 37 62, RGB 34 55 92, RGB 46 72 122, RGB 57 90 151 and RGB 68 108 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 72 120 shade: RGB 46 72 120, RGB 109 46 122 and RGB 104 122 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 72 120 shade: RGB 46 72 120, RGB 122 46 74 and RGB 74 122 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 72 120 shade: RGB 46 72 120, RGB 109 46 122, RGB 122 94 46 and RGB 58 122 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 72 120 shade: RGB 46 72 120, RGB 122 46 111, RGB 122 94 46 and RGB 46 122 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 40 / 0 / 53

HEX #2E4878

RGB 46 72 120

HSL 218.92, 0.45%, 0.33%

LAB 30.81, 6.14, -30.42

 

Complementary color

CMYK 0 / 12 / 35 / 18

HEX #D1B787

RGB 209 183 135

HSL 38.92, 0.45%, 0.67%

LAB 75.56, 2.42, 27.86

 

CMYK 56 / 37 / 0 / 55

HEX #334873

RGB 51 72 115

HSL 220.31, 0.39%, 0.33%

LAB 30.82, 5.51, -27.24

 

CMYK 49 / 33 / 0 / 47

HEX #445A86

RGB 68 90 134

HSL 220, 0.33%, 0.4%

LAB 38.31, 4.62, -27.16

 

CMYK 44 / 29 / 0 / 40

HEX #556C99

RGB 85 108 153

HSL 219.71, 0.29%, 0.47%

LAB 45.57, 3.94, -27.14

 

CMYK 41 / 27 / 0 / 33

HEX #667EAC

RGB 102 126 172

HSL 219.43, 0.3%, 0.54%

LAB 52.65, 3.41, -27.18

 

CMYK 38 / 25 / 0 / 25

HEX #7790BF

RGB 119 144 191

HSL 219.17, 0.36%, 0.61%

LAB 59.55, 2.96, -27.26

 

CMYK 62 / 40 / 0 / 53

HEX #2E4878

RGB 46 72 120

HSL 218.92, 0.45%, 0.33%

LAB 30.81, 6.14, -30.42

 

CMYK 71 / 47 / 0 / 60

HEX #1D3665

RGB 29 54 101

HSL 219.17, 0.55%, 0.25%

LAB 23.13, 7.74, -30.59

 

CMYK 85 / 56 / 0 / 68

HEX #0C2452

RGB 12 36 82

HSL 219.43, 0.74%, 0.18%

LAB 15.22, 10.18, -30.76

 

CMYK 100 / 71 / 0 / 75

HEX #00123F

RGB 0 18 63

HSL 222.86, 1%, 0.12%

LAB 7.15, 13.78, -30.72

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 62 / 41 / 0 / 52

HEX #2E487A

RGB 46 72 122

HSL 219.47, 0.45%, 0.33%

LAB 30.93, 6.88, -31.48

 

CMYK 62 / 57 / 0 / 52

HEX #2E347A

RGB 46 52 122

HSL 235.26, 0.45%, 0.33%

LAB 25.08, 20.53, -40.85

 

CMYK 51 / 62 / 0 / 52

HEX #3C2E7A

RGB 60 46 122

HSL 251.05, 0.45%, 0.33%

LAB 24.7, 27.48, -41.41

 

CMYK 34 / 62 / 0 / 52

HEX #502E7A

RGB 80 46 122

HSL 266.84, 0.45%, 0.33%

LAB 26.92, 32.27, -37.72

 

CMYK 17 / 62 / 0 / 52

HEX #652E7A

RGB 101 46 122

HSL 283.42, 0.45%, 0.33%

LAB 29.73, 37.81, -33.07

 

CMYK 62 / 41 / 0 / 52

HEX #2E487A

RGB 46 72 122

HSL 219.47, 0.45%, 0.33%

LAB 30.93, 6.88, -31.48

 

CMYK 62 / 57 / 0 / 52

HEX #2E347A

RGB 46 52 122

HSL 235.26, 0.45%, 0.33%

LAB 25.08, 20.53, -40.85

 

CMYK 62 / 62 / 0 / 52

HEX #2E2E7A

RGB 46 46 122

HSL 240, 0.45%, 0.33%

LAB 23.47, 24.61, -43.46

 

CMYK 62 / 41 / 0 / 52

HEX #2E487A

RGB 46 72 122

HSL 219.47, 0.45%, 0.33%

LAB 30.93, 6.88, -31.48

 

CMYK 76 / 50 / 0 / 47

HEX #204487

RGB 32 68 135

HSL 219.03, 0.62%, 0.33%

LAB 29.89, 12.15, -41.27

 

CMYK 87 / 57 / 0 / 42

HEX #134095

RGB 19 64 149

HSL 219.23, 0.77%, 0.33%

LAB 29.35, 19.24, -50.77

 

CMYK 97 / 63 / 0 / 36

HEX #053CA2

RGB 5 60 162

HSL 218.98, 0.94%, 0.33%

LAB 29.09, 26.59, -59.11

 

CMYK 62 / 41 / 0 / 52

HEX #2E487A

RGB 46 72 122

HSL 219.47, 0.45%, 0.33%

LAB 30.93, 6.88, -31.48

 

CMYK 45 / 30 / 0 / 58

HEX #3B4C6C

RGB 59 76 108

HSL 219.18, 0.29%, 0.33%

LAB 32.22, 2.7, -20.62

 

CMYK 22 / 15 / 0 / 63

HEX #49505E

RGB 73 80 94

HSL 220, 0.13%, 0.33%

LAB 33.9, 0.65, -9.11

 

CMYK 0 / 2 / 7 / 66

HEX #575551

RGB 87 85 81

HSL 40, 0.04%, 0.33%

LAB 36.21, -0.01, 2.61

 

CMYK 0 / 11 / 33 / 61

HEX #645943

RGB 100 89 67

HSL 40, 0.2%, 0.33%

LAB 38.3, 0.72, 14.39

 

CMYK 62 / 7 / 0 / 52

HEX #2E727A

RGB 46 114 122

HSL 186.32, 0.45%, 0.33%

LAB 44.26, -18.65, -10.83

 

CMYK 62 / 23 / 0 / 52

HEX #2E5E7A

RGB 46 94 122

HSL 202.11, 0.45%, 0.33%

LAB 37.83, -7.18, -20.67

 

CMYK 62 / 39 / 0 / 52

HEX #2E4A7A

RGB 46 74 122

HSL 217.89, 0.45%, 0.33%

LAB 31.54, 5.55, -30.51

 

CMYK 62 / 57 / 0 / 52

HEX #2E357A

RGB 46 53 122

HSL 234.47, 0.45%, 0.33%

LAB 25.36, 19.85, -40.41

 

CMYK 52 / 62 / 0 / 52

HEX #3A2E7A

RGB 58 46 122

HSL 249.47, 0.45%, 0.33%

LAB 24.51, 27.04, -41.73

 

CMYK 63 / 40 / 0 / 76

HEX #17253E

RGB 23 37 62

HSL 218.46, 0.46%, 0.17%

LAB 14.7, 3.01, -17.8

 

CMYK 63 / 40 / 0 / 64

HEX #22375C

RGB 34 55 92

HSL 218.28, 0.46%, 0.25%

LAB 23.15, 4.54, -24.67

 

CMYK 62 / 41 / 0 / 52

HEX #2E487A

RGB 46 72 122

HSL 219.47, 0.45%, 0.33%

LAB 30.93, 6.88, -31.48

 

CMYK 62 / 40 / 0 / 41

HEX #395A97

RGB 57 90 151

HSL 218.94, 0.45%, 0.41%

LAB 38.58, 7.88, -37.06

 

CMYK 62 / 40 / 0 / 29

HEX #446CB5

RGB 68 108 181

HSL 218.76, 0.45%, 0.49%

LAB 46.03, 9.21, -42.93

 

CMYK 62 / 40 / 0 / 53

HEX #2E4878

RGB 46 72 120

HSL 218.92, 0.45%, 0.33%

LAB 30.81, 6.14, -30.42

 

CMYK 11 / 62 / 0 / 52

HEX #6D2E7A

RGB 109 46 122

HSL 289.74, 0.45%, 0.33%

LAB 30.9, 39.98, -31.13

 

CMYK 15 / 0 / 62 / 52

HEX #687A2E

RGB 104 122 46

HSL 74.21, 0.45%, 0.33%

LAB 48.33, -18.63, 38.43

 

CMYK 62 / 40 / 0 / 53

HEX #2E4878

RGB 46 72 120

HSL 218.92, 0.45%, 0.33%

LAB 30.81, 6.14, -30.42

 

CMYK 0 / 62 / 39 / 52

HEX #7A2E4A

RGB 122 46 74

HSL 337.89, 0.45%, 0.33%

LAB 30.85, 35.99, -0.15

 

CMYK 39 / 0 / 62 / 52

HEX #4A7A2E

RGB 74 122 46

HSL 97.89, 0.45%, 0.33%

LAB 46.41, -30.8, 35.75

 

CMYK 62 / 40 / 0 / 53

HEX #2E4878

RGB 46 72 120

HSL 218.92, 0.45%, 0.33%

LAB 30.81, 6.14, -30.42

 

CMYK 11 / 62 / 0 / 52

HEX #6D2E7A

RGB 109 46 122

HSL 289.74, 0.45%, 0.33%

LAB 30.9, 39.98, -31.13

 

CMYK 0 / 23 / 62 / 52

HEX #7A5E2E

RGB 122 94 46

HSL 37.89, 0.45%, 0.33%

LAB 41.75, 5.49, 31.43

 

CMYK 52 / 0 / 62 / 52

HEX #3A7A2E

RGB 58 122 46

HSL 110.53, 0.45%, 0.33%

LAB 45.66, -36.21, 34.69

 

CMYK 62 / 40 / 0 / 53

HEX #2E4878

RGB 46 72 120

HSL 218.92, 0.45%, 0.33%

LAB 30.81, 6.14, -30.42

 

CMYK 0 / 62 / 9 / 52

HEX #7A2E6F

RGB 122 46 111

HSL 308.68, 0.45%, 0.33%

LAB 32.35, 41.55, -21.77

 

CMYK 0 / 23 / 62 / 52

HEX #7A5E2E

RGB 122 94 46

HSL 37.89, 0.45%, 0.33%

LAB 41.75, 5.49, 31.43

 

CMYK 62 / 0 / 54 / 52

HEX #2E7A38

RGB 46 122 56

HSL 127.89, 0.45%, 0.33%

LAB 45.34, -38.2, 29.1

 

Description

Color code: RGB 46 72 120 | qconv.com Color code: RGB 46 72 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 72 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 72 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 40 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 40% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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