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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 60 151 it is the complementary color RGB 209 195 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 60 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 60 151 shade: RGB 51 60 146, RGB 68 78 165, RGB 85 96 184, RGB 102 114 203 and RGB 119 132 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 60 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 60 151 shade: RGB 46 60 151, RGB 29 42 132, RGB 12 24 113, RGB 0 6 94 and RGB 0 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 60 151 shade: RGB 46 60 152, RGB 61 46 152, RGB 89 46 152, RGB 117 46 152 and RGB 146 46 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 60 151 shade: RGB 46 60 152 and RGB 46 46 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 60 151 shade matches the following richer shades: RGB 46 60 152, RGB 30 48 168 and RGB 14 37 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 60 151 shade: RGB 46 60 152, RGB 62 72 136, RGB 78 84 119, RGB 95 96 103 and RGB 111 107 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 60 151 shade: RGB 46 117 152, RGB 46 88 152, RGB 46 60 152, RGB 60 46 152 and RGB 88 46 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 60 151 shade: RGB 27 35 89, RGB 37 48 120, RGB 46 60 152, RGB 56 73 183 and RGB 80 96 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 60 151 shade: RGB 46 60 151, RGB 152 46 145 and RGB 102 152 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 60 151 shade: RGB 46 60 151, RGB 152 46 60 and RGB 60 152 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 60 151 shade: RGB 46 60 151, RGB 152 46 145, RGB 152 138 46 and RGB 46 152 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 60 151 shade: RGB 46 60 151, RGB 152 46 113, RGB 152 138 46 and RGB 46 152 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 60 / 0 / 41

HEX #2E3C97

RGB 46 60 151

HSL 232, 0.53%, 0.39%

LAB 29.53, 25.83, -51.65

 

Complementary color

CMYK 0 / 7 / 50 / 18

HEX #D1C368

RGB 209 195 104

HSL 52, 0.53%, 0.61%

LAB 78.22, -7.09, 47.09

 

CMYK 65 / 59 / 0 / 43

HEX #333C92

RGB 51 60 146

HSL 234.32, 0.48%, 0.39%

LAB 29.44, 24.8, -48.72

 

CMYK 59 / 53 / 0 / 35

HEX #444EA5

RGB 68 78 165

HSL 233.81, 0.42%, 0.46%

LAB 36.73, 22.84, -48.37

 

CMYK 54 / 48 / 0 / 28

HEX #5560B8

RGB 85 96 184

HSL 233.33, 0.41%, 0.53%

LAB 43.88, 21.26, -48.04

 

CMYK 50 / 44 / 0 / 20

HEX #6672CB

RGB 102 114 203

HSL 232.87, 0.49%, 0.6%

LAB 50.89, 19.97, -47.75

 

CMYK 46 / 41 / 0 / 13

HEX #7784DE

RGB 119 132 222

HSL 232.43, 0.61%, 0.67%

LAB 57.75, 18.89, -47.52

 

CMYK 70 / 60 / 0 / 41

HEX #2E3C97

RGB 46 60 151

HSL 232, 0.53%, 0.39%

LAB 29.53, 25.83, -51.65

 

CMYK 78 / 68 / 0 / 48

HEX #1D2A84

RGB 29 42 132

HSL 232.43, 0.64%, 0.32%

LAB 22.24, 28.55, -51.83

 

CMYK 89 / 79 / 0 / 56

HEX #0C1871

RGB 12 24 113

HSL 232.87, 0.81%, 0.25%

LAB 15.08, 31.72, -51.54

 

CMYK 100 / 94 / 0 / 63

HEX #00065E

RGB 0 6 94

HSL 236.17, 1%, 0.18%

LAB 8.47, 34.52, -50

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 70 / 61 / 0 / 40

HEX #2E3C98

RGB 46 60 152

HSL 232.08, 0.54%, 0.39%

LAB 29.61, 26.2, -52.13

 

CMYK 60 / 70 / 0 / 40

HEX #3D2E98

RGB 61 46 152

HSL 248.49, 0.54%, 0.39%

LAB 27.33, 37.42, -55.8

 

CMYK 41 / 70 / 0 / 40

HEX #592E98

RGB 89 46 152

HSL 264.34, 0.54%, 0.39%

LAB 30.27, 42.49, -50.9

 

CMYK 23 / 70 / 0 / 40

HEX #752E98

RGB 117 46 152

HSL 280.19, 0.54%, 0.39%

LAB 33.99, 48.47, -44.69

 

CMYK 4 / 70 / 0 / 40

HEX #922E98

RGB 146 46 152

HSL 296.6, 0.54%, 0.39%

LAB 38.43, 55.14, -37.33

 

CMYK 70 / 61 / 0 / 40

HEX #2E3C98

RGB 46 60 152

HSL 232.08, 0.54%, 0.39%

LAB 29.61, 26.2, -52.13

 

CMYK 70 / 70 / 0 / 40

HEX #2E2E98

RGB 46 46 152

HSL 240, 0.54%, 0.39%

LAB 26.16, 35.28, -57.77

 

CMYK 70 / 61 / 0 / 40

HEX #2E3C98

RGB 46 60 152

HSL 232.08, 0.54%, 0.39%

LAB 29.61, 26.2, -52.13

 

CMYK 82 / 71 / 0 / 34

HEX #1E30A8

RGB 30 48 168

HSL 232.17, 0.7%, 0.39%

LAB 27.34, 38.16, -65.58

 

CMYK 92 / 80 / 0 / 28

HEX #0E25B8

RGB 14 37 184

HSL 231.88, 0.86%, 0.39%

LAB 26.38, 49.31, -76.77

 

CMYK 70 / 61 / 0 / 40

HEX #2E3C98

RGB 46 60 152

HSL 232.08, 0.54%, 0.39%

LAB 29.61, 26.2, -52.13

 

CMYK 54 / 47 / 0 / 47

HEX #3E4888

RGB 62 72 136

HSL 231.89, 0.37%, 0.39%

LAB 32.78, 15.49, -37.15

 

CMYK 34 / 29 / 0 / 53

HEX #4E5477

RGB 78 84 119

HSL 231.22, 0.21%, 0.39%

LAB 36.54, 6.72, -20.66

 

CMYK 8 / 7 / 0 / 60

HEX #5F6067

RGB 95 96 103

HSL 232.5, 0.04%, 0.39%

LAB 40.86, 1.13, -4.11

 

CMYK 0 / 4 / 22 / 56

HEX #6F6B57

RGB 111 107 87

HSL 50, 0.12%, 0.39%

LAB 45.06, -2.09, 11.79

 

CMYK 70 / 23 / 0 / 40

HEX #2E7598

RGB 46 117 152

HSL 199.81, 0.54%, 0.39%

LAB 46.41, -10.35, -25.4

 

CMYK 70 / 42 / 0 / 40

HEX #2E5898

RGB 46 88 152

HSL 216.23, 0.54%, 0.39%

LAB 37.53, 7.52, -39.36

 

CMYK 70 / 61 / 0 / 40

HEX #2E3C98

RGB 46 60 152

HSL 232.08, 0.54%, 0.39%

LAB 29.61, 26.2, -52.13

 

CMYK 61 / 70 / 0 / 40

HEX #3C2E98

RGB 60 46 152

HSL 247.92, 0.54%, 0.39%

LAB 27.25, 37.26, -55.95

 

CMYK 42 / 70 / 0 / 40

HEX #582E98

RGB 88 46 152

HSL 263.77, 0.54%, 0.39%

LAB 30.15, 42.29, -51.1

 

CMYK 70 / 61 / 0 / 65

HEX #1B2359

RGB 27 35 89

HSL 232.26, 0.53%, 0.23%

LAB 16.29, 16.28, -33.71

 

CMYK 69 / 60 / 0 / 53

HEX #253078

RGB 37 48 120

HSL 232.05, 0.53%, 0.31%

LAB 23.21, 20.91, -42.64

 

CMYK 70 / 61 / 0 / 40

HEX #2E3C98

RGB 46 60 152

HSL 232.08, 0.54%, 0.39%

LAB 29.61, 26.2, -52.13

 

CMYK 69 / 60 / 0 / 28

HEX #3849B7

RGB 56 73 183

HSL 231.97, 0.53%, 0.47%

LAB 36.03, 30.4, -60.23

 

CMYK 60 / 52 / 0 / 21

HEX #5060C9

RGB 80 96 201

HSL 232.07, 0.53%, 0.55%

LAB 44.64, 25.92, -56.69

 

CMYK 70 / 60 / 0 / 41

HEX #2E3C97

RGB 46 60 151

HSL 232, 0.53%, 0.39%

LAB 29.53, 25.83, -51.65

 

CMYK 0 / 70 / 5 / 40

HEX #982E91

RGB 152 46 145

HSL 303.96, 0.54%, 0.39%

LAB 39.03, 55.36, -32.08

 

CMYK 33 / 0 / 70 / 40

HEX #66982E

RGB 102 152 46

HSL 88.3, 0.54%, 0.39%

LAB 57.54, -34.16, 48.24

 

CMYK 70 / 60 / 0 / 41

HEX #2E3C97

RGB 46 60 151

HSL 232, 0.53%, 0.39%

LAB 29.53, 25.83, -51.65

 

CMYK 0 / 70 / 61 / 40

HEX #982E3C

RGB 152 46 60

HSL 352.08, 0.54%, 0.39%

LAB 35.9, 44.94, 16.79

 

CMYK 61 / 0 / 70 / 40

HEX #3C982E

RGB 60 152 46

HSL 112.08, 0.54%, 0.39%

LAB 55.7, -47.63, 45.75

 

CMYK 70 / 60 / 0 / 41

HEX #2E3C97

RGB 46 60 151

HSL 232, 0.53%, 0.39%

LAB 29.53, 25.83, -51.65

 

CMYK 0 / 70 / 5 / 40

HEX #982E91

RGB 152 46 145

HSL 303.96, 0.54%, 0.39%

LAB 39.03, 55.36, -32.08

 

CMYK 0 / 9 / 70 / 40

HEX #988A2E

RGB 152 138 46

HSL 52.08, 0.54%, 0.39%

LAB 57.12, -5.75, 49

 

CMYK 70 / 0 / 65 / 40

HEX #2E9835

RGB 46 152 53

HSL 123.96, 0.54%, 0.39%

LAB 55.37, -50.05, 42.26

 

CMYK 70 / 60 / 0 / 41

HEX #2E3C97

RGB 46 60 151

HSL 232, 0.53%, 0.39%

LAB 29.53, 25.83, -51.65

 

CMYK 0 / 70 / 26 / 40

HEX #982E71

RGB 152 46 113

HSL 322.08, 0.54%, 0.39%

LAB 37.52, 50.5, -14.63

 

CMYK 0 / 9 / 70 / 40

HEX #988A2E

RGB 152 138 46

HSL 52.08, 0.54%, 0.39%

LAB 57.12, -5.75, 49

 

CMYK 70 / 0 / 44 / 40

HEX #2E9855

RGB 46 152 85

HSL 142.08, 0.54%, 0.39%

LAB 55.78, -45.37, 26.74

 

Description

Color code: RGB 46 60 151 | qconv.com Color code: RGB 46 60 151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 60 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 60 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 60 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 60% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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