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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 57 49 it is the complementary color RGB 209 198 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 57 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 57 49 shade: RGB 51 57 44, RGB 68 75 63, RGB 85 93 82, RGB 102 111 101 and RGB 119 129 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 57 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 57 49 shade: RGB 46 57 49, RGB 29 39 30, RGB 12 21 11 and RGB 0 3 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 57 49 shade: RGB 45 56 48, RGB 45 56 45, RGB 48 56 45, RGB 51 56 45 and RGB 54 56 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 57 49 shade: RGB 45 56 48, RGB 45 56 51, RGB 45 56 54, RGB 45 55 56 and RGB 45 52 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 57 49 shade matches the following richer shades: RGB 45 56 48, RGB 37 64 44, RGB 28 73 40, RGB 20 81 37 and RGB 12 89 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 57 49 shade: RGB 45 56 48, RGB 53 48 52, RGB 61 40 55, RGB 70 31 59 and RGB 78 23 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 57 49 shade: RGB 48 56 45, RGB 45 56 45, RGB 45 56 48, RGB 45 56 51 and RGB 45 56 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 57 49 shade: RGB 8 10 9, RGB 27 33 28, RGB 45 56 48, RGB 63 79 68 and RGB 82 102 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 57 49 shade: RGB 46 57 49, RGB 45 51 56 and RGB 56 45 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 57 49 shade: RGB 46 57 49, RGB 48 45 56 and RGB 56 48 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 57 49 shade: RGB 46 57 49, RGB 45 51 56, RGB 56 45 53 and RGB 56 50 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 57 49 shade: RGB 46 57 49, RGB 45 48 56, RGB 56 45 53 and RGB 56 53 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 14 / 78

HEX #2E3931

RGB 46 57 49

HSL 136.36, 0.11%, 0.2%

LAB 22.75, -6.54, 3.47

 

Complementary color

CMYK 0 / 5 / 1 / 18

HEX #D1C6CE

RGB 209 198 206

HSL 316.36, 0.11%, 0.8%

LAB 80.96, 5.26, -2.62

 

CMYK 11 / 0 / 23 / 78

HEX #33392C

RGB 51 57 44

HSL 87.69, 0.13%, 0.2%

LAB 23.04, -5.44, 7.27

 

CMYK 9 / 0 / 16 / 71

HEX #444B3F

RGB 68 75 63

HSL 95, 0.09%, 0.27%

LAB 30.93, -5.45, 6.2

 

CMYK 9 / 0 / 12 / 64

HEX #555D52

RGB 85 93 82

HSL 103.64, 0.06%, 0.34%

LAB 38.5, -5.46, 5.25

 

CMYK 8 / 0 / 9 / 56

HEX #666F65

RGB 102 111 101

HSL 114, 0.05%, 0.42%

LAB 45.82, -5.49, 4.4

 

CMYK 8 / 0 / 7 / 49

HEX #778178

RGB 119 129 120

HSL 126, 0.04%, 0.49%

LAB 52.93, -5.52, 3.61

 

CMYK 19 / 0 / 14 / 78

HEX #2E3931

RGB 46 57 49

HSL 136.36, 0.11%, 0.2%

LAB 22.75, -6.54, 3.47

 

CMYK 26 / 0 / 23 / 85

HEX #1D271E

RGB 29 39 30

HSL 126, 0.15%, 0.13%

LAB 14.43, -6.7, 4.53

 

CMYK 43 / 0 / 48 / 92

HEX #0C150B

RGB 12 21 11

HSL 114, 0.31%, 0.06%

LAB 5.77, -5.2, 4.02

 

CMYK 100 / 0 / 100 / 99

HEX #000300

RGB 0 3 0

HSL 120, 1%, 0.01%

LAB 0.59, -1.2, 0.86

 

CMYK 20 / 0 / 14 / 78

HEX #2D3830

RGB 45 56 48

HSL 136.36, 0.11%, 0.2%

LAB 22.3, -6.55, 3.48

 

CMYK 20 / 0 / 20 / 78

HEX #2D382D

RGB 45 56 45

HSL 120, 0.11%, 0.2%

LAB 22.22, -7.24, 5.37

 

CMYK 14 / 0 / 20 / 78

HEX #30382D

RGB 48 56 45

HSL 103.64, 0.11%, 0.2%

LAB 22.47, -5.93, 5.76

 

CMYK 9 / 0 / 20 / 78

HEX #33382D

RGB 51 56 45

HSL 87.27, 0.11%, 0.2%

LAB 22.73, -4.6, 6.17

 

CMYK 4 / 0 / 20 / 78

HEX #36382D

RGB 54 56 45

HSL 70.91, 0.11%, 0.2%

LAB 23.01, -3.24, 6.6

 

CMYK 20 / 0 / 14 / 78

HEX #2D3830

RGB 45 56 48

HSL 136.36, 0.11%, 0.2%

LAB 22.3, -6.55, 3.48

 

CMYK 20 / 0 / 9 / 78

HEX #2D3833

RGB 45 56 51

HSL 152.73, 0.11%, 0.2%

LAB 22.39, -5.83, 1.6

 

CMYK 20 / 0 / 4 / 78

HEX #2D3836

RGB 45 56 54

HSL 169.09, 0.11%, 0.2%

LAB 22.49, -5.08, -0.28

 

CMYK 20 / 2 / 0 / 78

HEX #2D3738

RGB 45 55 56

HSL 185.45, 0.11%, 0.2%

LAB 22.22, -3.91, -2.03

 

CMYK 20 / 7 / 0 / 78

HEX #2D3438

RGB 45 52 56

HSL 201.82, 0.11%, 0.2%

LAB 21.21, -1.93, -3.53

 

CMYK 20 / 0 / 14 / 78

HEX #2D3830

RGB 45 56 48

HSL 136.36, 0.11%, 0.2%

LAB 22.3, -6.55, 3.48

 

CMYK 42 / 0 / 31 / 75

HEX #25402C

RGB 37 64 44

HSL 135.56, 0.27%, 0.2%

LAB 24.46, -15.47, 9.07

 

CMYK 62 / 0 / 45 / 71

HEX #1C4928

RGB 28 73 40

HSL 136, 0.45%, 0.2%

LAB 27.2, -24.01, 15.22

 

CMYK 75 / 0 / 54 / 68

HEX #145125

RGB 20 81 37

HSL 136.72, 0.6%, 0.2%

LAB 29.83, -30.18, 20.32

 

CMYK 87 / 0 / 63 / 65

HEX #0C5921

RGB 12 89 33

HSL 136.36, 0.76%, 0.2%

LAB 32.55, -35.38, 25.8

 

CMYK 20 / 0 / 14 / 78

HEX #2D3830

RGB 45 56 48

HSL 136.36, 0.11%, 0.2%

LAB 22.3, -6.55, 3.48

 

CMYK 0 / 9 / 2 / 79

HEX #353034

RGB 53 48 52

HSL 312, 0.05%, 0.2%

LAB 20.51, 3.14, -1.74

 

CMYK 0 / 34 / 10 / 76

HEX #3D2837

RGB 61 40 55

HSL 317.14, 0.21%, 0.2%

LAB 19.16, 12.74, -5.72

 

CMYK 0 / 56 / 16 / 73

HEX #461F3B

RGB 70 31 59

HSL 316.92, 0.39%, 0.2%

LAB 18.36, 22.96, -9.6

 

CMYK 0 / 71 / 19 / 69

HEX #4E173F

RGB 78 23 63

HSL 316.36, 0.54%, 0.2%

LAB 18.33, 30.83, -12.31

 

CMYK 14 / 0 / 20 / 78

HEX #30382D

RGB 48 56 45

HSL 103.64, 0.11%, 0.2%

LAB 22.47, -5.93, 5.76

 

CMYK 20 / 0 / 20 / 78

HEX #2D382D

RGB 45 56 45

HSL 120, 0.11%, 0.2%

LAB 22.22, -7.24, 5.37

 

CMYK 20 / 0 / 14 / 78

HEX #2D3830

RGB 45 56 48

HSL 136.36, 0.11%, 0.2%

LAB 22.3, -6.55, 3.48

 

CMYK 20 / 0 / 9 / 78

HEX #2D3833

RGB 45 56 51

HSL 152.73, 0.11%, 0.2%

LAB 22.39, -5.83, 1.6

 

CMYK 20 / 0 / 4 / 78

HEX #2D3836

RGB 45 56 54

HSL 169.09, 0.11%, 0.2%

LAB 22.49, -5.08, -0.28

 

CMYK 20 / 0 / 10 / 96

HEX #080A09

RGB 8 10 9

HSL 150, 0.11%, 0.04%

LAB 2.61, -0.66, 0.19

 

CMYK 18 / 0 / 15 / 87

HEX #1B211C

RGB 27 33 28

HSL 130, 0.1%, 0.12%

LAB 11.99, -4.04, 2.47

 

CMYK 20 / 0 / 14 / 78

HEX #2D3830

RGB 45 56 48

HSL 136.36, 0.11%, 0.2%

LAB 22.3, -6.55, 3.48

 

CMYK 20 / 0 / 14 / 69

HEX #3F4F44

RGB 63 79 68

HSL 138.75, 0.11%, 0.28%

LAB 31.96, -8.86, 4.43

 

CMYK 20 / 0 / 15 / 60

HEX #526657

RGB 82 102 87

HSL 135, 0.11%, 0.36%

LAB 41.19, -10.86, 6.01

 

CMYK 19 / 0 / 14 / 78

HEX #2E3931

RGB 46 57 49

HSL 136.36, 0.11%, 0.2%

LAB 22.75, -6.54, 3.47

 

CMYK 20 / 9 / 0 / 78

HEX #2D3338

RGB 45 51 56

HSL 207.27, 0.11%, 0.2%

LAB 20.87, -1.26, -4.03

 

CMYK 0 / 20 / 18 / 78

HEX #382D2E

RGB 56 45 46

HSL 354.55, 0.11%, 0.2%

LAB 19.7, 5.23, 1.24

 

CMYK 19 / 0 / 14 / 78

HEX #2E3931

RGB 46 57 49

HSL 136.36, 0.11%, 0.2%

LAB 22.75, -6.54, 3.47

 

CMYK 14 / 20 / 0 / 78

HEX #302D38

RGB 48 45 56

HSL 256.36, 0.11%, 0.2%

LAB 19.19, 4.06, -6.53

 

CMYK 0 / 14 / 20 / 78

HEX #38302D

RGB 56 48 45

HSL 16.36, 0.11%, 0.2%

LAB 20.61, 2.99, 3.24

 

CMYK 19 / 0 / 14 / 78

HEX #2E3931

RGB 46 57 49

HSL 136.36, 0.11%, 0.2%

LAB 22.75, -6.54, 3.47

 

CMYK 20 / 9 / 0 / 78

HEX #2D3338

RGB 45 51 56

HSL 207.27, 0.11%, 0.2%

LAB 20.87, -1.26, -4.03

 

CMYK 0 / 20 / 5 / 78

HEX #382D35

RGB 56 45 53

HSL 316.36, 0.11%, 0.2%

LAB 19.94, 6.73, -3.24

 

CMYK 0 / 11 / 20 / 78

HEX #38322D

RGB 56 50 45

HSL 27.27, 0.11%, 0.2%

LAB 21.25, 1.65, 4.15

 

CMYK 19 / 0 / 14 / 78

HEX #2E3931

RGB 46 57 49

HSL 136.36, 0.11%, 0.2%

LAB 22.75, -6.54, 3.47

 

CMYK 20 / 14 / 0 / 78

HEX #2D3038

RGB 45 48 56

HSL 223.64, 0.11%, 0.2%

LAB 19.87, 0.77, -5.52

 

CMYK 0 / 20 / 5 / 78

HEX #382D35

RGB 56 45 53

HSL 316.36, 0.11%, 0.2%

LAB 19.94, 6.73, -3.24

 

CMYK 0 / 5 / 20 / 78

HEX #38352D

RGB 56 53 45

HSL 43.64, 0.11%, 0.2%

LAB 22.22, -0.35, 5.52

 

Description

Color code: RGB 46 57 49 | qconv.com Color code: RGB 46 57 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 57 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 57 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 14 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 14% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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