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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 254 213 it is the complementary color RGB 210 1 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 254 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 254 213 shade: RGB 50 254 208, RGB 67 255 227, RGB 84 255 246, RGB 101 255 255 and RGB 118 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 254 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 254 213 shade: RGB 45 254 213, RGB 28 236 194, RGB 11 218 175, RGB 0 200 156 and RGB 0 182 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 254 213 shade: RGB 46 253 213, RGB 46 253 157, RGB 46 253 101, RGB 48 253 46 and RGB 103 253 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 254 213 shade: RGB 46 253 213, RGB 46 238 253, RGB 46 182 253, RGB 46 127 253 and RGB 46 71 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 254 213 shade matches the following richer shades: RGB 46 253 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 254 213 shade: RGB 46 253 213, RGB 63 237 203, RGB 80 220 192, RGB 97 203 182 and RGB 114 186 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 254 213 shade: RGB 46 253 102, RGB 46 253 157, RGB 46 253 212, RGB 46 240 253 and RGB 46 184 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 254 213 shade: RGB 1 217 174, RGB 5 253 205, RGB 46 253 213, RGB 87 254 221 and RGB 129 254 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 254 213 shade: RGB 45 254 213, RGB 46 46 253 and RGB 253 129 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 254 213 shade: RGB 45 254 213, RGB 212 46 253 and RGB 253 212 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 254 213 shade: RGB 45 254 213, RGB 46 46 253, RGB 253 46 88 and RGB 253 253 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 254 213 shade: RGB 45 254 213, RGB 109 46 253, RGB 253 46 88 and RGB 191 253 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 16 / 0

HEX #2DFED5

RGB 45 254 213

HSL 168.23, 0.99%, 0.59%

LAB 89.97, -57.14, 6

 

Complementary color

CMYK 0 / 100 / 80 / 18

HEX #D2012A

RGB 210 1 42

HSL 348.23, 0.99%, 0.41%

LAB 44.08, 69.77, 40.3

 

CMYK 80 / 0 / 18 / 0

HEX #32FED0

RGB 50 254 208

HSL 166.47, 0.99%, 0.6%

LAB 89.91, -57.96, 8.5

 

CMYK 74 / 0 / 11 / 0

HEX #43FFE3

RGB 67 255 227

HSL 171.06, 1%, 0.63%

LAB 90.9, -51.99, 0.12

 

CMYK 67 / 0 / 4 / 0

HEX #54FFF6

RGB 84 255 246

HSL 176.84, 1%, 0.66%

LAB 91.71, -44.98, -8.49

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 82 / 0 / 16 / 0

HEX #2DFED5

RGB 45 254 213

HSL 168.23, 0.99%, 0.59%

LAB 89.97, -57.14, 6

 

CMYK 88 / 0 / 18 / 7

HEX #1CECC2

RGB 28 236 194

HSL 167.88, 0.85%, 0.52%

LAB 84.03, -55.83, 7.33

 

CMYK 95 / 0 / 20 / 15

HEX #0BDAAF

RGB 11 218 175

HSL 167.54, 0.9%, 0.45%

LAB 78.06, -54.18, 8.79

 

CMYK 100 / 0 / 22 / 22

HEX #00C89C

RGB 0 200 156

HSL 166.8, 1%, 0.39%

LAB 72.03, -52.18, 10.37

 

CMYK 100 / 0 / 25 / 29

HEX #00B689

RGB 0 182 137

HSL 165.16, 1%, 0.36%

LAB 65.95, -49.81, 12.1

 

CMYK 82 / 0 / 16 / 1

HEX #2EFDD5

RGB 46 253 213

HSL 168.41, 0.98%, 0.59%

LAB 89.69, -56.66, 5.59

 

CMYK 82 / 0 / 38 / 1

HEX #2EFD9D

RGB 46 253 157

HSL 152.17, 0.98%, 0.59%

LAB 88.57, -68.89, 32.65

 

CMYK 82 / 0 / 60 / 1

HEX #2EFD65

RGB 46 253 101

HSL 135.94, 0.98%, 0.59%

LAB 87.86, -77.39, 58.03

 

CMYK 81 / 0 / 82 / 1

HEX #30FD2E

RGB 48 253 46

HSL 119.42, 0.98%, 0.59%

LAB 87.52, -81.67, 76.68

 

CMYK 59 / 0 / 82 / 1

HEX #67FD2E

RGB 103 253 46

HSL 103.48, 0.98%, 0.59%

LAB 88.61, -72.44, 78.06

 

CMYK 82 / 0 / 16 / 1

HEX #2EFDD5

RGB 46 253 213

HSL 168.41, 0.98%, 0.59%

LAB 89.69, -56.66, 5.59

 

CMYK 82 / 6 / 0 / 1

HEX #2EEEFD

RGB 46 238 253

HSL 184.35, 0.98%, 0.59%

LAB 86.42, -39.36, -20.14

 

CMYK 82 / 28 / 0 / 1

HEX #2EB6FD

RGB 46 182 253

HSL 200.58, 0.98%, 0.59%

LAB 70.27, -11.47, -45.02

 

CMYK 82 / 50 / 0 / 1

HEX #2E7FFD

RGB 46 127 253

HSL 216.52, 0.98%, 0.59%

LAB 54.92, 20.73, -69.47

 

CMYK 82 / 72 / 0 / 1

HEX #2E47FD

RGB 46 71 253

HSL 232.75, 0.98%, 0.59%

LAB 41.5, 54.95, -91.41

 

CMYK 82 / 0 / 16 / 1

HEX #2EFDD5

RGB 46 253 213

HSL 168.41, 0.98%, 0.59%

LAB 89.69, -56.66, 5.59

 

CMYK 82 / 0 / 16 / 1

HEX #2EFDD5

RGB 46 253 213

HSL 168.41, 0.98%, 0.59%

LAB 89.69, -56.66, 5.59

 

CMYK 73 / 0 / 14 / 7

HEX #3FEDCB

RGB 63 237 203

HSL 168.28, 0.83%, 0.59%

LAB 84.96, -51.02, 4

 

CMYK 64 / 0 / 13 / 14

HEX #50DCC0

RGB 80 220 192

HSL 168, 0.67%, 0.59%

LAB 80.01, -44.15, 2.68

 

CMYK 52 / 0 / 10 / 20

HEX #61CBB6

RGB 97 203 182

HSL 168.11, 0.5%, 0.59%

LAB 75.22, -35.74, 1.14

 

CMYK 39 / 0 / 8 / 27

HEX #72BAAC

RGB 114 186 172

HSL 168.33, 0.34%, 0.59%

LAB 70.65, -25.84, -0.02

 

CMYK 82 / 0 / 60 / 1

HEX #2EFD66

RGB 46 253 102

HSL 136.23, 0.98%, 0.59%

LAB 87.87, -77.27, 57.62

 

CMYK 82 / 0 / 38 / 1

HEX #2EFD9D

RGB 46 253 157

HSL 152.17, 0.98%, 0.59%

LAB 88.57, -68.89, 32.65

 

CMYK 82 / 0 / 16 / 1

HEX #2EFDD4

RGB 46 253 212

HSL 168.12, 0.98%, 0.59%

LAB 89.67, -56.91, 6.07

 

CMYK 82 / 5 / 0 / 1

HEX #2EF0FD

RGB 46 240 253

HSL 183.77, 0.98%, 0.59%

LAB 86.99, -40.27, -19.26

 

CMYK 82 / 27 / 0 / 1

HEX #2EB8FD

RGB 46 184 253

HSL 200, 0.98%, 0.59%

LAB 70.84, -12.55, -44.12

 

CMYK 100 / 0 / 20 / 15

HEX #01D9AE

RGB 1 217 174

HSL 168.06, 0.99%, 0.43%

LAB 77.69, -54.32, 8.79

 

CMYK 98 / 0 / 19 / 1

HEX #05FDCD

RGB 5 253 205

HSL 168.39, 0.98%, 0.51%

LAB 89.25, -60.5, 9.06

 

CMYK 82 / 0 / 16 / 1

HEX #2EFDD5

RGB 46 253 213

HSL 168.41, 0.98%, 0.59%

LAB 89.69, -56.66, 5.59

 

CMYK 66 / 0 / 13 / 0

HEX #57FEDD

RGB 87 254 221

HSL 168.14, 0.99%, 0.67%

LAB 90.84, -50.47, 3.19

 

CMYK 49 / 0 / 10 / 0

HEX #81FEE5

RGB 129 254 229

HSL 168, 0.98%, 0.75%

LAB 92.22, -40.84, 1.21

 

CMYK 82 / 0 / 16 / 0

HEX #2DFED5

RGB 45 254 213

HSL 168.23, 0.99%, 0.59%

LAB 89.97, -57.14, 6

 

CMYK 82 / 82 / 0 / 1

HEX #2E2EFD

RGB 46 46 253

HSL 240, 0.98%, 0.59%

LAB 37.16, 67.41, -98.6

 

CMYK 0 / 49 / 82 / 1

HEX #FD812E

RGB 253 129 46

HSL 24.06, 0.98%, 0.59%

LAB 67.11, 42.27, 62.76

 

CMYK 82 / 0 / 16 / 0

HEX #2DFED5

RGB 45 254 213

HSL 168.23, 0.99%, 0.59%

LAB 89.97, -57.14, 6

 

CMYK 16 / 82 / 0 / 1

HEX #D42EFD

RGB 212 46 253

HSL 288.12, 0.98%, 0.59%

LAB 55.12, 85.62, -68.47

 

CMYK 0 / 16 / 82 / 1

HEX #FDD42E

RGB 253 212 46

HSL 48.12, 0.98%, 0.59%

LAB 86.09, -0.56, 79.23

 

CMYK 82 / 0 / 16 / 0

HEX #2DFED5

RGB 45 254 213

HSL 168.23, 0.99%, 0.59%

LAB 89.97, -57.14, 6

 

CMYK 82 / 82 / 0 / 1

HEX #2E2EFD

RGB 46 46 253

HSL 240, 0.98%, 0.59%

LAB 37.16, 67.41, -98.6

 

CMYK 0 / 82 / 65 / 1

HEX #FD2E58

RGB 253 46 88

HSL 347.83, 0.98%, 0.59%

LAB 55.63, 75.84, 28.96

 

CMYK 0 / 0 / 82 / 1

HEX #FDFD2E

RGB 253 253 46

HSL 60, 0.98%, 0.59%

LAB 96.55, -20.77, 88.06

 

CMYK 82 / 0 / 16 / 0

HEX #2DFED5

RGB 45 254 213

HSL 168.23, 0.99%, 0.59%

LAB 89.97, -57.14, 6

 

CMYK 57 / 82 / 0 / 1

HEX #6D2EFD

RGB 109 46 253

HSL 258.26, 0.98%, 0.59%

LAB 41.68, 71.78, -90.97

 

CMYK 0 / 82 / 65 / 1

HEX #FD2E58

RGB 253 46 88

HSL 347.83, 0.98%, 0.59%

LAB 55.63, 75.84, 28.96

 

CMYK 25 / 0 / 82 / 1

HEX #BFFD2E

RGB 191 253 46

HSL 77.97, 0.98%, 0.59%

LAB 92.36, -45.18, 82.83

 

Description

Color code: RGB 45 254 213 | qconv.com Color code: RGB 45 254 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 254 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 254 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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