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Color name
RGB 45 229 118

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 229 118 it is the complementary color RGB 210 26 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 229 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 229 118 shade: RGB 50 229 113, RGB 67 247 132, RGB 84 255 151, RGB 101 255 170 and RGB 118 255 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 229 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 229 118 shade: RGB 45 229 118, RGB 28 211 99, RGB 11 193 80, RGB 0 175 61 and RGB 0 157 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 229 118 shade: RGB 46 229 118, RGB 46 229 69, RGB 72 229 46, RGB 121 229 46 and RGB 171 229 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 229 118 shade: RGB 46 229 118, RGB 46 229 168, RGB 46 229 217, RGB 46 191 229 and RGB 46 142 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 229 118 shade matches the following richer shades: RGB 46 229 118 and RGB 27 248 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 229 118 shade: RGB 46 229 118, RGB 65 210 122, RGB 84 191 126, RGB 103 172 130 and RGB 122 153 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 229 118 shade: RGB 73 229 46, RGB 46 229 67, RGB 46 229 116, RGB 46 229 165 and RGB 46 229 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 229 118 shade: RGB 21 171 80, RGB 25 208 98, RGB 46 229 118, RGB 82 233 142 and RGB 119 238 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 229 118 shade: RGB 45 229 118, RGB 46 122 229 and RGB 229 46 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 229 118 shade: RGB 45 229 118, RGB 116 46 229 and RGB 229 116 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 229 118 shade: RGB 45 229 118, RGB 46 122 229, RGB 229 46 159 and RGB 229 152 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 229 118 shade: RGB 45 229 118, RGB 46 67 229, RGB 229 46 159 and RGB 229 207 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 48 / 10

HEX #2DE576

RGB 45 229 118

HSL 143.8, 0.78%, 0.54%

LAB 80.69, -67.57, 41.66

 

Complementary color

CMYK 0 / 88 / 35 / 18

HEX #D21A89

RGB 210 26 137

HSL 323.8, 0.78%, 0.46%

LAB 47.3, 73.05, -13.57

 

CMYK 78 / 0 / 51 / 10

HEX #32E571

RGB 50 229 113

HSL 141.12, 0.77%, 0.55%

LAB 80.69, -67.79, 44.08

 

CMYK 73 / 0 / 47 / 3

HEX #43F784

RGB 67 247 132

HSL 141.67, 0.92%, 0.62%

LAB 86.69, -68.76, 42.54

 

CMYK 67 / 0 / 41 / 0

HEX #54FF97

RGB 84 255 151

HSL 143.51, 1%, 0.66%

LAB 89.69, -65.86, 37.21

 

CMYK 60 / 0 / 33 / 0

HEX #65FFAA

RGB 101 255 170

HSL 146.88, 1%, 0.7%

LAB 90.41, -59.43, 28.77

 

CMYK 54 / 0 / 26 / 0

HEX #76FFBD

RGB 118 255 189

HSL 151.09, 1%, 0.73%

LAB 91.25, -52.28, 20.37

 

CMYK 80 / 0 / 48 / 10

HEX #2DE576

RGB 45 229 118

HSL 143.8, 0.78%, 0.54%

LAB 80.69, -67.57, 41.66

 

CMYK 87 / 0 / 53 / 17

HEX #1CD363

RGB 28 211 99

HSL 143.28, 0.77%, 0.47%

LAB 74.66, -66.09, 43.29

 

CMYK 94 / 0 / 59 / 24

HEX #0BC150

RGB 11 193 80

HSL 142.75, 0.89%, 0.4%

LAB 68.6, -64.04, 44.94

 

CMYK 100 / 0 / 65 / 31

HEX #00AF3D

RGB 0 175 61

HSL 140.91, 1%, 0.34%

LAB 62.5, -61.32, 46.51

 

CMYK 100 / 0 / 73 / 38

HEX #009D2A

RGB 0 157 42

HSL 136.05, 1%, 0.31%

LAB 56.37, -57.83, 47.75

 

CMYK 80 / 0 / 48 / 10

HEX #2EE576

RGB 46 229 118

HSL 143.61, 0.78%, 0.54%

LAB 80.7, -67.47, 41.68

 

CMYK 80 / 0 / 70 / 10

HEX #2EE545

RGB 46 229 69

HSL 127.54, 0.78%, 0.54%

LAB 80.21, -73.42, 62.47

 

CMYK 69 / 0 / 80 / 10

HEX #48E52E

RGB 72 229 46

HSL 111.48, 0.78%, 0.54%

LAB 80.52, -71.19, 70.37

 

CMYK 47 / 0 / 80 / 10

HEX #79E52E

RGB 121 229 46

HSL 95.41, 0.78%, 0.54%

LAB 82, -59.33, 72.27

 

CMYK 25 / 0 / 80 / 10

HEX #ABE52E

RGB 171 229 46

HSL 79.02, 0.78%, 0.54%

LAB 84.43, -42.3, 75.38

 

CMYK 80 / 0 / 48 / 10

HEX #2EE576

RGB 46 229 118

HSL 143.61, 0.78%, 0.54%

LAB 80.7, -67.47, 41.68

 

CMYK 80 / 0 / 27 / 10

HEX #2EE5A8

RGB 46 229 168

HSL 160, 0.78%, 0.54%

LAB 81.54, -57.94, 17.43

 

CMYK 80 / 0 / 5 / 10

HEX #2EE5D9

RGB 46 229 217

HSL 176.07, 0.78%, 0.54%

LAB 82.72, -45.66, -6.7

 

CMYK 80 / 17 / 0 / 10

HEX #2EBFE5

RGB 46 191 229

HSL 192.46, 0.78%, 0.54%

LAB 71.89, -24.26, -29.48

 

CMYK 80 / 38 / 0 / 10

HEX #2E8EE5

RGB 46 142 229

HSL 208.52, 0.78%, 0.54%

LAB 57.64, 2.7, -51.8

 

CMYK 80 / 0 / 48 / 10

HEX #2EE576

RGB 46 229 118

HSL 143.61, 0.78%, 0.54%

LAB 80.7, -67.47, 41.68

 

CMYK 89 / 0 / 54 / 3

HEX #1BF872

RGB 27 248 114

HSL 143.62, 0.94%, 0.54%

LAB 86.3, -75.67, 50.41

 

CMYK 80 / 0 / 48 / 10

HEX #2EE576

RGB 46 229 118

HSL 143.61, 0.78%, 0.54%

LAB 80.7, -67.47, 41.68

 

CMYK 69 / 0 / 42 / 18

HEX #41D27A

RGB 65 210 122

HSL 143.59, 0.62%, 0.54%

LAB 75.22, -57.58, 32.74

 

CMYK 56 / 0 / 34 / 25

HEX #54BF7E

RGB 84 191 126

HSL 143.55, 0.46%, 0.54%

LAB 69.93, -45.6, 23.74

 

CMYK 40 / 0 / 24 / 33

HEX #67AC82

RGB 103 172 130

HSL 143.48, 0.29%, 0.54%

LAB 64.96, -31.31, 14.88

 

CMYK 20 / 0 / 12 / 40

HEX #7A9986

RGB 122 153 134

HSL 143.23, 0.13%, 0.54%

LAB 60.46, -14.79, 6.44

 

CMYK 68 / 0 / 80 / 10

HEX #49E52E

RGB 73 229 46

HSL 111.15, 0.78%, 0.54%

LAB 80.55, -71.01, 70.39

 

CMYK 80 / 0 / 71 / 10

HEX #2EE543

RGB 46 229 67

HSL 126.89, 0.78%, 0.54%

LAB 80.19, -73.59, 63.19

 

CMYK 80 / 0 / 49 / 10

HEX #2EE574

RGB 46 229 116

HSL 142.95, 0.78%, 0.54%

LAB 80.67, -67.78, 42.61

 

CMYK 80 / 0 / 28 / 10

HEX #2EE5A5

RGB 46 229 165

HSL 159.02, 0.78%, 0.54%

LAB 81.48, -58.6, 18.91

 

CMYK 80 / 0 / 7 / 10

HEX #2EE5D5

RGB 46 229 213

HSL 174.75, 0.78%, 0.54%

LAB 82.61, -46.75, -4.75

 

CMYK 88 / 0 / 53 / 33

HEX #15AB50

RGB 21 171 80

HSL 143.6, 0.78%, 0.38%

LAB 61.54, -56.31, 36.5

 

CMYK 88 / 0 / 53 / 18

HEX #19D062

RGB 25 208 98

HSL 143.93, 0.79%, 0.46%

LAB 73.68, -65.48, 42.56

 

CMYK 80 / 0 / 48 / 10

HEX #2EE576

RGB 46 229 118

HSL 143.61, 0.78%, 0.54%

LAB 80.7, -67.47, 41.68

 

CMYK 65 / 0 / 39 / 9

HEX #52E98E

RGB 82 233 142

HSL 143.84, 0.77%, 0.62%

LAB 82.93, -59.68, 32.8

 

CMYK 50 / 0 / 30 / 7

HEX #77EEA6

RGB 119 238 166

HSL 143.7, 0.78%, 0.7%

LAB 85.92, -49.42, 24.79

 

CMYK 80 / 0 / 48 / 10

HEX #2DE576

RGB 45 229 118

HSL 143.8, 0.78%, 0.54%

LAB 80.69, -67.57, 41.66

 

CMYK 80 / 47 / 0 / 10

HEX #2E7AE5

RGB 46 122 229

HSL 215.08, 0.78%, 0.54%

LAB 52.01, 14.89, -60.8

 

CMYK 0 / 80 / 79 / 10

HEX #E52E31

RGB 229 46 49

HSL 359.02, 0.78%, 0.54%

LAB 50.49, 67.79, 44.2

 

CMYK 80 / 0 / 48 / 10

HEX #2DE576

RGB 45 229 118

HSL 143.8, 0.78%, 0.54%

LAB 80.69, -67.57, 41.66

 

CMYK 49 / 80 / 0 / 10

HEX #742EE5

RGB 116 46 229

HSL 262.95, 0.78%, 0.54%

LAB 40.12, 66.59, -79.98

 

CMYK 0 / 49 / 80 / 10

HEX #E5742E

RGB 229 116 46

HSL 22.95, 0.78%, 0.54%

LAB 61.09, 39.44, 56

 

CMYK 80 / 0 / 48 / 10

HEX #2DE576

RGB 45 229 118

HSL 143.8, 0.78%, 0.54%

LAB 80.69, -67.57, 41.66

 

CMYK 80 / 47 / 0 / 10

HEX #2E7AE5

RGB 46 122 229

HSL 215.08, 0.78%, 0.54%

LAB 52.01, 14.89, -60.8

 

CMYK 0 / 80 / 31 / 10

HEX #E52E9F

RGB 229 46 159

HSL 322.95, 0.78%, 0.54%

LAB 53.08, 75.54, -17.64

 

CMYK 0 / 34 / 80 / 10

HEX #E5982E

RGB 229 152 46

HSL 34.75, 0.78%, 0.54%

LAB 68.98, 20.61, 63.26

 

CMYK 80 / 0 / 48 / 10

HEX #2DE576

RGB 45 229 118

HSL 143.8, 0.78%, 0.54%

LAB 80.69, -67.57, 41.66

 

CMYK 80 / 71 / 0 / 10

HEX #2E43E5

RGB 46 67 229

HSL 233.11, 0.78%, 0.54%

LAB 38.29, 49.22, -83.18

 

CMYK 0 / 80 / 31 / 10

HEX #E52E9F

RGB 229 46 159

HSL 322.95, 0.78%, 0.54%

LAB 53.08, 75.54, -17.64

 

CMYK 0 / 10 / 80 / 10

HEX #E5CF2E

RGB 229 207 46

HSL 52.79, 0.78%, 0.54%

LAB 82.64, -8.2, 75.4

 

Description

Color code: RGB 45 229 118 | qconv.com Color code: RGB 45 229 118 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 229 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 229 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 48 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 48% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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