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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 214 163 it is the complementary color RGB 210 41 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 214 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 214 163 shade: RGB 50 214 158, RGB 67 232 177, RGB 84 250 196, RGB 101 255 215 and RGB 118 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 214 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 214 163 shade: RGB 45 214 163, RGB 28 196 144, RGB 11 178 125, RGB 0 160 106 and RGB 0 142 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 214 163 shade: RGB 46 213 163, RGB 46 213 118, RGB 46 213 72, RGB 64 213 46 and RGB 110 213 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 214 163 shade: RGB 46 213 163, RGB 46 213 208, RGB 46 174 213, RGB 46 128 213 and RGB 46 83 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 214 163 shade matches the following richer shades: RGB 46 213 163, RGB 26 233 171 and RGB 5 254 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 214 163 shade: RGB 46 213 163, RGB 66 193 155, RGB 86 173 147, RGB 106 153 139 and RGB 127 132 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 214 163 shade: RGB 46 213 71, RGB 46 213 116, RGB 46 213 160, RGB 46 213 205 and RGB 46 177 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 214 163 shade: RGB 29 148 112, RGB 36 182 138, RGB 46 213 163, RGB 80 220 178 and RGB 115 227 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 214 163 shade: RGB 45 214 163, RGB 46 65 213 and RGB 213 93 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 214 163 shade: RGB 45 214 163, RGB 160 46 213 and RGB 213 160 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 214 163 shade: RGB 45 214 163, RGB 46 65 213, RGB 213 46 99 and RGB 213 194 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 214 163 shade: RGB 45 214 163, RGB 77 46 213, RGB 213 46 99 and RGB 183 213 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 24 / 16

HEX #2DD6A3

RGB 45 214 163

HSL 161.89, 0.67%, 0.51%

LAB 76.86, -53.36, 13.5

 

Complementary color

CMYK 0 / 80 / 56 / 18

HEX #D2295C

RGB 210 41 92

HSL 341.89, 0.67%, 0.49%

LAB 47.05, 65.99, 13.68

 

CMYK 77 / 0 / 26 / 16

HEX #32D69E

RGB 50 214 158

HSL 159.51, 0.67%, 0.52%

LAB 76.82, -53.97, 16.12

 

CMYK 71 / 0 / 24 / 9

HEX #43E8B1

RGB 67 232 177

HSL 160, 0.78%, 0.59%

LAB 82.96, -54.65, 14.77

 

CMYK 66 / 0 / 22 / 2

HEX #54FAC4

RGB 84 250 196

HSL 160.48, 0.94%, 0.65%

LAB 89.04, -55.11, 13.53

 

CMYK 60 / 0 / 16 / 0

HEX #65FFD7

RGB 101 255 215

HSL 164.42, 1%, 0.7%

LAB 91.32, -50.04, 7.04

 

CMYK 54 / 0 / 8 / 0

HEX #76FFEA

RGB 118 255 234

HSL 170.8, 1%, 0.73%

LAB 92.27, -42.38, -1.35

 

CMYK 79 / 0 / 24 / 16

HEX #2DD6A3

RGB 45 214 163

HSL 161.89, 0.67%, 0.51%

LAB 76.86, -53.36, 13.5

 

CMYK 86 / 0 / 27 / 23

HEX #1CC490

RGB 28 196 144

HSL 161.43, 0.75%, 0.44%

LAB 70.69, -52.23, 14.97

 

CMYK 94 / 0 / 30 / 30

HEX #0BB27D

RGB 11 178 125

HSL 160.96, 0.88%, 0.37%

LAB 64.48, -50.68, 16.6

 

CMYK 100 / 0 / 34 / 37

HEX #00A06A

RGB 0 160 106

HSL 159.75, 1%, 0.31%

LAB 58.21, -48.64, 18.41

 

CMYK 100 / 0 / 39 / 44

HEX #008E57

RGB 0 142 87

HSL 156.76, 1%, 0.28%

LAB 51.88, -46.04, 20.39

 

CMYK 78 / 0 / 23 / 16

HEX #2ED5A3

RGB 46 213 163

HSL 162.04, 0.67%, 0.51%

LAB 76.57, -52.86, 13.09

 

CMYK 78 / 0 / 45 / 16

HEX #2ED576

RGB 46 213 118

HSL 145.87, 0.67%, 0.51%

LAB 75.75, -62.02, 35.38

 

CMYK 78 / 0 / 66 / 16

HEX #2ED548

RGB 46 213 72

HSL 129.34, 0.67%, 0.51%

LAB 75.23, -68.26, 56

 

CMYK 70 / 0 / 78 / 16

HEX #40D52E

RGB 64 213 46

HSL 113.53, 0.67%, 0.51%

LAB 75.37, -67.62, 65.46

 

CMYK 48 / 0 / 78 / 16

HEX #6ED52E

RGB 110 213 46

HSL 97.01, 0.67%, 0.51%

LAB 76.74, -56.62, 67.23

 

CMYK 78 / 0 / 23 / 16

HEX #2ED5A3

RGB 46 213 163

HSL 162.04, 0.67%, 0.51%

LAB 76.57, -52.86, 13.09

 

CMYK 78 / 0 / 2 / 16

HEX #2ED5D0

RGB 46 213 208

HSL 178.2, 0.67%, 0.51%

LAB 77.71, -41.14, -9.33

 

CMYK 78 / 18 / 0 / 16

HEX #2EAED5

RGB 46 174 213

HSL 194.01, 0.67%, 0.51%

LAB 66.26, -20.79, -29.42

 

CMYK 78 / 40 / 0 / 16

HEX #2E80D5

RGB 46 128 213

HSL 210.54, 0.67%, 0.51%

LAB 52.76, 5.22, -50.61

 

CMYK 78 / 61 / 0 / 16

HEX #2E53D5

RGB 46 83 213

HSL 226.71, 0.67%, 0.51%

LAB 40.53, 33.75, -70.36

 

CMYK 78 / 0 / 23 / 16

HEX #2ED5A3

RGB 46 213 163

HSL 162.04, 0.67%, 0.51%

LAB 76.57, -52.86, 13.09

 

CMYK 89 / 0 / 27 / 9

HEX #1AE9AB

RGB 26 233 171

HSL 162.03, 0.82%, 0.51%

LAB 82.61, -60.25, 17.34

 

CMYK 98 / 0 / 30 / 0

HEX #05FEB3

RGB 5 254 179

HSL 161.93, 0.99%, 0.51%

LAB 89, -66.86, 22.08

 

CMYK 78 / 0 / 23 / 16

HEX #2ED5A3

RGB 46 213 163

HSL 162.04, 0.67%, 0.51%

LAB 76.57, -52.86, 13.09

 

CMYK 66 / 0 / 20 / 24

HEX #42C19B

RGB 66 193 155

HSL 162.05, 0.51%, 0.51%

LAB 70.64, -43.82, 9.04

 

CMYK 50 / 0 / 15 / 32

HEX #56AD93

RGB 86 173 147

HSL 162.07, 0.35%, 0.51%

LAB 64.94, -32.64, 5.35

 

CMYK 31 / 0 / 9 / 40

HEX #6A998B

RGB 106 153 139

HSL 162.13, 0.19%, 0.51%

LAB 59.63, -19, 2.28

 

CMYK 4 / 0 / 1 / 48

HEX #7F8483

RGB 127 132 131

HSL 168, 0.02%, 0.51%

LAB 54.71, -2.05, -0.11

 

CMYK 78 / 0 / 67 / 16

HEX #2ED547

RGB 46 213 71

HSL 128.98, 0.67%, 0.51%

LAB 75.22, -68.36, 56.39

 

CMYK 78 / 0 / 46 / 16

HEX #2ED574

RGB 46 213 116

HSL 145.15, 0.67%, 0.51%

LAB 75.72, -62.35, 36.35

 

CMYK 78 / 0 / 25 / 16

HEX #2ED5A0

RGB 46 213 160

HSL 160.96, 0.67%, 0.51%

LAB 76.5, -53.56, 14.6

 

CMYK 78 / 0 / 4 / 16

HEX #2ED5CD

RGB 46 213 205

HSL 177.13, 0.67%, 0.51%

LAB 77.62, -41.99, -7.85

 

CMYK 78 / 17 / 0 / 16

HEX #2EB1D5

RGB 46 177 213

HSL 192.93, 0.67%, 0.51%

LAB 67.15, -22.34, -28.04

 

CMYK 80 / 0 / 24 / 42

HEX #1D9470

RGB 29 148 112

HSL 161.85, 0.67%, 0.35%

LAB 54.67, -40.42, 10.17

 

CMYK 80 / 0 / 24 / 29

HEX #24B68A

RGB 36 182 138

HSL 161.92, 0.67%, 0.43%

LAB 66.26, -47.39, 12.03

 

CMYK 78 / 0 / 23 / 16

HEX #2ED5A3

RGB 46 213 163

HSL 162.04, 0.67%, 0.51%

LAB 76.57, -52.86, 13.09

 

CMYK 64 / 0 / 19 / 14

HEX #50DCB2

RGB 80 220 178

HSL 162, 0.67%, 0.59%

LAB 79.67, -47.51, 9.63

 

CMYK 49 / 0 / 15 / 11

HEX #73E3C1

RGB 115 227 193

HSL 161.79, 0.67%, 0.67%

LAB 83.14, -40.07, 6.81

 

CMYK 79 / 0 / 24 / 16

HEX #2DD6A3

RGB 45 214 163

HSL 161.89, 0.67%, 0.51%

LAB 76.86, -53.36, 13.5

 

CMYK 78 / 69 / 0 / 16

HEX #2E41D5

RGB 46 65 213

HSL 233.17, 0.67%, 0.51%

LAB 36.3, 44.93, -77.3

 

CMYK 0 / 56 / 78 / 16

HEX #D55D2E

RGB 213 93 46

HSL 16.89, 0.67%, 0.51%

LAB 54.21, 44.66, 48.55

 

CMYK 79 / 0 / 24 / 16

HEX #2DD6A3

RGB 45 214 163

HSL 161.89, 0.67%, 0.51%

LAB 76.86, -53.36, 13.5

 

CMYK 25 / 78 / 0 / 16

HEX #A02ED5

RGB 160 46 213

HSL 280.96, 0.67%, 0.51%

LAB 44.56, 69.59, -63.33

 

CMYK 0 / 25 / 78 / 16

HEX #D5A02E

RGB 213 160 46

HSL 40.96, 0.67%, 0.51%

LAB 69.1, 9.45, 62.71

 

CMYK 79 / 0 / 24 / 16

HEX #2DD6A3

RGB 45 214 163

HSL 161.89, 0.67%, 0.51%

LAB 76.86, -53.36, 13.5

 

CMYK 78 / 69 / 0 / 16

HEX #2E41D5

RGB 46 65 213

HSL 233.17, 0.67%, 0.51%

LAB 36.3, 44.93, -77.3

 

CMYK 0 / 78 / 54 / 16

HEX #D52E63

RGB 213 46 99

HSL 340.96, 0.67%, 0.51%

LAB 48.26, 65.96, 11.14

 

CMYK 0 / 9 / 78 / 16

HEX #D5C22E

RGB 213 194 46

HSL 53.17, 0.67%, 0.51%

LAB 77.83, -8.43, 70.62

 

CMYK 79 / 0 / 24 / 16

HEX #2DD6A3

RGB 45 214 163

HSL 161.89, 0.67%, 0.51%

LAB 76.86, -53.36, 13.5

 

CMYK 64 / 78 / 0 / 16

HEX #4D2ED5

RGB 77 46 213

HSL 251.14, 0.67%, 0.51%

LAB 34.67, 57.93, -79.92

 

CMYK 0 / 78 / 54 / 16

HEX #D52E63

RGB 213 46 99

HSL 340.96, 0.67%, 0.51%

LAB 48.26, 65.96, 11.14

 

CMYK 14 / 0 / 78 / 16

HEX #B7D52E

RGB 183 213 46

HSL 70.78, 0.67%, 0.51%

LAB 80.66, -30.38, 72.27

 

Description

Color code: RGB 45 214 163 | qconv.com Color code: RGB 45 214 163 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 214 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 214 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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