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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 193 49 it is the complementary color RGB 210 62 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 193 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 193 49 shade: RGB 50 193 44, RGB 67 211 63, RGB 84 229 82, RGB 101 247 101 and RGB 118 255 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 193 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 193 49 shade: RGB 45 193 49, RGB 28 175 30, RGB 11 157 11, RGB 0 139 0 and RGB 0 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 193 49 shade: RGB 45 194 49, RGB 81 194 45, RGB 121 194 45, RGB 161 194 45 and RGB 194 186 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 193 49 shade: RGB 45 194 49, RGB 45 194 89, RGB 45 194 129, RGB 45 194 169 and RGB 45 178 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 193 49 shade matches the following richer shades: RGB 45 194 49, RGB 26 213 31 and RGB 6 232 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 193 49 shade: RGB 45 194 49, RGB 64 174 67, RGB 84 155 86, RGB 103 135 104 and RGB 123 116 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 193 49 shade: RGB 122 194 45, RGB 82 194 45, RGB 45 194 48, RGB 45 194 87 and RGB 45 194 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 193 49 shade: RGB 29 127 32, RGB 37 160 41, RGB 45 194 49, RGB 69 211 73 and RGB 102 219 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 193 49 shade: RGB 45 193 49, RGB 45 161 194 and RGB 194 45 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 193 49 shade: RGB 45 193 49, RGB 48 45 194 and RGB 194 48 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 193 49 shade: RGB 45 193 49, RGB 45 161 194, RGB 194 45 191 and RGB 194 77 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 193 49 shade: RGB 45 193 49, RGB 45 117 194, RGB 194 45 191 and RGB 194 122 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 75 / 24

HEX #2DC131

RGB 45 193 49

HSL 121.62, 0.62%, 0.47%

LAB 68.69, -64.2, 57.86

 

Complementary color

CMYK 0 / 70 / 2 / 18

HEX #D23ECE

RGB 210 62 206

HSL 301.62, 0.62%, 0.53%

LAB 53.6, 72.93, -44.4

 

CMYK 74 / 0 / 77 / 24

HEX #32C12C

RGB 50 193 44

HSL 117.58, 0.63%, 0.46%

LAB 68.75, -63.81, 59.61

 

CMYK 68 / 0 / 70 / 17

HEX #43D33F

RGB 67 211 63

HSL 118.38, 0.63%, 0.54%

LAB 74.91, -65.2, 59.29

 

CMYK 63 / 0 / 64 / 10

HEX #54E552

RGB 84 229 82

HSL 119.18, 0.74%, 0.61%

LAB 81.03, -66.13, 58.5

 

CMYK 59 / 0 / 59 / 3

HEX #65F765

RGB 101 247 101

HSL 120, 0.9%, 0.68%

LAB 87.11, -66.71, 57.45

 

CMYK 54 / 0 / 53 / 0

HEX #76FF78

RGB 118 255 120

HSL 120.88, 1%, 0.73%

LAB 90.2, -63.42, 52.78

 

CMYK 77 / 0 / 75 / 24

HEX #2DC131

RGB 45 193 49

HSL 121.62, 0.62%, 0.47%

LAB 68.69, -64.2, 57.86

 

CMYK 84 / 0 / 83 / 31

HEX #1CAF1E

RGB 28 175 30

HSL 120.82, 0.72%, 0.4%

LAB 62.51, -62.07, 57.73

 

CMYK 93 / 0 / 93 / 38

HEX #0B9D0B

RGB 11 157 11

HSL 120, 0.87%, 0.33%

LAB 56.3, -59.02, 56.31

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 77 / 0 / 75 / 24

HEX #2DC231

RGB 45 194 49

HSL 121.61, 0.62%, 0.47%

LAB 69.01, -64.51, 58.18

 

CMYK 58 / 0 / 77 / 24

HEX #51C22D

RGB 81 194 45

HSL 105.5, 0.62%, 0.47%

LAB 69.84, -57.71, 60.61

 

CMYK 38 / 0 / 77 / 24

HEX #79C22D

RGB 121 194 45

HSL 89.4, 0.62%, 0.47%

LAB 71.44, -45.61, 62.71

 

CMYK 17 / 0 / 77 / 24

HEX #A1C22D

RGB 161 194 45

HSL 73.29, 0.62%, 0.47%

LAB 73.77, -30.41, 65.72

 

CMYK 0 / 4 / 77 / 24

HEX #C2BA2D

RGB 194 186 45

HSL 56.78, 0.62%, 0.47%

LAB 74.05, -12.56, 66.9

 

CMYK 77 / 0 / 75 / 24

HEX #2DC231

RGB 45 194 49

HSL 121.61, 0.62%, 0.47%

LAB 69.01, -64.51, 58.18

 

CMYK 77 / 0 / 54 / 24

HEX #2DC259

RGB 45 194 89

HSL 137.72, 0.62%, 0.47%

LAB 69.37, -60.16, 41.7

 

CMYK 77 / 0 / 34 / 24

HEX #2DC281

RGB 45 194 129

HSL 153.83, 0.62%, 0.47%

LAB 69.98, -53.12, 22.06

 

CMYK 77 / 0 / 13 / 24

HEX #2DC2A9

RGB 45 194 169

HSL 169.93, 0.62%, 0.47%

LAB 70.88, -43.62, 1.71

 

CMYK 77 / 8 / 0 / 24

HEX #2DB2C2

RGB 45 178 194

HSL 186.44, 0.62%, 0.47%

LAB 66.74, -29.03, -18.18

 

CMYK 77 / 0 / 75 / 24

HEX #2DC231

RGB 45 194 49

HSL 121.61, 0.62%, 0.47%

LAB 69.01, -64.51, 58.18

 

CMYK 88 / 0 / 85 / 16

HEX #1AD51F

RGB 26 213 31

HSL 121.6, 0.78%, 0.47%

LAB 74.77, -73.17, 68.56

 

CMYK 97 / 0 / 95 / 9

HEX #06E80C

RGB 6 232 12

HSL 121.59, 0.95%, 0.47%

LAB 80.62, -79.85, 76.43

 

CMYK 77 / 0 / 75 / 24

HEX #2DC231

RGB 45 194 49

HSL 121.61, 0.62%, 0.47%

LAB 69.01, -64.51, 58.18

 

CMYK 63 / 0 / 61 / 32

HEX #40AE43

RGB 64 174 67

HSL 121.64, 0.46%, 0.47%

LAB 63.15, -52.64, 44.81

 

CMYK 46 / 0 / 45 / 39

HEX #549B56

RGB 84 155 86

HSL 121.69, 0.3%, 0.47%

LAB 58.04, -37.09, 29.36

 

CMYK 24 / 0 / 23 / 47

HEX #678768

RGB 103 135 104

HSL 121.88, 0.13%, 0.47%

LAB 53.18, -17.83, 13.06

 

CMYK 0 / 6 / 1 / 52

HEX #7B747A

RGB 123 116 122

HSL 308.57, 0.03%, 0.47%

LAB 49.63, 3.87, -2.34

 

CMYK 37 / 0 / 77 / 24

HEX #7AC22D

RGB 122 194 45

HSL 88.99, 0.62%, 0.47%

LAB 71.49, -45.27, 62.77

 

CMYK 58 / 0 / 77 / 24

HEX #52C22D

RGB 82 194 45

HSL 105.1, 0.62%, 0.47%

LAB 69.87, -57.45, 60.65

 

CMYK 77 / 0 / 75 / 24

HEX #2DC230

RGB 45 194 48

HSL 121.21, 0.62%, 0.47%

LAB 69.01, -64.59, 58.52

 

CMYK 77 / 0 / 55 / 24

HEX #2DC257

RGB 45 194 87

HSL 136.91, 0.62%, 0.47%

LAB 69.35, -60.45, 42.63

 

CMYK 77 / 0 / 35 / 24

HEX #2DC27F

RGB 45 194 127

HSL 153.02, 0.62%, 0.47%

LAB 69.95, -53.53, 23.07

 

CMYK 77 / 0 / 75 / 50

HEX #1D7F20

RGB 29 127 32

HSL 121.84, 0.63%, 0.31%

LAB 46.37, -46.51, 41.46

 

CMYK 77 / 0 / 74 / 37

HEX #25A029

RGB 37 160 41

HSL 121.95, 0.62%, 0.39%

LAB 57.75, -55.5, 49.66

 

CMYK 77 / 0 / 75 / 24

HEX #2DC231

RGB 45 194 49

HSL 121.61, 0.62%, 0.47%

LAB 69.01, -64.51, 58.18

 

CMYK 67 / 0 / 65 / 17

HEX #45D349

RGB 69 211 73

HSL 121.69, 0.62%, 0.55%

LAB 75.04, -63.91, 55.5

 

CMYK 53 / 0 / 52 / 14

HEX #66DB6A

RGB 102 219 106

HSL 122.05, 0.62%, 0.63%

LAB 78.77, -55.61, 45.33

 

CMYK 77 / 0 / 75 / 24

HEX #2DC131

RGB 45 193 49

HSL 121.62, 0.62%, 0.47%

LAB 68.69, -64.2, 57.86

 

CMYK 77 / 17 / 0 / 24

HEX #2DA1C2

RGB 45 161 194

HSL 193.29, 0.62%, 0.47%

LAB 61.6, -20.4, -26.03

 

CMYK 0 / 77 / 47 / 24

HEX #C22D66

RGB 194 45 102

HSL 337.05, 0.62%, 0.47%

LAB 44.67, 61.34, 3.69

 

CMYK 77 / 0 / 75 / 24

HEX #2DC131

RGB 45 193 49

HSL 121.62, 0.62%, 0.47%

LAB 68.69, -64.2, 57.86

 

CMYK 75 / 77 / 0 / 24

HEX #302DC2

RGB 48 45 194

HSL 241.21, 0.62%, 0.47%

LAB 30.4, 50.1, -75.98

 

CMYK 0 / 75 / 77 / 24

HEX #C2302D

RGB 194 48 45

HSL 1.21, 0.62%, 0.47%

LAB 43.91, 56.84, 37.43

 

CMYK 77 / 0 / 75 / 24

HEX #2DC131

RGB 45 193 49

HSL 121.62, 0.62%, 0.47%

LAB 68.69, -64.2, 57.86

 

CMYK 77 / 17 / 0 / 24

HEX #2DA1C2

RGB 45 161 194

HSL 193.29, 0.62%, 0.47%

LAB 61.6, -20.4, -26.03

 

CMYK 0 / 77 / 2 / 24

HEX #C22DBF

RGB 194 45 191

HSL 301.21, 0.62%, 0.47%

LAB 48.4, 72.4, -44.17

 

CMYK 0 / 60 / 77 / 24

HEX #C24D2D

RGB 194 77 45

HSL 12.89, 0.62%, 0.47%

LAB 48.22, 45.15, 41.98

 

CMYK 77 / 0 / 75 / 24

HEX #2DC131

RGB 45 193 49

HSL 121.62, 0.62%, 0.47%

LAB 68.69, -64.2, 57.86

 

CMYK 77 / 40 / 0 / 24

HEX #2D75C2

RGB 45 117 194

HSL 211.01, 0.62%, 0.47%

LAB 48.48, 4.78, -46.6

 

CMYK 0 / 77 / 2 / 24

HEX #C22DBF

RGB 194 45 191

HSL 301.21, 0.62%, 0.47%

LAB 48.4, 72.4, -44.17

 

CMYK 0 / 37 / 77 / 24

HEX #C27A2D

RGB 194 122 45

HSL 31.01, 0.62%, 0.47%

LAB 57.63, 21.83, 51.46

 

Description

Color code: RGB 45 193 49 | qconv.com Color code: RGB 45 193 49 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 193 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 193 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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