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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 143 118 it is the complementary color RGB 210 112 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 143 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 143 118 shade: RGB 50 143 113, RGB 67 161 132, RGB 84 179 151, RGB 101 197 170 and RGB 118 215 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 143 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 143 118 shade: RGB 45 143 118, RGB 28 125 99, RGB 11 107 80, RGB 0 89 61 and RGB 0 71 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 143 118 shade: RGB 45 143 118, RGB 45 143 91, RGB 45 143 65, RGB 51 143 45 and RGB 78 143 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 143 118 shade: RGB 45 143 118, RGB 45 141 143, RGB 45 115 143, RGB 45 89 143 and RGB 45 62 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 143 118 shade matches the following richer shades: RGB 45 143 118, RGB 30 158 125 and RGB 14 173 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 143 118 shade: RGB 45 143 118, RGB 60 128 110, RGB 75 112 103, RGB 91 97 95 and RGB 106 82 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 143 118 shade: RGB 45 143 64, RGB 45 143 91, RGB 45 143 117, RGB 45 143 143 and RGB 45 117 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 143 118 shade: RGB 25 80 66, RGB 35 112 92, RGB 45 143 118, RGB 55 174 144 and RGB 73 197 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 143 118 shade: RGB 45 143 118, RGB 45 51 143 and RGB 143 77 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 143 118 shade: RGB 45 143 118, RGB 117 45 143 and RGB 143 117 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 143 118 shade: RGB 45 143 118, RGB 45 51 143, RGB 143 45 71 and RGB 143 136 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 143 118 shade: RGB 45 143 118, RGB 68 45 143, RGB 143 45 71 and RGB 120 143 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

Complementary color

CMYK 0 / 47 / 35 / 18

HEX #D27089

RGB 210 112 137

HSL 344.69, 0.52%, 0.63%

LAB 59.06, 41.17, 3.84

 

CMYK 65 / 0 / 21 / 44

HEX #328F71

RGB 50 143 113

HSL 160.65, 0.48%, 0.38%

LAB 53.51, -34.81, 8.02

 

CMYK 58 / 0 / 18 / 37

HEX #43A184

RGB 67 161 132

HSL 161.49, 0.41%, 0.45%

LAB 60.2, -34.96, 6.85

 

CMYK 53 / 0 / 16 / 30

HEX #54B397

RGB 84 179 151

HSL 162.32, 0.38%, 0.52%

LAB 66.79, -34.97, 5.8

 

CMYK 49 / 0 / 14 / 23

HEX #65C5AA

RGB 101 197 170

HSL 163.13, 0.45%, 0.58%

LAB 73.29, -34.9, 4.84

 

CMYK 45 / 0 / 12 / 16

HEX #76D7BD

RGB 118 215 189

HSL 163.92, 0.55%, 0.65%

LAB 79.69, -34.78, 3.96

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 78 / 0 / 21 / 51

HEX #1C7D63

RGB 28 125 99

HSL 163.92, 0.63%, 0.3%

LAB 46.73, -33.84, 6.43

 

CMYK 90 / 0 / 25 / 58

HEX #0B6B50

RGB 11 107 80

HSL 163.13, 0.81%, 0.23%

LAB 39.86, -32.76, 7.96

 

CMYK 100 / 0 / 31 / 65

HEX #00593D

RGB 0 89 61

HSL 161.12, 1%, 0.17%

LAB 32.88, -30.96, 9.78

 

CMYK 100 / 0 / 41 / 72

HEX #00472A

RGB 0 71 42

HSL 155.49, 1%, 0.14%

LAB 25.78, -28.09, 11.96

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 69 / 0 / 36 / 44

HEX #2D8F5B

RGB 45 143 91

HSL 148.16, 0.52%, 0.37%

LAB 52.9, -40.76, 19.64

 

CMYK 69 / 0 / 55 / 44

HEX #2D8F41

RGB 45 143 65

HSL 132.24, 0.52%, 0.37%

LAB 52.49, -45.38, 33.12

 

CMYK 64 / 0 / 69 / 44

HEX #338F2D

RGB 51 143 45

HSL 116.33, 0.52%, 0.37%

LAB 52.44, -46.55, 42.61

 

CMYK 45 / 0 / 69 / 44

HEX #4E8F2D

RGB 78 143 45

HSL 99.8, 0.52%, 0.37%

LAB 53.44, -38.85, 43.98

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 69 / 1 / 0 / 44

HEX #2D8D8F

RGB 45 141 143

HSL 181.22, 0.52%, 0.37%

LAB 53.59, -26.41, -9.19

 

CMYK 69 / 20 / 0 / 44

HEX #2D738F

RGB 45 115 143

HSL 197.14, 0.52%, 0.37%

LAB 45.36, -12.48, -21.69

 

CMYK 69 / 38 / 0 / 44

HEX #2D598F

RGB 45 89 143

HSL 213.06, 0.52%, 0.37%

LAB 37.27, 3.33, -34.34

 

CMYK 69 / 57 / 0 / 44

HEX #2D3E8F

RGB 45 62 143

HSL 229.59, 0.52%, 0.37%

LAB 29.38, 21.34, -47

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 81 / 0 / 21 / 38

HEX #1E9E7D

RGB 30 158 125

HSL 164.53, 0.68%, 0.37%

LAB 58.24, -41.26, 7.87

 

CMYK 92 / 0 / 23 / 32

HEX #0EAD85

RGB 14 173 133

HSL 164.91, 0.85%, 0.37%

LAB 63.07, -46.65, 10.24

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 53 / 0 / 14 / 50

HEX #3C806E

RGB 60 128 110

HSL 164.12, 0.36%, 0.37%

LAB 48.91, -26.23, 3.22

 

CMYK 33 / 0 / 8 / 56

HEX #4B7067

RGB 75 112 103

HSL 165.41, 0.2%, 0.37%

LAB 44.32, -15.3, 0.81

 

CMYK 6 / 0 / 2 / 62

HEX #5B615F

RGB 91 97 95

HSL 160, 0.03%, 0.37%

LAB 40.57, -2.76, 0.33

 

CMYK 0 / 23 / 17 / 58

HEX #6A5258

RGB 106 82 88

HSL 345, 0.13%, 0.37%

LAB 37.49, 11.05, 0.33

 

CMYK 69 / 0 / 55 / 44

HEX #2D8F40

RGB 45 143 64

HSL 131.63, 0.52%, 0.37%

LAB 52.48, -45.52, 33.61

 

CMYK 69 / 0 / 36 / 44

HEX #2D8F5B

RGB 45 143 91

HSL 148.16, 0.52%, 0.37%

LAB 52.9, -40.76, 19.64

 

CMYK 69 / 0 / 18 / 44

HEX #2D8F75

RGB 45 143 117

HSL 164.08, 0.52%, 0.37%

LAB 53.48, -34.69, 5.66

 

CMYK 69 / 0 / 0 / 44

HEX #2D8F8F

RGB 45 143 143

HSL 180, 0.52%, 0.37%

LAB 54.22, -27.4, -8.24

 

CMYK 69 / 18 / 0 / 44

HEX #2D758F

RGB 45 117 143

HSL 195.92, 0.52%, 0.37%

LAB 45.99, -13.61, -20.72

 

CMYK 69 / 0 / 18 / 69

HEX #195042

RGB 25 80 66

HSL 164.73, 0.52%, 0.21%

LAB 30.25, -21.84, 2.99

 

CMYK 69 / 0 / 18 / 56

HEX #23705C

RGB 35 112 92

HSL 164.42, 0.52%, 0.29%

LAB 42.34, -28.56, 4.33

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 68 / 0 / 17 / 32

HEX #37AE90

RGB 55 174 144

HSL 164.87, 0.52%, 0.45%

LAB 64.24, -40.06, 5.89

 

CMYK 63 / 0 / 16 / 23

HEX #49C5A6

RGB 73 197 166

HSL 165, 0.52%, 0.53%

LAB 72.3, -41.69, 5.47

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 69 / 64 / 0 / 44

HEX #2D338F

RGB 45 51 143

HSL 236.33, 0.52%, 0.37%

LAB 26.47, 28.72, -51.72

 

CMYK 0 / 46 / 69 / 44

HEX #8F4D2D

RGB 143 77 45

HSL 19.59, 0.52%, 0.37%

LAB 40.14, 24.9, 30.82

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 18 / 69 / 0 / 44

HEX #752D8F

RGB 117 45 143

HSL 284.08, 0.52%, 0.37%

LAB 33.23, 46.96, -40.41

 

CMYK 0 / 18 / 69 / 44

HEX #8F752D

RGB 143 117 45

HSL 44.08, 0.52%, 0.37%

LAB 50.4, 1.81, 42.17

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 69 / 64 / 0 / 44

HEX #2D338F

RGB 45 51 143

HSL 236.33, 0.52%, 0.37%

LAB 26.47, 28.72, -51.72

 

CMYK 0 / 69 / 50 / 44

HEX #8F2D47

RGB 143 45 71

HSL 344.08, 0.52%, 0.37%

LAB 34.34, 43.28, 7.31

 

CMYK 0 / 5 / 69 / 44

HEX #8F882D

RGB 143 136 45

HSL 55.71, 0.52%, 0.37%

LAB 55.72, -8.78, 47.73

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 52 / 69 / 0 / 44

HEX #442D8F

RGB 68 45 143

HSL 254.08, 0.52%, 0.37%

LAB 26.99, 36.36, -50.81

 

CMYK 0 / 69 / 50 / 44

HEX #8F2D47

RGB 143 45 71

HSL 344.08, 0.52%, 0.37%

LAB 34.34, 43.28, 7.31

 

CMYK 16 / 0 / 69 / 44

HEX #788F2D

RGB 120 143 45

HSL 74.08, 0.52%, 0.37%

LAB 55.91, -22.62, 47.33

 

Description

Color code: RGB 45 143 118 | qconv.com Color code: RGB 45 143 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 143 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 143 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 17 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 17% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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