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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 130 221 it is the complementary color RGB 210 125 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 130 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 130 221 shade: RGB 50 130 216, RGB 67 148 235, RGB 84 166 254, RGB 101 184 255 and RGB 118 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 130 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 130 221 shade: RGB 45 130 221, RGB 28 112 202, RGB 11 94 183, RGB 0 76 164 and RGB 0 58 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 130 221 shade: RGB 44 129 220, RGB 44 82 220, RGB 54 44 220, RGB 101 44 220 and RGB 149 44 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 130 221 shade: RGB 44 129 220, RGB 44 82 220 and RGB 44 44 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 130 221 shade matches the following richer shades: RGB 44 129 220 and RGB 24 128 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 130 221 shade: RGB 44 129 220, RGB 64 130 200, RGB 84 130 181, RGB 103 131 161 and RGB 123 132 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 130 221 shade: RGB 44 220 217, RGB 44 176 220, RGB 44 129 220, RGB 44 82 220 and RGB 53 44 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 130 221 shade: RGB 25 89 157, RGB 31 109 192, RGB 44 129 220, RGB 79 150 226 and RGB 115 171 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 130 221 shade: RGB 45 130 221, RGB 170 44 220 and RGB 200 220 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 130 221 shade: RGB 45 130 221, RGB 220 44 129 and RGB 129 220 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 130 221 shade: RGB 45 130 221, RGB 170 44 220, RGB 220 135 44 and RGB 94 220 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 130 221 shade: RGB 45 130 221, RGB 220 44 217, RGB 220 135 44 and RGB 44 220 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 41 / 0 / 13

HEX #2D82DD

RGB 45 130 221

HSL 211.02, 0.72%, 0.52%

LAB 53.75, 6.87, -53.52

 

Complementary color

CMYK 0 / 40 / 84 / 18

HEX #D27D22

RGB 210 125 34

HSL 31.02, 0.72%, 0.48%

LAB 60.32, 26.65, 58.99

 

CMYK 77 / 40 / 0 / 15

HEX #3282D8

RGB 50 130 216

HSL 211.08, 0.68%, 0.52%

LAB 53.6, 5.55, -50.95

 

CMYK 71 / 37 / 0 / 8

HEX #4394EB

RGB 67 148 235

HSL 211.07, 0.81%, 0.59%

LAB 60.22, 3.75, -50.99

 

CMYK 67 / 35 / 0 / 0

HEX #54A6FE

RGB 84 166 254

HSL 211.06, 0.99%, 0.66%

LAB 66.76, 2.28, -51.02

 

CMYK 60 / 28 / 0 / 0

HEX #65B8FF

RGB 101 184 255

HSL 207.66, 1%, 0.7%

LAB 72.41, -4.64, -42.64

 

CMYK 54 / 21 / 0 / 0

HEX #76CAFF

RGB 118 202 255

HSL 203.21, 1%, 0.73%

LAB 78.06, -11.05, -33.8

 

CMYK 80 / 41 / 0 / 13

HEX #2D82DD

RGB 45 130 221

HSL 211.02, 0.72%, 0.52%

LAB 53.75, 6.87, -53.52

 

CMYK 86 / 45 / 0 / 21

HEX #1C70CA

RGB 28 112 202

HSL 211.03, 0.76%, 0.45%

LAB 47.1, 9.34, -53.41

 

CMYK 94 / 49 / 0 / 28

HEX #0B5EB7

RGB 11 94 183

HSL 211.05, 0.89%, 0.38%

LAB 40.4, 12.42, -53.2

 

CMYK 100 / 54 / 0 / 36

HEX #004CA4

RGB 0 76 164

HSL 212.2, 1%, 0.32%

LAB 33.67, 16.2, -52.85

 

CMYK 100 / 60 / 0 / 43

HEX #003A91

RGB 0 58 145

HSL 216, 1%, 0.28%

LAB 26.93, 20.7, -52.27

 

CMYK 80 / 41 / 0 / 14

HEX #2C81DC

RGB 44 129 220

HSL 211.02, 0.72%, 0.52%

LAB 53.39, 7.01, -53.55

 

CMYK 80 / 63 / 0 / 14

HEX #2C52DC

RGB 44 82 220

HSL 227.05, 0.72%, 0.52%

LAB 40.8, 36.76, -73.93

 

CMYK 75 / 80 / 0 / 14

HEX #362CDC

RGB 54 44 220

HSL 243.41, 0.72%, 0.52%

LAB 33.46, 59.03, -86.01

 

CMYK 54 / 80 / 0 / 14

HEX #652CDC

RGB 101 44 220

HSL 259.43, 0.72%, 0.52%

LAB 37.36, 63.29, -79.43

 

CMYK 32 / 80 / 0 / 14

HEX #952CDC

RGB 149 44 220

HSL 275.8, 0.72%, 0.52%

LAB 43.3, 69.87, -69.47

 

CMYK 80 / 41 / 0 / 14

HEX #2C81DC

RGB 44 129 220

HSL 211.02, 0.72%, 0.52%

LAB 53.39, 7.01, -53.55

 

CMYK 80 / 63 / 0 / 14

HEX #2C52DC

RGB 44 82 220

HSL 227.05, 0.72%, 0.52%

LAB 40.8, 36.76, -73.93

 

CMYK 80 / 80 / 0 / 14

HEX #2C2CDC

RGB 44 44 220

HSL 240, 0.72%, 0.52%

LAB 32.93, 58.45, -86.91

 

CMYK 80 / 41 / 0 / 14

HEX #2C81DC

RGB 44 129 220

HSL 211.02, 0.72%, 0.52%

LAB 53.39, 7.01, -53.55

 

CMYK 90 / 47 / 0 / 6

HEX #1880F0

RGB 24 128 240

HSL 211.11, 0.88%, 0.52%

LAB 53.95, 13.76, -63.86

 

CMYK 80 / 41 / 0 / 14

HEX #2C81DC

RGB 44 129 220

HSL 211.02, 0.72%, 0.52%

LAB 53.39, 7.01, -53.55

 

CMYK 68 / 35 / 0 / 22

HEX #4082C8

RGB 64 130 200

HSL 210.88, 0.55%, 0.52%

LAB 53.2, 1.71, -42.51

 

CMYK 54 / 28 / 0 / 29

HEX #5482B5

RGB 84 130 181

HSL 211.55, 0.4%, 0.52%

LAB 53.15, -0.78, -31.66

 

CMYK 36 / 19 / 0 / 37

HEX #6783A1

RGB 103 131 161

HSL 211.03, 0.24%, 0.52%

LAB 53.7, -2.31, -19.2

 

CMYK 13 / 6 / 0 / 45

HEX #7B848D

RGB 123 132 141

HSL 210, 0.07%, 0.52%

LAB 54.7, -1.37, -5.97

 

CMYK 80 / 0 / 1 / 14

HEX #2CDCD9

RGB 44 220 217

HSL 178.98, 0.72%, 0.52%

LAB 80.03, -41.87, -10.7

 

CMYK 80 / 20 / 0 / 14

HEX #2CB0DC

RGB 44 176 220

HSL 195, 0.72%, 0.52%

LAB 67.09, -19.69, -31.98

 

CMYK 80 / 41 / 0 / 14

HEX #2C81DC

RGB 44 129 220

HSL 211.02, 0.72%, 0.52%

LAB 53.39, 7.01, -53.55

 

CMYK 80 / 63 / 0 / 14

HEX #2C52DC

RGB 44 82 220

HSL 227.05, 0.72%, 0.52%

LAB 40.8, 36.76, -73.93

 

CMYK 76 / 80 / 0 / 14

HEX #352CDC

RGB 53 44 220

HSL 243.07, 0.72%, 0.52%

LAB 33.4, 58.96, -86.1

 

CMYK 84 / 43 / 0 / 38

HEX #19599D

RGB 25 89 157

HSL 210.91, 0.73%, 0.36%

LAB 37.46, 6.1, -42.53

 

CMYK 84 / 43 / 0 / 25

HEX #1F6DC0

RGB 31 109 192

HSL 210.93, 0.72%, 0.44%

LAB 45.68, 7.59, -49.94

 

CMYK 80 / 41 / 0 / 14

HEX #2C81DC

RGB 44 129 220

HSL 211.02, 0.72%, 0.52%

LAB 53.39, 7.01, -53.55

 

CMYK 65 / 34 / 0 / 11

HEX #4F96E2

RGB 79 150 226

HSL 211.02, 0.72%, 0.6%

LAB 60.75, 1.3, -45.14

 

CMYK 50 / 26 / 0 / 9

HEX #73ABE8

RGB 115 171 232

HSL 211.28, 0.72%, 0.68%

LAB 68.46, -1.62, -36.26

 

CMYK 80 / 41 / 0 / 13

HEX #2D82DD

RGB 45 130 221

HSL 211.02, 0.72%, 0.52%

LAB 53.75, 6.87, -53.52

 

CMYK 23 / 80 / 0 / 14

HEX #AA2CDC

RGB 170 44 220

HSL 282.95, 0.72%, 0.52%

LAB 46.33, 73.26, -64.41

 

CMYK 9 / 0 / 80 / 14

HEX #C8DC2C

RGB 200 220 44

HSL 66.82, 0.72%, 0.52%

LAB 83.78, -26.82, 76.04

 

CMYK 80 / 41 / 0 / 13

HEX #2D82DD

RGB 45 130 221

HSL 211.02, 0.72%, 0.52%

LAB 53.75, 6.87, -53.52

 

CMYK 0 / 80 / 41 / 14

HEX #DC2C81

RGB 220 44 129

HSL 331.02, 0.72%, 0.52%

LAB 50.22, 70.82, -4.16

 

CMYK 41 / 0 / 80 / 14

HEX #81DC2C

RGB 129 220 44

HSL 91.02, 0.72%, 0.52%

LAB 79.63, -53.49, 70.76

 

CMYK 80 / 41 / 0 / 13

HEX #2D82DD

RGB 45 130 221

HSL 211.02, 0.72%, 0.52%

LAB 53.75, 6.87, -53.52

 

CMYK 23 / 80 / 0 / 14

HEX #AA2CDC

RGB 170 44 220

HSL 282.95, 0.72%, 0.52%

LAB 46.33, 73.26, -64.41

 

CMYK 0 / 39 / 80 / 14

HEX #DC872C

RGB 220 135 44

HSL 31.02, 0.72%, 0.52%

LAB 63.94, 25.82, 59.01

 

CMYK 57 / 0 / 80 / 14

HEX #5EDC2C

RGB 94 220 44

HSL 102.95, 0.72%, 0.52%

LAB 78.31, -63.6, 69.07

 

CMYK 80 / 41 / 0 / 13

HEX #2D82DD

RGB 45 130 221

HSL 211.02, 0.72%, 0.52%

LAB 53.75, 6.87, -53.52

 

CMYK 0 / 80 / 1 / 14

HEX #DC2CD9

RGB 220 44 217

HSL 301.02, 0.72%, 0.52%

LAB 54.06, 81.7, -49.86

 

CMYK 0 / 39 / 80 / 14

HEX #DC872C

RGB 220 135 44

HSL 31.02, 0.72%, 0.52%

LAB 63.94, 25.82, 59.01

 

CMYK 80 / 0 / 79 / 14

HEX #2CDC2F

RGB 44 220 47

HSL 121.02, 0.72%, 0.52%

LAB 77.24, -72.61, 66.82

 

Description

Color code: RGB 45 130 221 | qconv.com Color code: RGB 45 130 221 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 130 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 130 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 41 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 41% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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