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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 123 79 it is the complementary color RGB 210 132 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 123 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 123 79 shade: RGB 50 123 74, RGB 67 141 93, RGB 84 159 112, RGB 101 177 131 and RGB 118 195 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 123 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 123 79 shade: RGB 45 123 79, RGB 28 105 60, RGB 11 87 41, RGB 0 69 22 and RGB 0 51 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 123 79 shade: RGB 45 122 79, RGB 45 122 58, RGB 53 122 45, RGB 74 122 45 and RGB 95 122 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 123 79 shade: RGB 45 122 79, RGB 45 122 100, RGB 45 122 120, RGB 45 103 122 and RGB 45 83 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 123 79 shade matches the following richer shades: RGB 45 122 79, RGB 31 136 77, RGB 18 150 75 and RGB 4 163 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 123 79 shade: RGB 45 122 79, RGB 59 109 80, RGB 72 95 82, RGB 86 82 84 and RGB 99 68 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 123 79 shade: RGB 53 122 45, RGB 45 122 58, RGB 45 122 78, RGB 45 122 99 and RGB 45 122 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 123 79 shade: RGB 23 62 40, RGB 34 92 59, RGB 45 122 79, RGB 56 152 98 and RGB 67 183 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 123 79 shade: RGB 45 123 79, RGB 45 73 122 and RGB 122 48 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 123 79 shade: RGB 45 123 79, RGB 78 45 122 and RGB 122 78 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 123 79 shade: RGB 45 123 79, RGB 45 73 122, RGB 122 45 89 and RGB 122 94 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 123 79 shade: RGB 45 123 79, RGB 45 50 122, RGB 122 45 89 and RGB 122 117 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 36 / 52

HEX #2D7B4F

RGB 45 123 79

HSL 146.15, 0.46%, 0.33%

LAB 46.03, -34.69, 17.18

 

Complementary color

CMYK 0 / 37 / 16 / 18

HEX #D284B0

RGB 210 132 176

HSL 326.15, 0.46%, 0.67%

LAB 64.43, 36.14, -10.58

 

CMYK 59 / 0 / 40 / 52

HEX #327B4A

RGB 50 123 74

HSL 139.73, 0.42%, 0.34%

LAB 46.09, -34.52, 20.16

 

CMYK 52 / 0 / 34 / 45

HEX #438D5D

RGB 67 141 93

HSL 141.08, 0.36%, 0.41%

LAB 52.99, -34.46, 18.75

 

CMYK 47 / 0 / 30 / 38

HEX #549F70

RGB 84 159 112

HSL 142.4, 0.31%, 0.48%

LAB 59.75, -34.28, 17.48

 

CMYK 43 / 0 / 26 / 31

HEX #65B183

RGB 101 177 131

HSL 143.68, 0.33%, 0.55%

LAB 66.4, -34.04, 16.33

 

CMYK 39 / 0 / 23 / 24

HEX #76C396

RGB 118 195 150

HSL 144.94, 0.39%, 0.61%

LAB 72.95, -33.79, 15.26

 

CMYK 63 / 0 / 36 / 52

HEX #2D7B4F

RGB 45 123 79

HSL 146.15, 0.46%, 0.33%

LAB 46.03, -34.69, 17.18

 

CMYK 73 / 0 / 43 / 59

HEX #1C693C

RGB 28 105 60

HSL 144.94, 0.58%, 0.26%

LAB 39.03, -34.35, 18.77

 

CMYK 87 / 0 / 53 / 66

HEX #0B5729

RGB 11 87 41

HSL 143.68, 0.78%, 0.19%

LAB 31.92, -33.39, 20.57

 

CMYK 100 / 0 / 68 / 73

HEX #004516

RGB 0 69 22

HSL 139.13, 1%, 0.14%

LAB 24.68, -31.31, 22.5

 

CMYK 100 / 0 / 94 / 80

HEX #003303

RGB 0 51 3

HSL 123.53, 1%, 0.1%

LAB 17.34, -27.27, 23.01

 

CMYK 63 / 0 / 35 / 52

HEX #2D7A4F

RGB 45 122 79

HSL 146.49, 0.46%, 0.33%

LAB 45.69, -34.25, 16.73

 

CMYK 63 / 0 / 52 / 52

HEX #2D7A3A

RGB 45 122 58

HSL 130.13, 0.46%, 0.33%

LAB 45.33, -38.13, 28.02

 

CMYK 57 / 0 / 63 / 52

HEX #357A2D

RGB 53 122 45

HSL 113.77, 0.46%, 0.33%

LAB 45.45, -37.81, 34.89

 

CMYK 39 / 0 / 63 / 52

HEX #4A7A2D

RGB 74 122 45

HSL 97.4, 0.46%, 0.33%

LAB 46.4, -30.91, 36.22

 

CMYK 22 / 0 / 63 / 52

HEX #5F7A2D

RGB 95 122 45

HSL 81.04, 0.46%, 0.33%

LAB 47.68, -22.58, 38

 

CMYK 63 / 0 / 35 / 52

HEX #2D7A4F

RGB 45 122 79

HSL 146.49, 0.46%, 0.33%

LAB 45.69, -34.25, 16.73

 

CMYK 63 / 0 / 18 / 52

HEX #2D7A64

RGB 45 122 100

HSL 162.86, 0.46%, 0.33%

LAB 46.17, -29.29, 5.1

 

CMYK 63 / 0 / 2 / 52

HEX #2D7A78

RGB 45 122 120

HSL 178.44, 0.46%, 0.33%

LAB 46.75, -23.68, -5.91

 

CMYK 63 / 16 / 0 / 52

HEX #2D677A

RGB 45 103 122

HSL 194.81, 0.46%, 0.33%

LAB 40.68, -12.7, -16.29

 

CMYK 63 / 32 / 0 / 52

HEX #2D537A

RGB 45 83 122

HSL 210.39, 0.46%, 0.33%

LAB 34.29, -0.54, -26.18

 

CMYK 63 / 0 / 35 / 52

HEX #2D7A4F

RGB 45 122 79

HSL 146.49, 0.46%, 0.33%

LAB 45.69, -34.25, 16.73

 

CMYK 77 / 0 / 43 / 47

HEX #1F884D

RGB 31 136 77

HSL 146.29, 0.63%, 0.33%

LAB 50.02, -43.08, 23.55

 

CMYK 88 / 0 / 50 / 41

HEX #12964B

RGB 18 150 75

HSL 145.91, 0.79%, 0.33%

LAB 54.5, -50.12, 30.32

 

CMYK 98 / 0 / 55 / 36

HEX #04A349

RGB 4 163 73

HSL 146.04, 0.95%, 0.33%

LAB 58.7, -55.73, 36.49

 

CMYK 63 / 0 / 35 / 52

HEX #2D7A4F

RGB 45 122 79

HSL 146.49, 0.46%, 0.33%

LAB 45.69, -34.25, 16.73

 

CMYK 46 / 0 / 27 / 57

HEX #3B6D50

RGB 59 109 80

HSL 145.2, 0.3%, 0.33%

LAB 41.92, -24.13, 11.05

 

CMYK 24 / 0 / 14 / 63

HEX #485F52

RGB 72 95 82

HSL 146.09, 0.14%, 0.33%

LAB 38.15, -11.68, 4.63

 

CMYK 0 / 5 / 2 / 66

HEX #565254

RGB 86 82 84

HSL 330, 0.02%, 0.33%

LAB 35.31, 2.05, -0.59

 

CMYK 0 / 31 / 13 / 61

HEX #634456

RGB 99 68 86

HSL 325.16, 0.19%, 0.33%

LAB 32.83, 16.51, -5.37

 

CMYK 57 / 0 / 63 / 52

HEX #357A2D

RGB 53 122 45

HSL 113.77, 0.46%, 0.33%

LAB 45.45, -37.81, 34.89

 

CMYK 63 / 0 / 52 / 52

HEX #2D7A3A

RGB 45 122 58

HSL 130.13, 0.46%, 0.33%

LAB 45.33, -38.13, 28.02

 

CMYK 63 / 0 / 36 / 52

HEX #2D7A4E

RGB 45 122 78

HSL 145.71, 0.46%, 0.33%

LAB 45.67, -34.46, 17.28

 

CMYK 63 / 0 / 19 / 52

HEX #2D7A63

RGB 45 122 99

HSL 162.08, 0.46%, 0.33%

LAB 46.15, -29.54, 5.66

 

CMYK 63 / 0 / 2 / 52

HEX #2D7A78

RGB 45 122 120

HSL 178.44, 0.46%, 0.33%

LAB 46.75, -23.68, -5.91

 

CMYK 63 / 0 / 35 / 76

HEX #173E28

RGB 23 62 40

HSL 146.15, 0.46%, 0.17%

LAB 22.93, -19.93, 9.48

 

CMYK 63 / 0 / 36 / 64

HEX #225C3B

RGB 34 92 59

HSL 145.86, 0.46%, 0.25%

LAB 34.62, -27.46, 13.51

 

CMYK 63 / 0 / 35 / 52

HEX #2D7A4F

RGB 45 122 79

HSL 146.49, 0.46%, 0.33%

LAB 45.69, -34.25, 16.73

 

CMYK 63 / 0 / 36 / 40

HEX #389862

RGB 56 152 98

HSL 146.25, 0.46%, 0.41%

LAB 56.27, -40.91, 20.33

 

CMYK 63 / 0 / 36 / 28

HEX #43B776

RGB 67 183 118

HSL 146.38, 0.46%, 0.49%

LAB 66.8, -47.51, 23.7

 

CMYK 63 / 0 / 36 / 52

HEX #2D7B4F

RGB 45 123 79

HSL 146.15, 0.46%, 0.33%

LAB 46.03, -34.69, 17.18

 

CMYK 63 / 40 / 0 / 52

HEX #2D497A

RGB 45 73 122

HSL 218.18, 0.46%, 0.33%

LAB 31.18, 6, -31.09

 

CMYK 0 / 61 / 63 / 52

HEX #7A302D

RGB 122 48 45

HSL 2.34, 0.46%, 0.33%

LAB 30.5, 32.08, 18.31

 

CMYK 63 / 0 / 36 / 52

HEX #2D7B4F

RGB 45 123 79

HSL 146.15, 0.46%, 0.33%

LAB 46.03, -34.69, 17.18

 

CMYK 36 / 63 / 0 / 52

HEX #4E2D7A

RGB 78 45 122

HSL 265.71, 0.46%, 0.33%

LAB 26.45, 32.36, -38.49

 

CMYK 0 / 36 / 63 / 52

HEX #7A4E2D

RGB 122 78 45

HSL 25.71, 0.46%, 0.33%

LAB 37.44, 14.97, 26.9

 

CMYK 63 / 0 / 36 / 52

HEX #2D7B4F

RGB 45 123 79

HSL 146.15, 0.46%, 0.33%

LAB 46.03, -34.69, 17.18

 

CMYK 63 / 40 / 0 / 52

HEX #2D497A

RGB 45 73 122

HSL 218.18, 0.46%, 0.33%

LAB 31.18, 6, -31.09

 

CMYK 0 / 63 / 27 / 52

HEX #7A2D59

RGB 122 45 89

HSL 325.71, 0.46%, 0.33%

LAB 31.2, 38.5, -9.41

 

CMYK 0 / 23 / 63 / 52

HEX #7A5E2D

RGB 122 94 45

HSL 38.18, 0.46%, 0.33%

LAB 41.74, 5.41, 31.95

 

CMYK 63 / 0 / 36 / 52

HEX #2D7B4F

RGB 45 123 79

HSL 146.15, 0.46%, 0.33%

LAB 46.03, -34.69, 17.18

 

CMYK 63 / 59 / 0 / 52

HEX #2D327A

RGB 45 50 122

HSL 236.1, 0.46%, 0.33%

LAB 24.46, 21.71, -41.86

 

CMYK 0 / 63 / 27 / 52

HEX #7A2D59

RGB 122 45 89

HSL 325.71, 0.46%, 0.33%

LAB 31.2, 38.5, -9.41

 

CMYK 0 / 4 / 63 / 52

HEX #7A752D

RGB 122 117 45

HSL 56.1, 0.46%, 0.33%

LAB 48.32, -7.89, 39.33

 

Description

Color code: RGB 45 123 79 | qconv.com Color code: RGB 45 123 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 123 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 123 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 36 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 36% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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