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Color name
RGB 45 112 32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 112 32 it is the complementary color RGB 210 143 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 112 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 112 32 shade: RGB 50 112 27, RGB 67 130 46, RGB 84 148 65, RGB 101 166 84 and RGB 118 184 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 112 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 112 32 shade: RGB 45 112 32, RGB 28 94 13, RGB 11 76 0, RGB 0 58 0 and RGB 0 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 112 32 shade: RGB 44 111 31, RGB 65 111 31, RGB 87 111 31, RGB 109 111 31 and RGB 111 92 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 112 32 shade: RGB 44 111 31, RGB 31 111 39, RGB 31 111 61, RGB 31 111 83 and RGB 31 111 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 112 32 shade matches the following richer shades: RGB 44 111 31, RGB 36 122 19 and RGB 28 134 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 112 32 shade: RGB 44 111 31, RGB 52 99 42, RGB 60 88 54, RGB 67 76 66 and RGB 75 65 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 112 32 shade: RGB 87 111 31, RGB 66 111 31, RGB 44 111 31, RGB 31 111 39 and RGB 31 111 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 112 32 shade: RGB 18 47 13, RGB 31 79 22, RGB 44 111 31, RGB 57 143 40 and RGB 70 175 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 112 32 shade: RGB 45 112 32, RGB 31 108 111 and RGB 111 31 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 112 32 shade: RGB 45 112 32, RGB 31 44 111 and RGB 111 31 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 112 32 shade: RGB 45 112 32, RGB 31 108 111, RGB 98 31 111 and RGB 111 34 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 112 32 shade: RGB 45 112 32, RGB 31 84 111, RGB 98 31 111 and RGB 111 58 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 71 / 56

HEX #2D7020

RGB 45 112 32

HSL 110.25, 0.56%, 0.28%

LAB 41.61, -37.38, 36.63

 

Complementary color

CMYK 6 / 36 / 0 / 13

HEX #D28FDF

RGB 210 143 223

HSL 290.25, 0.56%, 0.72%

LAB 68.51, 38.59, -30.64

 

CMYK 55 / 0 / 76 / 56

HEX #32701B

RGB 50 112 27

HSL 103.76, 0.61%, 0.27%

LAB 41.76, -36.36, 38.95

 

CMYK 48 / 0 / 65 / 49

HEX #43822E

RGB 67 130 46

HSL 105, 0.48%, 0.35%

LAB 48.71, -36.8, 38.23

 

CMYK 43 / 0 / 56 / 42

HEX #549441

RGB 84 148 65

HSL 106.27, 0.39%, 0.42%

LAB 55.53, -36.92, 37.1

 

CMYK 39 / 0 / 49 / 35

HEX #65A654

RGB 101 166 84

HSL 107.56, 0.33%, 0.49%

LAB 62.24, -36.87, 35.85

 

CMYK 36 / 0 / 44 / 28

HEX #76B867

RGB 118 184 103

HSL 108.89, 0.36%, 0.56%

LAB 68.83, -36.73, 34.59

 

CMYK 60 / 0 / 71 / 56

HEX #2D7020

RGB 45 112 32

HSL 110.25, 0.56%, 0.28%

LAB 41.61, -37.38, 36.63

 

CMYK 70 / 0 / 86 / 63

HEX #1C5E0D

RGB 28 94 13

HSL 108.89, 0.76%, 0.21%

LAB 34.56, -36.33, 36.81

 

CMYK 86 / 0 / 100 / 70

HEX #0B4C00

RGB 11 76 0

HSL 111.32, 1%, 0.15%

LAB 27.41, -34.12, 34.84

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 60 / 0 / 72 / 56

HEX #2C6F1F

RGB 44 111 31

HSL 110.25, 0.56%, 0.28%

LAB 41.22, -37.36, 36.64

 

CMYK 41 / 0 / 72 / 56

HEX #416F1F

RGB 65 111 31

HSL 94.5, 0.56%, 0.28%

LAB 42.14, -30.47, 37.89

 

CMYK 22 / 0 / 72 / 56

HEX #576F1F

RGB 87 111 31

HSL 78, 0.56%, 0.28%

LAB 43.5, -21.5, 39.72

 

CMYK 2 / 0 / 72 / 56

HEX #6D6F1F

RGB 109 111 31

HSL 61.5, 0.56%, 0.28%

LAB 45.25, -11.51, 42.05

 

CMYK 0 / 17 / 72 / 56

HEX #6F5C1F

RGB 111 92 31

HSL 45.75, 0.56%, 0.28%

LAB 39.8, 0.37, 36.59

 

CMYK 60 / 0 / 72 / 56

HEX #2C6F1F

RGB 44 111 31

HSL 110.25, 0.56%, 0.28%

LAB 41.22, -37.36, 36.64

 

CMYK 72 / 0 / 65 / 56

HEX #1F6F27

RGB 31 111 39

HSL 126, 0.56%, 0.28%

LAB 40.91, -39.61, 32.47

 

CMYK 72 / 0 / 45 / 56

HEX #1F6F3D

RGB 31 111 61

HSL 142.5, 0.56%, 0.28%

LAB 41.21, -36.11, 21.05

 

CMYK 72 / 0 / 25 / 56

HEX #1F6F53

RGB 31 111 83

HSL 159, 0.56%, 0.28%

LAB 41.67, -31.17, 8.76

 

CMYK 72 / 0 / 6 / 56

HEX #1F6F68

RGB 31 111 104

HSL 174.75, 0.56%, 0.28%

LAB 42.25, -25.31, -3.05

 

CMYK 60 / 0 / 72 / 56

HEX #2C6F1F

RGB 44 111 31

HSL 110.25, 0.56%, 0.28%

LAB 41.22, -37.36, 36.64

 

CMYK 70 / 0 / 84 / 52

HEX #247A13

RGB 36 122 19

HSL 110.1, 0.73%, 0.28%

LAB 44.72, -44.39, 44.46

 

CMYK 79 / 0 / 94 / 47

HEX #1C8608

RGB 28 134 8

HSL 110.48, 0.89%, 0.28%

LAB 48.65, -50.38, 50.44

 

CMYK 60 / 0 / 72 / 56

HEX #2C6F1F

RGB 44 111 31

HSL 110.25, 0.56%, 0.28%

LAB 41.22, -37.36, 36.64

 

CMYK 47 / 0 / 58 / 61

HEX #34632A

RGB 52 99 42

HSL 109.47, 0.4%, 0.28%

LAB 37.52, -28.38, 27.18

 

CMYK 32 / 0 / 39 / 65

HEX #3C5836

RGB 60 88 54

HSL 109.41, 0.24%, 0.28%

LAB 34.41, -17.98, 16.47

 

CMYK 12 / 0 / 13 / 70

HEX #434C42

RGB 67 76 66

HSL 114, 0.07%, 0.28%

LAB 31.24, -5.86, 4.73

 

CMYK 3 / 16 / 0 / 70

HEX #4B414D

RGB 75 65 77

HSL 290, 0.08%, 0.28%

LAB 28.93, 6.85, -5.66

 

CMYK 22 / 0 / 72 / 56

HEX #576F1F

RGB 87 111 31

HSL 78, 0.56%, 0.28%

LAB 43.5, -21.5, 39.72

 

CMYK 41 / 0 / 72 / 56

HEX #426F1F

RGB 66 111 31

HSL 93.75, 0.56%, 0.28%

LAB 42.19, -30.1, 37.96

 

CMYK 60 / 0 / 72 / 56

HEX #2C6F1F

RGB 44 111 31

HSL 110.25, 0.56%, 0.28%

LAB 41.22, -37.36, 36.64

 

CMYK 72 / 0 / 65 / 56

HEX #1F6F27

RGB 31 111 39

HSL 126, 0.56%, 0.28%

LAB 40.91, -39.61, 32.47

 

CMYK 72 / 0 / 46 / 56

HEX #1F6F3C

RGB 31 111 60

HSL 141.75, 0.56%, 0.28%

LAB 41.19, -36.3, 21.6

 

CMYK 62 / 0 / 72 / 82

HEX #122F0D

RGB 18 47 13

HSL 111.18, 0.57%, 0.12%

LAB 16.46, -19.16, 17.89

 

CMYK 61 / 0 / 72 / 69

HEX #1F4F16

RGB 31 79 22

HSL 110.53, 0.56%, 0.2%

LAB 29.26, -28.66, 27.85

 

CMYK 60 / 0 / 72 / 56

HEX #2C6F1F

RGB 44 111 31

HSL 110.25, 0.56%, 0.28%

LAB 41.22, -37.36, 36.64

 

CMYK 60 / 0 / 72 / 44

HEX #398F28

RGB 57 143 40

HSL 110.1, 0.56%, 0.36%

LAB 52.58, -45.54, 44.9

 

CMYK 60 / 0 / 72 / 31

HEX #46AF31

RGB 70 175 49

HSL 110, 0.56%, 0.44%

LAB 63.49, -53.35, 52.78

 

CMYK 60 / 0 / 71 / 56

HEX #2D7020

RGB 45 112 32

HSL 110.25, 0.56%, 0.28%

LAB 41.61, -37.38, 36.63

 

CMYK 72 / 3 / 0 / 56

HEX #1F6C6F

RGB 31 108 111

HSL 182.25, 0.56%, 0.28%

LAB 41.48, -21.57, -8.44

 

CMYK 0 / 72 / 32 / 56

HEX #6F1F4C

RGB 111 31 76

HSL 326.25, 0.56%, 0.28%

LAB 26.39, 39.54, -8.3

 

CMYK 60 / 0 / 71 / 56

HEX #2D7020

RGB 45 112 32

HSL 110.25, 0.56%, 0.28%

LAB 41.61, -37.38, 36.63

 

CMYK 72 / 60 / 0 / 56

HEX #1F2C6F

RGB 31 44 111

HSL 230.25, 0.56%, 0.28%

LAB 20.98, 19.24, -40.52

 

CMYK 0 / 72 / 60 / 56

HEX #6F1F2C

RGB 111 31 44

HSL 350.25, 0.56%, 0.28%

LAB 25.39, 36.07, 11.87

 

CMYK 60 / 0 / 71 / 56

HEX #2D7020

RGB 45 112 32

HSL 110.25, 0.56%, 0.28%

LAB 41.61, -37.38, 36.63

 

CMYK 72 / 3 / 0 / 56

HEX #1F6C6F

RGB 31 108 111

HSL 182.25, 0.56%, 0.28%

LAB 41.48, -21.57, -8.44

 

CMYK 12 / 72 / 0 / 56

HEX #621F6F

RGB 98 31 111

HSL 290.25, 0.56%, 0.28%

LAB 25.93, 41.93, -32.15

 

CMYK 0 / 69 / 72 / 56

HEX #6F221F

RGB 111 34 31

HSL 2.25, 0.56%, 0.28%

LAB 25.63, 33.82, 20.83

 

CMYK 60 / 0 / 71 / 56

HEX #2D7020

RGB 45 112 32

HSL 110.25, 0.56%, 0.28%

LAB 41.61, -37.38, 36.63

 

CMYK 72 / 24 / 0 / 56

HEX #1F546F

RGB 31 84 111

HSL 200.25, 0.56%, 0.28%

LAB 33.52, -7.89, -20.58

 

CMYK 12 / 72 / 0 / 56

HEX #621F6F

RGB 98 31 111

HSL 290.25, 0.56%, 0.28%

LAB 25.93, 41.93, -32.15

 

CMYK 0 / 48 / 72 / 56

HEX #6F3A1F

RGB 111 58 31

HSL 20.25, 0.56%, 0.28%

LAB 30.65, 20.89, 26.68

 

Description

Color code: RGB 45 112 32 | qconv.com Color code: RGB 45 112 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 112 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 112 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 71 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 71% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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