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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 58 111 it is the complementary color RGB 210 197 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 58 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 58 111 shade: RGB 50 58 106, RGB 67 76 125, RGB 84 94 144, RGB 101 112 163 and RGB 118 130 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 58 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 58 111 shade: RGB 45 58 111, RGB 28 40 92, RGB 11 22 73, RGB 0 4 54 and RGB 0 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 58 111 shade: RGB 45 58 112, RGB 50 45 112, RGB 68 45 112, RGB 86 45 112 and RGB 104 45 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 58 111 shade: RGB 45 58 112 and RGB 45 45 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 58 111 shade matches the following richer shades: RGB 45 58 112, RGB 33 51 125, RGB 20 43 137 and RGB 7 35 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 58 111 shade: RGB 45 58 112, RGB 58 66 99, RGB 71 74 86, RGB 84 82 73 and RGB 97 89 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 58 111 shade: RGB 45 94 112, RGB 45 76 112, RGB 45 59 112, RGB 50 45 112 and RGB 67 45 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 58 111 shade: RGB 21 28 53, RGB 33 43 82, RGB 45 58 112, RGB 57 74 141 and RGB 69 89 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 58 111 shade: RGB 45 58 111, RGB 112 45 112 and RGB 85 112 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 58 111 shade: RGB 45 58 111, RGB 112 45 59 and RGB 59 112 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 58 111 shade: RGB 45 58 111, RGB 112 45 112, RGB 112 98 45 and RGB 45 112 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 58 111 shade: RGB 45 58 111, RGB 112 45 92, RGB 112 98 45 and RGB 45 112 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 48 / 0 / 56

HEX #2D3A6F

RGB 45 58 111

HSL 228.18, 0.42%, 0.31%

LAB 25.96, 12.13, -32.46

 

Complementary color

CMYK 0 / 6 / 31 / 18

HEX #D2C590

RGB 210 197 144

HSL 48.18, 0.42%, 0.69%

LAB 79.41, -3.43, 28.28

 

CMYK 53 / 45 / 0 / 58

HEX #323A6A

RGB 50 58 106

HSL 231.43, 0.36%, 0.31%

LAB 26, 11.56, -29.17

 

CMYK 46 / 39 / 0 / 51

HEX #434C7D

RGB 67 76 125

HSL 230.69, 0.3%, 0.38%

LAB 33.65, 10.45, -28.95

 

CMYK 42 / 35 / 0 / 44

HEX #545E90

RGB 84 94 144

HSL 230, 0.26%, 0.45%

LAB 41.06, 9.61, -28.82

 

CMYK 38 / 31 / 0 / 36

HEX #6570A3

RGB 101 112 163

HSL 229.35, 0.25%, 0.52%

LAB 48.26, 8.93, -28.77

 

CMYK 35 / 29 / 0 / 29

HEX #7682B6

RGB 118 130 182

HSL 228.75, 0.3%, 0.59%

LAB 55.27, 8.37, -28.77

 

CMYK 59 / 48 / 0 / 56

HEX #2D3A6F

RGB 45 58 111

HSL 228.18, 0.42%, 0.31%

LAB 25.96, 12.13, -32.46

 

CMYK 70 / 57 / 0 / 64

HEX #1C285C

RGB 28 40 92

HSL 228.75, 0.53%, 0.24%

LAB 18.09, 14.01, -32.79

 

CMYK 85 / 70 / 0 / 71

HEX #0B1649

RGB 11 22 73

HSL 229.35, 0.74%, 0.16%

LAB 10, 16.81, -33.08

 

CMYK 100 / 93 / 0 / 79

HEX #000436

RGB 0 4 54

HSL 235.56, 1%, 0.11%

LAB 3.19, 15.3, -30.63

 

CMYK 100 / 100 / 0 / 86

HEX #000023

RGB 0 0 35

HSL 240, 1%, 0.07%

LAB 1.1, 7.7, -19.49

 

CMYK 60 / 48 / 0 / 56

HEX #2D3A70

RGB 45 58 112

HSL 228.36, 0.43%, 0.31%

LAB 26.02, 12.5, -32.99

 

CMYK 55 / 60 / 0 / 56

HEX #322D70

RGB 50 45 112

HSL 244.48, 0.43%, 0.31%

LAB 22.74, 22.57, -38.25

 

CMYK 39 / 60 / 0 / 56

HEX #442D70

RGB 68 45 112

HSL 260.6, 0.43%, 0.31%

LAB 24.56, 26.94, -35.22

 

CMYK 23 / 60 / 0 / 56

HEX #562D70

RGB 86 45 112

HSL 276.72, 0.43%, 0.31%

LAB 26.81, 31.85, -31.5

 

CMYK 7 / 60 / 0 / 56

HEX #682D70

RGB 104 45 112

HSL 292.84, 0.43%, 0.31%

LAB 29.39, 36.99, -27.25

 

CMYK 60 / 48 / 0 / 56

HEX #2D3A70

RGB 45 58 112

HSL 228.36, 0.43%, 0.31%

LAB 26.02, 12.5, -32.99

 

CMYK 60 / 60 / 0 / 56

HEX #2D2D70

RGB 45 45 112

HSL 240, 0.43%, 0.31%

LAB 22.32, 21.49, -38.95

 

CMYK 60 / 48 / 0 / 56

HEX #2D3A70

RGB 45 58 112

HSL 228.36, 0.43%, 0.31%

LAB 26.02, 12.5, -32.99

 

CMYK 74 / 59 / 0 / 51

HEX #21337D

RGB 33 51 125

HSL 228.26, 0.58%, 0.31%

LAB 24.23, 20.13, -44.17

 

CMYK 85 / 69 / 0 / 46

HEX #142B89

RGB 20 43 137

HSL 228.21, 0.75%, 0.31%

LAB 22.59, 28.99, -54.41

 

CMYK 95 / 77 / 0 / 41

HEX #072396

RGB 7 35 150

HSL 228.25, 0.91%, 0.31%

LAB 21.76, 38.45, -63.86

 

CMYK 60 / 48 / 0 / 56

HEX #2D3A70

RGB 45 58 112

HSL 228.36, 0.43%, 0.31%

LAB 26.02, 12.5, -32.99

 

CMYK 41 / 33 / 0 / 61

HEX #3A4263

RGB 58 66 99

HSL 228.29, 0.26%, 0.31%

LAB 28.63, 6.09, -20.48

 

CMYK 17 / 14 / 0 / 66

HEX #474A56

RGB 71 74 86

HSL 228, 0.1%, 0.31%

LAB 31.6, 1.65, -7.51

 

CMYK 0 / 2 / 13 / 67

HEX #545249

RGB 84 82 73

HSL 49.09, 0.07%, 0.31%

LAB 34.8, -0.99, 5.57

 

CMYK 0 / 8 / 37 / 62

HEX #61593D

RGB 97 89 61

HSL 46.67, 0.23%, 0.31%

LAB 37.88, -1.49, 17.41

 

CMYK 60 / 16 / 0 / 56

HEX #2D5E70

RGB 45 94 112

HSL 196.12, 0.43%, 0.31%

LAB 37.36, -10.79, -15.24

 

CMYK 60 / 32 / 0 / 56

HEX #2D4C70

RGB 45 76 112

HSL 212.24, 0.43%, 0.31%

LAB 31.57, 0.38, -24.21

 

CMYK 60 / 47 / 0 / 56

HEX #2D3B70

RGB 45 59 112

HSL 227.46, 0.43%, 0.31%

LAB 26.32, 11.81, -32.52

 

CMYK 55 / 60 / 0 / 56

HEX #322D70

RGB 50 45 112

HSL 244.48, 0.43%, 0.31%

LAB 22.74, 22.57, -38.25

 

CMYK 40 / 60 / 0 / 56

HEX #432D70

RGB 67 45 112

HSL 259.7, 0.43%, 0.31%

LAB 24.45, 26.68, -35.41

 

CMYK 60 / 47 / 0 / 79

HEX #151C35

RGB 21 28 53

HSL 226.88, 0.43%, 0.15%

LAB 10.9, 5.65, -17.44

 

CMYK 60 / 48 / 0 / 68

HEX #212B52

RGB 33 43 82

HSL 227.76, 0.43%, 0.23%

LAB 18.63, 9, -25.22

 

CMYK 60 / 48 / 0 / 56

HEX #2D3A70

RGB 45 58 112

HSL 228.36, 0.43%, 0.31%

LAB 26.02, 12.5, -32.99

 

CMYK 60 / 48 / 0 / 45

HEX #394A8D

RGB 57 74 141

HSL 227.86, 0.42%, 0.39%

LAB 33.33, 14.79, -39.37

 

CMYK 59 / 48 / 0 / 33

HEX #4559AA

RGB 69 89 170

HSL 228.12, 0.42%, 0.47%

LAB 40.1, 17.65, -45.93

 

CMYK 59 / 48 / 0 / 56

HEX #2D3A6F

RGB 45 58 111

HSL 228.18, 0.42%, 0.31%

LAB 25.96, 12.13, -32.46

 

CMYK 0 / 60 / 0 / 56

HEX #702D70

RGB 112 45 112

HSL 300, 0.43%, 0.31%

LAB 30.62, 39.31, -25.22

 

CMYK 24 / 0 / 60 / 56

HEX #55702D

RGB 85 112 45

HSL 84.18, 0.43%, 0.31%

LAB 43.81, -21.66, 33.46

 

CMYK 59 / 48 / 0 / 56

HEX #2D3A6F

RGB 45 58 111

HSL 228.18, 0.42%, 0.31%

LAB 25.96, 12.13, -32.46

 

CMYK 0 / 60 / 47 / 56

HEX #702D3B

RGB 112 45 59

HSL 347.46, 0.43%, 0.31%

LAB 28.48, 31.09, 6.12

 

CMYK 47 / 0 / 60 / 56

HEX #3B702D

RGB 59 112 45

HSL 107.46, 0.43%, 0.31%

LAB 42.32, -31.6, 31.35

 

CMYK 59 / 48 / 0 / 56

HEX #2D3A6F

RGB 45 58 111

HSL 228.18, 0.42%, 0.31%

LAB 25.96, 12.13, -32.46

 

CMYK 0 / 60 / 0 / 56

HEX #702D70

RGB 112 45 112

HSL 300, 0.43%, 0.31%

LAB 30.62, 39.31, -25.22

 

CMYK 0 / 13 / 60 / 56

HEX #70622D

RGB 112 98 45

HSL 47.46, 0.43%, 0.31%

LAB 41.8, -1.66, 31.74

 

CMYK 60 / 0 / 60 / 56

HEX #2D702D

RGB 45 112 45

HSL 120, 0.43%, 0.31%

LAB 41.74, -35.88, 30.53

 

CMYK 59 / 48 / 0 / 56

HEX #2D3A6F

RGB 45 58 111

HSL 228.18, 0.42%, 0.31%

LAB 25.96, 12.13, -32.46

 

CMYK 0 / 60 / 18 / 56

HEX #702D5C

RGB 112 45 92

HSL 317.91, 0.43%, 0.31%

LAB 29.65, 35.7, -13.87

 

CMYK 0 / 13 / 60 / 56

HEX #70622D

RGB 112 98 45

HSL 47.46, 0.43%, 0.31%

LAB 41.8, -1.66, 31.74

 

CMYK 60 / 0 / 42 / 56

HEX #2D7041

RGB 45 112 65

HSL 137.91, 0.43%, 0.31%

LAB 42.04, -32.62, 19.93

 

Description

Color code: RGB 45 58 111 | qconv.com Color code: RGB 45 58 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 58 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 58 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 48 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 48% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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