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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 54 31 it is the complementary color RGB 210 201 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 54 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 54 31 shade: RGB 50 54 26, RGB 67 72 45, RGB 84 90 64, RGB 101 108 83 and RGB 118 126 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 54 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 54 31 shade: RGB 45 54 31, RGB 28 36 12, RGB 11 18 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 54 31 shade: RGB 45 55 31, RGB 52 55 31, RGB 55 51 31, RGB 55 45 31 and RGB 55 38 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 54 31 shade: RGB 45 55 31, RGB 39 55 31, RGB 33 55 31, RGB 31 55 36 and RGB 31 55 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 54 31 shade matches the following richer shades: RGB 45 55 31, RGB 47 62 24, RGB 48 69 17, RGB 50 76 10 and RGB 51 83 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 54 31 shade: RGB 45 55 31, RGB 44 48 38, RGB 42 41 45, RGB 41 34 52 and RGB 39 26 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 54 31 shade: RGB 55 51 31, RGB 52 55 31, RGB 46 55 31, RGB 39 55 31 and RGB 33 55 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 54 31 shade: RGB 2 2 1, RGB 24 28 16, RGB 45 55 31, RGB 67 81 46 and RGB 89 107 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 54 31 shade: RGB 45 54 31, RGB 31 55 45 and RGB 54 31 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 54 31 shade: RGB 45 54 31, RGB 31 46 55 and RGB 55 31 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 54 31 shade: RGB 45 54 31, RGB 31 55 45, RGB 40 31 55 and RGB 55 31 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 54 31 shade: RGB 45 54 31, RGB 31 55 52, RGB 40 31 55 and RGB 55 31 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 43 / 79

HEX #2D361F

RGB 45 54 31

HSL 83.48, 0.27%, 0.17%

LAB 21.19, -8.71, 13.24

 

Complementary color

CMYK 6 / 10 / 0 / 12

HEX #D2C9E0

RGB 210 201 224

HSL 263.48, 0.27%, 0.83%

LAB 82.3, 7.38, -10.27

 

CMYK 7 / 0 / 52 / 79

HEX #32361A

RGB 50 54 26

HSL 68.57, 0.35%, 0.16%

LAB 21.55, -7.03, 16.97

 

CMYK 7 / 0 / 38 / 72

HEX #43482D

RGB 67 72 45

HSL 71.11, 0.23%, 0.23%

LAB 29.46, -7.27, 15.55

 

CMYK 7 / 0 / 29 / 65

HEX #545A40

RGB 84 90 64

HSL 73.85, 0.17%, 0.3%

LAB 37.05, -7.41, 14.27

 

CMYK 6 / 0 / 23 / 58

HEX #656C53

RGB 101 108 83

HSL 76.8, 0.13%, 0.37%

LAB 44.4, -7.5, 13.12

 

CMYK 6 / 0 / 19 / 51

HEX #767E66

RGB 118 126 102

HSL 80, 0.11%, 0.45%

LAB 51.53, -7.57, 12.09

 

CMYK 17 / 0 / 43 / 79

HEX #2D361F

RGB 45 54 31

HSL 83.48, 0.27%, 0.17%

LAB 21.19, -8.71, 13.24

 

CMYK 22 / 0 / 67 / 86

HEX #1C240C

RGB 28 36 12

HSL 80, 0.5%, 0.09%

LAB 12.83, -8.62, 13.79

 

CMYK 39 / 0 / 100 / 93

HEX #0B1200

RGB 11 18 0

HSL 83.33, 1%, 0.04%

LAB 4.55, -5.1, 6.72

 

CMYK 18 / 0 / 44 / 78

HEX #2D371F

RGB 45 55 31

HSL 85, 0.28%, 0.17%

LAB 21.54, -9.33, 13.7

 

CMYK 5 / 0 / 44 / 78

HEX #34371F

RGB 52 55 31

HSL 67.5, 0.28%, 0.17%

LAB 22.16, -5.97, 14.63

 

CMYK 0 / 7 / 44 / 78

HEX #37331F

RGB 55 51 31

HSL 50, 0.28%, 0.17%

LAB 21.13, -1.9, 13.34

 

CMYK 0 / 18 / 44 / 78

HEX #372D1F

RGB 55 45 31

HSL 35, 0.28%, 0.17%

LAB 19.17, 2.1, 10.77

 

CMYK 0 / 31 / 44 / 78

HEX #37261F

RGB 55 38 31

HSL 17.5, 0.28%, 0.17%

LAB 16.98, 6.87, 7.8

 

CMYK 18 / 0 / 44 / 78

HEX #2D371F

RGB 45 55 31

HSL 85, 0.28%, 0.17%

LAB 21.54, -9.33, 13.7

 

CMYK 29 / 0 / 44 / 78

HEX #27371F

RGB 39 55 31

HSL 100, 0.28%, 0.17%

LAB 21.07, -12.07, 12.99

 

CMYK 40 / 0 / 44 / 78

HEX #21371F

RGB 33 55 31

HSL 115, 0.28%, 0.17%

LAB 20.65, -14.62, 12.37

 

CMYK 44 / 0 / 35 / 78

HEX #1F3724

RGB 31 55 36

HSL 132.5, 0.28%, 0.17%

LAB 20.64, -14.37, 9.04

 

CMYK 44 / 0 / 24 / 78

HEX #1F372A

RGB 31 55 42

HSL 147.5, 0.28%, 0.17%

LAB 20.79, -12.94, 5.24

 

CMYK 18 / 0 / 44 / 78

HEX #2D371F

RGB 45 55 31

HSL 85, 0.28%, 0.17%

LAB 21.54, -9.33, 13.7

 

CMYK 24 / 0 / 61 / 76

HEX #2F3E18

RGB 47 62 24

HSL 83.68, 0.44%, 0.17%

LAB 24.05, -13.57, 21.14

 

CMYK 30 / 0 / 75 / 73

HEX #304511

RGB 48 69 17

HSL 84.23, 0.6%, 0.17%

LAB 26.52, -17.76, 27.61

 

CMYK 34 / 0 / 87 / 70

HEX #324C0A

RGB 50 76 10

HSL 83.64, 0.77%, 0.17%

LAB 29.08, -21.05, 33.07

 

CMYK 39 / 0 / 96 / 67

HEX #335303

RGB 51 83 3

HSL 84, 0.93%, 0.17%

LAB 31.57, -24.5, 37.74

 

CMYK 18 / 0 / 44 / 78

HEX #2D371F

RGB 45 55 31

HSL 85, 0.28%, 0.17%

LAB 21.54, -9.33, 13.7

 

CMYK 8 / 0 / 21 / 81

HEX #2C3026

RGB 44 48 38

HSL 84, 0.12%, 0.17%

LAB 19.18, -4.03, 5.83

 

CMYK 7 / 9 / 0 / 82

HEX #2A292D

RGB 42 41 45

HSL 255, 0.05%, 0.17%

LAB 16.83, 1.43, -2.45

 

CMYK 21 / 35 / 0 / 80

HEX #292234

RGB 41 34 52

HSL 263.33, 0.21%, 0.17%

LAB 14.75, 7.88, -10.55

 

CMYK 34 / 56 / 0 / 77

HEX #271A3B

RGB 39 26 59

HSL 263.64, 0.39%, 0.17%

LAB 12.52, 15.01, -19.04

 

CMYK 0 / 7 / 44 / 78

HEX #37331F

RGB 55 51 31

HSL 50, 0.28%, 0.17%

LAB 21.13, -1.9, 13.34

 

CMYK 5 / 0 / 44 / 78

HEX #34371F

RGB 52 55 31

HSL 67.5, 0.28%, 0.17%

LAB 22.16, -5.97, 14.63

 

CMYK 16 / 0 / 44 / 78

HEX #2E371F

RGB 46 55 31

HSL 82.5, 0.28%, 0.17%

LAB 21.62, -8.86, 13.82

 

CMYK 29 / 0 / 44 / 78

HEX #27371F

RGB 39 55 31

HSL 100, 0.28%, 0.17%

LAB 21.07, -12.07, 12.99

 

CMYK 40 / 0 / 44 / 78

HEX #21371F

RGB 33 55 31

HSL 115, 0.28%, 0.17%

LAB 20.65, -14.62, 12.37

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 14 / 0 / 43 / 89

HEX #181C10

RGB 24 28 16

HSL 80, 0.27%, 0.09%

LAB 9.5, -4.7, 7.1

 

CMYK 18 / 0 / 44 / 78

HEX #2D371F

RGB 45 55 31

HSL 85, 0.28%, 0.17%

LAB 21.54, -9.33, 13.7

 

CMYK 17 / 0 / 43 / 68

HEX #43512E

RGB 67 81 46

HSL 84, 0.28%, 0.25%

LAB 32.43, -12.45, 18.79

 

CMYK 17 / 0 / 43 / 58

HEX #596B3D

RGB 89 107 61

HSL 83.48, 0.27%, 0.33%

LAB 42.73, -15.38, 23.57

 

CMYK 17 / 0 / 43 / 79

HEX #2D361F

RGB 45 54 31

HSL 83.48, 0.27%, 0.17%

LAB 21.19, -8.71, 13.24

 

CMYK 44 / 0 / 18 / 78

HEX #1F372D

RGB 31 55 45

HSL 155, 0.28%, 0.17%

LAB 20.88, -12.17, 3.34

 

CMYK 2 / 44 / 0 / 78

HEX #361F37

RGB 54 31 55

HSL 297.5, 0.28%, 0.17%

LAB 15.7, 15.96, -11.09

 

CMYK 17 / 0 / 43 / 79

HEX #2D361F

RGB 45 54 31

HSL 83.48, 0.27%, 0.17%

LAB 21.19, -8.71, 13.24

 

CMYK 44 / 16 / 0 / 78

HEX #1F2E37

RGB 31 46 55

HSL 202.5, 0.28%, 0.17%

LAB 18.01, -3.44, -7.75

 

CMYK 0 / 44 / 16 / 78

HEX #371F2E

RGB 55 31 46

HSL 322.5, 0.28%, 0.17%

LAB 15.43, 14.37, -5.08

 

CMYK 17 / 0 / 43 / 79

HEX #2D361F

RGB 45 54 31

HSL 83.48, 0.27%, 0.17%

LAB 21.19, -8.71, 13.24

 

CMYK 44 / 0 / 18 / 78

HEX #1F372D

RGB 31 55 45

HSL 155, 0.28%, 0.17%

LAB 20.88, -12.17, 3.34

 

CMYK 27 / 44 / 0 / 78

HEX #281F37

RGB 40 31 55

HSL 262.5, 0.28%, 0.17%

LAB 13.87, 10.55, -14.07

 

CMYK 0 / 44 / 25 / 78

HEX #371F29

RGB 55 31 41

HSL 335, 0.28%, 0.17%

LAB 15.23, 13.38, -1.79

 

CMYK 17 / 0 / 43 / 79

HEX #2D361F

RGB 45 54 31

HSL 83.48, 0.27%, 0.17%

LAB 21.19, -8.71, 13.24

 

CMYK 44 / 0 / 5 / 78

HEX #1F3734

RGB 31 55 52

HSL 172.5, 0.28%, 0.17%

LAB 21.1, -10.21, -1.08

 

CMYK 27 / 44 / 0 / 78

HEX #281F37

RGB 40 31 55

HSL 262.5, 0.28%, 0.17%

LAB 13.87, 10.55, -14.07

 

CMYK 0 / 44 / 38 / 78

HEX #371F22

RGB 55 31 34

HSL 352.5, 0.28%, 0.17%

LAB 15, 12.15, 2.9

 

Description

Color code: RGB 45 54 31 | qconv.com Color code: RGB 45 54 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 54 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 54 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 43 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 43% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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