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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 255 253 it is the complementary color RGB 211 0 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 255 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 255 253 shade: RGB 49 255 248, RGB 66 255 255, RGB 83 255 255, RGB 100 255 255 and RGB 117 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 255 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 255 253 shade: RGB 44 255 253, RGB 27 237 234, RGB 10 219 215, RGB 0 201 196 and RGB 0 183 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 255 253 shade: RGB 45 255 253, RGB 45 255 196, RGB 45 255 140, RGB 45 255 83 and RGB 64 255 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 255 253 shade: RGB 45 255 253, RGB 45 200 255, RGB 45 144 255, RGB 45 87 255 and RGB 45 45 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 255 253 shade matches the following richer shades: RGB 45 255 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 255 253 shade: RGB 45 255 253, RGB 62 238 236, RGB 79 221 219, RGB 96 204 203 and RGB 113 187 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 255 253 shade: RGB 45 255 139, RGB 45 255 195, RGB 45 255 251, RGB 45 202 255 and RGB 45 146 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 255 253 shade: RGB 0 218 216, RGB 4 255 252, RGB 45 255 253, RGB 87 255 253 and RGB 128 255 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 255 253 shade: RGB 44 255 253, RGB 84 45 255 and RGB 255 167 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 255 253 shade: RGB 44 255 253, RGB 251 45 255 and RGB 255 251 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 255 253 shade: RGB 44 255 253, RGB 84 45 255, RGB 255 45 49 and RGB 216 255 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 255 253 shade: RGB 44 255 253, RGB 146 45 255, RGB 255 45 49 and RGB 153 255 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 1 / 0

HEX #2CFFFD

RGB 44 255 253

HSL 179.43, 1%, 0.59%

LAB 91.3, -47.04, -12.8

 

Complementary color

CMYK 0 / 100 / 99 / 17

HEX #D30002

RGB 211 0 2

HSL 359.43, 1%, 0.41%

LAB 44.02, 69.46, 57.6

 

CMYK 81 / 0 / 3 / 0

HEX #31FFF8

RGB 49 255 248

HSL 177.96, 1%, 0.6%

LAB 91.21, -48.08, -10.33

 

CMYK 74 / 0 / 0 / 0

HEX #42FFFF

RGB 66 255 255

HSL 180, 1%, 0.63%

LAB 91.64, -44.65, -13.3

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 83 / 0 / 1 / 0

HEX #2CFFFD

RGB 44 255 253

HSL 179.43, 1%, 0.59%

LAB 91.3, -47.04, -12.8

 

CMYK 89 / 0 / 1 / 7

HEX #1BEDEA

RGB 27 237 234

HSL 179.14, 0.85%, 0.52%

LAB 85.37, -45.57, -11.74

 

CMYK 95 / 0 / 2 / 14

HEX #0ADBD7

RGB 10 219 215

HSL 178.85, 0.91%, 0.45%

LAB 79.4, -43.78, -10.59

 

CMYK 100 / 0 / 2 / 21

HEX #00C9C4

RGB 0 201 196

HSL 178.51, 1%, 0.39%

LAB 73.39, -41.68, -9.33

 

CMYK 100 / 0 / 3 / 28

HEX #00B7B1

RGB 0 183 177

HSL 178.03, 1%, 0.36%

LAB 67.31, -39.29, -7.98

 

CMYK 82 / 0 / 1 / 0

HEX #2DFFFD

RGB 45 255 253

HSL 179.43, 1%, 0.59%

LAB 91.31, -46.98, -12.78

 

CMYK 82 / 0 / 23 / 0

HEX #2DFFC4

RGB 45 255 196

HSL 163.14, 1%, 0.59%

LAB 89.89, -61.57, 14.65

 

CMYK 82 / 0 / 45 / 0

HEX #2DFF8C

RGB 45 255 140

HSL 147.14, 1%, 0.59%

LAB 88.91, -72.64, 41.44

 

CMYK 82 / 0 / 67 / 0

HEX #2DFF53

RGB 45 255 83

HSL 130.86, 1%, 0.59%

LAB 88.31, -79.95, 65.78

 

CMYK 75 / 0 / 82 / 0

HEX #40FF2D

RGB 64 255 45

HSL 114.57, 1%, 0.59%

LAB 88.35, -80.33, 77.75

 

CMYK 82 / 0 / 1 / 0

HEX #2DFFFD

RGB 45 255 253

HSL 179.43, 1%, 0.59%

LAB 91.31, -46.98, -12.78

 

CMYK 82 / 22 / 0 / 0

HEX #2DC8FF

RGB 45 200 255

HSL 195.71, 1%, 0.59%

LAB 75.51, -20.39, -37.92

 

CMYK 82 / 44 / 0 / 0

HEX #2D90FF

RGB 45 144 255

HSL 211.71, 1%, 0.59%

LAB 59.64, 10.98, -62.97

 

CMYK 82 / 66 / 0 / 0

HEX #2D57FF

RGB 45 87 255

HSL 228, 1%, 0.59%

LAB 45.07, 46.24, -86.64

 

CMYK 82 / 82 / 0 / 0

HEX #2D2DFF

RGB 45 45 255

HSL 240, 1%, 0.59%

LAB 37.22, 68.37, -99.64

 

CMYK 82 / 0 / 1 / 0

HEX #2DFFFD

RGB 45 255 253

HSL 179.43, 1%, 0.59%

LAB 91.31, -46.98, -12.78

 

CMYK 82 / 0 / 1 / 0

HEX #2DFFFD

RGB 45 255 253

HSL 179.43, 1%, 0.59%

LAB 91.31, -46.98, -12.78

 

CMYK 74 / 0 / 1 / 7

HEX #3EEEEC

RGB 62 238 236

HSL 179.32, 0.84%, 0.59%

LAB 86.12, -42.83, -11.63

 

CMYK 64 / 0 / 1 / 13

HEX #4FDDDB

RGB 79 221 219

HSL 179.15, 0.68%, 0.59%

LAB 81.01, -37.71, -10.23

 

CMYK 53 / 0 / 0 / 20

HEX #60CCCB

RGB 96 204 203

HSL 179.44, 0.51%, 0.59%

LAB 76.06, -31.08, -8.97

 

CMYK 40 / 0 / 1 / 27

HEX #71BBBA

RGB 113 187 186

HSL 179.19, 0.35%, 0.59%

LAB 71.28, -23.22, -6.76

 

CMYK 82 / 0 / 45 / 0

HEX #2DFF8B

RGB 45 255 139

HSL 146.86, 1%, 0.59%

LAB 88.9, -72.81, 41.91

 

CMYK 82 / 0 / 24 / 0

HEX #2DFFC3

RGB 45 255 195

HSL 162.86, 1%, 0.59%

LAB 89.87, -61.8, 15.13

 

CMYK 82 / 0 / 2 / 0

HEX #2DFFFB

RGB 45 255 251

HSL 178.86, 1%, 0.59%

LAB 91.25, -47.53, -11.83

 

CMYK 82 / 21 / 0 / 0

HEX #2DCAFF

RGB 45 202 255

HSL 195.14, 1%, 0.59%

LAB 76.08, -21.42, -37.02

 

CMYK 82 / 43 / 0 / 0

HEX #2D92FF

RGB 45 146 255

HSL 211.14, 1%, 0.59%

LAB 60.19, 9.78, -62.08

 

CMYK 100 / 0 / 1 / 15

HEX #00DAD8

RGB 0 218 216

HSL 179.45, 1%, 0.43%

LAB 79.1, -43.3, -11.58

 

CMYK 98 / 0 / 1 / 0

HEX #04FFFC

RGB 4 255 252

HSL 179.28, 1%, 0.51%

LAB 91.04, -48.86, -12.69

 

CMYK 82 / 0 / 1 / 0

HEX #2DFFFD

RGB 45 255 253

HSL 179.43, 1%, 0.59%

LAB 91.31, -46.98, -12.78

 

CMYK 66 / 0 / 1 / 0

HEX #57FFFD

RGB 87 255 253

HSL 179.29, 1%, 0.67%

LAB 91.97, -42.71, -11.73

 

CMYK 50 / 0 / 1 / 0

HEX #80FFFD

RGB 128 255 253

HSL 179.06, 1%, 0.75%

LAB 93.1, -35.73, -9.92

 

CMYK 83 / 0 / 1 / 0

HEX #2CFFFD

RGB 44 255 253

HSL 179.43, 1%, 0.59%

LAB 91.3, -47.04, -12.8

 

CMYK 67 / 82 / 0 / 0

HEX #542DFF

RGB 84 45 255

HSL 251.14, 1%, 0.59%

LAB 39.55, 70.53, -95.69

 

CMYK 0 / 35 / 82 / 0

HEX #FFA72D

RGB 255 167 45

HSL 34.86, 1%, 0.59%

LAB 75.51, 23.58, 70.55

 

CMYK 83 / 0 / 1 / 0

HEX #2CFFFD

RGB 44 255 253

HSL 179.43, 1%, 0.59%

LAB 91.3, -47.04, -12.8

 

CMYK 2 / 82 / 0 / 0

HEX #FB2DFF

RGB 251 45 255

HSL 298.86, 1%, 0.59%

LAB 61.31, 92.73, -59.29

 

CMYK 0 / 2 / 82 / 0

HEX #FFFB2D

RGB 255 251 45

HSL 58.86, 1%, 0.59%

LAB 96.18, -19.03, 88.04

 

CMYK 83 / 0 / 1 / 0

HEX #2CFFFD

RGB 44 255 253

HSL 179.43, 1%, 0.59%

LAB 91.3, -47.04, -12.8

 

CMYK 67 / 82 / 0 / 0

HEX #542DFF

RGB 84 45 255

HSL 251.14, 1%, 0.59%

LAB 39.55, 70.53, -95.69

 

CMYK 0 / 82 / 81 / 0

HEX #FF2D31

RGB 255 45 49

HSL 358.86, 1%, 0.59%

LAB 55.44, 75.11, 50.79

 

CMYK 15 / 0 / 82 / 0

HEX #D8FF2D

RGB 216 255 45

HSL 71.14, 1%, 0.59%

LAB 94.44, -36.55, 85.46

 

CMYK 83 / 0 / 1 / 0

HEX #2CFFFD

RGB 44 255 253

HSL 179.43, 1%, 0.59%

LAB 91.3, -47.04, -12.8

 

CMYK 43 / 82 / 0 / 0

HEX #922DFF

RGB 146 45 255

HSL 268.86, 1%, 0.59%

LAB 45.92, 76.7, -84.97

 

CMYK 0 / 82 / 81 / 0

HEX #FF2D31

RGB 255 45 49

HSL 358.86, 1%, 0.59%

LAB 55.44, 75.11, 50.79

 

CMYK 40 / 0 / 82 / 0

HEX #99FF2D

RGB 153 255 45

HSL 89.14, 1%, 0.59%

LAB 91, -59.28, 81.12

 

Description

Color code: RGB 44 255 253 | qconv.com Color code: RGB 44 255 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 255 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 255 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 1 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 1% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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