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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 217 188 it is the complementary color RGB 211 38 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 217 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 217 188 shade: RGB 49 217 183, RGB 66 235 202, RGB 83 253 221, RGB 100 255 240 and RGB 117 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 217 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 217 188 shade: RGB 44 217 188, RGB 27 199 169, RGB 10 181 150, RGB 0 163 131 and RGB 0 145 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 217 188 shade: RGB 43 216 187, RGB 43 216 140, RGB 43 216 94, RGB 43 216 47 and RGB 86 216 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 217 188 shade: RGB 43 216 187, RGB 43 198 216, RGB 43 152 216, RGB 43 105 216 and RGB 43 59 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 217 188 shade matches the following richer shades: RGB 43 216 187 and RGB 23 236 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 217 188 shade: RGB 43 216 187, RGB 64 196 173, RGB 84 175 160, RGB 104 155 147 and RGB 124 135 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 217 188 shade: RGB 43 216 92, RGB 43 216 138, RGB 43 216 184, RGB 43 201 216 and RGB 43 155 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 217 188 shade: RGB 27 150 129, RGB 33 184 159, RGB 43 216 187, RGB 78 222 198 and RGB 113 229 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 217 188 shade: RGB 44 217 188, RGB 46 43 216 and RGB 216 115 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 217 188 shade: RGB 44 217 188, RGB 184 43 216 and RGB 216 184 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 217 188 shade: RGB 44 217 188, RGB 46 43 216, RGB 216 43 75 and RGB 213 216 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 217 188 shade: RGB 44 217 188, RGB 98 43 216, RGB 216 43 75 and RGB 161 216 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 13 / 15

HEX #2CD9BC

RGB 44 217 188

HSL 169.94, 0.69%, 0.51%

LAB 78.34, -48.5, 2.3

 

Complementary color

CMYK 0 / 82 / 68 / 17

HEX #D32643

RGB 211 38 67

HSL 349.94, 0.69%, 0.49%

LAB 46.5, 65.54, 28.32

 

CMYK 77 / 0 / 16 / 15

HEX #31D9B7

RGB 49 217 183

HSL 167.86, 0.69%, 0.52%

LAB 78.29, -49.3, 4.9

 

CMYK 72 / 0 / 14 / 8

HEX #42EBCA

RGB 66 235 202

HSL 168.28, 0.81%, 0.59%

LAB 84.4, -50.07, 3.72

 

CMYK 67 / 0 / 13 / 1

HEX #53FDDD

RGB 83 253 221

HSL 168.71, 0.98%, 0.66%

LAB 90.46, -50.63, 2.64

 

CMYK 61 / 0 / 6 / 0

HEX #64FFF0

RGB 100 255 240

HSL 174.19, 1%, 0.7%

LAB 91.92, -44.15, -5.04

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 80 / 0 / 13 / 15

HEX #2CD9BC

RGB 44 217 188

HSL 169.94, 0.69%, 0.51%

LAB 78.34, -48.5, 2.3

 

CMYK 86 / 0 / 15 / 22

HEX #1BC7A9

RGB 27 199 169

HSL 169.53, 0.76%, 0.44%

LAB 72.19, -47.3, 3.59

 

CMYK 94 / 0 / 17 / 29

HEX #0AB596

RGB 10 181 150

HSL 169.12, 0.9%, 0.37%

LAB 65.99, -45.71, 5.01

 

CMYK 100 / 0 / 20 / 36

HEX #00A383

RGB 0 163 131

HSL 168.22, 1%, 0.32%

LAB 59.74, -43.68, 6.6

 

CMYK 100 / 0 / 23 / 43

HEX #009170

RGB 0 145 112

HSL 166.34, 1%, 0.28%

LAB 53.41, -41.22, 8.35

 

CMYK 80 / 0 / 13 / 15

HEX #2BD8BB

RGB 43 216 187

HSL 169.94, 0.69%, 0.51%

LAB 78, -48.43, 2.34

 

CMYK 80 / 0 / 35 / 15

HEX #2BD88C

RGB 43 216 140

HSL 153.64, 0.69%, 0.51%

LAB 76.99, -59.32, 25.77

 

CMYK 80 / 0 / 56 / 15

HEX #2BD85E

RGB 43 216 94

HSL 137.69, 0.69%, 0.51%

LAB 76.33, -67, 47.69

 

CMYK 80 / 0 / 78 / 15

HEX #2BD82F

RGB 43 216 47

HSL 121.39, 0.69%, 0.51%

LAB 75.97, -71.56, 65.6

 

CMYK 60 / 0 / 80 / 15

HEX #56D82B

RGB 86 216 43

HSL 105.09, 0.69%, 0.51%

LAB 76.84, -64.22, 67.89

 

CMYK 80 / 0 / 13 / 15

HEX #2BD8BB

RGB 43 216 187

HSL 169.94, 0.69%, 0.51%

LAB 78, -48.43, 2.34

 

CMYK 80 / 8 / 0 / 15

HEX #2BC6D8

RGB 43 198 216

HSL 186.24, 0.69%, 0.51%

LAB 73.45, -32.09, -20.05

 

CMYK 80 / 30 / 0 / 15

HEX #2B98D8

RGB 43 152 216

HSL 202.2, 0.69%, 0.51%

LAB 59.82, -8.1, -41.11

 

CMYK 80 / 51 / 0 / 15

HEX #2B69D8

RGB 43 105 216

HSL 218.5, 0.69%, 0.51%

LAB 46.41, 20.45, -62.51

 

CMYK 80 / 73 / 0 / 15

HEX #2B3BD8

RGB 43 59 216

HSL 234.45, 0.69%, 0.51%

LAB 35.2, 49.24, -80.84

 

CMYK 80 / 0 / 13 / 15

HEX #2BD8BB

RGB 43 216 187

HSL 169.94, 0.69%, 0.51%

LAB 78, -48.43, 2.34

 

CMYK 90 / 0 / 15 / 7

HEX #17ECC8

RGB 23 236 200

HSL 169.86, 0.85%, 0.51%

LAB 84.14, -54.56, 4.33

 

CMYK 80 / 0 / 13 / 15

HEX #2BD8BB

RGB 43 216 187

HSL 169.94, 0.69%, 0.51%

LAB 78, -48.43, 2.34

 

CMYK 67 / 0 / 12 / 23

HEX #40C4AD

RGB 64 196 173

HSL 169.55, 0.53%, 0.51%

LAB 71.95, -40.97, 1.14

 

CMYK 52 / 0 / 9 / 31

HEX #54AFA0

RGB 84 175 160

HSL 170.11, 0.36%, 0.51%

LAB 65.81, -30.87, -0.61

 

CMYK 33 / 0 / 5 / 39

HEX #689B93

RGB 104 155 147

HSL 170.59, 0.2%, 0.51%

LAB 60.33, -18.81, -1.24

 

CMYK 8 / 0 / 1 / 47

HEX #7C8785

RGB 124 135 133

HSL 169.09, 0.04%, 0.51%

LAB 55.39, -4.43, -0.31

 

CMYK 80 / 0 / 57 / 15

HEX #2BD85C

RGB 43 216 92

HSL 136.99, 0.69%, 0.51%

LAB 76.31, -67.26, 48.58

 

CMYK 80 / 0 / 36 / 15

HEX #2BD88A

RGB 43 216 138

HSL 152.95, 0.69%, 0.51%

LAB 76.96, -59.72, 26.76

 

CMYK 80 / 0 / 15 / 15

HEX #2BD8B8

RGB 43 216 184

HSL 168.9, 0.69%, 0.51%

LAB 77.93, -49.21, 3.84

 

CMYK 80 / 7 / 0 / 15

HEX #2BC9D8

RGB 43 201 216

HSL 185.2, 0.69%, 0.51%

LAB 74.35, -33.52, -18.7

 

CMYK 80 / 28 / 0 / 15

HEX #2B9BD8

RGB 43 155 216

HSL 201.16, 0.69%, 0.51%

LAB 60.71, -9.79, -39.72

 

CMYK 82 / 0 / 14 / 41

HEX #1B9681

RGB 27 150 129

HSL 169.76, 0.69%, 0.35%

LAB 55.72, -37.01, 1.96

 

CMYK 82 / 0 / 14 / 28

HEX #21B89F

RGB 33 184 159

HSL 170.07, 0.7%, 0.43%

LAB 67.36, -43.16, 2.05

 

CMYK 80 / 0 / 13 / 15

HEX #2BD8BB

RGB 43 216 187

HSL 169.94, 0.69%, 0.51%

LAB 78, -48.43, 2.34

 

CMYK 65 / 0 / 11 / 13

HEX #4EDEC6

RGB 78 222 198

HSL 170, 0.69%, 0.59%

LAB 80.71, -43.84, 0.49

 

CMYK 51 / 0 / 9 / 10

HEX #71E5D1

RGB 113 229 209

HSL 169.66, 0.69%, 0.67%

LAB 84.05, -37.71, -0.34

 

CMYK 80 / 0 / 13 / 15

HEX #2CD9BC

RGB 44 217 188

HSL 169.94, 0.69%, 0.51%

LAB 78.34, -48.5, 2.3

 

CMYK 79 / 80 / 0 / 15

HEX #2E2BD8

RGB 46 43 216

HSL 241.04, 0.69%, 0.51%

LAB 32.41, 57.81, -85.47

 

CMYK 0 / 47 / 80 / 15

HEX #D8732B

RGB 216 115 43

HSL 24.97, 0.69%, 0.51%

LAB 59.01, 34.69, 54.66

 

CMYK 80 / 0 / 13 / 15

HEX #2CD9BC

RGB 44 217 188

HSL 169.94, 0.69%, 0.51%

LAB 78.34, -48.5, 2.3

 

CMYK 15 / 80 / 0 / 15

HEX #B82BD8

RGB 184 43 216

HSL 288.9, 0.69%, 0.51%

LAB 48.1, 75.21, -59.15

 

CMYK 0 / 15 / 80 / 15

HEX #D8B82B

RGB 216 184 43

HSL 48.9, 0.69%, 0.51%

LAB 75.49, -2.07, 69.54

 

CMYK 80 / 0 / 13 / 15

HEX #2CD9BC

RGB 44 217 188

HSL 169.94, 0.69%, 0.51%

LAB 78.34, -48.5, 2.3

 

CMYK 79 / 80 / 0 / 15

HEX #2E2BD8

RGB 46 43 216

HSL 241.04, 0.69%, 0.51%

LAB 32.41, 57.81, -85.47

 

CMYK 0 / 80 / 65 / 15

HEX #D82B4B

RGB 216 43 75

HSL 348.9, 0.69%, 0.51%

LAB 48.05, 66.05, 25.63

 

CMYK 1 / 0 / 80 / 15

HEX #D5D82B

RGB 213 216 43

HSL 61.04, 0.69%, 0.51%

LAB 83.67, -19.54, 76.58

 

CMYK 80 / 0 / 13 / 15

HEX #2CD9BC

RGB 44 217 188

HSL 169.94, 0.69%, 0.51%

LAB 78.34, -48.5, 2.3

 

CMYK 55 / 80 / 0 / 15

HEX #622BD8

RGB 98 43 216

HSL 259.08, 0.69%, 0.51%

LAB 36.52, 62.31, -78.53

 

CMYK 0 / 80 / 65 / 15

HEX #D82B4B

RGB 216 43 75

HSL 348.9, 0.69%, 0.51%

LAB 48.05, 66.05, 25.63

 

CMYK 25 / 0 / 80 / 15

HEX #A1D82B

RGB 161 216 43

HSL 79.08, 0.69%, 0.51%

LAB 80.1, -40.51, 72.07

 

Description

Color code: RGB 44 217 188 | qconv.com Color code: RGB 44 217 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 217 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 217 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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