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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 104 118 it is the complementary color RGB 211 151 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 104 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 104 118 shade: RGB 49 104 113, RGB 66 122 132, RGB 83 140 151, RGB 100 158 170 and RGB 117 176 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 104 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 104 118 shade: RGB 44 104 118, RGB 27 86 99, RGB 10 68 80, RGB 0 50 61 and RGB 0 32 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 104 118 shade: RGB 44 104 119, RGB 44 84 119, RGB 44 64 119, RGB 44 44 119 and RGB 64 44 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 104 118 shade: RGB 44 104 119, RGB 44 84 119, RGB 44 64 119, RGB 44 44 119 and RGB 44 44 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 104 118 shade matches the following richer shades: RGB 44 104 119, RGB 30 113 132, RGB 17 121 145 and RGB 4 129 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 104 118 shade: RGB 44 104 119, RGB 57 96 105, RGB 70 88 92, RGB 83 80 79 and RGB 96 72 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 104 118 shade: RGB 44 119 92, RGB 44 119 112, RGB 44 105 119, RGB 44 85 119 and RGB 44 65 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 104 118 shade: RGB 21 51 58, RGB 32 78 89, RGB 44 104 119, RGB 55 131 149 and RGB 66 157 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 104 118 shade: RGB 44 104 118, RGB 72 44 119 and RGB 119 102 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 104 118 shade: RGB 44 104 118, RGB 119 44 105 and RGB 105 119 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 104 118 shade: RGB 44 104 118, RGB 72 44 119, RGB 119 57 44 and RGB 90 119 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 104 118 shade: RGB 44 104 118, RGB 95 44 119, RGB 119 57 44 and RGB 67 119 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 12 / 0 / 54

HEX #2C6876

RGB 44 104 118

HSL 191.35, 0.46%, 0.32%

LAB 40.81, -14.79, -13.66

 

Complementary color

CMYK 0 / 28 / 35 / 17

HEX #D39789

RGB 211 151 137

HSL 11.35, 0.46%, 0.68%

LAB 67.86, 20.7, 16.32

 

CMYK 57 / 8 / 0 / 56

HEX #316871

RGB 49 104 113

HSL 188.44, 0.4%, 0.32%

LAB 40.81, -15.32, -10.6

 

CMYK 50 / 8 / 0 / 48

HEX #427A84

RGB 66 122 132

HSL 189.09, 0.33%, 0.39%

LAB 47.93, -15.54, -11.18

 

CMYK 45 / 7 / 0 / 41

HEX #538C97

RGB 83 140 151

HSL 189.71, 0.29%, 0.46%

LAB 54.9, -15.66, -11.71

 

CMYK 41 / 7 / 0 / 33

HEX #649EAA

RGB 100 158 170

HSL 190.29, 0.29%, 0.53%

LAB 61.71, -15.72, -12.21

 

CMYK 38 / 7 / 0 / 26

HEX #75B0BD

RGB 117 176 189

HSL 190.83, 0.35%, 0.6%

LAB 68.39, -15.76, -12.7

 

CMYK 63 / 12 / 0 / 54

HEX #2C6876

RGB 44 104 118

HSL 191.35, 0.46%, 0.32%

LAB 40.81, -14.79, -13.66

 

CMYK 73 / 13 / 0 / 61

HEX #1B5663

RGB 27 86 99

HSL 190.83, 0.57%, 0.25%

LAB 33.54, -14.1, -13.04

 

CMYK 88 / 15 / 0 / 69

HEX #0A4450

RGB 10 68 80

HSL 190.29, 0.78%, 0.18%

LAB 26.09, -12.89, -12.3

 

CMYK 100 / 18 / 0 / 76

HEX #00323D

RGB 0 50 61

HSL 190.82, 1%, 0.12%

LAB 18.44, -10.82, -11.34

 

CMYK 100 / 24 / 0 / 84

HEX #00202A

RGB 0 32 42

HSL 194.29, 1%, 0.08%

LAB 10.56, -7.37, -10.07

 

CMYK 63 / 13 / 0 / 53

HEX #2C6877

RGB 44 104 119

HSL 192, 0.46%, 0.32%

LAB 40.85, -14.47, -14.21

 

CMYK 63 / 29 / 0 / 53

HEX #2C5477

RGB 44 84 119

HSL 208, 0.46%, 0.32%

LAB 34.41, -2.47, -24.13

 

CMYK 63 / 46 / 0 / 53

HEX #2C4077

RGB 44 64 119

HSL 224, 0.46%, 0.32%

LAB 28.21, 10.75, -33.94

 

CMYK 63 / 63 / 0 / 53

HEX #2C2C77

RGB 44 44 119

HSL 240, 0.46%, 0.32%

LAB 22.54, 24.51, -43.07

 

CMYK 46 / 63 / 0 / 53

HEX #402C77

RGB 64 44 119

HSL 256, 0.46%, 0.32%

LAB 24.4, 28.71, -39.98

 

CMYK 63 / 13 / 0 / 53

HEX #2C6877

RGB 44 104 119

HSL 192, 0.46%, 0.32%

LAB 40.85, -14.47, -14.21

 

CMYK 63 / 29 / 0 / 53

HEX #2C5477

RGB 44 84 119

HSL 208, 0.46%, 0.32%

LAB 34.41, -2.47, -24.13

 

CMYK 63 / 46 / 0 / 53

HEX #2C4077

RGB 44 64 119

HSL 224, 0.46%, 0.32%

LAB 28.21, 10.75, -33.94

 

CMYK 63 / 63 / 0 / 53

HEX #2C2C77

RGB 44 44 119

HSL 240, 0.46%, 0.32%

LAB 22.54, 24.51, -43.07

 

CMYK 63 / 63 / 0 / 53

HEX #2C2C77

RGB 44 44 119

HSL 240, 0.46%, 0.32%

LAB 22.54, 24.51, -43.07

 

CMYK 63 / 13 / 0 / 53

HEX #2C6877

RGB 44 104 119

HSL 192, 0.46%, 0.32%

LAB 40.85, -14.47, -14.21

 

CMYK 77 / 14 / 0 / 48

HEX #1E7184

RGB 30 113 132

HSL 191.18, 0.63%, 0.32%

LAB 43.88, -17.37, -17.45

 

CMYK 88 / 17 / 0 / 43

HEX #117991

RGB 17 121 145

HSL 191.25, 0.79%, 0.32%

LAB 46.76, -18.45, -20.77

 

CMYK 97 / 18 / 0 / 38

HEX #04819E

RGB 4 129 158

HSL 191.3, 0.95%, 0.32%

LAB 49.73, -18.82, -23.83

 

CMYK 63 / 13 / 0 / 53

HEX #2C6877

RGB 44 104 119

HSL 192, 0.46%, 0.32%

LAB 40.85, -14.47, -14.21

 

CMYK 46 / 9 / 0 / 59

HEX #396069

RGB 57 96 105

HSL 191.25, 0.3%, 0.32%

LAB 38.3, -11.15, -9.45

 

CMYK 24 / 4 / 0 / 64

HEX #46585C

RGB 70 88 92

HSL 190.91, 0.14%, 0.32%

LAB 36.09, -5.88, -4.6

 

CMYK 0 / 4 / 5 / 67

HEX #53504F

RGB 83 80 79

HSL 15, 0.02%, 0.32%

LAB 34.27, 1.02, 1.02

 

CMYK 0 / 25 / 31 / 62

HEX #604842

RGB 96 72 66

HSL 12, 0.19%, 0.32%

LAB 32.95, 9.26, 7.55

 

CMYK 63 / 0 / 23 / 53

HEX #2C775C

RGB 44 119 92

HSL 158.4, 0.46%, 0.32%

LAB 44.94, -30.1, 8.08

 

CMYK 63 / 0 / 6 / 53

HEX #2C7770

RGB 44 119 112

HSL 174.4, 0.46%, 0.32%

LAB 45.5, -24.7, -3.02

 

CMYK 63 / 12 / 0 / 53

HEX #2C6977

RGB 44 105 119

HSL 191.2, 0.46%, 0.32%

LAB 41.17, -15.03, -13.72

 

CMYK 63 / 29 / 0 / 53

HEX #2C5577

RGB 44 85 119

HSL 207.2, 0.46%, 0.32%

LAB 34.73, -3.1, -23.64

 

CMYK 63 / 45 / 0 / 53

HEX #2C4177

RGB 44 65 119

HSL 223.2, 0.46%, 0.32%

LAB 28.51, 10.07, -33.46

 

CMYK 64 / 12 / 0 / 77

HEX #15333A

RGB 21 51 58

HSL 191.35, 0.47%, 0.15%

LAB 19.36, -8.71, -7.83

 

CMYK 64 / 12 / 0 / 65

HEX #204E59

RGB 32 78 89

HSL 191.58, 0.47%, 0.24%

LAB 30.59, -11.93, -11.19

 

CMYK 63 / 13 / 0 / 53

HEX #2C6877

RGB 44 104 119

HSL 192, 0.46%, 0.32%

LAB 40.85, -14.47, -14.21

 

CMYK 63 / 12 / 0 / 42

HEX #378395

RGB 55 131 149

HSL 191.49, 0.46%, 0.4%

LAB 50.94, -17.62, -16.65

 

CMYK 63 / 12 / 0 / 30

HEX #429DB3

RGB 66 157 179

HSL 191.68, 0.46%, 0.48%

LAB 60.36, -20.12, -19.46

 

CMYK 63 / 12 / 0 / 54

HEX #2C6876

RGB 44 104 118

HSL 191.35, 0.46%, 0.32%

LAB 40.81, -14.79, -13.66

 

CMYK 39 / 63 / 0 / 53

HEX #482C77

RGB 72 44 119

HSL 262.4, 0.46%, 0.32%

LAB 25.29, 30.62, -38.49

 

CMYK 0 / 14 / 63 / 53

HEX #77662C

RGB 119 102 44

HSL 46.4, 0.46%, 0.32%

LAB 43.66, -0.79, 34.58

 

CMYK 63 / 12 / 0 / 54

HEX #2C6876

RGB 44 104 118

HSL 191.35, 0.46%, 0.32%

LAB 40.81, -14.79, -13.66

 

CMYK 0 / 63 / 12 / 53

HEX #772C69

RGB 119 44 105

HSL 311.2, 0.46%, 0.32%

LAB 31.22, 40.58, -19.74

 

CMYK 12 / 0 / 63 / 53

HEX #69772C

RGB 105 119 44

HSL 71.2, 0.46%, 0.32%

LAB 47.47, -16.77, 38.45

 

CMYK 63 / 12 / 0 / 54

HEX #2C6876

RGB 44 104 118

HSL 191.35, 0.46%, 0.32%

LAB 40.81, -14.79, -13.66

 

CMYK 39 / 63 / 0 / 53

HEX #482C77

RGB 72 44 119

HSL 262.4, 0.46%, 0.32%

LAB 25.29, 30.62, -38.49

 

CMYK 0 / 52 / 63 / 53

HEX #77392C

RGB 119 57 44

HSL 10.4, 0.46%, 0.32%

LAB 31.88, 25.89, 20.58

 

CMYK 24 / 0 / 63 / 53

HEX #5A772C

RGB 90 119 44

HSL 83.2, 0.46%, 0.32%

LAB 46.38, -23.24, 36.94

 

CMYK 63 / 12 / 0 / 54

HEX #2C6876

RGB 44 104 118

HSL 191.35, 0.46%, 0.32%

LAB 40.81, -14.79, -13.66

 

CMYK 20 / 63 / 0 / 53

HEX #5F2C77

RGB 95 44 119

HSL 280.8, 0.46%, 0.32%

LAB 28.29, 36.56, -33.52

 

CMYK 0 / 52 / 63 / 53

HEX #77392C

RGB 119 57 44

HSL 10.4, 0.46%, 0.32%

LAB 31.88, 25.89, 20.58

 

CMYK 44 / 0 / 63 / 53

HEX #43772C

RGB 67 119 44

HSL 101.6, 0.46%, 0.32%

LAB 45.04, -32.15, 35.07

 

Description

Color code: RGB 44 104 118 | qconv.com Color code: RGB 44 104 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 104 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 104 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 12 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 12% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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