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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 84 75 it is the complementary color RGB 211 171 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 84 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 84 75 shade: RGB 49 84 70, RGB 66 102 89, RGB 83 120 108, RGB 100 138 127 and RGB 117 156 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 84 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 84 75 shade: RGB 44 84 75, RGB 27 66 56, RGB 10 48 37, RGB 0 30 18 and RGB 0 12 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 84 75 shade: RGB 43 83 74, RGB 43 83 63, RGB 43 83 53, RGB 45 83 43 and RGB 55 83 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 84 75 shade: RGB 43 83 74, RGB 43 81 83, RGB 43 71 83, RGB 43 60 83 and RGB 43 49 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 84 75 shade matches the following richer shades: RGB 43 83 74, RGB 33 93 80, RGB 23 104 85, RGB 13 114 91 and RGB 2 124 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 84 75 shade: RGB 43 83 74, RGB 54 73 68, RGB 64 62 63, RGB 74 52 57 and RGB 85 42 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 84 75 shade: RGB 43 83 53, RGB 43 83 63, RGB 43 83 74, RGB 43 82 83 and RGB 43 71 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 84 75 shade: RGB 15 29 26, RGB 29 56 50, RGB 43 83 74, RGB 58 110 98 and RGB 72 137 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 84 75 shade: RGB 44 84 75, RGB 43 45 83 and RGB 83 58 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 84 75 shade: RGB 44 84 75, RGB 74 43 83 and RGB 83 74 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 84 75 shade: RGB 44 84 75, RGB 43 45 83, RGB 83 43 53 and RGB 83 82 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 84 75 shade: RGB 44 84 75, RGB 54 43 83, RGB 83 43 53 and RGB 72 83 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 11 / 67

HEX #2C544B

RGB 44 84 75

HSL 166.5, 0.31%, 0.25%

LAB 32.67, -16.62, 0.87

 

Complementary color

CMYK 0 / 19 / 15 / 17

HEX #D3ABB4

RGB 211 171 180

HSL 346.5, 0.31%, 0.75%

LAB 73.72, 16, 0.91

 

CMYK 42 / 0 / 17 / 67

HEX #315446

RGB 49 84 70

HSL 156, 0.26%, 0.26%

LAB 32.78, -16.36, 4.22

 

CMYK 35 / 0 / 13 / 60

HEX #426659

RGB 66 102 89

HSL 158.33, 0.21%, 0.33%

LAB 40.22, -16.11, 3.26

 

CMYK 31 / 0 / 10 / 53

HEX #53786C

RGB 83 120 108

HSL 160.54, 0.18%, 0.4%

LAB 47.44, -15.88, 2.4

 

CMYK 28 / 0 / 8 / 46

HEX #648A7F

RGB 100 138 127

HSL 162.63, 0.16%, 0.47%

LAB 54.47, -15.68, 1.62

 

CMYK 25 / 0 / 6 / 39

HEX #759C92

RGB 117 156 146

HSL 164.62, 0.16%, 0.54%

LAB 61.34, -15.52, 0.89

 

CMYK 48 / 0 / 11 / 67

HEX #2C544B

RGB 44 84 75

HSL 166.5, 0.31%, 0.25%

LAB 32.67, -16.62, 0.87

 

CMYK 59 / 0 / 15 / 74

HEX #1B4238

RGB 27 66 56

HSL 164.62, 0.42%, 0.18%

LAB 25, -16.73, 1.9

 

CMYK 79 / 0 / 23 / 81

HEX #0A3025

RGB 10 48 37

HSL 162.63, 0.66%, 0.11%

LAB 17.05, -16.58, 3.2

 

CMYK 100 / 0 / 40 / 88

HEX #001E12

RGB 0 30 18

HSL 156, 1%, 0.06%

LAB 8.76, -14.26, 4.66

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 48 / 0 / 11 / 67

HEX #2B534A

RGB 43 83 74

HSL 166.5, 0.32%, 0.25%

LAB 32.25, -16.63, 0.88

 

CMYK 48 / 0 / 24 / 67

HEX #2B533F

RGB 43 83 63

HSL 150, 0.32%, 0.25%

LAB 31.94, -19.46, 7.39

 

CMYK 48 / 0 / 36 / 67

HEX #2B5335

RGB 43 83 53

HSL 135, 0.32%, 0.25%

LAB 31.71, -21.7, 13.31

 

CMYK 46 / 0 / 48 / 67

HEX #2D532B

RGB 45 83 43

HSL 117, 0.32%, 0.25%

LAB 31.62, -22.9, 19.26

 

CMYK 34 / 0 / 48 / 67

HEX #37532B

RGB 55 83 43

HSL 102, 0.32%, 0.25%

LAB 32.2, -19.1, 20.11

 

CMYK 48 / 0 / 11 / 67

HEX #2B534A

RGB 43 83 74

HSL 166.5, 0.32%, 0.25%

LAB 32.25, -16.63, 0.88

 

CMYK 48 / 2 / 0 / 67

HEX #2B5153

RGB 43 81 83

HSL 183, 0.32%, 0.25%

LAB 31.86, -12.89, -5.4

 

CMYK 48 / 14 / 0 / 67

HEX #2B4753

RGB 43 71 83

HSL 198, 0.32%, 0.25%

LAB 28.5, -6.85, -10.46

 

CMYK 48 / 28 / 0 / 67

HEX #2B3C53

RGB 43 60 83

HSL 214.5, 0.32%, 0.25%

LAB 24.86, 0.28, -16.05

 

CMYK 48 / 41 / 0 / 67

HEX #2B3153

RGB 43 49 83

HSL 231, 0.32%, 0.25%

LAB 21.34, 7.84, -21.55

 

CMYK 48 / 0 / 11 / 67

HEX #2B534A

RGB 43 83 74

HSL 166.5, 0.32%, 0.25%

LAB 32.25, -16.63, 0.88

 

CMYK 65 / 0 / 14 / 64

HEX #215D50

RGB 33 93 80

HSL 167, 0.48%, 0.25%

LAB 35.46, -22.85, 1.74

 

CMYK 78 / 0 / 18 / 59

HEX #176855

RGB 23 104 85

HSL 165.93, 0.64%, 0.25%

LAB 39.14, -28.64, 3.93

 

CMYK 89 / 0 / 20 / 55

HEX #0D725B

RGB 13 114 91

HSL 166.34, 0.8%, 0.25%

LAB 42.58, -32.7, 5.22

 

CMYK 98 / 0 / 22 / 51

HEX #027C61

RGB 2 124 97

HSL 166.72, 0.97%, 0.25%

LAB 46.03, -36.23, 6.57

 

CMYK 48 / 0 / 11 / 67

HEX #2B534A

RGB 43 83 74

HSL 166.5, 0.32%, 0.25%

LAB 32.25, -16.63, 0.88

 

CMYK 26 / 0 / 7 / 71

HEX #364944

RGB 54 73 68

HSL 164.21, 0.15%, 0.25%

LAB 29.33, -8.69, 0.55

 

CMYK 0 / 3 / 2 / 75

HEX #403E3F

RGB 64 62 63

HSL 330, 0.02%, 0.25%

LAB 26.43, 1.07, -0.31

 

CMYK 0 / 30 / 23 / 71

HEX #4A3439

RGB 74 52 57

HSL 346.36, 0.17%, 0.25%

LAB 24.35, 10.79, 0.77

 

CMYK 0 / 51 / 40 / 67

HEX #552A33

RGB 85 42 51

HSL 347.44, 0.34%, 0.25%

LAB 23.09, 20.98, 3.21

 

CMYK 48 / 0 / 36 / 67

HEX #2B5335

RGB 43 83 53

HSL 135, 0.32%, 0.25%

LAB 31.71, -21.7, 13.31

 

CMYK 48 / 0 / 24 / 67

HEX #2B533F

RGB 43 83 63

HSL 150, 0.32%, 0.25%

LAB 31.94, -19.46, 7.39

 

CMYK 48 / 0 / 11 / 67

HEX #2B534A

RGB 43 83 74

HSL 166.5, 0.32%, 0.25%

LAB 32.25, -16.63, 0.88

 

CMYK 48 / 1 / 0 / 67

HEX #2B5253

RGB 43 82 83

HSL 181.5, 0.32%, 0.25%

LAB 32.2, -13.48, -4.9

 

CMYK 48 / 14 / 0 / 67

HEX #2B4753

RGB 43 71 83

HSL 198, 0.32%, 0.25%

LAB 28.5, -6.85, -10.46

 

CMYK 48 / 0 / 10 / 89

HEX #0F1D1A

RGB 15 29 26

HSL 167.14, 0.32%, 0.09%

LAB 9.44, -6.99, 0.14

 

CMYK 48 / 0 / 11 / 78

HEX #1D3832

RGB 29 56 50

HSL 166.67, 0.32%, 0.17%

LAB 21.28, -12.07, 0.53

 

CMYK 48 / 0 / 11 / 67

HEX #2B534A

RGB 43 83 74

HSL 166.5, 0.32%, 0.25%

LAB 32.25, -16.63, 0.88

 

CMYK 47 / 0 / 11 / 57

HEX #3A6E62

RGB 58 110 98

HSL 166.15, 0.31%, 0.33%

LAB 42.66, -20.61, 1.29

 

CMYK 47 / 0 / 11 / 46

HEX #48897A

RGB 72 137 122

HSL 166.15, 0.31%, 0.41%

LAB 52.59, -24.67, 1.61

 

CMYK 48 / 0 / 11 / 67

HEX #2C544B

RGB 44 84 75

HSL 166.5, 0.31%, 0.25%

LAB 32.67, -16.62, 0.87

 

CMYK 48 / 46 / 0 / 67

HEX #2B2D53

RGB 43 45 83

HSL 237, 0.32%, 0.25%

LAB 20.1, 10.66, -23.5

 

CMYK 0 / 30 / 48 / 67

HEX #533A2B

RGB 83 58 43

HSL 22.5, 0.32%, 0.25%

LAB 26.85, 8.9, 13.69

 

CMYK 48 / 0 / 11 / 67

HEX #2C544B

RGB 44 84 75

HSL 166.5, 0.31%, 0.25%

LAB 32.67, -16.62, 0.87

 

CMYK 11 / 48 / 0 / 67

HEX #4A2B53

RGB 74 43 83

HSL 286.5, 0.32%, 0.25%

LAB 23.03, 22.19, -18.66

 

CMYK 0 / 11 / 48 / 67

HEX #534A2B

RGB 83 74 43

HSL 46.5, 0.32%, 0.25%

LAB 31.6, -1.22, 19.85

 

CMYK 48 / 0 / 11 / 67

HEX #2C544B

RGB 44 84 75

HSL 166.5, 0.31%, 0.25%

LAB 32.67, -16.62, 0.87

 

CMYK 48 / 46 / 0 / 67

HEX #2B2D53

RGB 43 45 83

HSL 237, 0.32%, 0.25%

LAB 20.1, 10.66, -23.5

 

CMYK 0 / 48 / 36 / 67

HEX #532B35

RGB 83 43 53

HSL 345, 0.32%, 0.25%

LAB 23.08, 19.82, 1.8

 

CMYK 0 / 1 / 48 / 67

HEX #53522B

RGB 83 82 43

HSL 58.5, 0.32%, 0.25%

LAB 34.08, -6.08, 22.95

 

CMYK 48 / 0 / 11 / 67

HEX #2C544B

RGB 44 84 75

HSL 166.5, 0.31%, 0.25%

LAB 32.67, -16.62, 0.87

 

CMYK 35 / 48 / 0 / 67

HEX #362B53

RGB 54 43 83

HSL 256.5, 0.32%, 0.25%

LAB 20.58, 15.46, -22.67

 

CMYK 0 / 48 / 36 / 67

HEX #532B35

RGB 83 43 53

HSL 345, 0.32%, 0.25%

LAB 23.08, 19.82, 1.8

 

CMYK 13 / 0 / 48 / 67

HEX #48532B

RGB 72 83 43

HSL 76.5, 0.32%, 0.25%

LAB 33.43, -11.78, 21.93

 

Description

Color code: RGB 44 84 75 | qconv.com Color code: RGB 44 84 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 84 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 84 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 11 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 11% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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