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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 69 54 it is the complementary color RGB 211 186 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 69 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 69 54 shade: RGB 49 69 49, RGB 66 87 68, RGB 83 105 87, RGB 100 123 106 and RGB 117 141 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 69 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 69 54 shade: RGB 44 69 54, RGB 27 51 35, RGB 10 33 16 and RGB 0 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 69 54 shade: RGB 43 68 53, RGB 43 68 46, RGB 47 68 43, RGB 53 68 43 and RGB 60 68 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 69 54 shade: RGB 43 68 53, RGB 43 68 60, RGB 43 68 66, RGB 43 63 68 and RGB 43 56 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 69 54 shade matches the following richer shades: RGB 43 68 53, RGB 34 77 51, RGB 25 86 50, RGB 16 95 48 and RGB 7 104 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 69 54 shade: RGB 43 68 53, RGB 52 59 55, RGB 61 50 57, RGB 70 41 59 and RGB 80 32 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 69 54 shade: RGB 47 68 43, RGB 43 68 47, RGB 43 68 53, RGB 43 68 60 and RGB 43 68 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 69 54 shade: RGB 11 18 14, RGB 27 43 33, RGB 43 68 53, RGB 59 93 73 and RGB 75 118 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 69 54 shade: RGB 44 69 54, RGB 43 53 68 and RGB 68 43 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 69 54 shade: RGB 44 69 54, RGB 53 43 68 and RGB 68 53 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 69 54 shade: RGB 44 69 54, RGB 43 53 68, RGB 68 43 58 and RGB 68 58 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 69 54 shade: RGB 44 69 54, RGB 43 46 68, RGB 68 43 58 and RGB 68 65 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 22 / 73

HEX #2C4536

RGB 44 69 54

HSL 144, 0.22%, 0.22%

LAB 26.9, -13.45, 6.05

 

Complementary color

CMYK 0 / 12 / 5 / 17

HEX #D3BAC9

RGB 211 186 201

HSL 324, 0.22%, 0.78%

LAB 77.98, 11.47, -4.29

 

CMYK 29 / 0 / 29 / 73

HEX #314531

RGB 49 69 49

HSL 120, 0.17%, 0.23%

LAB 27.1, -12.62, 9.61

 

CMYK 24 / 0 / 22 / 66

HEX #425744

RGB 66 87 68

HSL 125.71, 0.14%, 0.3%

LAB 34.79, -12.38, 8.46

 

CMYK 21 / 0 / 17 / 59

HEX #536957

RGB 83 105 87

HSL 130.91, 0.12%, 0.37%

LAB 42.2, -12.18, 7.45

 

CMYK 19 / 0 / 14 / 52

HEX #647B6A

RGB 100 123 106

HSL 135.65, 0.1%, 0.44%

LAB 49.39, -12.03, 6.54

 

CMYK 17 / 0 / 11 / 45

HEX #758D7D

RGB 117 141 125

HSL 140, 0.1%, 0.51%

LAB 56.4, -11.91, 5.7

 

CMYK 36 / 0 / 22 / 73

HEX #2C4536

RGB 44 69 54

HSL 144, 0.22%, 0.22%

LAB 26.9, -13.45, 6.05

 

CMYK 47 / 0 / 31 / 80

HEX #1B3323

RGB 27 51 35

HSL 140, 0.31%, 0.15%

LAB 18.89, -13.78, 7.28

 

CMYK 70 / 0 / 52 / 87

HEX #0A2110

RGB 10 33 16

HSL 135.65, 0.53%, 0.08%

LAB 10.48, -13.94, 8.35

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 37 / 0 / 22 / 73

HEX #2B4435

RGB 43 68 53

HSL 144, 0.23%, 0.22%

LAB 26.46, -13.48, 6.07

 

CMYK 37 / 0 / 32 / 73

HEX #2B442E

RGB 43 68 46

HSL 127.2, 0.23%, 0.22%

LAB 26.29, -15.04, 10.35

 

CMYK 31 / 0 / 37 / 73

HEX #2F442B

RGB 47 68 43

HSL 110.4, 0.23%, 0.22%

LAB 26.49, -14.05, 12.58

 

CMYK 22 / 0 / 37 / 73

HEX #35442B

RGB 53 68 43

HSL 96, 0.23%, 0.22%

LAB 26.92, -11.5, 13.23

 

CMYK 12 / 0 / 37 / 73

HEX #3C442B

RGB 60 68 43

HSL 79.2, 0.23%, 0.22%

LAB 27.49, -8.37, 14.09

 

CMYK 37 / 0 / 22 / 73

HEX #2B4435

RGB 43 68 53

HSL 144, 0.23%, 0.22%

LAB 26.46, -13.48, 6.07

 

CMYK 37 / 0 / 12 / 73

HEX #2B443C

RGB 43 68 60

HSL 160.8, 0.23%, 0.22%

LAB 26.66, -11.74, 1.79

 

CMYK 37 / 0 / 3 / 73

HEX #2B4442

RGB 43 68 66

HSL 175.2, 0.23%, 0.22%

LAB 26.85, -10.11, -1.86

 

CMYK 37 / 7 / 0 / 73

HEX #2B3F44

RGB 43 63 68

HSL 192, 0.23%, 0.22%

LAB 25.22, -6.43, -5.6

 

CMYK 37 / 18 / 0 / 73

HEX #2B3844

RGB 43 56 68

HSL 208.8, 0.23%, 0.22%

LAB 22.86, -1.88, -9.16

 

CMYK 37 / 0 / 22 / 73

HEX #2B4435

RGB 43 68 53

HSL 144, 0.23%, 0.22%

LAB 26.46, -13.48, 6.07

 

CMYK 56 / 0 / 34 / 70

HEX #224D33

RGB 34 77 51

HSL 143.72, 0.39%, 0.22%

LAB 29.13, -21.89, 10.97

 

CMYK 71 / 0 / 42 / 66

HEX #195632

RGB 25 86 50

HSL 144.59, 0.55%, 0.22%

LAB 32.02, -28.75, 15.43

 

CMYK 83 / 0 / 49 / 63

HEX #105F30

RGB 16 95 48

HSL 144.3, 0.71%, 0.22%

LAB 35.02, -34.59, 20.48

 

CMYK 93 / 0 / 56 / 59

HEX #07682E

RGB 7 104 46

HSL 144.12, 0.87%, 0.22%

LAB 38.1, -39.42, 25.42

 

CMYK 37 / 0 / 22 / 73

HEX #2B4435

RGB 43 68 53

HSL 144, 0.23%, 0.22%

LAB 26.46, -13.48, 6.07

 

CMYK 12 / 0 / 7 / 77

HEX #343B37

RGB 52 59 55

HSL 145.71, 0.06%, 0.22%

LAB 24.11, -3.89, 1.48

 

CMYK 0 / 18 / 7 / 76

HEX #3D3239

RGB 61 50 57

HSL 321.82, 0.1%, 0.22%

LAB 22.19, 6.41, -2.57

 

CMYK 0 / 41 / 16 / 73

HEX #46293B

RGB 70 41 59

HSL 322.76, 0.26%, 0.22%

LAB 20.84, 16.67, -5.83

 

CMYK 0 / 60 / 25 / 69

HEX #50203C

RGB 80 32 60

HSL 325, 0.43%, 0.22%

LAB 20.3, 26.27, -7.18

 

CMYK 31 / 0 / 37 / 73

HEX #2F442B

RGB 47 68 43

HSL 110.4, 0.23%, 0.22%

LAB 26.49, -14.05, 12.58

 

CMYK 37 / 0 / 31 / 73

HEX #2B442F

RGB 43 68 47

HSL 129.6, 0.23%, 0.22%

LAB 26.31, -14.83, 9.74

 

CMYK 37 / 0 / 22 / 73

HEX #2B4435

RGB 43 68 53

HSL 144, 0.23%, 0.22%

LAB 26.46, -13.48, 6.07

 

CMYK 37 / 0 / 12 / 73

HEX #2B443C

RGB 43 68 60

HSL 160.8, 0.23%, 0.22%

LAB 26.66, -11.74, 1.79

 

CMYK 37 / 0 / 3 / 73

HEX #2B4442

RGB 43 68 66

HSL 175.2, 0.23%, 0.22%

LAB 26.85, -10.11, -1.86

 

CMYK 39 / 0 / 22 / 93

HEX #0B120E

RGB 11 18 14

HSL 145.71, 0.24%, 0.06%

LAB 4.84, -3.09, 1.25

 

CMYK 37 / 0 / 23 / 83

HEX #1B2B21

RGB 27 43 33

HSL 142.5, 0.23%, 0.14%

LAB 15.85, -9.41, 4.4

 

CMYK 37 / 0 / 22 / 73

HEX #2B4435

RGB 43 68 53

HSL 144, 0.23%, 0.22%

LAB 26.46, -13.48, 6.07

 

CMYK 37 / 0 / 22 / 64

HEX #3B5D49

RGB 59 93 73

HSL 144.71, 0.22%, 0.3%

LAB 36.44, -17.25, 7.63

 

CMYK 36 / 0 / 21 / 54

HEX #4B765D

RGB 75 118 93

HSL 145.12, 0.22%, 0.38%

LAB 45.97, -20.83, 9.12

 

CMYK 36 / 0 / 22 / 73

HEX #2C4536

RGB 44 69 54

HSL 144, 0.22%, 0.22%

LAB 26.9, -13.45, 6.05

 

CMYK 37 / 22 / 0 / 73

HEX #2B3544

RGB 43 53 68

HSL 216, 0.23%, 0.22%

LAB 21.86, 0.13, -10.68

 

CMYK 0 / 37 / 37 / 73

HEX #442B2B

RGB 68 43 43

HSL 0, 0.23%, 0.22%

LAB 20.56, 11.62, 4.75

 

CMYK 36 / 0 / 22 / 73

HEX #2C4536

RGB 44 69 54

HSL 144, 0.22%, 0.22%

LAB 26.9, -13.45, 6.05

 

CMYK 22 / 37 / 0 / 73

HEX #352B44

RGB 53 43 68

HSL 264, 0.23%, 0.22%

LAB 19.65, 10.7, -14.01

 

CMYK 0 / 22 / 37 / 73

HEX #44352B

RGB 68 53 43

HSL 24, 0.23%, 0.22%

LAB 23.5, 4.98, 8.85

 

CMYK 36 / 0 / 22 / 73

HEX #2C4536

RGB 44 69 54

HSL 144, 0.22%, 0.22%

LAB 26.9, -13.45, 6.05

 

CMYK 37 / 22 / 0 / 73

HEX #2B3544

RGB 43 53 68

HSL 216, 0.23%, 0.22%

LAB 21.86, 0.13, -10.68

 

CMYK 0 / 37 / 15 / 73

HEX #442B3A

RGB 68 43 58

HSL 324, 0.23%, 0.22%

LAB 21.06, 14.32, -4.84

 

CMYK 0 / 15 / 37 / 73

HEX #443A2B

RGB 68 58 43

HSL 36, 0.23%, 0.22%

LAB 25.04, 1.71, 10.95

 

CMYK 36 / 0 / 22 / 73

HEX #2C4536

RGB 44 69 54

HSL 144, 0.22%, 0.22%

LAB 26.9, -13.45, 6.05

 

CMYK 37 / 32 / 0 / 73

HEX #2B2E44

RGB 43 46 68

HSL 232.8, 0.23%, 0.22%

LAB 19.58, 4.96, -14.2

 

CMYK 0 / 37 / 15 / 73

HEX #442B3A

RGB 68 43 58

HSL 324, 0.23%, 0.22%

LAB 21.06, 14.32, -4.84

 

CMYK 0 / 4 / 37 / 73

HEX #44412B

RGB 68 65 43

HSL 52.8, 0.23%, 0.22%

LAB 27.25, -2.78, 13.91

 

Description

Color code: RGB 44 69 54 | qconv.com Color code: RGB 44 69 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 69 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 69 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 22 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 22% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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