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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 62 185 it is the complementary color RGB 211 193 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 62 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 62 185 shade: RGB 49 62 180, RGB 66 80 199, RGB 83 98 218, RGB 100 116 237 and RGB 117 134 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 62 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 62 185 shade: RGB 44 62 185, RGB 27 44 166, RGB 10 26 147, RGB 0 8 128 and RGB 0 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 62 185 shade: RGB 43 61 185, RGB 63 43 185, RGB 102 43 185, RGB 140 43 185 and RGB 178 43 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 62 185 shade: RGB 43 61 185 and RGB 43 43 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 62 185 shade matches the following richer shades: RGB 43 61 185, RGB 25 47 204 and RGB 6 34 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 62 185 shade: RGB 43 61 185, RGB 62 75 167, RGB 80 89 148, RGB 99 103 130 and RGB 117 117 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 62 185 shade: RGB 43 138 185, RGB 43 100 185, RGB 43 62 185, RGB 62 43 185 and RGB 100 43 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 62 185 shade: RGB 27 39 119, RGB 35 50 152, RGB 43 61 185, RGB 61 80 209 and RGB 94 110 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 62 185 shade: RGB 44 62 185, RGB 185 43 176 and RGB 119 185 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 62 185 shade: RGB 44 62 185, RGB 185 43 62 and RGB 62 185 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 62 185 shade: RGB 44 62 185, RGB 185 43 176, RGB 185 166 43 and RGB 43 185 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 62 185 shade: RGB 44 62 185, RGB 185 43 133, RGB 185 166 43 and RGB 43 185 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 66 / 0 / 27

HEX #2C3EB9

RGB 44 62 185

HSL 232.34, 0.62%, 0.45%

LAB 32.88, 36.73, -66.59

 

Complementary color

CMYK 0 / 9 / 67 / 17

HEX #D3C146

RGB 211 193 70

HSL 52.34, 0.62%, 0.55%

LAB 77.54, -7.68, 61.7

 

CMYK 73 / 66 / 0 / 29

HEX #313EB4

RGB 49 62 180

HSL 234.05, 0.57%, 0.45%

LAB 32.69, 35.47, -63.94

 

CMYK 67 / 60 / 0 / 22

HEX #4250C7

RGB 66 80 199

HSL 233.68, 0.54%, 0.52%

LAB 39.61, 33.02, -63.73

 

CMYK 62 / 55 / 0 / 15

HEX #5362DA

RGB 83 98 218

HSL 233.33, 0.65%, 0.59%

LAB 46.49, 30.92, -63.43

 

CMYK 58 / 51 / 0 / 7

HEX #6474ED

RGB 100 116 237

HSL 232.99, 0.79%, 0.66%

LAB 53.29, 29.14, -63.1

 

CMYK 54 / 47 / 0 / 0

HEX #7586FF

RGB 117 134 255

HSL 232.61, 1%, 0.73%

LAB 59.94, 27.32, -62.33

 

CMYK 76 / 66 / 0 / 27

HEX #2C3EB9

RGB 44 62 185

HSL 232.34, 0.62%, 0.45%

LAB 32.88, 36.73, -66.59

 

CMYK 84 / 73 / 0 / 35

HEX #1B2CA6

RGB 27 44 166

HSL 232.66, 0.72%, 0.38%

LAB 26.12, 39.7, -66.4

 

CMYK 93 / 82 / 0 / 42

HEX #0A1A93

RGB 10 26 147

HSL 232.99, 0.87%, 0.31%

LAB 19.68, 42.62, -65.46

 

CMYK 100 / 94 / 0 / 50

HEX #000880

RGB 0 8 128

HSL 236.25, 1%, 0.25%

LAB 14.01, 44.3, -62.97

 

CMYK 100 / 100 / 0 / 57

HEX #00006D

RGB 0 0 109

HSL 240, 1%, 0.21%

LAB 9.83, 42.35, -57.68

 

CMYK 77 / 67 / 0 / 27

HEX #2B3DB9

RGB 43 61 185

HSL 232.39, 0.62%, 0.45%

LAB 32.6, 37.26, -67.05

 

CMYK 66 / 77 / 0 / 27

HEX #3F2BB9

RGB 63 43 185

HSL 248.45, 0.62%, 0.45%

LAB 30.13, 49.7, -71.08

 

CMYK 45 / 77 / 0 / 27

HEX #662BB9

RGB 102 43 185

HSL 264.93, 0.62%, 0.45%

LAB 34.1, 54.86, -64.41

 

CMYK 24 / 77 / 0 / 27

HEX #8C2BB9

RGB 140 43 185

HSL 280.99, 0.62%, 0.45%

LAB 39.25, 61.39, -55.79

 

CMYK 4 / 77 / 0 / 27

HEX #B22BB9

RGB 178 43 185

HSL 297.04, 0.62%, 0.45%

LAB 45.21, 68.76, -45.89

 

CMYK 77 / 67 / 0 / 27

HEX #2B3DB9

RGB 43 61 185

HSL 232.39, 0.62%, 0.45%

LAB 32.6, 37.26, -67.05

 

CMYK 77 / 77 / 0 / 27

HEX #2B2BB9

RGB 43 43 185

HSL 240, 0.62%, 0.45%

LAB 28.76, 47.88, -73.39

 

CMYK 77 / 67 / 0 / 27

HEX #2B3DB9

RGB 43 61 185

HSL 232.39, 0.62%, 0.45%

LAB 32.6, 37.26, -67.05

 

CMYK 88 / 77 / 0 / 20

HEX #192FCC

RGB 25 47 204

HSL 232.63, 0.78%, 0.45%

LAB 30.88, 50.96, -81.07

 

CMYK 97 / 85 / 0 / 13

HEX #0622DF

RGB 6 34 223

HSL 232.26, 0.95%, 0.45%

LAB 30.67, 62.7, -92.43

 

CMYK 77 / 67 / 0 / 27

HEX #2B3DB9

RGB 43 61 185

HSL 232.39, 0.62%, 0.45%

LAB 32.6, 37.26, -67.05

 

CMYK 63 / 55 / 0 / 35

HEX #3E4BA7

RGB 62 75 167

HSL 232.57, 0.46%, 0.45%

LAB 35.69, 24.35, -51.28

 

CMYK 46 / 40 / 0 / 42

HEX #505994

RGB 80 89 148

HSL 232.06, 0.3%, 0.45%

LAB 39.56, 12.91, -33.61

 

CMYK 24 / 21 / 0 / 49

HEX #636782

RGB 99 103 130

HSL 232.26, 0.14%, 0.45%

LAB 44.18, 4.81, -15.48

 

CMYK 0 / 0 / 5 / 54

HEX #75756F

RGB 117 117 111

HSL 60, 0.03%, 0.45%

LAB 49.07, -1.18, 3.3

 

CMYK 77 / 25 / 0 / 27

HEX #2B8AB9

RGB 43 138 185

HSL 199.86, 0.62%, 0.45%

LAB 54.23, -11.18, -32.37

 

CMYK 77 / 46 / 0 / 27

HEX #2B64B9

RGB 43 100 185

HSL 215.92, 0.62%, 0.45%

LAB 42.96, 11.86, -50.22

 

CMYK 77 / 66 / 0 / 27

HEX #2B3EB9

RGB 43 62 185

HSL 231.97, 0.62%, 0.45%

LAB 32.84, 36.63, -66.67

 

CMYK 66 / 77 / 0 / 27

HEX #3E2BB9

RGB 62 43 185

HSL 248.03, 0.62%, 0.45%

LAB 30.05, 49.59, -71.22

 

CMYK 46 / 77 / 0 / 27

HEX #642BB9

RGB 100 43 185

HSL 264.08, 0.62%, 0.45%

LAB 33.86, 54.55, -64.81

 

CMYK 77 / 67 / 0 / 53

HEX #1B2777

RGB 27 39 119

HSL 232.17, 0.63%, 0.29%

LAB 20.11, 25.34, -47.1

 

CMYK 77 / 67 / 0 / 40

HEX #233298

RGB 35 50 152

HSL 232.31, 0.63%, 0.37%

LAB 26.46, 31.44, -57.3

 

CMYK 77 / 67 / 0 / 27

HEX #2B3DB9

RGB 43 61 185

HSL 232.39, 0.62%, 0.45%

LAB 32.6, 37.26, -67.05

 

CMYK 71 / 62 / 0 / 18

HEX #3D50D1

RGB 61 80 209

HSL 232.3, 0.62%, 0.53%

LAB 40.14, 35.84, -68.67

 

CMYK 57 / 49 / 0 / 15

HEX #5E6ED9

RGB 94 110 217

HSL 232.2, 0.62%, 0.61%

LAB 50.15, 25.18, -56.93

 

CMYK 76 / 66 / 0 / 27

HEX #2C3EB9

RGB 44 62 185

HSL 232.34, 0.62%, 0.45%

LAB 32.88, 36.73, -66.59

 

CMYK 0 / 77 / 5 / 27

HEX #B92BB0

RGB 185 43 176

HSL 303.8, 0.62%, 0.45%

LAB 45.88, 68.77, -39.47

 

CMYK 36 / 0 / 77 / 27

HEX #77B92B

RGB 119 185 43

HSL 87.89, 0.62%, 0.45%

LAB 68.6, -42.64, 60.61

 

CMYK 76 / 66 / 0 / 27

HEX #2C3EB9

RGB 44 62 185

HSL 232.34, 0.62%, 0.45%

LAB 32.88, 36.73, -66.59

 

CMYK 0 / 77 / 66 / 27

HEX #B92B3E

RGB 185 43 62

HSL 351.97, 0.62%, 0.45%

LAB 41.83, 56.52, 24.44

 

CMYK 66 / 0 / 77 / 27

HEX #3EB92B

RGB 62 185 43

HSL 111.97, 0.62%, 0.45%

LAB 66.44, -59.09, 57.78

 

CMYK 76 / 66 / 0 / 27

HEX #2C3EB9

RGB 44 62 185

HSL 232.34, 0.62%, 0.45%

LAB 32.88, 36.73, -66.59

 

CMYK 0 / 77 / 5 / 27

HEX #B92BB0

RGB 185 43 176

HSL 303.8, 0.62%, 0.45%

LAB 45.88, 68.77, -39.47

 

CMYK 0 / 10 / 77 / 27

HEX #B9A62B

RGB 185 166 43

HSL 51.97, 0.62%, 0.45%

LAB 67.84, -6.18, 61.57

 

CMYK 77 / 0 / 71 / 27

HEX #2BB935

RGB 43 185 53

HSL 124.23, 0.62%, 0.45%

LAB 66.11, -61.64, 53.77

 

CMYK 76 / 66 / 0 / 27

HEX #2C3EB9

RGB 44 62 185

HSL 232.34, 0.62%, 0.45%

LAB 32.88, 36.73, -66.59

 

CMYK 0 / 77 / 28 / 27

HEX #B92B85

RGB 185 43 133

HSL 321.97, 0.62%, 0.45%

LAB 43.85, 62.83, -16.81

 

CMYK 0 / 10 / 77 / 27

HEX #B9A62B

RGB 185 166 43

HSL 51.97, 0.62%, 0.45%

LAB 67.84, -6.18, 61.57

 

CMYK 77 / 0 / 49 / 27

HEX #2BB95F

RGB 43 185 95

HSL 141.97, 0.62%, 0.45%

LAB 66.55, -56.4, 35.25

 

Description

Color code: RGB 44 62 185 | qconv.com Color code: RGB 44 62 185 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 62 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 62 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 66 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 66% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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