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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 253 104 it is the complementary color RGB 208 2 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 253 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 253 104 shade: RGB 52 253 99, RGB 69 255 118, RGB 86 255 137, RGB 103 255 156 and RGB 120 255 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 253 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 253 104 shade: RGB 47 253 104, RGB 30 235 85, RGB 13 217 66, RGB 0 199 47 and RGB 0 181 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 253 104 shade: RGB 47 252 104, RGB 47 252 49, RGB 101 252 47, RGB 157 252 47 and RGB 212 252 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 253 104 shade: RGB 47 252 104, RGB 47 252 159, RGB 47 252 215, RGB 47 235 252 and RGB 47 180 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 253 104 shade matches the following richer shades: RGB 47 252 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 253 104 shade: RGB 47 252 104, RGB 64 235 112, RGB 81 219 119, RGB 98 202 127 and RGB 115 185 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 253 104 shade: RGB 102 252 47, RGB 47 252 47, RGB 47 252 102, RGB 47 252 157 and RGB 47 252 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 253 104 shade: RGB 2 216 61, RGB 7 252 75, RGB 47 252 104, RGB 88 253 134 and RGB 129 253 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 253 104 shade: RGB 47 253 104, RGB 47 157 252 and RGB 252 47 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 253 104 shade: RGB 47 253 104, RGB 102 47 252 and RGB 252 102 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 253 104 shade: RGB 47 253 104, RGB 47 157 252, RGB 252 47 198 and RGB 252 143 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 253 104 shade: RGB 47 253 104, RGB 47 95 252, RGB 252 47 198 and RGB 252 205 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 59 / 1

HEX #2FFD68

RGB 47 253 104

HSL 136.6, 0.98%, 0.59%

LAB 87.9, -76.94, 56.8

 

Complementary color

CMYK 0 / 99 / 27 / 18

HEX #D00297

RGB 208 2 151

HSL 316.6, 0.98%, 0.41%

LAB 46.56, 76.79, -23.19

 

CMYK 79 / 0 / 61 / 1

HEX #34FD63

RGB 52 253 99

HSL 134.03, 0.98%, 0.6%

LAB 87.91, -77.01, 58.96

 

CMYK 73 / 0 / 54 / 0

HEX #45FF76

RGB 69 255 118

HSL 135.81, 1%, 0.64%

LAB 88.97, -73.17, 51.92

 

CMYK 66 / 0 / 46 / 0

HEX #56FF89

RGB 86 255 137

HSL 138.11, 1%, 0.67%

LAB 89.54, -67.77, 43.82

 

CMYK 60 / 0 / 39 / 0

HEX #67FF9C

RGB 103 255 156

HSL 140.92, 1%, 0.7%

LAB 90.23, -61.51, 35.54

 

CMYK 53 / 0 / 31 / 0

HEX #78FFAF

RGB 120 255 175

HSL 144.44, 1%, 0.74%

LAB 91.06, -54.51, 27.22

 

CMYK 81 / 0 / 59 / 1

HEX #2FFD68

RGB 47 253 104

HSL 136.6, 0.98%, 0.59%

LAB 87.9, -76.94, 56.8

 

CMYK 87 / 0 / 64 / 8

HEX #1EEB55

RGB 30 235 85

HSL 136.1, 0.84%, 0.52%

LAB 82.03, -75.12, 58.12

 

CMYK 94 / 0 / 70 / 15

HEX #0DD942

RGB 13 217 66

HSL 135.59, 0.89%, 0.45%

LAB 76.13, -72.71, 59.23

 

CMYK 100 / 0 / 76 / 22

HEX #00C72F

RGB 0 199 47

HSL 134.17, 1%, 0.39%

LAB 70.21, -69.64, 59.91

 

CMYK 100 / 0 / 85 / 29

HEX #00B51C

RGB 0 181 28

HSL 129.28, 1%, 0.35%

LAB 64.27, -65.75, 59.78

 

CMYK 81 / 0 / 59 / 1

HEX #2FFC68

RGB 47 252 104

HSL 136.68, 0.97%, 0.59%

LAB 87.59, -76.63, 56.44

 

CMYK 81 / 0 / 81 / 1

HEX #2FFC31

RGB 47 252 49

HSL 120.59, 0.97%, 0.59%

LAB 87.22, -81.34, 75.64

 

CMYK 60 / 0 / 81 / 1

HEX #65FC2F

RGB 101 252 47

HSL 104.2, 0.97%, 0.59%

LAB 88.25, -72.53, 77.48

 

CMYK 38 / 0 / 81 / 1

HEX #9DFC2F

RGB 157 252 47

HSL 87.8, 0.97%, 0.59%

LAB 90.32, -56.73, 80.12

 

CMYK 16 / 0 / 81 / 1

HEX #D4FC2F

RGB 212 252 47

HSL 71.71, 0.97%, 0.59%

LAB 93.37, -36.7, 83.98

 

CMYK 81 / 0 / 59 / 1

HEX #2FFC68

RGB 47 252 104

HSL 136.68, 0.97%, 0.59%

LAB 87.59, -76.63, 56.44

 

CMYK 81 / 0 / 37 / 1

HEX #2FFC9F

RGB 47 252 159

HSL 152.78, 0.97%, 0.59%

LAB 88.32, -68.08, 31.31

 

CMYK 81 / 0 / 15 / 1

HEX #2FFCD7

RGB 47 252 215

HSL 169.17, 0.97%, 0.59%

LAB 89.45, -55.69, 4.21

 

CMYK 81 / 7 / 0 / 1

HEX #2FEBFC

RGB 47 235 252

HSL 184.98, 0.97%, 0.59%

LAB 85.53, -38.21, -20.95

 

CMYK 81 / 29 / 0 / 1

HEX #2FB4FC

RGB 47 180 252

HSL 201.07, 0.97%, 0.59%

LAB 69.67, -10.64, -45.42

 

CMYK 81 / 0 / 59 / 1

HEX #2FFC68

RGB 47 252 104

HSL 136.68, 0.97%, 0.59%

LAB 87.59, -76.63, 56.44

 

CMYK 81 / 0 / 59 / 1

HEX #2FFC68

RGB 47 252 104

HSL 136.68, 0.97%, 0.59%

LAB 87.59, -76.63, 56.44

 

CMYK 73 / 0 / 52 / 8

HEX #40EB70

RGB 64 235 112

HSL 136.84, 0.81%, 0.59%

LAB 82.74, -68.09, 47.12

 

CMYK 63 / 0 / 46 / 14

HEX #51DB77

RGB 81 219 119

HSL 136.52, 0.66%, 0.59%

LAB 78.31, -58.49, 38.31

 

CMYK 51 / 0 / 37 / 21

HEX #62CA7F

RGB 98 202 127

HSL 136.73, 0.5%, 0.59%

LAB 73.79, -46.62, 28.46

 

CMYK 38 / 0 / 28 / 27

HEX #73B986

RGB 115 185 134

HSL 136.29, 0.33%, 0.59%

LAB 69.52, -33.07, 19.1

 

CMYK 60 / 0 / 81 / 1

HEX #66FC2F

RGB 102 252 47

HSL 103.9, 0.97%, 0.59%

LAB 88.28, -72.3, 77.52

 

CMYK 81 / 0 / 81 / 1

HEX #2FFC2F

RGB 47 252 47

HSL 120, 0.97%, 0.59%

LAB 87.21, -81.44, 76.14

 

CMYK 81 / 0 / 60 / 1

HEX #2FFC66

RGB 47 252 102

HSL 136.1, 0.97%, 0.59%

LAB 87.57, -76.87, 57.28

 

CMYK 81 / 0 / 38 / 1

HEX #2FFC9D

RGB 47 252 157

HSL 152.2, 0.97%, 0.59%

LAB 88.29, -68.46, 32.27

 

CMYK 81 / 0 / 16 / 1

HEX #2FFCD3

RGB 47 252 211

HSL 168, 0.97%, 0.59%

LAB 89.36, -56.68, 6.15

 

CMYK 99 / 0 / 72 / 15

HEX #02D83D

RGB 2 216 61

HSL 136.54, 0.98%, 0.43%

LAB 75.74, -73.26, 60.65

 

CMYK 97 / 0 / 70 / 1

HEX #07FC4B

RGB 7 252 75

HSL 136.65, 0.98%, 0.51%

LAB 87.08, -81.99, 67.36

 

CMYK 81 / 0 / 59 / 1

HEX #2FFC68

RGB 47 252 104

HSL 136.68, 0.97%, 0.59%

LAB 87.59, -76.63, 56.44

 

CMYK 65 / 0 / 47 / 1

HEX #58FD86

RGB 88 253 134

HSL 136.73, 0.98%, 0.67%

LAB 88.94, -67.17, 44.52

 

CMYK 49 / 0 / 35 / 1

HEX #81FDA4

RGB 129 253 164

HSL 136.94, 0.97%, 0.75%

LAB 90.6, -53.49, 32.19

 

CMYK 81 / 0 / 59 / 1

HEX #2FFD68

RGB 47 253 104

HSL 136.6, 0.98%, 0.59%

LAB 87.9, -76.94, 56.8

 

CMYK 81 / 38 / 0 / 1

HEX #2F9DFC

RGB 47 157 252

HSL 207.8, 0.97%, 0.59%

LAB 63.13, 2.34, -55.74

 

CMYK 0 / 81 / 70 / 1

HEX #FC2F4B

RGB 252 47 75

HSL 351.8, 0.97%, 0.59%

LAB 55.32, 74.74, 36.14

 

CMYK 81 / 0 / 59 / 1

HEX #2FFD68

RGB 47 253 104

HSL 136.6, 0.98%, 0.59%

LAB 87.9, -76.94, 56.8

 

CMYK 60 / 81 / 0 / 1

HEX #662FFC

RGB 102 47 252

HSL 256.1, 0.97%, 0.59%

LAB 41.03, 70.48, -91.51

 

CMYK 0 / 60 / 81 / 1

HEX #FC662F

RGB 252 102 47

HSL 16.1, 0.97%, 0.59%

LAB 62, 54.67, 57.69

 

CMYK 81 / 0 / 59 / 1

HEX #2FFD68

RGB 47 253 104

HSL 136.6, 0.98%, 0.59%

LAB 87.9, -76.94, 56.8

 

CMYK 81 / 38 / 0 / 1

HEX #2F9DFC

RGB 47 157 252

HSL 207.8, 0.97%, 0.59%

LAB 63.13, 2.34, -55.74

 

CMYK 0 / 81 / 21 / 1

HEX #FC2FC6

RGB 252 47 198

HSL 315.8, 0.97%, 0.59%

LAB 58.79, 84.85, -31.18

 

CMYK 0 / 43 / 81 / 1

HEX #FC8F2F

RGB 252 143 47

HSL 28.1, 0.97%, 0.59%

LAB 69.86, 34.85, 64.77

 

CMYK 81 / 0 / 59 / 1

HEX #2FFD68

RGB 47 253 104

HSL 136.6, 0.98%, 0.59%

LAB 87.9, -76.94, 56.8

 

CMYK 81 / 62 / 0 / 1

HEX #2F5FFC

RGB 47 95 252

HSL 225.95, 0.97%, 0.59%

LAB 46.73, 40.43, -82.24

 

CMYK 0 / 81 / 21 / 1

HEX #FC2FC6

RGB 252 47 198

HSL 315.8, 0.97%, 0.59%

LAB 58.79, 84.85, -31.18

 

CMYK 0 / 19 / 81 / 1

HEX #FCCD2F

RGB 252 205 47

HSL 46.24, 0.97%, 0.59%

LAB 84.26, 2.62, 77.35

 

Description

Color code: RGB 47 253 104 | qconv.com Color code: RGB 47 253 104 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 253 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 253 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 59 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 59% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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