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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 242 112 it is the complementary color RGB 208 13 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 242 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 242 112 shade: RGB 52 242 107, RGB 69 255 126, RGB 86 255 145, RGB 103 255 164 and RGB 120 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 242 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 242 112 shade: RGB 47 242 112, RGB 30 224 93, RGB 13 206 74, RGB 0 188 55 and RGB 0 170 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 242 112 shade: RGB 48 241 113, RGB 48 241 61, RGB 88 241 48, RGB 140 241 48 and RGB 192 241 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 242 112 shade: RGB 48 241 113, RGB 48 241 165, RGB 48 241 217, RGB 48 214 241 and RGB 48 162 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 242 112 shade matches the following richer shades: RGB 48 241 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 242 112 shade: RGB 48 241 113, RGB 66 224 119, RGB 84 206 125, RGB 102 188 130 and RGB 119 170 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 242 112 shade: RGB 87 241 48, RGB 48 241 61, RGB 48 241 113, RGB 48 241 164 and RGB 48 241 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 242 112 shade: RGB 12 195 73, RGB 14 234 88, RGB 48 241 113, RGB 87 244 139 and RGB 126 246 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 242 112 shade: RGB 47 242 112, RGB 48 138 241 and RGB 241 48 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 242 112 shade: RGB 47 242 112, RGB 113 48 241 and RGB 241 113 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 242 112 shade: RGB 47 242 112, RGB 48 138 241, RGB 241 48 177 and RGB 241 151 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 242 112 shade: RGB 47 242 112, RGB 48 81 241, RGB 241 48 177 and RGB 241 209 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 54 / 5

HEX #2FF270

RGB 47 242 112

HSL 140, 0.88%, 0.57%

LAB 84.63, -72.48, 49.35

 

Complementary color

CMYK 0 / 94 / 31 / 18

HEX #D00D8F

RGB 208 13 143

HSL 320, 0.88%, 0.43%

LAB 46.55, 74.97, -18.38

 

CMYK 79 / 0 / 56 / 5

HEX #34F26B

RGB 52 242 107

HSL 137.37, 0.88%, 0.58%

LAB 84.64, -72.61, 51.66

 

CMYK 73 / 0 / 51 / 0

HEX #45FF7E

RGB 69 255 126

HSL 138.39, 1%, 0.64%

LAB 89.06, -72.07, 48.35

 

CMYK 66 / 0 / 43 / 0

HEX #56FF91

RGB 86 255 145

HSL 140.95, 1%, 0.67%

LAB 89.65, -66.52, 40.1

 

CMYK 60 / 0 / 36 / 0

HEX #67FFA4

RGB 103 255 164

HSL 144.08, 1%, 0.7%

LAB 90.36, -60.13, 31.73

 

CMYK 53 / 0 / 28 / 0

HEX #78FFB7

RGB 120 255 183

HSL 148, 1%, 0.74%

LAB 91.2, -53.01, 23.37

 

CMYK 81 / 0 / 54 / 5

HEX #2FF270

RGB 47 242 112

HSL 140, 0.88%, 0.57%

LAB 84.63, -72.48, 49.35

 

CMYK 87 / 0 / 58 / 12

HEX #1EE05D

RGB 30 224 93

HSL 139.48, 0.76%, 0.5%

LAB 78.68, -70.86, 50.87

 

CMYK 94 / 0 / 64 / 19

HEX #0DCE4A

RGB 13 206 74

HSL 138.96, 0.88%, 0.43%

LAB 72.71, -68.67, 52.31

 

CMYK 100 / 0 / 71 / 26

HEX #00BC37

RGB 0 188 55

HSL 137.55, 1%, 0.37%

LAB 66.7, -65.82, 53.5

 

CMYK 100 / 0 / 79 / 33

HEX #00AA24

RGB 0 170 36

HSL 132.71, 1%, 0.33%

LAB 60.67, -62.14, 54.16

 

CMYK 80 / 0 / 53 / 5

HEX #30F171

RGB 48 241 113

HSL 140.21, 0.87%, 0.57%

LAB 84.35, -71.92, 48.55

 

CMYK 80 / 0 / 75 / 5

HEX #30F13D

RGB 48 241 61

HSL 124.04, 0.87%, 0.57%

LAB 83.9, -77.36, 69

 

CMYK 63 / 0 / 80 / 5

HEX #58F130

RGB 88 241 48

HSL 107.56, 0.87%, 0.57%

LAB 84.59, -71.75, 73.74

 

CMYK 42 / 0 / 80 / 5

HEX #8CF130

RGB 140 241 48

HSL 91.4, 0.87%, 0.57%

LAB 86.35, -57.93, 76.01

 

CMYK 20 / 0 / 80 / 5

HEX #C0F130

RGB 192 241 48

HSL 75.23, 0.87%, 0.57%

LAB 89.08, -39.51, 79.48

 

CMYK 80 / 0 / 53 / 5

HEX #30F171

RGB 48 241 113

HSL 140.21, 0.87%, 0.57%

LAB 84.35, -71.92, 48.55

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A5

RGB 48 241 165

HSL 156.37, 0.87%, 0.57%

LAB 85.13, -62.87, 23.95

 

CMYK 80 / 0 / 10 / 5

HEX #30F1D9

RGB 48 241 217

HSL 172.54, 0.87%, 0.57%

LAB 86.28, -50.59, -1.45

 

CMYK 80 / 11 / 0 / 5

HEX #30D6F1

RGB 48 214 241

HSL 188.39, 0.87%, 0.57%

LAB 79.08, -31.61, -24.92

 

CMYK 80 / 33 / 0 / 5

HEX #30A2F1

RGB 48 162 241

HSL 204.56, 0.87%, 0.57%

LAB 64.01, -4.4, -48.32

 

CMYK 80 / 0 / 53 / 5

HEX #30F171

RGB 48 241 113

HSL 140.21, 0.87%, 0.57%

LAB 84.35, -71.92, 48.55

 

CMYK 80 / 0 / 53 / 5

HEX #30F171

RGB 48 241 113

HSL 140.21, 0.87%, 0.57%

LAB 84.35, -71.92, 48.55

 

CMYK 71 / 0 / 47 / 12

HEX #42E077

RGB 66 224 119

HSL 140.13, 0.72%, 0.57%

LAB 79.5, -62.97, 39.75

 

CMYK 59 / 0 / 39 / 19

HEX #54CE7D

RGB 84 206 125

HSL 140.16, 0.55%, 0.57%

LAB 74.51, -51.89, 30.37

 

CMYK 46 / 0 / 31 / 26

HEX #66BC82

RGB 102 188 130

HSL 139.53, 0.39%, 0.57%

LAB 69.76, -38.97, 21.48

 

CMYK 30 / 0 / 20 / 33

HEX #77AA88

RGB 119 170 136

HSL 140, 0.23%, 0.57%

LAB 65.32, -24.17, 12.19

 

CMYK 64 / 0 / 80 / 5

HEX #57F130

RGB 87 241 48

HSL 107.88, 0.87%, 0.57%

LAB 84.56, -71.96, 73.71

 

CMYK 80 / 0 / 75 / 5

HEX #30F13D

RGB 48 241 61

HSL 124.04, 0.87%, 0.57%

LAB 83.9, -77.36, 69

 

CMYK 80 / 0 / 53 / 5

HEX #30F171

RGB 48 241 113

HSL 140.21, 0.87%, 0.57%

LAB 84.35, -71.92, 48.55

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

CMYK 80 / 0 / 10 / 5

HEX #30F1D8

RGB 48 241 216

HSL 172.23, 0.87%, 0.57%

LAB 86.25, -50.85, -0.96

 

CMYK 94 / 0 / 63 / 24

HEX #0CC349

RGB 12 195 73

HSL 140, 0.88%, 0.41%

LAB 69.18, -65.5, 48.77

 

CMYK 94 / 0 / 62 / 8

HEX #0EEA58

RGB 14 234 88

HSL 140.18, 0.89%, 0.49%

LAB 81.64, -75.36, 56.41

 

CMYK 80 / 0 / 53 / 5

HEX #30F171

RGB 48 241 113

HSL 140.21, 0.87%, 0.57%

LAB 84.35, -71.92, 48.55

 

CMYK 64 / 0 / 43 / 4

HEX #57F48B

RGB 87 244 139

HSL 139.87, 0.88%, 0.65%

LAB 86.3, -63.34, 38.72

 

CMYK 49 / 0 / 33 / 4

HEX #7EF6A6

RGB 126 246 166

HSL 140, 0.87%, 0.73%

LAB 88.5, -51.02, 28.34

 

CMYK 81 / 0 / 54 / 5

HEX #2FF270

RGB 47 242 112

HSL 140, 0.88%, 0.57%

LAB 84.63, -72.48, 49.35

 

CMYK 80 / 43 / 0 / 5

HEX #308AF1

RGB 48 138 241

HSL 212.02, 0.87%, 0.57%

LAB 57.23, 9.71, -59.12

 

CMYK 0 / 80 / 75 / 5

HEX #F1303D

RGB 241 48 61

HSL 355.96, 0.87%, 0.57%

LAB 53.12, 71, 41.06

 

CMYK 81 / 0 / 54 / 5

HEX #2FF270

RGB 47 242 112

HSL 140, 0.88%, 0.57%

LAB 84.63, -72.48, 49.35

 

CMYK 53 / 80 / 0 / 5

HEX #7130F1

RGB 113 48 241

HSL 260.21, 0.87%, 0.57%

LAB 41.18, 68.45, -85.05

 

CMYK 0 / 53 / 80 / 5

HEX #F17130

RGB 241 113 48

HSL 20.21, 0.87%, 0.57%

LAB 62.27, 45.6, 56.89

 

CMYK 81 / 0 / 54 / 5

HEX #2FF270

RGB 47 242 112

HSL 140, 0.88%, 0.57%

LAB 84.63, -72.48, 49.35

 

CMYK 80 / 43 / 0 / 5

HEX #308AF1

RGB 48 138 241

HSL 212.02, 0.87%, 0.57%

LAB 57.23, 9.71, -59.12

 

CMYK 0 / 80 / 27 / 5

HEX #F130B1

RGB 241 48 177

HSL 319.9, 0.87%, 0.57%

LAB 56.08, 79.8, -23.41

 

CMYK 0 / 37 / 80 / 5

HEX #F19730

RGB 241 151 48

HSL 32.02, 0.87%, 0.57%

LAB 70.21, 26.24, 64.19

 

CMYK 81 / 0 / 54 / 5

HEX #2FF270

RGB 47 242 112

HSL 140, 0.88%, 0.57%

LAB 84.63, -72.48, 49.35

 

CMYK 80 / 66 / 0 / 5

HEX #3051F1

RGB 48 81 241

HSL 229.74, 0.87%, 0.57%

LAB 42.56, 45.18, -82.94

 

CMYK 0 / 80 / 27 / 5

HEX #F130B1

RGB 241 48 177

HSL 319.9, 0.87%, 0.57%

LAB 56.08, 79.8, -23.41

 

CMYK 0 / 13 / 80 / 5

HEX #F1D130

RGB 241 209 48

HSL 50.05, 0.87%, 0.57%

LAB 84.23, -4.05, 76.64

 

Description

Color code: RGB 47 242 112 | qconv.com Color code: RGB 47 242 112 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 242 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 242 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 54 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 54% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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