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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 230 34 it is the complementary color RGB 208 25 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 230 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 230 34 shade: RGB 52 230 29, RGB 69 248 48, RGB 86 255 67, RGB 103 255 86 and RGB 120 255 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 230 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 230 34 shade: RGB 47 230 34, RGB 30 212 15, RGB 13 194 0, RGB 0 176 0 and RGB 0 158 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 230 34 shade: RGB 47 230 34, RGB 100 230 34, RGB 153 230 34, RGB 206 230 34 and RGB 230 202 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 230 34 shade: RGB 47 230 34, RGB 34 230 74, RGB 34 230 127, RGB 34 230 180 and RGB 34 228 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 230 34 shade matches the following richer shades: RGB 47 230 34 and RGB 30 250 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 230 34 shade: RGB 47 230 34, RGB 64 210 54, RGB 82 190 74, RGB 99 171 94 and RGB 116 151 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 230 34 shade: RGB 152 230 34, RGB 99 230 34, RGB 47 230 34, RGB 34 230 73 and RGB 34 230 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 230 34 shade: RGB 27 164 18, RGB 34 201 22, RGB 47 230 34, RGB 82 234 71 and RGB 117 238 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 230 34 shade: RGB 47 230 34, RGB 34 204 230 and RGB 230 34 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 230 34 shade: RGB 47 230 34, RGB 34 47 230 and RGB 230 34 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 230 34 shade: RGB 47 230 34, RGB 34 204 230, RGB 217 34 230 and RGB 230 60 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 230 34 shade: RGB 47 230 34, RGB 34 145 230, RGB 217 34 230 and RGB 230 119 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

Complementary color

CMYK 6 / 89 / 0 / 13

HEX #D019DD

RGB 208 25 221

HSL 296.02, 0.8%, 0.48%

LAB 51.07, 83.77, -57.03

 

CMYK 77 / 0 / 87 / 10

HEX #34E61D

RGB 52 230 29

HSL 113.13, 0.8%, 0.51%

LAB 80.41, -75.38, 74.03

 

CMYK 72 / 0 / 81 / 3

HEX #45F830

RGB 69 248 48

HSL 113.7, 0.93%, 0.58%

LAB 86.31, -77.39, 75.18

 

CMYK 66 / 0 / 74 / 0

HEX #56FF43

RGB 86 255 67

HSL 113.94, 1%, 0.63%

LAB 88.88, -75.46, 72.22

 

CMYK 60 / 0 / 66 / 0

HEX #67FF56

RGB 103 255 86

HSL 113.96, 1%, 0.67%

LAB 89.43, -70.5, 66.17

 

CMYK 53 / 0 / 59 / 0

HEX #78FF69

RGB 120 255 105

HSL 114, 1%, 0.71%

LAB 90.11, -64.63, 59.33

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 86 / 0 / 93 / 17

HEX #1ED40F

RGB 30 212 15

HSL 115.43, 0.87%, 0.45%

LAB 74.44, -73.09, 71.04

 

CMYK 93 / 0 / 100 / 24

HEX #0DC200

RGB 13 194 0

HSL 115.98, 1%, 0.38%

LAB 68.51, -69.59, 67.79

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 57 / 0 / 85 / 10

HEX #64E622

RGB 100 230 34

HSL 99.8, 0.8%, 0.52%

LAB 81.52, -65.97, 74.43

 

CMYK 33 / 0 / 85 / 10

HEX #99E622

RGB 153 230 34

HSL 83.57, 0.8%, 0.52%

LAB 83.7, -49.72, 77.16

 

CMYK 10 / 0 / 85 / 10

HEX #CEE622

RGB 206 230 34

HSL 67.35, 0.8%, 0.52%

LAB 86.91, -29.38, 81.17

 

CMYK 0 / 12 / 85 / 10

HEX #E6CA22

RGB 230 202 34

HSL 51.43, 0.8%, 0.52%

LAB 81.39, -5.56, 77.42

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 85 / 0 / 68 / 10

HEX #22E64A

RGB 34 230 74

HSL 132.24, 0.8%, 0.52%

LAB 80.42, -74.44, 60.76

 

CMYK 85 / 0 / 45 / 10

HEX #22E67F

RGB 34 230 127

HSL 148.47, 0.8%, 0.52%

LAB 81, -67.43, 37.62

 

CMYK 85 / 0 / 22 / 10

HEX #22E6B4

RGB 34 230 180

HSL 164.69, 0.8%, 0.52%

LAB 81.96, -56.53, 11.73

 

CMYK 85 / 1 / 0 / 10

HEX #22E4E6

RGB 34 228 230

HSL 180.61, 0.8%, 0.52%

LAB 82.67, -42.39, -13.67

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 88 / 0 / 94 / 2

HEX #1EFA0E

RGB 30 250 14

HSL 115.93, 0.96%, 0.52%

LAB 86.34, -83.44, 81

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 70 / 0 / 74 / 18

HEX #40D236

RGB 64 210 54

HSL 116.15, 0.63%, 0.52%

LAB 74.48, -66.13, 62.04

 

CMYK 57 / 0 / 61 / 25

HEX #52BE4A

RGB 82 190 74

HSL 115.86, 0.47%, 0.52%

LAB 68.83, -53.51, 48.27

 

CMYK 42 / 0 / 45 / 33

HEX #63AB5E

RGB 99 171 94

HSL 116.1, 0.31%, 0.52%

LAB 63.82, -38.34, 32.68

 

CMYK 23 / 0 / 25 / 41

HEX #749771

RGB 116 151 113

HSL 115.26, 0.15%, 0.52%

LAB 59.01, -19.85, 16.17

 

CMYK 34 / 0 / 85 / 10

HEX #98E622

RGB 152 230 34

HSL 83.88, 0.8%, 0.52%

LAB 83.64, -50.08, 77.1

 

CMYK 57 / 0 / 85 / 10

HEX #63E622

RGB 99 230 34

HSL 100.1, 0.8%, 0.52%

LAB 81.49, -66.22, 74.4

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 85 / 0 / 68 / 10

HEX #22E649

RGB 34 230 73

HSL 131.94, 0.8%, 0.52%

LAB 80.41, -74.54, 61.14

 

CMYK 85 / 0 / 45 / 10

HEX #22E67E

RGB 34 230 126

HSL 148.16, 0.8%, 0.52%

LAB 80.98, -67.6, 38.1

 

CMYK 84 / 0 / 89 / 36

HEX #1BA412

RGB 27 164 18

HSL 116.3, 0.8%, 0.36%

LAB 58.81, -59.45, 57.27

 

CMYK 83 / 0 / 89 / 21

HEX #22C916

RGB 34 201 22

HSL 115.98, 0.8%, 0.44%

LAB 70.99, -69.4, 67.08

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 65 / 0 / 70 / 8

HEX #52EA47

RGB 82 234 71

HSL 115.95, 0.8%, 0.6%

LAB 82.43, -69.19, 64.26

 

CMYK 51 / 0 / 55 / 7

HEX #75EE6C

RGB 117 238 108

HSL 115.85, 0.79%, 0.68%

LAB 85, -58.75, 52.02

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 85 / 11 / 0 / 10

HEX #22CCE6

RGB 34 204 230

HSL 187.96, 0.8%, 0.52%

LAB 75.6, -31.28, -24.36

 

CMYK 0 / 85 / 45 / 10

HEX #E6227E

RGB 230 34 126

HSL 331.84, 0.8%, 0.52%

LAB 51.24, 75.17, -0.63

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 85 / 80 / 0 / 10

HEX #222FE6

RGB 34 47 230

HSL 236.02, 0.8%, 0.52%

LAB 34.16, 59.63, -90.6

 

CMYK 0 / 85 / 80 / 10

HEX #E6222F

RGB 230 34 47

HSL 356.02, 0.8%, 0.52%

LAB 49.7, 70.74, 44.55

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 85 / 11 / 0 / 10

HEX #22CCE6

RGB 34 204 230

HSL 187.96, 0.8%, 0.52%

LAB 75.6, -31.28, -24.36

 

CMYK 6 / 85 / 0 / 10

HEX #D922E6

RGB 217 34 230

HSL 296.02, 0.8%, 0.52%

LAB 53.61, 85.19, -57.97

 

CMYK 0 / 74 / 85 / 10

HEX #E63C22

RGB 230 60 34

HSL 7.96, 0.8%, 0.52%

LAB 52.03, 63.57, 53.18

 

CMYK 80 / 0 / 85 / 10

HEX #2FE622

RGB 47 230 34

HSL 116.02, 0.8%, 0.52%

LAB 80.36, -75.81, 72.96

 

CMYK 85 / 37 / 0 / 10

HEX #2291E6

RGB 34 145 230

HSL 206.02, 0.8%, 0.52%

LAB 58.32, 0.29, -51.28

 

CMYK 6 / 85 / 0 / 10

HEX #D922E6

RGB 217 34 230

HSL 296.02, 0.8%, 0.52%

LAB 53.61, 85.19, -57.97

 

CMYK 0 / 48 / 85 / 10

HEX #E67722

RGB 230 119 34

HSL 26.02, 0.8%, 0.52%

LAB 61.77, 37.98, 61.3

 

Description

Color code: RGB 47 230 34 | qconv.com Color code: RGB 47 230 34 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 230 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 230 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 85% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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