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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 224 10 it is the complementary color RGB 208 31 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 224 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 224 10 shade: RGB 52 224 5, RGB 69 242 24, RGB 86 255 43, RGB 103 255 62 and RGB 120 255 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 224 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 224 10 shade: RGB 47 224 10, RGB 30 206 0, RGB 13 188 0, RGB 0 170 0 and RGB 0 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 224 10 shade: RGB 47 224 10, RGB 105 224 10, RGB 162 224 10, RGB 220 224 10 and RGB 224 170 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 224 10 shade: RGB 47 224 10, RGB 10 224 31, RGB 10 224 88, RGB 10 224 146 and RGB 10 224 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 224 10 shade matches the following richer shades: RGB 47 224 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 224 10 shade: RGB 47 224 10, RGB 59 205 29, RGB 72 186 48, RGB 84 167 67 and RGB 97 148 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 224 10 shade: RGB 163 224 10, RGB 106 224 10, RGB 49 224 10, RGB 10 224 28 and RGB 10 224 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 224 10 shade: RGB 30 145 6, RGB 39 184 8, RGB 47 224 10, RGB 68 244 31 and RGB 101 246 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 224 10 shade: RGB 47 224 10, RGB 10 220 224 and RGB 224 10 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 224 10 shade: RGB 47 224 10, RGB 10 49 224 and RGB 224 10 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 224 10 shade: RGB 47 224 10, RGB 10 220 224, RGB 184 10 224 and RGB 224 14 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 224 10 shade: RGB 47 224 10, RGB 10 156 224, RGB 184 10 224 and RGB 224 78 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

Complementary color

CMYK 15 / 87 / 0 / 4

HEX #D01FF5

RGB 208 31 245

HSL 289.63, 0.91%, 0.54%

LAB 52.93, 86.68, -67.57

 

CMYK 77 / 0 / 98 / 12

HEX #34E005

RGB 52 224 5

HSL 107.12, 0.96%, 0.45%

LAB 78.49, -74.21, 75.49

 

CMYK 71 / 0 / 90 / 5

HEX #45F218

RGB 69 242 24

HSL 107.61, 0.89%, 0.52%

LAB 84.4, -76.53, 78.38

 

CMYK 66 / 0 / 83 / 0

HEX #56FF2B

RGB 86 255 43

HSL 107.83, 1%, 0.58%

LAB 88.77, -76.78, 78.75

 

CMYK 60 / 0 / 76 / 0

HEX #67FF3E

RGB 103 255 62

HSL 107.25, 1%, 0.62%

LAB 89.28, -72.27, 74.32

 

CMYK 53 / 0 / 68 / 0

HEX #78FF51

RGB 120 255 81

HSL 106.55, 1%, 0.66%

LAB 89.91, -66.83, 68.72

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 85 / 0 / 100 / 19

HEX #1ECE00

RGB 30 206 0

HSL 111.26, 1%, 0.4%

LAB 72.51, -71.71, 71.05

 

CMYK 93 / 0 / 100 / 26

HEX #0DBC00

RGB 13 188 0

HSL 115.85, 1%, 0.37%

LAB 66.56, -67.94, 66.23

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 53 / 0 / 96 / 12

HEX #69E00A

RGB 105 224 10

HSL 93.36, 0.91%, 0.46%

LAB 79.8, -63.19, 76.64

 

CMYK 28 / 0 / 96 / 12

HEX #A2E00A

RGB 162 224 10

HSL 77.38, 0.91%, 0.46%

LAB 82.39, -44.42, 79.79

 

CMYK 2 / 0 / 96 / 12

HEX #DCE00A

RGB 220 224 10

HSL 61.12, 0.91%, 0.46%

LAB 86.28, -21.13, 84.47

 

CMYK 0 / 24 / 96 / 12

HEX #E0AA0A

RGB 224 170 10

HSL 44.86, 0.91%, 0.46%

LAB 72.64, 8.12, 74.59

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 96 / 0 / 86 / 12

HEX #0AE01F

RGB 10 224 31

HSL 125.89, 0.91%, 0.46%

LAB 78.15, -77.04, 71.52

 

CMYK 96 / 0 / 61 / 12

HEX #0AE058

RGB 10 224 88

HSL 141.87, 0.91%, 0.46%

LAB 78.51, -72.54, 52.84

 

CMYK 96 / 0 / 35 / 12

HEX #0AE092

RGB 10 224 146

HSL 158.13, 0.91%, 0.46%

LAB 79.3, -63.05, 25.74

 

CMYK 96 / 0 / 9 / 12

HEX #0AE0CB

RGB 10 224 203

HSL 174.11, 0.91%, 0.46%

LAB 80.56, -49.31, -2.48

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 71 / 0 / 86 / 20

HEX #3BCD1D

RGB 59 205 29

HSL 109.77, 0.75%, 0.46%

LAB 72.68, -66.85, 67.32

 

CMYK 61 / 0 / 74 / 27

HEX #48BA30

RGB 72 186 48

HSL 109.57, 0.59%, 0.46%

LAB 67.06, -56.87, 56.77

 

CMYK 50 / 0 / 60 / 35

HEX #54A743

RGB 84 167 67

HSL 109.8, 0.43%, 0.46%

LAB 61.59, -44.74, 43.21

 

CMYK 34 / 0 / 42 / 42

HEX #619456

RGB 97 148 86

HSL 109.35, 0.26%, 0.46%

LAB 56.48, -29.6, 27.49

 

CMYK 27 / 0 / 96 / 12

HEX #A3E00A

RGB 163 224 10

HSL 77.1, 0.91%, 0.46%

LAB 82.44, -44.05, 79.85

 

CMYK 53 / 0 / 96 / 12

HEX #6AE00A

RGB 106 224 10

HSL 93.08, 0.91%, 0.46%

LAB 79.84, -62.91, 76.68

 

CMYK 78 / 0 / 96 / 12

HEX #31E00A

RGB 49 224 10

HSL 109.07, 0.91%, 0.46%

LAB 78.45, -74.53, 74.98

 

CMYK 96 / 0 / 88 / 12

HEX #0AE01C

RGB 10 224 28

HSL 125.05, 0.91%, 0.46%

LAB 78.15, -77.15, 72.1

 

CMYK 96 / 0 / 62 / 12

HEX #0AE055

RGB 10 224 85

HSL 141.03, 0.91%, 0.46%

LAB 78.48, -72.89, 54.1

 

CMYK 79 / 0 / 96 / 43

HEX #1E9106

RGB 30 145 6

HSL 109.64, 0.92%, 0.3%

LAB 52.44, -53.63, 53.97

 

CMYK 79 / 0 / 96 / 28

HEX #27B808

RGB 39 184 8

HSL 109.43, 0.92%, 0.38%

LAB 65.54, -64.21, 64.54

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 72 / 0 / 87 / 4

HEX #44F41F

RGB 68 244 31

HSL 109.58, 0.91%, 0.54%

LAB 85.01, -77.07, 77.74

 

CMYK 59 / 0 / 72 / 4

HEX #65F646

RGB 101 246 70

HSL 109.43, 0.91%, 0.62%

LAB 86.56, -69.18, 69.02

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 96 / 2 / 0 / 12

HEX #0ADCE0

RGB 10 220 224

HSL 181.12, 0.91%, 0.46%

LAB 79.97, -41.58, -14.54

 

CMYK 0 / 96 / 40 / 12

HEX #E00A87

RGB 224 10 135

HSL 324.95, 0.91%, 0.46%

LAB 49.27, 77.81, -9.12

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 96 / 78 / 0 / 12

HEX #0A31E0

RGB 10 49 224

HSL 229.07, 0.91%, 0.46%

LAB 33.23, 56.06, -88.74

 

CMYK 0 / 96 / 78 / 12

HEX #E00A31

RGB 224 10 49

HSL 349.07, 0.91%, 0.46%

LAB 47.35, 72.61, 40.62

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 96 / 2 / 0 / 12

HEX #0ADCE0

RGB 10 220 224

HSL 181.12, 0.91%, 0.46%

LAB 79.97, -41.58, -14.54

 

CMYK 18 / 96 / 0 / 12

HEX #B80AE0

RGB 184 10 224

HSL 288.79, 0.91%, 0.46%

LAB 46.7, 82.35, -65.99

 

CMYK 0 / 94 / 96 / 12

HEX #E00E0A

RGB 224 14 10

HSL 1.12, 0.91%, 0.46%

LAB 47.21, 71.52, 58.24

 

CMYK 79 / 0 / 96 / 12

HEX #2FE00A

RGB 47 224 10

HSL 109.63, 0.91%, 0.46%

LAB 78.43, -74.78, 74.95

 

CMYK 96 / 30 / 0 / 12

HEX #0A9CE0

RGB 10 156 224

HSL 199.07, 0.91%, 0.46%

LAB 60.98, -9.46, -43.77

 

CMYK 18 / 96 / 0 / 12

HEX #B80AE0

RGB 184 10 224

HSL 288.79, 0.91%, 0.46%

LAB 46.7, 82.35, -65.99

 

CMYK 0 / 65 / 96 / 12

HEX #E04E0A

RGB 224 78 10

HSL 19.07, 0.91%, 0.46%

LAB 53.3, 54.57, 61.62

 

Description

Color code: RGB 47 224 10 | qconv.com Color code: RGB 47 224 10 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 224 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 224 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 96 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 96% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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