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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 196 104 it is the complementary color RGB 208 59 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 196 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 196 104 shade: RGB 52 196 99, RGB 69 214 118, RGB 86 232 137, RGB 103 250 156 and RGB 120 255 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 196 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 196 104 shade: RGB 47 196 104, RGB 30 178 85, RGB 13 160 66, RGB 0 142 47 and RGB 0 124 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 196 104 shade: RGB 47 197 104, RGB 47 197 64, RGB 71 197 47, RGB 111 197 47 and RGB 151 197 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 196 104 shade: RGB 47 197 104, RGB 47 197 145, RGB 47 197 185, RGB 47 168 197 and RGB 47 128 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 196 104 shade matches the following richer shades: RGB 47 197 104, RGB 27 216 100 and RGB 8 236 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 196 104 shade: RGB 47 197 104, RGB 67 177 109, RGB 87 157 114, RGB 107 137 118 and RGB 126 117 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 196 104 shade: RGB 72 197 47, RGB 47 197 62, RGB 47 197 102, RGB 47 197 142 and RGB 47 197 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 196 104 shade: RGB 31 130 69, RGB 39 163 87, RGB 47 197 104, RGB 74 211 126 and RGB 107 219 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 196 104 shade: RGB 47 196 104, RGB 47 112 197 and RGB 197 47 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 196 104 shade: RGB 47 196 104, RGB 102 47 197 and RGB 197 102 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 196 104 shade: RGB 47 196 104, RGB 47 112 197, RGB 197 47 142 and RGB 197 132 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 196 104 shade: RGB 47 196 104, RGB 47 67 197, RGB 197 47 142 and RGB 197 177 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 47 / 23

HEX #2FC468

RGB 47 196 104

HSL 142.95, 0.61%, 0.48%

LAB 70.23, -58.28, 35.38

 

Complementary color

CMYK 0 / 72 / 27 / 18

HEX #D03B97

RGB 208 59 151

HSL 322.95, 0.61%, 0.52%

LAB 50.42, 65.71, -17.27

 

CMYK 73 / 0 / 49 / 23

HEX #34C463

RGB 52 196 99

HSL 139.58, 0.58%, 0.49%

LAB 70.25, -58.37, 37.93

 

CMYK 68 / 0 / 45 / 16

HEX #45D676

RGB 69 214 118

HSL 140.28, 0.64%, 0.55%

LAB 76.48, -59.04, 36.41

 

CMYK 63 / 0 / 41 / 9

HEX #56E889

RGB 86 232 137

HSL 140.96, 0.76%, 0.62%

LAB 82.65, -59.43, 34.96

 

CMYK 59 / 0 / 38 / 2

HEX #67FA9C

RGB 103 250 156

HSL 141.63, 0.94%, 0.69%

LAB 88.76, -59.61, 33.59

 

CMYK 53 / 0 / 31 / 0

HEX #78FFAF

RGB 120 255 175

HSL 144.44, 1%, 0.74%

LAB 91.06, -54.51, 27.22

 

CMYK 76 / 0 / 47 / 23

HEX #2FC468

RGB 47 196 104

HSL 142.95, 0.61%, 0.48%

LAB 70.23, -58.28, 35.38

 

CMYK 83 / 0 / 52 / 30

HEX #1EB255

RGB 30 178 85

HSL 142.3, 0.71%, 0.41%

LAB 63.98, -57.09, 37.03

 

CMYK 92 / 0 / 59 / 37

HEX #0DA042

RGB 13 160 66

HSL 141.63, 0.85%, 0.34%

LAB 57.68, -55.28, 38.71

 

CMYK 100 / 0 / 67 / 44

HEX #008E2F

RGB 0 142 47

HSL 139.86, 1%, 0.28%

LAB 51.33, -52.7, 40.29

 

CMYK 100 / 0 / 77 / 51

HEX #007C1C

RGB 0 124 28

HSL 133.55, 1%, 0.24%

LAB 44.94, -49.01, 41.44

 

CMYK 76 / 0 / 47 / 23

HEX #2FC568

RGB 47 197 104

HSL 142.8, 0.61%, 0.48%

LAB 70.55, -58.63, 35.79

 

CMYK 76 / 0 / 68 / 23

HEX #2FC540

RGB 47 197 64

HSL 126.8, 0.61%, 0.48%

LAB 70.11, -63.87, 53.7

 

CMYK 64 / 0 / 76 / 23

HEX #47C52F

RGB 71 197 47

HSL 110.4, 0.61%, 0.48%

LAB 70.51, -60.95, 60.51

 

CMYK 44 / 0 / 76 / 23

HEX #6FC52F

RGB 111 197 47

HSL 94.4, 0.61%, 0.48%

LAB 71.9, -50.07, 62.35

 

CMYK 23 / 0 / 76 / 23

HEX #97C52F

RGB 151 197 47

HSL 78.4, 0.61%, 0.48%

LAB 74.01, -35.69, 65.09

 

CMYK 76 / 0 / 47 / 23

HEX #2FC568

RGB 47 197 104

HSL 142.8, 0.61%, 0.48%

LAB 70.55, -58.63, 35.79

 

CMYK 76 / 0 / 26 / 23

HEX #2FC591

RGB 47 197 145

HSL 159.2, 0.61%, 0.48%

LAB 71.27, -50.55, 15.28

 

CMYK 76 / 0 / 6 / 23

HEX #2FC5B9

RGB 47 197 185

HSL 175.2, 0.61%, 0.48%

LAB 72.25, -40.37, -4.99

 

CMYK 76 / 15 / 0 / 23

HEX #2FA8C5

RGB 47 168 197

HSL 191.6, 0.61%, 0.48%

LAB 63.87, -22.83, -24.23

 

CMYK 76 / 35 / 0 / 23

HEX #2F80C5

RGB 47 128 197

HSL 207.6, 0.61%, 0.48%

LAB 51.92, -0.56, -42.85

 

CMYK 76 / 0 / 47 / 23

HEX #2FC568

RGB 47 197 104

HSL 142.8, 0.61%, 0.48%

LAB 70.55, -58.63, 35.79

 

CMYK 88 / 0 / 54 / 15

HEX #1BD864

RGB 27 216 100

HSL 143.17, 0.78%, 0.48%

LAB 76.23, -67.62, 44.73

 

CMYK 97 / 0 / 60 / 7

HEX #08EC5F

RGB 8 236 95

HSL 142.89, 0.93%, 0.48%

LAB 82.31, -75.32, 54.16

 

CMYK 76 / 0 / 47 / 23

HEX #2FC568

RGB 47 197 104

HSL 142.8, 0.61%, 0.48%

LAB 70.55, -58.63, 35.79

 

CMYK 62 / 0 / 38 / 31

HEX #43B16D

RGB 67 177 109

HSL 142.91, 0.45%, 0.48%

LAB 64.76, -46.8, 25.77

 

CMYK 45 / 0 / 27 / 38

HEX #579D72

RGB 87 157 114

HSL 143.14, 0.29%, 0.48%

LAB 59.3, -32.1, 15.77

 

CMYK 22 / 0 / 14 / 46

HEX #6B8976

RGB 107 137 118

HSL 142, 0.12%, 0.48%

LAB 54.37, -14.71, 6.73

 

CMYK 0 / 7 / 2 / 51

HEX #7E757B

RGB 126 117 123

HSL 320, 0.04%, 0.48%

LAB 50.2, 4.62, -2.05

 

CMYK 63 / 0 / 76 / 23

HEX #48C52F

RGB 72 197 47

HSL 110, 0.61%, 0.48%

LAB 70.54, -60.74, 60.55

 

CMYK 76 / 0 / 69 / 23

HEX #2FC53E

RGB 47 197 62

HSL 126, 0.61%, 0.48%

LAB 70.1, -64.07, 54.48

 

CMYK 76 / 0 / 48 / 23

HEX #2FC566

RGB 47 197 102

HSL 142, 0.61%, 0.48%

LAB 70.52, -58.96, 36.75

 

CMYK 76 / 0 / 28 / 23

HEX #2FC58E

RGB 47 197 142

HSL 158, 0.61%, 0.48%

LAB 71.21, -51.23, 16.8

 

CMYK 76 / 0 / 8 / 23

HEX #2FC5B6

RGB 47 197 182

HSL 174, 0.61%, 0.48%

LAB 72.17, -41.2, -3.48

 

CMYK 76 / 0 / 47 / 49

HEX #1F8245

RGB 31 130 69

HSL 143.03, 0.61%, 0.32%

LAB 47.86, -42.24, 25.16

 

CMYK 76 / 0 / 47 / 36

HEX #27A357

RGB 39 163 87

HSL 143.23, 0.61%, 0.4%

LAB 59.26, -50.34, 30.13

 

CMYK 76 / 0 / 47 / 23

HEX #2FC568

RGB 47 197 104

HSL 142.8, 0.61%, 0.48%

LAB 70.55, -58.63, 35.79

 

CMYK 65 / 0 / 40 / 17

HEX #4AD37E

RGB 74 211 126

HSL 142.77, 0.61%, 0.56%

LAB 75.79, -55.66, 31.49

 

CMYK 51 / 0 / 32 / 14

HEX #6BDB96

RGB 107 219 150

HSL 143.04, 0.61%, 0.64%

LAB 79.61, -47.35, 24.38

 

CMYK 76 / 0 / 47 / 23

HEX #2FC468

RGB 47 196 104

HSL 142.95, 0.61%, 0.48%

LAB 70.23, -58.28, 35.38

 

CMYK 76 / 43 / 0 / 23

HEX #2F70C5

RGB 47 112 197

HSL 214, 0.61%, 0.48%

LAB 47.27, 9.26, -50.25

 

CMYK 0 / 76 / 74 / 23

HEX #C52F34

RGB 197 47 52

HSL 358, 0.61%, 0.48%

LAB 44.45, 58.35, 34.16

 

CMYK 76 / 0 / 47 / 23

HEX #2FC468

RGB 47 196 104

HSL 142.95, 0.61%, 0.48%

LAB 70.23, -58.28, 35.38

 

CMYK 48 / 76 / 0 / 23

HEX #662FC5

RGB 102 47 197

HSL 262, 0.61%, 0.48%

LAB 35.77, 56.19, -68.72

 

CMYK 0 / 48 / 76 / 23

HEX #C5662F

RGB 197 102 47

HSL 22, 0.61%, 0.48%

LAB 53.58, 33.94, 46.65

 

CMYK 76 / 0 / 47 / 23

HEX #2FC468

RGB 47 196 104

HSL 142.95, 0.61%, 0.48%

LAB 70.23, -58.28, 35.38

 

CMYK 76 / 43 / 0 / 23

HEX #2F70C5

RGB 47 112 197

HSL 214, 0.61%, 0.48%

LAB 47.27, 9.26, -50.25

 

CMYK 0 / 76 / 28 / 23

HEX #C52F8E

RGB 197 47 142

HSL 322, 0.61%, 0.48%

LAB 46.79, 65.69, -17.6

 

CMYK 0 / 33 / 76 / 23

HEX #C5842F

RGB 197 132 47

HSL 34, 0.61%, 0.48%

LAB 60.41, 17.73, 53.45

 

CMYK 76 / 0 / 47 / 23

HEX #2FC468

RGB 47 196 104

HSL 142.95, 0.61%, 0.48%

LAB 70.23, -58.28, 35.38

 

CMYK 76 / 66 / 0 / 23

HEX #2F43C5

RGB 47 67 197

HSL 232, 0.61%, 0.48%

LAB 35.3, 38.18, -69.66

 

CMYK 0 / 76 / 28 / 23

HEX #C52F8E

RGB 197 47 142

HSL 322, 0.61%, 0.48%

LAB 46.79, 65.69, -17.6

 

CMYK 0 / 10 / 76 / 23

HEX #C5B12F

RGB 197 177 47

HSL 52, 0.61%, 0.48%

LAB 71.91, -6.53, 64.38

 

Description

Color code: RGB 47 196 104 | qconv.com Color code: RGB 47 196 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 196 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 196 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 47 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 47% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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