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Color name
RGB 47 167 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 167 68 it is the complementary color RGB 208 88 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 167 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 167 68 shade: RGB 52 167 63, RGB 69 185 82, RGB 86 203 101, RGB 103 221 120 and RGB 120 239 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 167 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 167 68 shade: RGB 47 167 68, RGB 30 149 49, RGB 13 131 30, RGB 0 113 11 and RGB 0 95 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 167 68 shade: RGB 47 167 68, RGB 58 167 47, RGB 90 167 47, RGB 123 167 47 and RGB 155 167 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 167 68 shade: RGB 47 167 68, RGB 47 167 100, RGB 47 167 132, RGB 47 167 165 and RGB 47 136 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 167 68 shade matches the following richer shades: RGB 47 167 68, RGB 29 184 56 and RGB 12 201 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 167 68 shade: RGB 47 167 68, RGB 64 149 79, RGB 81 132 90, RGB 99 115 101 and RGB 116 97 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 167 68 shade: RGB 91 167 47, RGB 59 167 47, RGB 47 167 67, RGB 47 167 99 and RGB 47 167 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 167 68 shade: RGB 28 102 41, RGB 38 134 54, RGB 47 167 68, RGB 56 199 81 and RGB 88 208 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 167 68 shade: RGB 47 167 68, RGB 47 123 167 and RGB 167 47 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 167 68 shade: RGB 47 167 68, RGB 67 47 167 and RGB 167 67 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 167 68 shade: RGB 47 167 68, RGB 47 123 167, RGB 167 47 147 and RGB 167 91 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 167 68 shade: RGB 47 167 68, RGB 47 87 167, RGB 167 47 147 and RGB 167 127 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

Complementary color

CMYK 0 / 58 / 10 / 18

HEX #D058BB

RGB 208 88 187

HSL 310.5, 0.56%, 0.58%

LAB 56.06, 59.24, -29.65

 

CMYK 69 / 0 / 62 / 35

HEX #34A73F

RGB 52 167 63

HSL 125.74, 0.53%, 0.43%

LAB 60.54, -53.08, 43.58

 

CMYK 63 / 0 / 56 / 27

HEX #45B952

RGB 69 185 82

HSL 126.72, 0.46%, 0.5%

LAB 66.95, -53.74, 42.28

 

CMYK 58 / 0 / 50 / 20

HEX #56CB65

RGB 86 203 101

HSL 127.69, 0.53%, 0.57%

LAB 73.3, -54.06, 40.92

 

CMYK 53 / 0 / 46 / 13

HEX #67DD78

RGB 103 221 120

HSL 128.64, 0.63%, 0.64%

LAB 79.59, -54.18, 39.57

 

CMYK 50 / 0 / 42 / 6

HEX #78EF8B

RGB 120 239 139

HSL 129.58, 0.79%, 0.7%

LAB 85.8, -54.15, 38.27

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 80 / 0 / 67 / 42

HEX #1E9531

RGB 30 149 49

HSL 129.58, 0.66%, 0.35%

LAB 54.02, -52.11, 42.45

 

CMYK 90 / 0 / 77 / 49

HEX #0D831E

RGB 13 131 30

HSL 128.64, 0.82%, 0.28%

LAB 47.51, -50.01, 43.31

 

CMYK 100 / 0 / 90 / 56

HEX #00710B

RGB 0 113 11

HSL 125.84, 1%, 0.22%

LAB 40.95, -46.78, 43.01

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 65 / 0 / 72 / 35

HEX #3AA72F

RGB 58 167 47

HSL 114.5, 0.56%, 0.42%

LAB 60.55, -53.45, 50.41

 

CMYK 46 / 0 / 72 / 35

HEX #5AA72F

RGB 90 167 47

HSL 98.5, 0.56%, 0.42%

LAB 61.67, -44.76, 51.91

 

CMYK 26 / 0 / 72 / 35

HEX #7BA72F

RGB 123 167 47

HSL 82, 0.56%, 0.42%

LAB 63.39, -32.88, 54.2

 

CMYK 7 / 0 / 72 / 35

HEX #9BA72F

RGB 155 167 47

HSL 66, 0.56%, 0.42%

LAB 65.6, -19.64, 57.13

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 72 / 0 / 40 / 35

HEX #2FA764

RGB 47 167 100

HSL 146.5, 0.56%, 0.42%

LAB 60.92, -48.26, 25.41

 

CMYK 72 / 0 / 21 / 35

HEX #2FA784

RGB 47 167 132

HSL 162.5, 0.56%, 0.42%

LAB 61.57, -41.22, 8.73

 

CMYK 72 / 0 / 1 / 35

HEX #2FA7A5

RGB 47 167 165

HSL 179, 0.56%, 0.42%

LAB 62.47, -32.26, -8.45

 

CMYK 72 / 19 / 0 / 35

HEX #2F88A7

RGB 47 136 167

HSL 195.5, 0.56%, 0.42%

LAB 52.95, -15.76, -24.02

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 84 / 0 / 70 / 28

HEX #1DB838

RGB 29 184 56

HSL 130.45, 0.73%, 0.42%

LAB 65.61, -62.75, 52.02

 

CMYK 94 / 0 / 78 / 21

HEX #0CC92D

RGB 12 201 45

HSL 130.48, 0.89%, 0.42%

LAB 70.9, -69.86, 61.23

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 57 / 0 / 47 / 42

HEX #40954F

RGB 64 149 79

HSL 130.59, 0.4%, 0.42%

LAB 55.23, -41.24, 29.34

 

CMYK 39 / 0 / 32 / 48

HEX #51845A

RGB 81 132 90

HSL 130.59, 0.24%, 0.42%

LAB 50.68, -26.58, 17.43

 

CMYK 14 / 0 / 12 / 55

HEX #637365

RGB 99 115 101

HSL 127.5, 0.07%, 0.42%

LAB 46.78, -8.93, 5.75

 

CMYK 0 / 16 / 3 / 55

HEX #746171

RGB 116 97 113

HSL 309.47, 0.09%, 0.42%

LAB 43.44, 10.7, -6.17

 

CMYK 46 / 0 / 72 / 35

HEX #5BA72F

RGB 91 167 47

HSL 98, 0.56%, 0.42%

LAB 61.71, -44.44, 51.97

 

CMYK 65 / 0 / 72 / 35

HEX #3BA72F

RGB 59 167 47

HSL 114, 0.56%, 0.42%

LAB 60.58, -53.23, 50.44

 

CMYK 72 / 0 / 60 / 35

HEX #2FA743

RGB 47 167 67

HSL 130, 0.56%, 0.42%

LAB 60.47, -53.51, 41.62

 

CMYK 72 / 0 / 41 / 35

HEX #2FA763

RGB 47 167 99

HSL 146, 0.56%, 0.42%

LAB 60.91, -48.45, 25.93

 

CMYK 72 / 0 / 22 / 35

HEX #2FA783

RGB 47 167 131

HSL 162, 0.56%, 0.42%

LAB 61.55, -41.47, 9.26

 

CMYK 73 / 0 / 60 / 60

HEX #1C6629

RGB 28 102 41

HSL 130.54, 0.57%, 0.25%

LAB 37.68, -36.47, 27.69

 

CMYK 72 / 0 / 60 / 47

HEX #268636

RGB 38 134 54

HSL 130, 0.56%, 0.34%

LAB 49.17, -44.92, 34.65

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 72 / 0 / 59 / 22

HEX #38C751

RGB 56 199 81

HSL 130.49, 0.56%, 0.5%

LAB 71.06, -61.28, 47.5

 

CMYK 58 / 0 / 48 / 18

HEX #58D06D

RGB 88 208 109

HSL 130.5, 0.56%, 0.58%

LAB 75.01, -54.36, 39.12

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 72 / 26 / 0 / 35

HEX #2F7BA7

RGB 47 123 167

HSL 202, 0.56%, 0.42%

LAB 48.96, -8.42, -30.22

 

CMYK 0 / 72 / 55 / 35

HEX #A72F4B

RGB 167 47 75

HSL 346, 0.56%, 0.42%

LAB 39.17, 50.52, 12.15

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 60 / 72 / 0 / 35

HEX #432FA7

RGB 67 47 167

HSL 250, 0.56%, 0.42%

LAB 29.45, 42.51, -61.42

 

CMYK 0 / 60 / 72 / 35

HEX #A7432F

RGB 167 67 47

HSL 10, 0.56%, 0.42%

LAB 41.9, 39.97, 32.7

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 72 / 26 / 0 / 35

HEX #2F7BA7

RGB 47 123 167

HSL 202, 0.56%, 0.42%

LAB 48.96, -8.42, -30.22

 

CMYK 0 / 72 / 12 / 35

HEX #A72F93

RGB 167 47 147

HSL 310, 0.56%, 0.42%

LAB 41.78, 58.98, -28.8

 

CMYK 0 / 46 / 72 / 35

HEX #A75B2F

RGB 167 91 47

HSL 22, 0.56%, 0.42%

LAB 46.85, 27.44, 38.23

 

CMYK 72 / 0 / 59 / 35

HEX #2FA744

RGB 47 167 68

HSL 130.5, 0.56%, 0.42%

LAB 60.48, -53.38, 41.16

 

CMYK 72 / 48 / 0 / 35

HEX #2F57A7

RGB 47 87 167

HSL 220, 0.56%, 0.42%

LAB 38.22, 14, -47.23

 

CMYK 0 / 72 / 12 / 35

HEX #A72F93

RGB 167 47 147

HSL 310, 0.56%, 0.42%

LAB 41.78, 58.98, -28.8

 

CMYK 0 / 24 / 72 / 35

HEX #A77F2F

RGB 167 127 47

HSL 40, 0.56%, 0.42%

LAB 55.68, 7.21, 47.58

 

Description

Color code: RGB 47 167 68 | qconv.com Color code: RGB 47 167 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 167 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 167 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 59 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 59% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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