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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 153 197 it is the complementary color RGB 208 102 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 153 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 153 197 shade: RGB 52 153 192, RGB 69 171 211, RGB 86 189 230, RGB 103 207 249 and RGB 120 225 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 153 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 153 197 shade: RGB 47 153 197, RGB 30 135 178, RGB 13 117 159, RGB 0 99 140 and RGB 0 81 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 153 197 shade: RGB 47 153 197, RGB 47 112 197, RGB 47 72 197, RGB 63 47 197 and RGB 103 47 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 153 197 shade: RGB 47 153 197, RGB 47 112 197, RGB 47 72 197 and RGB 47 47 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 153 197 shade matches the following richer shades: RGB 47 153 197, RGB 27 161 216 and RGB 8 169 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 153 197 shade: RGB 47 153 197, RGB 67 145 177, RGB 87 136 157, RGB 107 128 137 and RGB 126 120 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 153 197 shade: RGB 47 197 159, RGB 47 194 197, RGB 47 154 197, RGB 47 114 197 and RGB 47 75 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 153 197 shade: RGB 31 101 130, RGB 39 127 163, RGB 47 153 197, RGB 74 171 211 and RGB 107 186 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 153 197 shade: RGB 47 153 197, RGB 119 47 197 and RGB 197 179 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 153 197 shade: RGB 47 153 197, RGB 197 47 154 and RGB 154 197 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 153 197 shade: RGB 47 153 197, RGB 119 47 197, RGB 197 90 47 and RGB 124 197 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 153 197 shade: RGB 47 153 197, RGB 164 47 197, RGB 197 90 47 and RGB 80 197 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

Complementary color

CMYK 0 / 51 / 72 / 18

HEX #D0663A

RGB 208 102 58

HSL 17.6, 0.61%, 0.52%

LAB 55.3, 38.8, 43.49

 

CMYK 73 / 20 / 0 / 25

HEX #3499C0

RGB 52 153 192

HSL 196.71, 0.57%, 0.48%

LAB 59.27, -15.95, -28.5

 

CMYK 67 / 19 / 0 / 17

HEX #45ABD3

RGB 69 171 211

HSL 196.9, 0.62%, 0.55%

LAB 65.82, -16.95, -28.94

 

CMYK 63 / 18 / 0 / 10

HEX #56BDE6

RGB 86 189 230

HSL 197.08, 0.74%, 0.62%

LAB 72.29, -17.72, -29.34

 

CMYK 59 / 17 / 0 / 2

HEX #67CFF9

RGB 103 207 249

HSL 197.26, 0.92%, 0.69%

LAB 78.66, -18.32, -29.72

 

CMYK 53 / 12 / 0 / 0

HEX #78E1FF

RGB 120 225 255

HSL 193.33, 1%, 0.74%

LAB 84.52, -22.44, -23.9

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 83 / 24 / 0 / 30

HEX #1E87B2

RGB 30 135 178

HSL 197.43, 0.71%, 0.41%

LAB 52.75, -13.33, -30.69

 

CMYK 92 / 26 / 0 / 38

HEX #0D759F

RGB 13 117 159

HSL 197.26, 0.85%, 0.34%

LAB 46.06, -11.3, -30.12

 

CMYK 100 / 29 / 0 / 45

HEX #00638C

RGB 0 99 140

HSL 197.57, 1%, 0.27%

LAB 39.27, -8.7, -29.44

 

CMYK 100 / 33 / 0 / 53

HEX #005179

RGB 0 81 121

HSL 199.83, 1%, 0.24%

LAB 32.4, -5.29, -28.61

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 76 / 43 / 0 / 23

HEX #2F70C5

RGB 47 112 197

HSL 214, 0.61%, 0.48%

LAB 47.27, 9.26, -50.25

 

CMYK 76 / 63 / 0 / 23

HEX #2F48C5

RGB 47 72 197

HSL 230, 0.61%, 0.48%

LAB 36.5, 35.02, -67.69

 

CMYK 68 / 76 / 0 / 23

HEX #3F2FC5

RGB 63 47 197

HSL 246.4, 0.61%, 0.48%

LAB 32.08, 51.32, -74.93

 

CMYK 48 / 76 / 0 / 23

HEX #672FC5

RGB 103 47 197

HSL 262.4, 0.61%, 0.48%

LAB 35.88, 56.34, -68.53

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 76 / 43 / 0 / 23

HEX #2F70C5

RGB 47 112 197

HSL 214, 0.61%, 0.48%

LAB 47.27, 9.26, -50.25

 

CMYK 76 / 63 / 0 / 23

HEX #2F48C5

RGB 47 72 197

HSL 230, 0.61%, 0.48%

LAB 36.5, 35.02, -67.69

 

CMYK 76 / 76 / 0 / 23

HEX #2F2FC5

RGB 47 47 197

HSL 240, 0.61%, 0.48%

LAB 31.04, 49.92, -76.68

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 88 / 25 / 0 / 15

HEX #1BA1D8

RGB 27 161 216

HSL 197.46, 0.78%, 0.48%

LAB 62.24, -14.36, -37.34

 

CMYK 97 / 28 / 0 / 7

HEX #08A9EC

RGB 8 169 236

HSL 197.63, 0.93%, 0.48%

LAB 65.34, -12.37, -43.52

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 62 / 18 / 0 / 31

HEX #4391B1

RGB 67 145 177

HSL 197.45, 0.45%, 0.48%

LAB 56.7, -14.12, -23.93

 

CMYK 45 / 13 / 0 / 38

HEX #57889D

RGB 87 136 157

HSL 198, 0.29%, 0.48%

LAB 54.1, -10.73, -16.36

 

CMYK 22 / 7 / 0 / 46

HEX #6B8089

RGB 107 128 137

HSL 198, 0.12%, 0.48%

LAB 52.25, -5.49, -7.4

 

CMYK 0 / 5 / 7 / 51

HEX #7E7875

RGB 126 120 117

HSL 20, 0.04%, 0.48%

LAB 50.87, 1.72, 2.46

 

CMYK 76 / 0 / 19 / 23

HEX #2FC59F

RGB 47 197 159

HSL 164.8, 0.61%, 0.48%

LAB 71.58, -47.22, 8.17

 

CMYK 76 / 2 / 0 / 23

HEX #2FC2C5

RGB 47 194 197

HSL 181.2, 0.61%, 0.48%

LAB 71.7, -35.56, -12.35

 

CMYK 76 / 22 / 0 / 23

HEX #2F9AC5

RGB 47 154 197

HSL 197.2, 0.61%, 0.48%

LAB 59.66, -15.42, -30.72

 

CMYK 76 / 42 / 0 / 23

HEX #2F72C5

RGB 47 114 197

HSL 213.2, 0.61%, 0.48%

LAB 47.84, 8, -49.34

 

CMYK 76 / 62 / 0 / 23

HEX #2F4BC5

RGB 47 75 197

HSL 228.8, 0.61%, 0.48%

LAB 37.24, 33.1, -66.48

 

CMYK 76 / 22 / 0 / 49

HEX #1F6582

RGB 31 101 130

HSL 197.58, 0.61%, 0.32%

LAB 39.93, -11.12, -22.32

 

CMYK 76 / 22 / 0 / 36

HEX #277FA3

RGB 39 127 163

HSL 197.42, 0.61%, 0.4%

LAB 49.8, -13.21, -26.59

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 65 / 19 / 0 / 17

HEX #4AABD3

RGB 74 171 211

HSL 197.52, 0.61%, 0.56%

LAB 65.97, -16.15, -28.7

 

CMYK 51 / 15 / 0 / 14

HEX #6BBADB

RGB 107 186 219

HSL 197.68, 0.61%, 0.64%

LAB 71.8, -15.31, -24.04

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 40 / 76 / 0 / 23

HEX #772FC5

RGB 119 47 197

HSL 268.8, 0.61%, 0.48%

LAB 37.82, 58.85, -65.29

 

CMYK 0 / 9 / 76 / 23

HEX #C5B32F

RGB 197 179 47

HSL 52.8, 0.61%, 0.48%

LAB 72.44, -7.58, 64.87

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 0 / 76 / 22 / 23

HEX #C52F9A

RGB 197 47 154

HSL 317.2, 0.61%, 0.48%

LAB 47.28, 67.19, -24.04

 

CMYK 22 / 0 / 76 / 23

HEX #9AC52F

RGB 154 197 47

HSL 77.2, 0.61%, 0.48%

LAB 74.19, -34.51, 65.33

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 40 / 76 / 0 / 23

HEX #772FC5

RGB 119 47 197

HSL 268.8, 0.61%, 0.48%

LAB 37.82, 58.85, -65.29

 

CMYK 0 / 54 / 76 / 23

HEX #C55A2F

RGB 197 90 47

HSL 17.2, 0.61%, 0.48%

LAB 51.14, 40.09, 44.14

 

CMYK 37 / 0 / 76 / 23

HEX #7CC52F

RGB 124 197 47

HSL 89.2, 0.61%, 0.48%

LAB 72.51, -45.71, 63.14

 

CMYK 76 / 22 / 0 / 23

HEX #2F99C5

RGB 47 153 197

HSL 197.6, 0.61%, 0.48%

LAB 59.36, -14.87, -31.19

 

CMYK 17 / 76 / 0 / 23

HEX #A42FC5

RGB 164 47 197

HSL 286.8, 0.61%, 0.48%

LAB 44.17, 66.89, -54.69

 

CMYK 0 / 54 / 76 / 23

HEX #C55A2F

RGB 197 90 47

HSL 17.2, 0.61%, 0.48%

LAB 51.14, 40.09, 44.14

 

CMYK 59 / 0 / 76 / 23

HEX #50C52F

RGB 80 197 47

HSL 106.8, 0.61%, 0.48%

LAB 70.76, -58.88, 60.85

 

Description

Color code: RGB 47 153 197 | qconv.com Color code: RGB 47 153 197 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 153 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 153 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 22 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 22% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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